The Signal, Vol. 78, No. 2 (September 20, 1963)

Total Page:16

File Type:pdf, Size:1020Kb

The Signal, Vol. 78, No. 2 (September 20, 1963) 13, 1 vn een for spten The Students' Paper Since 1885 MEMBER s Tt kins, iday, September 20, 1963 TRENTON STATE COLLEGE, TRENTON, N. J. Vol. LXXWVIII No. 2 ince office ;ices Season Opens who PROGRAM COMMITTEE PRESENTS 5=21. Social Studies Association ALVIN AILEY DANCE THEATRE "JULIUS CAESAR" Features Dr. George Kennan HIGHLIGHTS YEAR'S PRODUCTIONS In First Lecture of Series Marks Four-hundredth FORMER U. S. AMBASSADOR IN BELGRADE Anniversary of WILL S PEAK ON "YUGOSLAVIA TODAY" Playwright's Birth The Social Studies Association at Trenton State College is open­ ing its program of lectures during the present college year on Sep­ _ "Julius Caeser," under the direc­ tember 25 with an address by one of America's leading experts in tion of Dr. Wade Curry, will be the field of foreign affairs. Dr. George Kennan, who served until presented by the college on No­ vember 1st and 2nd. Casting for recently as Ambassador in Belgrade, will speak about "Yugoslavia the production began Monday, Today." Sept. 16th, and will carry over His address is most timely in Soviet Union but retired from into the following week. Dr. Curry view of the forthcoming visit of foreign service in 1953 to become approximated that a total of 100 Marshall Tito to this country; a permanent professor at the In­ people will be involved in the play. Tito will attend the U. N. session stitute for Advanced Study in The Shakespearean tragedy re­ and call on President Kennedy Princeton. President Kennedy re­ quires 30 players, while 70 will be at the White House on October 17. called him from Princeton to serve needed backstage. The place of our meeting will as Ambassador to Yugoslavia; he Dr. Curry explained that ren­ still be announced; the exact time stayed there for two and a half dering such a production at this is Wednesday, Sept. 25, at 7:30 years and returned to Princeton time is apropos since the year of p.m. promptly. recently. 1964 is the 400th anniversary of Dr. George Kennan is considered Dr. Kennan is not only an ac­ Shakespeare's birth. Julius Caeser to be the leading American expert complished diplomat but also a is probably the most popular of on the Soviet Union and her allies. brilliant historian who received the the playwright's masterpieces, and He is the father of the "contain­ Pulitzer Prize for his book on The Alvin Ailey Dance Group in action ... a sneak preview of it is also considered the first of ment policy" against Soviet Rus­ Soviet-American relations. Among 1 Thu rsday's program. his great tragedies. sia, which he originated in 1947 his many other works is the out­ Line after line is familiar. Yet by his now famous essay on standing volume "Russia and the "Forces of Soviet Conduct" in West under Lenin and Stalin." The program committee of Tren- ton Katselas and Stella Adler. the language is quite simple. Brutus, especially, has an almost Foreign Affairs. He was long as­ Ambassador Kennan is also a lec­ f Bn State College will present The Appeared in concert with the com­ sociated with the State Depart­ panies of Anna Sokolow, Sophie New England reticence; when his turer of renown. Trenton State is Ivin Ailey Dance Theatre in ment to whose policy planning Maslow and Donald McKayle. In wife commits suicide, he says fortunate to have him now, be­ endall Hall Auditorium on Thurs- staff he belonged. In 1952 he be­ the Phoenix Theatre production only "She is dead," and not "To­ cause he has refused other lecture ly evening September 26 at came U. S. Ambassador to the engagements for the time being. 15 p.m. This is the first in a "The Carefree Tree." On tour as morrow and tomorrow and tomor­ iries of programs chosen by the featured dancer in Harry Bela- row, creeps in this petty pace |udent and faculty members of fonte's "Sing, Man, Sing." As lead from day to day." Even Caesar on program committee for the dancer on Broadway in the Lena being stabbed by his best friend Opening Convocation Draws liege community. Home Musical "Jamaica." says simply, "Et tu, Brute." The Alvin Ailey comes from Los During the run of the musical theme Shakespeare was to develop Largest Crowd In History IVj Jn geles, Cal., where he received "Jamaica," Mr. Ailey formed his in other plays, the conflict between > basic training in dance at the first dance company and offered loyalty to principle and loyalty Dean James J. Forcina opened "beginning of the year beliefs" to h Mel3,st er Horton Dance Theatre of the first performances of his works to me, is shown here at its stark­ the all college