La Música De Queen Segueix En Forma
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Perri's World of Leather
44-49 mip74_v8 21/6/06 3:36 pm Page 5 NEWS DISTRIBUTION Sutherland Perri’s world of leather offers new What do you do when your rock ‘n’ roll dreams die? If you’re Anthony Perri, you set up a business manufacturing leather guitar straps, take the US by storm and then head for the UK Burns units AS WITH MANY of us in the set up Perri’s Leathers in 1998. world of MI, the realisation that “Knowing that I could never make SUTHERLAND TRADING will use we are probably not going to it in such a tough industry, I put the BMF to give dealers hands-on make it as professional my thoughts together and time with new Sonic and Jet-Sonic musicians is a difficult one to brainstormed ideas on how I models, as well as new Stonebridge deal with. And most of us come could have a career that still acoustics by Frantisek Furch making to the conclusion that working involved the music industry,” said their first UK appearance. in and around musical Perri. “I came up with the idea of Crafter Slim Arch guitars are, instruments is a good substitute leather guitar straps. I felt that I Sutherland claims, ‘so individual that for fame and glory. could offer the public something they have no price competition’, Such is the story of Anthony special by creating unique designs while the new Sonor drum sticks, Perri from Concord, Ontario, who that companies have never seen handmade in America, are all at before.” And with the help of “good prices with great profits”. -
VPLT.Magazin.35 3 V.Mforum
Nr. 35 September 2005 6,50 € H 14450 Professionelle Licht-, Ton- & Veranstaltungstechnik www.cohedra.info Coherent Dynamic Response Array COHEDRA™ – Coherent Dynamic Response Array – steht für die konsequente Weiterentwicklung bisheriger Line-Array-Konzepte und katapultiert diese Technologie durch Innovationen in eine neue Dimension. Es ist aus der Vision eines Systems entstanden, das ein Höchstmaß an Natürlichkeit in Klang- wiedergabe und Dynamik bei größerer Reich- weite, geringerer Windanfälligkeit und verein- fachtem Handling vereint. COHEDRA COMPACT™ ist die Umsetzung dieser Technologie in einer noch kompakteren, flexibleren Form und macht sie dadurch auch für einen neuen, kleineren Anwendungsbereich verfügbar. Enter the new dimension. www.hkaudio.de HK Audio® • Postfach 1509 • 66595 St. Wendel editorialV.M Nachdem mit der PLASA-Show in London einmal mehr der alljährliche herbstliche Messereigen eröffnet wurde, ist man versucht, zu sagen: „Herbstzeit – Messezeit“. och bei genauerem Hinsehen läßt sich dies natürlich nicht halten. Denn „Messezeit“ für Veranstaltungs- und Medien- technik ist mittlerweile das ganze Jahr, in den verschiedensten Ländern und Kontinenten und sogar zu allen Jahreszei- D ten. Neben den „Big 4“, nämlich Prolight+Sound (Frankfurt), PLASA-Show (London), LDI (Orlando/Las Vegas) und SIB (Rimini) hat sich in den letzten Jahren eine Reihe von Fachmessen etabliert, und diese möchten sich allesamt ihr Stückchen vom Kuchen abschneiden. Eventmessen wie die „World of Events“ (Wiesbaden), Broadcast- und Medientechnik-Veranstaltungen wie die „IBC“ (Amsterdam), aber auch die „CALM“, „PALM“ oder „PALME“ im asiatischen und arabischen Raum – nur Insi- Wieviel Messe der wissen noch, was sich hinter all den Namen verbirgt, die die Hersteller nahezu das ganze Jahr in Atem halten. braucht der Mensch? Ob das gut ist für die Branche, ist ambivalent zu beurteilen. -
Brian May Plays “God Save the Queen” from the Roof of Buckingham Palace to Commemorate Queen Elizabeth II’S Golden Jubilee on June 3, 2002
