Historic England Angel Awards 2018 Shortlist
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People Features Performances
People 8 Viktoria Tereshkina CATHERINE PAWLICK catches up with the Mariinsky ballerina in St Petersburg 26 Gillian Lynne and Miracle in the Gorbals VIKI WESTALL meets up with the veteran choreographer in Birmingham 60 Ciro Tamayo LUCÍA CHILIBROSTE interviews Ballet de Uruguay’s outstanding dancer 67 1st Job CARLOS PONS GUERRA skypes Tamara Chilirojo - aka Kevin García Montagut - in New York City Features 25 Comment: Company Saved But Few Rejoice BRUCE MICHELSON analyses a less than satisfactory outcome 32 Critics’ Choice Dance Europe’s writers, along with guest critics, select the highs and lows from last season 65 Tanzmesse DWAYNE HOLLIDAY gets a taste of the mega dance event in Düsseldorf 68 Positano WENDY PERRON reports on this year’s Positano Performances Premia la Danza Léonide Massine 14 Coppélia DEBORAH WEISS and MIKE DIXON weigh up 70 Shawbrook different casts in ENB’s revival of Ronald Hynd’s DIARMAID O’MEARA visits a terpsichorean production hideaway in Ireland contents contents 18 Push GERARD DAVIS savours a hypnotic marriage 6 ENTRE NOUS 73 AUDITIONS AND JOBS 20 Julidans DAVIDE COCCHIARA considers some of the 81 INTERNATIONAL DIARY highlights in this year’s Amsterdam festival 83 DANCE ON SCREEN 23 Biarritz 85 EXHIBITIONS AND EVENTS FRANÇOIS FARGUE reports on an alliance formed by three French companies 86 PEOPLE PAGE Front cover: Mariinsky Ballet - Viktoria Tereshkina as Juliet in Romeo and Juliet Photos: Erik Tomasson; Andrew Ross; Dance Europe → Photo: E. Kauldhar/Dance Europe. DANCE EUROPE October 2014 3 Performances DANCE EUROPE Founded in 1995 ISSN: 1359-9798 30 Solo for Two MIKE DIXON on Osipova and Vasiliev outside P.O. -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Leslie Caron
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] Leslie Caron Photo: John Mann Location: London, United Kingdom Eye Colour: Blue Height: 5'1" (154cm) Hair Colour: Dark Brown Playing Age: Over 60 years Hair Length: Long Appearance: White Film Film, Suzanne de Persand, Le Divorce, Merchant Ivory Productions, James Ivory Film, Madame Audel, Chocolat, Miramax Films, Lasse Hallström Film, Regine De Chantelle, The Reef, CBS, Robert Allan Ackerman Film, Marguerite, Let It Be Me, Savoy Pictures, Eleanor Begstein Film, Katie Parker, Funny Bones, Hollywood Pictures, Peter Chelsom Film, Elizabeth Prideaux, Damage, Studio Canal, Louis Malle Film, Waitress, Guns, Malibu Bay Films, Andy Sidaris Film, Jane Hillary, Courage Mountain, Triumph Films, Christopher Leitch Film, Henia Liebskind, Dangerous Moves, Gaumont, Richard Dembo Film, Mother, Imperative, TeleCulture, Krzysztof Zanussi Film, uncredited, Chanel Solitaire, United Film Distribution Company, George Kaczender Film, Lucille Berger, All Stars Film, Dr. Sammy Lee, Goldengirl, AVCO Embassy Pictures, Joseph Sargent Film, Nicole, Nicole, Troma Entertainment, István Ventilla Film, Alla Nazimova, Valentino, United Artists, Ken Russell Film, Véra, The Man Who Loved Women, United Artists, François Truffaut Film, Céleste, Surreal Estate, Caribou Films, Eduardo de Gregorio Film, Katherine Creighton, Chandler, MGM, Paul Magwood Film, Sister Mary, Madron, Four Star-Excelsior, Jerry Hopper -
The Annual 12 Night Party