convocation which the convocation. The first is that at city. After a year of study at the 92nd Street YMHA-YWHA est. The play is shared by five was held on September 12. Dean Trenton State is a fine and poten­ joined this company in minor to acclaim by critics and audiences very different people—almost as Forcina presented Frederick Rau- tially great institution. He men­ les in repertory performances alike. if Shakespeare had started with binger, Commissioner of Educa­ tioned Jefferson's belief that the their theater. Following a year Mr. Ailey and his company have the thought of placing in one play tion for the State of New Jersey. strength of the nation depends performances with this com- since appeared in many dance five people, no two of whom could Commissioner Raubinger express­ upon the people. Enlightenment of ^ny he moved to San Francisco festivals and concerts both in and possibly live together with conflict. ed his interest in the student body these people is necessary. President favor of the study of Romance outside New York City including of Trenton State College as a Hill mentioned the past history of hnguages at the University of the Jacob's Pillow Dance Festival, group and as individuals. He the college and spoke also of the alifornia at Berkeley, but soon World Dance Festival—Central mentioned the investment the future years of Trenton State •00 p|turnecl pursue a career as Park, Boston Arts Festival, Lewi- state has in students at the col­ College. dancer with the Horton dancers. sohn Stadium and the New York Township Approves lege, and that it is felt the in­ :00 Shakespeare Festival. The second belief presented by In late 1953, after the death of vestment will be worthwhile. Com­ Dr. Hill is that college is a place :00 ^ster Horton, Alvin Ailey he­ In addition to many works for missioner Raubinger went on to his own company, Mr. Ailey has of many resources. There is more :15 \ me choreographer for the Hor- Stop Light mention the work of the Board of to a campus than its buildings. Jn Company and came East with choreographed the summer touring Education in finding a replacement :00 "Jamaica" for St. Jean Terrell's Years of study by the faculty, plis group in the summer of 1954 for Dr. Edwin L. Martin as presi­ their leadership, and the energy :00 Jiere two of his ballets were Music Tents, and "Carmen Jones" At TSC dent of Trenton State College. which opened in New York's Cen­ of the students are all parts of :00 rformed at the Jacob's Pillow Many persons were interested in college. :00 ance Festival. During this tral Park Theatre-in-the-Round. the position; however, an offer was Mr. Ailey served as choreographer One of the major controversies President Hill also discussed the :00 riod, Mr. Ailey appeared in the last semester was centered upon extended to Dr. Warren G. Hill, lotion pictures, "Lydia Bailey" for an ELT production of "Dark then Commissioner of Education truism that you only get out of :00 P. of the Moon," and as director for the securing of a stop light at the college what you put into it. d "Carmen Jones," and choreo- Bliss Hall entrance to the campus. for the state of Maine. Commis­ :00 P. aphed for and danced with the a revue "African Holiday." sioner Raubinger then enumerated Values brought by students should The demand, initiated by the Stu­ not be discarded; students should :00 P |orton dancers in night clubs Last year he starred in the off- dent Executive Board, was based some of the highlights of Dr. well as on the television pro- Broadway dramatic production, Hill's career and presented him learn to separate fact from fiction upon a knowledge of previous ac­ and to recognize persons of worth. am "Party at Ciro's" and "The "Call Me By Rightful Name." cidents involving TSC students at to the faculty and students. Dr. Hill's concluding belief was I td Skelton Show." He also staged Critical acclaim led to another the main campus entrance. It was Dr. Hill expressed his pleasure 1 ghees for the Jack Benny Tele- dramatic appearance in this sea­ in coming to New Jersey and that there can be no freedom felt that, since so many students without restraint. There are rea­ bion show in May, 1954. During son's revival of "Two by Saroyan." used that crossing daily, a stop mentioned his awareness of the sons for the college regulations. e latter part of 1954, Mr. Ailey Most recently, Mr. Ailey appeared light would greatly alleviate the growth of higher education in New M Carmen de Lavallade (then in "Tiger, Tiger, Burning Bright." dangers which are present when Jersey. New faculty members Campus parking regulations were leading female dancer of Mr.