Exclusive interview Brian May plays “God Save the Queen” from the roof of Buckingham Palace to commemorate Queen Elizabeth II’s Golden Jubilee on June 3, 2002. © 2002 Arthur Edwards 26 Astronomy • September 2012 As a teenager, Brian Harold May was shy, uncer- tain, insecure. “I used to think, ‘My God, I don’t know what to do, I don’t know what to wear, I don’t know who I am,’ ” he says. For a kid who didn’t know who he was or what he wanted, he had quite a future in store. Deep, abiding interests and worldwide success A life in would come on several levels, from both science and music. Like all teenagers beset by angst, it was just a matter of sorting it all out. Skiffle, stars, and 3-D A postwar baby, Brian May was born July 19, 1947. In his boyhood home on Walsham Road in Feltham on the western side of Lon- science don, England, he was an only child, the offspring of Harold, an electronics engineer and senior draftsman at the Ministry of Avia- tion, and Ruth. (Harold had served as a radio operator during World War II.) The seeds for all of May’s enduring interests came early: At age 6, Brian learned a few chords on the ukulele from his father, who was a music enthusiast. A year later, he awoke one morning to find a “Spanish guitar hanging off the end of my bed.” and At age 7, he commenced piano lessons and began playing guitar with enthusiasm, and his father’s engineering genius came in handy to fix up and repair equipment, as the family had what some called a modest income. -
1. Historia 2. Carrera Musical
Queen Banda de rock británica formada por Freddie Mercury (voz), Brian May (guitarra), Roger Taylor (batería) y John Deacon (bajo). El grupo gozó de gran fama a finales de los setenta y durante toda la década de los ochenta, y sus discos fueron superventas incluso después del fallecimiento en 1991 de Freddie Mercury, víctima del SIDA. 1. Historia 1.1. Orígenes Sus orígenes se remontan al inicio de los sesenta, cuando el joven guitarrista Brian Harold May (nacido en 1947) comenzó a tocar en un grupo semiprofesional llamado 1984. Brian, experto conocedor de varios instrumentos de cuerda, diseñaba incluso sus propias guitarras, conocidas posteriormente como el modelo Red Special. Brian May pasó después a formar parte de otra banda, llamada Smile, con la que editó un single. Inesperadamente, Tim Stafell, el cantante de la banda, abandonó el grupo; para buscar su sustituto, los miembros de Smile decidieron hacer una prueba al cantante de Sour Milk Sea, que no era otro que Freddie Mercury, y fue rápidamente admitido. 1.2. Freddy Por aquel entonces Freddie Mercury ya estaba acostumbrado a aparecer en público y sobre el escenario con vestimentas llamativas y atrevidas. Freddie contaba con una prodigiosa voz y sobrados conocimientos de piano. A esto se unió una base rítmica firmada por John Richard Deacon (nacido en 1951) al bajo y la batería de Roger Meadows Taylor (nacido en 1949). 2. Carrera musical 2.1. Primer trabajo El grupo comenzó a grabar maquetas y la compañía discográfica EMI, después de verlos actuar en el Marquee de Londres, se interesó por ellos. -
Brian May Last Horizon Mp3, Flac, Wma
Brian May Last Horizon mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Last Horizon Country: UK Released: 1993 Style: Soft Rock, Classic Rock MP3 version RAR size: 1845 mb FLAC version RAR size: 1884 mb WMA version RAR size: 1757 mb Rating: 4.2 Votes: 249 Other Formats: AU AUD RA MMF ASF AHX AAC Tracklist – L 3 B a : 1 r s 0 ian May t Horizon (Radio Edit) 6 –The Brian May Band Last Horizon (Live Version) 3:14 2 –The Brian May Band We Will Rock You (Live Version) 4:46 3 –Brian May Last Horizon (Album Version) 4:10 4 Companies, etc. Phonographic Copyright (p) – Duck Productions Ltd. Copyright (c) – Duck Productions Ltd. Licensed To – EMI Records Ltd. Manufactured By – EMI Distributed By – EMI Published By – Queen Music Ltd. Published By – EMI Music Publishing Ltd. Recorded At – Brixton Academy Credits Bass – Neil Murray (tracks: 2, 3) Co-producer, Engineer – Justin Shirley-Smith Design – Richard Gray Drums – Cozy Powell (tracks: 2, 3) Guitar, Vocals – Jamie Moses (tracks: 2, 3) Keyboards – Spike Edney (tracks: 2, 3) Other [Silhouette] – Aaron, Steven Wright Producer, Cover, Concept By – Brian May Vocals – Cathy Porter* (tracks: 2, 3), Shelley Preston (tracks: 2, 3) Vocals, Guitar – Brian May (tracks: 2, 3) Written-By – May* Notes Released in a special fold out sleeve. Tracks 2 & 3 live at The Brixton Academy on 15th June 1993. From the forthcoming album Live At The Brixton Academy. Track 4 from the album Back To The Light. Barcode and Other Identifiers Barcode: 7 34388 1132 4 Rights Society: BIEM / MCPS Label Code: LC 0299 Matrix / Runout: 881113 2 . -
Slick Sheet FINAL 72
Brian May Signature Series Guitar “Guitar of the Year 2001” –Guitarist Magazine The sound and versatility of the legendary “Red Special” made affordable. Brian May Signature Series Guitar Locking “ Guitarists of any age will Grover find something here that Tuners they can use, which is the highest praise that we can give.“ -Guitarist Magazine, November 2001 Polished, grade-A ebony fingerboard “ There’s no doubt that these guitars are going to sell like hot cakes.“ -Guitarist Magazine, November 2001 24 medium frets, plus a zero fret Mahogany body and neck BURNS USA OFFERS A FULL LINE OF UNIQUELY DESIGNED GUITARS THAT HELP YOU EXPRESS YOUR INNER PLAYER—WHATEVER YOUR MUSICAL STYLE. Triple Burns Tri-Sonic Pickups, wired in series BISON DOUBLE SIX On/off and phase reversal switches for each pickup Master tone and volume controls STEER MORE BURNS CLASSICS MARQUEE SPECIAL Available in Vintage Cherry (shown) and Three-Tone Sunburst LEFT-HANDED GUITARS AVAILABLE GUITARS LEFT-HANDED When Rock and Roll Hall of Fame Guitarist Brian May decided The guitar’s mahogany neck is glued into the mahogany body to pursue his goal of creating an affordable replica of the and is fitted with a grade-A ebony fingerboard. The neck is handmade “Red Special” that he has played throughout his equipped with 24 fully-accessible medium frets, plus a zero career, he turned to Burns. The result—the Brian May Signature fret, and a 24 inch (610mm) scale. The body shape faithfully Series Guitar. Whether you’re looking to re-create the “Queen replicates the original Red Special and includes pinstripe sound” or are looking for a guitar that unleashes your own binding on the upper and lower faces. -
Bakalářská Práce 2012
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at University of West Bohemia Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce 2016 Martina Veverková Západočeská univerzita v Plzni Fakulta filozofická Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Martina Veverková Plzeň 2016 Západočeská univerzita v Plzni Fakulta filozofická Katedra anglického jazyka a literatury Studijní program Filologie Studijní obor Cizí jazyky pro komerční praxi Kombinace angličtina – němčina Bakalářská práce THE ROCK BAND QUEEN AS A FORMATIVE FORCE Vedoucí práce: Mgr. et Mgr. Jana Kašparová Katedra anglického jazyka a literatury Fakulta filozofická Západočeské univerzity v Plzni Plzeň 2016 Prohlašuji, že jsem práci zpracovala samostatně a použila jen uvedených pramenů a literatury. Plzeň, duben 2016 ……………………… I would like to thank my supervisor Mgr. et Mgr. Jana Kašparová for her advice which have helped me to complete this thesis I would also like to thank my friend David Růžička for his support and help. Table of content 1 Introduction ...................................................................... 1 2 The Evolution of Queen ................................................... 2 2.1 Band Members ............................................................................. 3 2.1.1 Brian Harold May .................................................................... 3 2.1.2 Roger Meddows Taylor .......................................................... 4 2.1.3 Freddie Mercury -