President: Vice President: No. 485 - December 2013 Simon Russell Beale CBE Nickolas Grace Price 50p when sold Cutting the cake at the Vic-Wells’ 12th Night Party 2011 - Freddie Fox 2012 - Janie Dee 2013 - Clive Rowe ... but who will be there in 2014 to do this important operation? Why not come along and find out? As you can see, there is a very special cake made for the occasion and the guests certainly enjoy the ceremony. We make sure that everybody will get a slice to enjoy. Don’t be left out, book now! The Annual 12th Night Party Our annual Twelfth Night Party will be held at the Old Vic on Saturday, 4th January 2014 from 5.00pm to 6.30pm in the second circle bar area. Tickets are £6 for Members and £7.50 for Non-Members. Please write for tickets, enclosing a stamped, self-addressed envelope, to: Ruth Jeayes, 185 Honor Oak Road, London SE23 3RP (0208 699 2376) Stuttgart Ballet at Sadler’s Wells Report by Richard Reavill The Stuttgart Ballet is one of the world’s major international ballet companies, but it does not often visit the UK. It did make a short trip to Sadler’s Wells in November with two p r o g r a m m e s a n d f i v e performances over four days. The first one, Made in Germany, featured excerpts from works choreographed in Germany for t h e c o m p a n y . T h o u g h presented in three groups with two intervals, (like a triple bill), there were thirteen items, mostly pas-de-deux and solos, and only one piece, given last, for a larger group of dancers. -
Cats Study Guide TABLE of CONTENTS
Name:______________________________ Date: / / 1 Cats Study Guide TABLE OF CONTENTS PLOT SUMMARY………………………………………………………………………………………………………… 3 PRODUCTION HISTORY…………………………………………………………………………………………. 5 CAST LIST & ABOUT THE DIRECTOR……………………………………………………………….. 7 THEATRE ETIQUETTE………………………………………………………………………………………………. 8 STUDENT ACTIVITIES WORD SEARCH…………………………………………………………………………………………… 9 CRITIQUE SHEET…………………………………………………………………………………………. 10 ALIGNMENT TO STANDARDS……………………………………………………………………………… 11 Cats Music by Andrew Lloyd Webber Based on Old Possum's Book Of Practical Cats by T.S. Eliot Directed and Choreographed by Sarah Wilcoxon Other showtimes: 25-26, 28 October 7:30 PM 27 October 2:30 PM Craig Hall Coger Theatre Cats Study Guide 3 Plot Summary Cats begins with the gathering of the cats of the Jellicle tribe onstage to explain a bit about their lives and their purpose. After the group describes how they assign names to each cat in the tribe, they assemble in preparation to take part in the annual festival of cat-dom...they send out invitations to attend the Jellicle Ball! At the Ball, each cat tries to prove to Old Deuteronomy (the leader of the Jellicle tribe) why he or she deserves to go the Heavyside Layer – a heavenly feline afterlife. Munkustrap, the show’s feline narrator, introduces the cats one by one starting with Jennyanydots. The Rum Tum Tugger, the wild and inconstant Elvis-esque cat, interrupts her presentation with his grand entrance; he feels no obligation to other cats and does as he feels. Following Tugger’s exuberant performance, the old and greying Grizabella makes her way through the group causing the tribe to scatter. The other cats dislike the lowly Grizabella and somberly sing of her sad state. As Grizabella sulks off into the night, the fat and renowned Bustopher Jones sings of his elite status among his fellow cats. -
Nutcracker Receives a New Look
FOR IMMEDIATE RELEASE NUTCRACKER RECEIVES A NEW LOOK Houston Ballet’s logo for The Nutcracker receives a new look HOUSTON, TEXAS [May 2016] Houston Ballet, America’s fifth largest ballet company, unveiled the first phase of a marketing plan for Artistic Director Stanton Welch’s new production of The Nutcracker which premieres on November 25, 2016. To build upon the anticipation and excitement surrounding the upcoming production Houston Ballet’s marketing team has devised a unique three-phase brand campaign to introduce audiences to the new look and feel of the ballet. As the company continues to build and create The Nutcracker in the coming months, the new brand campaign will show the logo for the