Recommended publications
  • Donald Mckayle's Life in Dance
    ey rn u In Jo Donald f McKayle’s i nite Life in Dance An exhibit in the Muriel Ansley Reynolds Gallery UC Irvine Main Library May - September 1998 Checklist prepared by Laura Clark Brown The UCI Libraries Irvine, California 1998 ey rn u In Jo Donald f i nite McKayle’s Life in Dance Donald McKayle, performer, teacher and choreographer. His dances em- body the deeply-felt passions of a true master. Rooted in the American experience, he has choreographed a body of work imbued with radiant optimism and poignancy. His appreciation of human wit and heroism in the face of pain and loss, and his faith in redemptive powers of love endow his dances with their originality and dramatic power. Donald McKayle has created a repertory of American dance that instructs the heart. -Inscription on Samuel H. Scripps/American Dance Festival Award orld-renowned choreographer and UCI Professor of Dance Donald McKayle received the prestigious Samuel H. Scripps/American Dance Festival WAward, “established to honor the great choreographers who have dedicated their lives and talent to the creation of our modern dance heritage,” in 1992. The “Sammy” was awarded to McKayle for a lifetime of performing, teaching and creating American modern dance, an “infinite journey” of both creativity and teaching. Infinite Journey is the title of a concert dance piece McKayle created in 1991 to honor the life of a former student; the title also befits McKayle’s own life. McKayle began his career in New York City, initially studying dance with the New Dance Group and later dancing professionally for noted choreographers such as Merce Cunningham, Martha Graham, Sophie Maslow, and Anna Sokolow.
    [Show full text]
  • Layout 1 (Page 1
    In 1949, Janet Collins—the first Black artist to appear Jean-Léon Destiné’s company along with Spanish and African Artists of the African Diaspora on the stage of the Metropolitan Opera—and Jean-Léon Hindu dances. It was a bold move, and its legacy is seen Destiné made their debut appearances at Jacob’s Pillow. today in the all-encompassing dance programming at Famous for his work with Katherine Dunham, Destiné Jacob’s Pillow. In 1970 Ted Shawn presented Dance Theatre and Jacob’s Pillow Dance Festival: was the first of many Black artists to teach in The School of Harlem’s first formal “engagement.” Critic Walter Terry American at Jacob’s Pillow in 1949, and returned to direct the praised the company’s debut and Shawn referred to the Inception to Present Cultural Traditions Program in 2004. Over 100 students Dance Theatre of Harlem performance as a “highlight of from around the world attend this professional-track the summer.” School at Jacob’s Pillow each year. f v f Heritage Beginning in the 1980s, African-American companies The ground-breaking Lester Horton Dance Theatre appeared at the Pillow more and more frequently. “Dance includes every way that men of all races in every period of the made its Pillow debut in 1953. Several of its young Highlights since then have included engagements by Participate in African Diaspora activities at JACOB’S PILLOW DANCE members, James Truitte, Carmen de Lavallade, and tappers Savion Glover, Gregory Hines and Jimmy Jacob’s Pillow Dance world’s history have moved rhythmically to express themselves.”—Ted Shawn (1915) Alvin Ailey, would leave a lasting impression on the Slyde, hip-hop from Rennie Harris, and world premiere dance world.