Download Brian Mays Red Special the Story of the Homemade Guitar That Rocked Queen and the Wo Pdf Book by Brian May
Download Brian Mays Red Special The Story Of The HomeMade Guitar That Rocked Queen And The Wo pdf book by Brian May You're readind a review Brian Mays Red Special The Story Of The HomeMade Guitar That Rocked Queen And The Wo book. To get able to download Brian Mays Red Special The Story Of The HomeMade Guitar That Rocked Queen And The Wo you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite ebooks in your digital library. * *Please Note: We cannot guarantee the availability of this file on an database site. Ebook Details: Original title: Brian Mays Red Special: The Story Of The Home-Made Guitar That Rocked Queen And The Wo 144 pages Publisher: Hal Leonard Books (October 1, 2014) Language: English ISBN-10: 1480341479 ISBN-13: 978-1480341470 Product Dimensions:8.8 x 0.6 x 11.2 inches File Format: PDF File Size: 13053 kB Description: (Book). My dad and I decided to make an electric guitar. I designed an instrument from scratch, with the intention that it would have a capability beyond anything that was out there, more tunable, with a greater range of pitches and sounds, with a better tremolo, and with a capability of feeding back through the air in a good way. Brian May and... Review: Astounding.Truly. Brian May is such a consummate guitarist. And as most of us fans who happen to be guitarists know, that with the help of his father, Brian designed and made a killer guitar. -
Joe's Cozy Powell Collection
Joe’s Cozy Powell Collection Cozy POWELL singles Dance With The Devil / And Then There Was Skin {UK}<7”> Dance With The Devil / And Then There Was Skin {UK / Belgium}<export 7”, p/s (1), orange lettering> Dance With The Devil / And Then There Was Skin {UK / Belgium}<export blue vinyl 7”, p/s (1), orange / white lettering> Dance With The Devil / And Then There Was Skin {UK / Denmark}<export 7”, different p/s (2)> Dance With The Devil / And Then There Was Skin {Germany}<7”, different p/s (3)> Dance With The Devil / And Then There Was Skin {Holland}<7”, different p/s (4)> Dance With The Devil / And Then There Was Skin {Holland}<7”, reissue, different p/s (5)> Dance With The Devil / And Then There Was Skin {EEC}<7”, Holland different p/s (6)> Dance With The Devil / And Then There Was Skin {Mexico}<7”, different p/s (7)> Dance With The Devil / And Then There Was Skin {Spain}<7”, different p/s (8)> Dance With The Devil / And Then There Was Skin {Italy}<7”, different p/s (9)> Dance With The Devil / And Then There Was Skin {France}<7”, different p/s (10)> Dance With The Devil / And Then There Was Skin {Turkey}<7”, different p/s (11)> Dance With The Devil / And Then There Was Skin {Yugoslavia}<7”, different p/s (12)> Dance With The Drums / And Then There Was Skin {South Africa}<7”> Dance With The Devil / And Then There Was Skin {Ireland}<7”> Dance With The Devil [mono] / Dance With The Devil [stereo] {USA}<promo 7”> Dance With The Devil / And Then There Was Skin {USA}<7”> Dance With The Devil / And Then There Was Skin {Sweden}<7”> Dance With The -
Group 3: Jennifer Day, Xander Jarnow, Duke Mcghee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen
Queen Group 3: Jennifer Day, Xander Jarnow, Duke McGhee, Shelby Stehn, Adam Vandenhouten, Tyler Kallevig Reasons Why We Chose Queen: There are a lot of reasons that we, as a group, decided to do our project on Queen. Queen is an extremely well-known band across multiple generations, so it is an artist that we can talk to almost anyone anywhere about. Additionally, they were an influence to many artists after them. Finally, they released over 15 albums that showed a very impressive musical range and an awe-inspiring amount of talent. Queen: Overview Queen was one of the most popular and successful rock groups during the 1970s and 