ballet transforming and growing in three phases. For the first phase, a simple sketch of the Nutcracker, the ballet’s namesake, will appear. In the second phase the sketch will become more detailed and embellished until it appears as a fully finished illustration in the marketing campaign’s third, and final, phase. The icon illustration for The Nutcracker was created by the ballet’s designer Tim Goodchild and will appear on all marketing and advertising collateral. “We saw an opportunity to market The Nutcracker in way that’s different and exciting,” said Christian Brown, Houston Ballet’s Director of Marketing and PR. “This campaign gives us a chance to showcase the extraordinary design work by Mr. Goodchild and build on the sense of anticipation surrounding the production. Our hope is that the Houston community will journey with us as we create the show and see the evolution of logo as a reflection of that progress.” Mr. -
Atsonganddanceprogramdigit
SUPPORTING OUR Creativity. 2 AURORA THEATRE The Future Is Now. SONG AND DANCE is presented by arrangement with Concord Theatricals on behalf of The Really Useful Group. www.concordtheatricals.com THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT: https://concordtheatricals.com/resources/protecting-artists Aurora Theatre, Inc. is a 501(c)(3) non-profit corporation and a member of Theatre Communications Group, Lawrenceville Tourism and Trade Association and the Gwinnett Chamber of Commerce. Subscribe Today auroratheatre.com • 678.226.6222 3 FROM THE PRODUCERS Welcome Back Friends!!! I have loved Song and Dance since my best friend in high school came back from London raving about it. He talked about this fabulous one-woman musical. I bought the musical selections and sang “Tell Me on a Sunday” through the teenage tears of heartbreak. It got me through. We chose to produce Song and Dance in celebration of the new School of the Arts (or SOTA) at Central Gwinnett High School. We want these students to see themselves on stage. India Tyree is stupendous. Hard Stop. Noah Johnson is equally thrilling (quiet by nature but fierce on cello.) Just as exciting is the incredible group of dancers we assembled. Hiring the right creative team is critical. Creative teams are not only our performers, but our directors, our choreographers, and our designers. -
CATS Is Back and Better Than Ever!” – the Huffington Post
FOR IMMEDIATE RELEASE CONTACT: Rachel Bliss, Starlight Theatre [email protected] 816-997-1151-office 785-259-3039-cell “CATS is back and better than ever!” – The Huffington Post Playing under the stars at Starlight July 9-14 only! KANSAS CITY, Mo. – One of the biggest hits in theatrical history, the iconic and beloved musical CATS comes to Kansas City to play Starlight Theatre July 9-14 as part of the 2019 AdventHealth Broadway Series. Composed by Andrew Lloyd Webber and based on T.S. Eliot’s Old Possum’s Book of Practical Cats, the record-breaking musical spectacular features new sound design, direction and choreography for a new generation—experience CATS for the first time as it begins a new life, or let it thrill you all over again! “This fantastic, straight-from-Broadway tour of CATS is truly the audience’s chance to see and share a piece of theatre history—right here on the Starlight stage,” Rich Baker, President and CEO of Starlight, said. “Plus, with fantastic choreography by Andy Blankenbueler of Hamilton fame, based on the original choreography by Gillian Lynne, CATS features some of the most dance-intensive (and impressive!) choreography on the road today.” The cast of Jellicle cats include Phillip Deceus as “Alonzo,” McGee Maddox as “Bill Bailey/Rum Tum Tugger,” Lexie Plath as “Bombalurina,” Mariah Reives as “Cassandra,” PJ DiGaetano as “Coricopat,” Liz Schmitz as “Demeter,” Keri René Fuller as “Grizabella,” Kaitlyn Davidson as “Jellylorum,” Emily Jeanne Phillips as “Jennyanydots,” Tion Gaston as “Mistoffelees,” Tony d'Alelio as “Mungojerrie,” Dan Hoy as “Munkustrap,” Timothy Gulan as “Peter/Bustopher Jones/Asparagus,” Tyler John Logan as “Plato/Macavity,” Anthony Michael Zas as “Pouncival,” Rose Iannaccone as “Rumpelteazer,” Ahren Victory as “Sillabub,” Ethan Saviet as “Skimbleshanks,” Laura Katherine Kaufman as “Tantomile,” Devin Neilson as “Tumblebrutus,” Brandon Michael Nase as “Victor/Old Deuteronomy,” Caitlin Bond as “Victoria,” along with Zachary S. -
Man-Of-La-Mancha-STU
JPAS PRESENTS: M A N O F L A M A N C H A A S T U D Y C O M P A N I O N JEFFERSON PERFORMING ARTS SOCIETY.1118 CLEARVIEW PARKWAY. METAIRIE, LOUISIANA 7000. PHONE: 504 885 2000. FAX: 504 885 3437 1 M A N O F L A M A N C H A TABLE OF CONTENTS TEACHER NOTES………………………….………..3 OVERVIEW: L O U I S I A N A EDUCATIONAL CONTENT STANDARDS AND BENCHMARKS…………………….……6 ADAPTATIONS AND HISTORY: MAN OF LA MANCHA………………………………7 STANDARDS AND BENCHMARKS……..……33 HISTORY: MIGUEL DE CERVANTES AND THE ADVENTURES OF DON QUIXOTE…………………….36 STANDARDS AND BENCHMARKS……..……60 LITERATURE, THEATRE AND HISTORY….63 STANDARDS AND BENCHMARKS……..……94 2 TEACHER’S NOTES “To right the unrightable wrong / To love, pure and chaste from afar / To try, when your arms are too weary / To reach the unreachable star,” DON QUIXOTE 3 Welcome to the mythical land of La Mancha, the land where dreams turn into reality. Like Don Quixote, the Jefferson Performing Arts Society is on a "quest". We share a seemingly impossible dream - to be back to full strength and serving and enriching our community as before. We have had to overcome countless obstacles and indeed still face many challenges but we hold onto our dreams and pursue our quest with the same passion and conviction we held before Katrina. Currently, Louisiana and the Gulf South are undergoing a renaissance. This renaissance was triggered by extensive devastation suffered as a result of Hurricanes Katrina and Rita, and, in our region, the subsequent levee failures that followed. -
EP Stage Chronology
Chronology of Stage Career, 1956-2015 Year Play Director Company/ Opening Role Author Theatre Performance 1956 Edward II Eric Salmon Ludlow Festival 10 July Gaveston Christopher Marlowe Ludlow Castle 1957 Tell-Tale Murder Geoffrey Staines Opera House, Scarborough June Philip Weathers Relations Are Best Apart Opera House, Scarborough Edwin Lewis As Long As They’re Happy Opera House, Scarborough Vernon Sylvaine The Magic Cupboard Opera House, Scarborough Percy Walsh The Case of the Frightened Guy Vaesen Connaught Theatre, Lady Worthing Edgar Wallace Moby Dick Peter Coe Arts Theatre, Ipswich 28 October Deckhand Orson Welles Henry IV, Part 1 Peter Coe Arts Theatre, Ipswich 11 November Prince John William Shakespeare 1958 Banana Republic Kenneth McClellan Hovenden Players 13 January Colonel Ceballos Kenneth McClellan Hovenden Theatre Club, London Hamlet Lionel Hamilton Northampton Repertory 10 March Player (Lucanius)/Priest William Shakespeare Players Royal Theatre, Northampton Book of the Month Earl Armstrong Company 11 April Colonel Howard Basil Thomas Arcadia Theatre, Lowestoft Barnes-Bradley Gathering Storm Catherine Armstrong Earl Armstrong Company April Frankie Gordon Glennon from Arcadia Theatre, Lowestoft Reynor’s Barton’s novel Envy My Simplicity One Wild Oat Lionel Hamilton Northampton Repertory 12 May Mr Pepys Vernon Sylvaine Players Royal Theatre, Northampton Saturday Night at the Crown Lionel Hamilton Northampton Repertory 26 May Walter Greenwood Players Royal Theatre, Northampton Spider’s Web New Zealand Players tour, Elgin Agatha Christie countrywide from Whangarei to Invercargill The Importance of Being Algernon Moncrieff Earnest Oscar Wilde 1960 The Long and the Short and the Anthony Richardson The Queen’s Players 28 March 777 Pte. Evans, T. -