    [Show full text]
  • Taiwanese Eyes on the Modern: Cold War Dance Diplomacy And
    Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Tsung-Hsin Lee, M.A. Graduate Program in Dance Studies The Ohio State University 2020 Dissertation Committee Hannah Kosstrin, Advisor Harmony Bench Danielle Fosler-Lussier Morgan Liu Copyrighted by Tsung-Hsin Lee 2020 2 Abstract This dissertation “Taiwanese Eyes on the Modern: Cold War Dance Diplomacy and American Modern Dances in Taiwan, 1950–1980” examines the transnational history of American modern dance between the United States and Taiwan during the Cold War era. From the 1950s to the 1980s, the Carmen De Lavallade-Alvin Ailey, José Limón, Paul Taylor, Martha Graham, and Alwin Nikolais dance companies toured to Taiwan under the auspices of the U.S. State Department. At the same time, Chinese American choreographers Al Chungliang Huang and Yen Lu Wong also visited Taiwan, teaching and presenting American modern dance. These visits served as diplomatic gestures between the members of the so-called Free World led by the U.S. Taiwanese audiences perceived American dance modernity through mixed interpretations under the Cold War rhetoric of freedom that the U.S. sold and disseminated through dance diplomacy. I explore the heterogeneous shaping forces from multiple engaging individuals and institutions that assemble this diplomatic history of dance, resulting in outcomes influencing dance histories of the U.S. and Taiwan for different ends. I argue that Taiwanese audiences interpreted American dance modernity as a means of embodiment to advocate for freedom and social change.
    [Show full text]
  • Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
    McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England
    [Show full text]
  • Theresa Payton
    COLUMBUS, GA | AUGUST 31 | AUGUST GA COLUMBUS, PRESENTED BY The Forum 2021 | Leadership Reinvented | Leadership Institute at Columbus State University table of Theresa Payton contentsAGENDA 3 12 LETTERS 4 Executive Director Shana Young Tara President Chris Markwood Westover Acting Chancellor Teresa MacCartney 14 Governor Brian Kemp OUR TEAM 8 Photo Credit: Paul Stuart DINE AROUND 10 BOOK SIGNINGS 11 Kat SPEAKERS 12 Cole Theresa Payton 20 Tara Westover Debbie Kat Cole Allen Debbie Allen 22 Norman Nixon HONORS 18 2021 Blanchard Award 2021 Helton Scholarship OUR LEADERSHIP 26 Norman LEGACY Nixon 2021 SPONSORS 30 24 The leadership effect. Your impact starts here. As a founding sponsor, Synovus is proud to welcome you to the 16th Annual Forum at CSU. A true leader endeavors to awaken the leadership qualities of others. This has long been the inspiration behind the leadership of our company and the vision behind an epic annual gathering of the world’s brightest minds right here in our community. It is our hope you will discover the true leader within and be challenged to have an impact that will inspire others to lead as well. We call it the leadership effect. 1-888-SYNOVUS | synovus.com Synovus Bank, Member FDIC. The Forum 2021 | Leadership Reinvented | Leadership Institute at Columbus State University event agenda Registration 8:00 am Welcome 9:00 am Shana Young, Assistant Vice President of Leadership Development and Executive Director, Leadership Institute at Columbus State University Dr. Chris Markwood, President, Columbus State University
    [Show full text]
  • 1 of 6 a I R L I N E S FAA/Shrinking Seats the Federal Aviation