80s, with a very unique, experimental style and sound, Queen has remained one of the best selling artists of all time. The band began its formation in 1967, when the guitarist Brian May and the drummer Roger Taylor joined with Tim Staffell to form a rock group named Smile. When Tim Staffell left the group, May and Taylor joined forces with Freddie Mercury and a bass player named John Deacon, resulting in the core version of the band in 1970. Queen was famous for bright, glam, “pomp-rock” and put on energetic shows. Freddie Mercury in particular was known for his flamboyant style. Their sound was a very produced and incorporated elements of glam rock, heavy metal, hard rock, and harmony. After the tragic death of Freddie Mercury the band added new members and continued performing Even today their songs remain popular, for example, “We Are the Champions,” “Another One Bites the Dust,” “Bohemian Rhapsody,” and “We Will Rock You” are still played often. -
UNIVERSAL MUSIC • Jimmy Rankin – Back Road Paradise • Enrique
Jimmy Rankin – Back Road Paradise Enrique Iglesias – Sex And Love Avicii – True: Avicii By Avicii New Releases From Classics And Jazz Inside!!! And more… UNI14-11 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Stompin’ Tom Connors / Unreleased: Songs From The Vault Collection Volume 1 Cat. #: 0253777712 Price Code: SP Order Due: March 6, 2014 Release Date: April 1, 2014 File: Country Genre Code: 16 Box Lot: 25 Tracks / not final sequence 6 02537 77712 9 Tom and Guitar: 12 songs 10. I'll Sail My Ship Alone 1. Blue Ranger 11. When My Blue Moon Turns to Gold 2. Rattlin' Cannonball 12. I Overlooked an Orchid 3. Turkey in The straw ( Instrumental ) 4. John B. Sails Tom Originals with Band: 5. Truck Drivin' Man 1. Cross Canada, aka C.A.N.A.D.A 6. Wild Side of Life 2. My Stompin' Grounds 7. Pawn Shop in Pittsburgh, aka, Pittsburgh 3. Movin' In From Montreal By Train Pennsylvania 4. Flyin' C.P.R. 8. Nobody's Child 5. Ode for the Road 9. Darktown Strutter's Ball This is the Premier Release in an upcoming series of Unreleased Material by Stompin' Tom Connors! In 2011, Tom decided after what ended up being his final Concert Tour, that he would record another 10 album set with a lot of old songs that he sang when he first started out performing in the 50's and 60's.This was back when he could sing, from memory, over 2500 songs in his repertoire and long before he wrote many of his own hits we all know today. -
Me, My Dad and 'The Old Lady'
The Guardian | Saturday 18 October 2014 Brian May with the Red guitar he 3 built with his father. Below, When Queen was taking off, Dad and with his parents on holiday and at I didn’t speak for nearly two years. Madison Square He couldn’t accept my rock star life Garden, New York, 1977 desperate for a proper electric guitar, tried to make the peace. “It drove her to accept my choice because it was a When Brian May was a teenager, he and but there was no way we could afford to a nervous breakdown. I inherited my dream he’d been forced to reject.” it, so Dad and I started making one.” dad’s stubbornness and she couldn’t His father also managed to keep his father built their own electric guitar – Brian’s dream was an instrument get either of us to budge. I still regret from him the financial battles he’d that could “talk” to him and “feed back that I wasn’t more conciliatory, but faced throughout his life. the Red Special. It’s the one he’s played in a good way”, like he’d seen his hero Dad and I were just too much alike.” “As a kid I didn’t realise that we were Jimi Hendrix do. And Harold made The turning point came when Queen really poor. When I discovered Dad on every Queen album and it even has that happen, helping him to create the played Madison Square Garden in New was still trying to pay off his mortgage unique tones and sounds that have York in 1977.