PRESS RELEASE – Friday 26 April
PRESS RELEASE – Friday 26 April IMAGES CAN BE DOWNLOADED HERE Twitter/ Instagram / Website To Gillie, With Love Gillian Lynne DBE – A Celebration • A SPECIAL EVENING ‘TO GILLIE, WITH LOVE’ TO CELEBRATE GILLIAN LYNNE DBE AND LAUNCH THE LYNNE AND LAND FOUNDATION WILL TAKE PLACE ON 2 JULY AT THE GILLIAN LYNNE THEATRE, DRURY LANE. • THE EVENING WILL FEATURE STARS FROM THE WORLD OF THEATRE AND DANCE INCLUDING BEVERLEY KNIGHT, SERGEI POLUNIN, TAMARA ROJO, RICHARD O’BRIEN, SIERRA BOGGESS AND RAMIN KARIMLOO. • TICKETS ARE NOW ON SALE HERE WITH ALL PROCEEDS GOING TO THE LYNNE AND LAND FOUNDATION. An unforgettable evening of stellar performers in celebration of the prolific and dearly-loved director choreographer, Gillian Lynne DBE will take place on Tuesday 2nd July 2019 at 7.30pm at The Gillian Lynne Theatre, Drury Lane in London. A year and a day after Gillian sadly passed away, ‘To Gillie, With Love’ will see stars of the world of dance, theatre, film and TV come together to show their admiration and thanks to this unique and remarkable individual who helped, guided and inspired so many. Celebrating iconic moments from her lifelong and extensive career, the evening will feature Anthony Barclay; Christopher Biggins; Sierra Boggess; Greg Castiglioni; Lorna Dallas; Ben Forster; Anna Francolini; Jason Gardiner; Nickolas Grace; Linzi Hateley; Michael Howe; Ramin Karimloo; Hannah Kenna Thomas; Jeremy Kerridge; Beverley Knight; Peter Land; Emily Langham; Annabel Leventon; Iain Mackay; Robert Meadmore; New Adventures Company; Caroline O’Connor; Jonjo O’Neil; Richard O’Brien; Sergei Polunin; Stuart Matthew Price; Hugh Quarshie; Jack Rebaldi; Liz Robertson; Sir Ken Robinson; Tamara Rojo; Jamie Safir; Wayne Sleep; Scarlett Strallen; Una Stubbs and Hannah Waddingham. -
Interview with Gillian Lynne
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Gillian Lynne – interview transcript Interviewer: Sue Barbour 22 March 2010 Dancer and Choreographer. Acting; David Albery; A Midsummer Night's Dream; BBC; Broadway; Rudolph Cartier; Cats; choreography; Cone Ripman School; Bernard Delfont; digs; Five Past Eight; Errol Flynne; Margot Fonteyn; John Gilpin; Pauline Grant; Robert Helpmann; jazz ballet; Molly Lake; Jacques Lecoq; Andrew Lloyd Webber; London Palladium; Leonide Massine; David Merrick; modern dance; Dudley Moore; musicals; opera; Peter and the Wolf; repertory; revue; Sadler's Wells Ballet; Symphonic Variations; The Three-cornered Hat; Dame Ninette de Valois; variety. SB: This is Sue Barbour with the University of Sheffield. I’m interviewing Gillian Lynne, and first of all Gillian I’d like to ask you if you are in agreement with this interview being used for the British Library Theatre Project and for future generations to learn about Variety Theatre? GL: Yes, I’m very, very proud. Very proud. SB: First of all I’d like to ask you where you were born and brought up? GL: I was born in Bromley, Kent and my ancestors had all been living in Kent and I was brought up all over the place because when we got to 1939, when I was, I think, twelve, and my mother was killed in a terrible car crash, so that I had… Very quickly the war came and my Dad – I was an only child – and suddenly I had nothing because my Dad, like everybody who had been in the First World War, was immediately sucked up into the army and he had been a Captain in the First World War, caught, kept prisoner and all that sort of thing.