    AIRLINES FAA/Shrinking The Federal Aviation Administration has been directed to investigate the case of the Seats incredible shrinking airline seat. Issues: safety concerns, cramped conditions and the plight of large passengers. Note: In 2016, the House and Senate rejected measures that would have required the F.A.A. to set minimum seat-size standards. AUTOMOTIVE Sales The Wall Street Journal reported that auto sales declined sharply in July, continuing a 7-month slowdown punctuated by manufacturers’ reluctance to sell discounted cars through leases and car rental chains, which has driven sales in recent years. According to Autodata Corp., sales fell 7% last month compared with a year earlier. Uber/Barclay Ride hailing entity Uber is partnering with British bank Barclays to issue its own co- branded credit card. BROADCAST E.W. Scripps/Katz TV station group E.W. Scripps (33 TV stations) purchased Katz Broadcasting’s four Networks networks (diginets) – Bounce (African America centric), Grit (action and western), Escape (mystery and investigative) and Laff (comedy) – for $302 million. Fox/ION Rumors are circulating that 21st Century Fox and ION Media Networks (60 TV stations) are contemplating creating a joint venture that would combine their respective local TV station holdings. CABLE Discovery/Scripps Discovery agreed to acquire Scripps Networks for $11.9 billion. Two benefits sighted from a combined entity: redundancy reductions and leverage in negotiating higher distribution fees. The Wall Street Journal reported that a combined Discovery
    [Show full text]
  • Doug Elkins Choreography, Etc
    Christopher Duggan Christopher doug elkins choreography, etc. Doug Elkins, Choreographer/Artistic Director Amy Cassello, General Manager Anne Davison, Dramaturg Randi Rivera, Production Stage Manager Justin Levine, Music Co-Director Matt Stine, Music Co-Director Dancers: Alexander Dones, Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Aaron Mattocks, Donnell Oakley, John Sorensen-Jolink PROGRAM Hapless Bizarre -Intermission- Mo(or)town/Redux Thursday, March 6 at 7:30 PM Friday, March 7 at 8 PM Saturday, March 8 at 2 PM & 8 PM Support provided by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, with additional support from the National Endowment for the Arts. Media Sponsor 8 | DANCE CELEBRATION PROGRAM NOTES Hapless Bizarre Originally conceived by Doug Elkins, Barbara Karger and Michael Preston Choreography by Doug Elkins in collaboration with the dancers Music Direction and Engineering by Justin Levine and Matt Stine Dramaturgy by Anne Davison Lighting by Amanda K. Ringger Costumes by Oana Botez Creative Consulting by David Neumann Dancers: Mark Gindick, Deborah Lohse, Cori Marquis, Kyle Marshall, Donnell Oakley, John Sorensen-Jolink Hapless Bizarre was made possible by the New England Foundation for the Arts' National Dance Project, with lead funding from the Doris Duke Charitable Foundation and additional funding from the Andrew W. Mellon Foundation, the MetLife Foundation and the National Endowment for the Arts. Hapless Bizarre was hatched and first previewed at The Yard, an artist residency and performance center dedicated to contemporary dance, theatre and related arts, as part of the 2012-2013 season.
    [Show full text]
  • Alvin Ailey's Embodiment of African American Culture
    DeFrantz.00 FM 10/20/03 2:50 PM Page ii Alvin Ailey’s Embodiment of African American Culture 1 2004 DeFrantz.00 FM 10/20/03 2:50 PM Page iii DANCING REVELATIONS THOMAS F. DEFRANTZ DeFrantz.00 FM 10/20/03 2:50 PM Page iv 1 Oxford New York Auckland Bangkok Bogotá Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi São Paulo Shanghai Singapore Taipei Tokyo Toronto Copyright © 2004 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data DeFrantz, Thomas Dancing revelations : Alvin Ailey’s embodiment of African American culture / Thomas F. DeFrantz. p. cm. Includes bibliographical references and index. ISBN 0-19-515419-3 1.Ailey, Alivn. 2. Dancers—United States—Biography. 3.Choreographers— United States—Biography. 4.Alvin Ailey American Dance Theater. 5.African American dance. I. Title. GV1785.A38 D44 2003 792.8'028'092—dc21 2002156670 Credits: Photographs: frontispiece and pages 5, 8, 19, 47, 63, 95, 101 courtesy and copyright by Jack Mitchell; cover illustration and pages 11, 12,courtesy and copyright by J.
    [Show full text]
  • An Evening of Dance with Carmen De Lavallade
    An evening of dance with Carmen de Lavallade January 9, 1967 Miss Carmen de Lavallade and her company will perform an evening of dance beginning at 8:30 p.m. Tuesday, January 17, in Sherwood Hall, La Jolla. The performance is being sponsored by the University of California, San Diego Committee for Arts and Lectures. Reserved seating for the single performance is $4.00 for the general public and $1.00 for UCSD students. Miss de Lavallade thinks of herself as a new breed in the theater. She is not a ballet dancer, although she studies the classical ballet and she is not really a modern dancer, although s1le studies with Martha Graham. She is not an admirer of purely abstract dance but believes, rather, that the dance should tell a story. She has gravitated to roles that are strongly dramatic. The dances she and her company will perform in Sherwood Hall include "Three Songs for One," with the recorded voice of Madeleine Gray as background; "Portrait of Billie," which follows the tragic career of the late Billie Holiday; and "The Captive Lark," which retells in dance the tale of the imprisoned Joan of Arc. Other numbers to be danced will include "Dear Quincy" by Quincy Jones, "Michel V, by Michel LeGran, "Bachianas No. 5" by Villa Lobos and arranged by Lalo Shiffren, "Reflections in D" by Duke Ellington, and a dance titled "Dedication to Jose Clemente Orozco." Miss de Lavallade was brought up in Los Angeles and began her career at the Horton School of the Dance. She has appeared as a dancer in several films, including "Carmen Jones." In 1954, at the age of 23, she auditioned for and won a starring role in the Broadway musical "House of Flowers." Since the close of that show, she has had a wide range of appearances.
    [Show full text]
  • Alvin Ailey American Dance Theater
    Tuesday, April 21, 2015, 8pm Wednesday, April 22, 2015, 8pm Thursday, April 23, 2015, 8pm Friday, April 24, 2015, 8pm Saturday, April 25, 2015, 2pm & 8pm Sunday, April 26, 2015, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle, Artistic Director Masazumi Chaya, Associate Artistic Director The Company Hope Boykin Daniel Harder Akua Noni Parker Jeroboam Bozeman Jacquelin Harris Danica Paulos Sean A. Carmon Collin Heyward Belen Pereyra Elisa Clark Demetia Hopkins-Greene Jamar Roberts Sarah Daley Michael Jackson, Jr. Samuel Lee Roberts Ghrai DeVore Megan Jakel Kanji Segawa Antonio Douthit-Boyd Yannick Lebrun Glenn Allen Sims Kirven Douthit-Boyd Alicia Graf Mack Linda Celeste Sims Samantha Figgins Renaldo Maurice Jermaine Terry Vernard J. Gilmore Michael Francis McBride Fana Tesfagiorgis Jacqueline Green Rachael McLaren Marcus Jarrell Willis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts, the New York State Council on the Arts, the New York City Department of Cultural Affairs, American Express, BET Networks, Bloomberg, BNY Mellon, Diageo, FedEx Corporation, Ford Foundation, The Howard Gilman Foundation, The Hearst Foundations, Prudential Financial, Inc., The Shubert Foundation, Southern Company, Target, and Wells Fargo. These performances are made possible, in part, by Corporate Sponsor Mechanics Bank and Patron Sponsors Sheri and Paul Siegel. Cal Performances’ – season is sponsored by Wells Fargo. CAL PERFORMANCES 15 PROGRAM A Tuesday, April 21, 2015, 8pm Friday, April 24, 2015, 8pm Zellerbach Hall PROGRAM A ODETTA iNTERMiSSioN Bad Blood PAuSE Caught iNTERMiSSioN Revelations ODETTA (2014, Bay Area première) Choreography Matthew Rushing Assistants to the Choreographer Renee Robinson and Michael Jackson, Jr.
    [Show full text]
  • Complexions Contemporary Ballet STAR DUST - from BACH to BOWIE
    Complexions Contemporary Ballet STAR DUST - FROM BACH TO BOWIE Wednesday, October 2, 2019; 7:30 pm FOUNDING ARTISTIC AND EXECUTIVE DIRECTORS Dwight Rhoden Desmond Richardson PRINCIPAL CHOREOGRAPHER Dwight Rhoden ARTISTIC ADVISORS Carmen de Lavallade & Sarita Allen GENERAL MANAGER Sumaya Jackson REHEARSAL DIRECTORS Natiya Kezevadze, Meg Paul, Ginger Thatcher COMPANY REPETITEUR Clifford Williams TECHNICAL DIRECTOR & RESIDENT LIGHTING DESIGNER Michael Korsch RESIDENT COSTUME DESIGNER Christine Darch PRODUCTION STAGE MANAGER Luis E. Santiago LIGHTING SUPERVISOR Jesse Muench ARTISTS IN RESIDENCE Christina Dooling, Gary W. Jeter II, Christina Johnson, Jae Man Joo, Natiya Kezevadze, Terk Lewis, Clifford Williams THE COMPANY Jared Brunson, Jillian Davis, Vincenzo Di Primo, Craig Dionne, Larissa Gerszke, Brandon Gray, Maxfield Haynes, Tatiana Melendez, Khayr Muhammad, Daniela O’Neil, Simon Plant, Miguel Solano, Tim Stickney, Eriko Sugimura, Candy Tong, Megan Yamashita Apprentice: April Watson Trainees: Jacopo Calvo & Kaeli Ware 44 2019-2020 PROGRAM GUIDE www.harriscenter.net Complexions Contemporary Ballet continued PROGRAM Program Note: STAR DUST is the first installment of a full evening length Ballet BACH 25 tribute to the genre bending innovation of one of the prolific NYC Premiere Rock Stars of our time — DAVID BOWIE. This Ballet takes an World Premiere April 2018 - Arcata, CA array of his hits and lays a visual imprint, inspired by his unique personas and his restless invention artistically — to create a Choreography by: Dwight Rhoden Rock Opera style production in his honor. With Bowie’s 40+ year Music by: Johann Sebastian Bach & Carl Philipp Emanuel Bach career and 25 Albums, that stretch across musical borders — Lighting Design by: Michael Korsch STAR DUST pays homage to the iconic and Chameleonic spirit Costumes Design by: Christine Darch of what can only be described as..
    [Show full text]
  • NATHAN J. BUSCH, II Hair Stylist IATSE 798
    NATHAN J. BUSCH, II Hair Stylist IATSE 798 FILM WONDERSTRUCK Assistant Department Head Director: Todd Haynes Cast: Oakes Fegley, Jaden Michael, Cory Michael Smith, Morgan Turner, Michelle Williams THE NIGHT BEFORE Department Head Director: Jonathan Levine Cast: Joseph Gordon-Levitt, Seth Rogen, Anthony Mackie, Lizzy Caplan ANNIE Department Head Director: Will Gluck Cast: Quvenzhané Wallis, Rose Byrne, Bobby Cannavale, David Zayas, Adewale Akinnuoye-Agbaje NON-STOP Hairpieces for Lupita Nyong’o Director: Jaume Collet-Serra THE OTHER WOMAN Department Head Director: Nick Cassavetes Cast: Nikolaj Coaster-Waldau, Kate Upton, Taylor Kinney, Don Johnson 2 GUNS Department Head Director: Baltasar Kormakur Cast: Bill Paxton, Edward James Olmos, James Marsden, Fred Ward, Robert John Burke INSIDE LLEWYN DAVIS Assistant Department Head Cast: John Goodman, Garret Hedlund, Max Casella THE BOURNE LEGACY Assistant Department Head Cast: Donna Mruphy, Albert Finney, Stacy Keach, David Strathairn, Dennis Boutsikaris, Corey Stoll, Michael Chernus, Michael Papajohn, Michael Berresse. THE BIG WEDDING Department Head Cast: Robin Williams, Amanda Seyfried, Topher Grace, Ben Barnes, David Rasche, Christine Ebersole, Ana Ayora, Quincy Dunn-Baker TOWER HEIST Department Head Cast: Alan Alda, Casey Affleck, Matthew Broderick, Gabourey Sidibe, Michael Peña THE MILTON AGENCY Nathan J. Busch, II 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 [email protected] www.miltonagency.com Page 1 of 5 THE
    [Show full text]