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Nawazuddin Siddiqui
lifestyle WEDNESDAY, APRIL 1, 2015 Music & Movies Nawazuddin Siddiqui, farmer’s son turned ‘Hindi indie’ star t is a story worthy of a Bollywood plot: The son of a selected for the Cannes Film Festival, he turned heads in cinema hall to watch his films. north Indian farmer, one of nine children, rising to crime thrillers “Kahaani” (Story) and “Talaash” (Search). He will appear again with Salman Khan in upcoming Ibecome the face of independent Hindi cinema. But He said his family are still surprised by how far he has romantic drama “Bajrangi Bhaijaan”, and with Shah Rukh Nawazuddin Siddiqui is still getting used to his success. come. “And you cannot blame them. I am a five-foot six- Khan in “Raees” (Rich Man), in which he plays a cop who “When someone is looking at me, I feel they are looking inch, dark, ordinary-looking man. People didn’t imagine is chasing Khan’s mafia character. Siddiqui says he at someone standing behind me, not at me,” the 40-year- that I would make it,” he said. “It is the mindset of our admires Bollywood megastars for their longevity- old confessed to AFP during an interview at a Mumbai country too, that people like (me) don’t become stars. ”they’re very well-maintained”-and he wouldn’t rule out hotel. Maybe it’s a result of 200 years of colonial rule.” doing a song-and-dance number himself, despite his “I have not got used to it and I won’t allow myself to Industry outsider reservations about Bollywood musicals. -
Popular Imperialism: the British Pop Music Industry 1950- 1975 Richard
Popular Imperialism: The British Pop Music Industry 1950- 1975 Richard Coopey Business History Unit, London School of Economics Abstract In this paper the general contours of the British popular music industry are outlined, charting the development of new technologies, new business forms and new market structures, which transformed the sector between 1950 and 1975. The paper then goes on to introduce some concepts and ideas related to the global impact of the business, including its relationship to the USA and wider markets, and specifically the role of London as a centre for production, but also as a key cultural idea in the pop world of the 1960s. Introduction The British popular music industry developed and transformed itself during the first decades following World War Two, becoming, alongside the USA, a major force in the global entertainment industry. This paper will outline the nature of this growth, examining its components and impact. The development of the pop music industry is a complex phenomenon. There has been much interest in recent years in the relationship between business and wider cultural and social dynamics. Scholars such as Ken Lipartito, Mick Rowlinson and Geoff Jones have been part of a ‘cultural turn’ in business history, examining the role of cultures, somehow defined, in influencing and shaping business strategy, trajectories and so on. With the pop music industry, however, we need to engage with a sector which trades in culture itself. An industry involved directly in the production of culture, and calling for analysis of an increasingly challenging nature. The pop music industry did not emerge de novo in the post war period. -
Gateway Theater 1820 E Sunrise Blvd Ft. Lauderdale FL 33304
ADMISSION: $5 Donation Suggested Festival Schedule Thursday, Nov. 5 6:30 p.m. Gala & Silent Auction ARTSERVE, Ft. Lauderdale 1350 East Sunrise Blvd. Friday, Nov. 6 1:00 p.m. Lipstick & Liquor (76 min) 2:30 p.m. Wisdom to Know the Difference Presented by Writers In Treatment, this multi-day event (114 min) celebrates film and creativity. The event showcases filmmakers who 4:45 p.m. Death of an Addict: The Tio Hardiman make honest films about addiction, alcoholism, behavioral disorders, treatment Story (60 min) and recovery. 6:00 p.m. Girl on the Edge (105 min) 8:00 p.m. The Other Side of Cannabis: Negative Effects of Marijuana on our Youth November 6 - 8, 2015 (72 min) 9:30 p.m. Paul Williams: Still Alive (84 min) Gateway Theater Saturday, Nov. 7 1820 E Sunrise Blvd 12:30 p.m. Art of Recovery (59 min) Ft. Lauderdale FL 33304 1:45 p.m. Who We Are When We Are Not Addicted: The Possible Human (59 min) 3:15 p.m. An American Epidemic (90 min) Amy - 128 min. How I Got Over - 87 min. 4:45 p.m. Lambert & Stamp (117 min) (2015) From BAFTA Award-winning director (2014) Fifteen formerly homeless or incarcer- 7:00 p.m. Amy (128 min) Asif Kapadia, AMY tells the incredible story of ated women craft an original play based on 9:30 p.m. Gridlock’d (91 min) six-time Grammy-winner Amy Winehouse - in their true-life stories. her own words. Featuring extensive unseen archival footage and previously unheard Sunday, Nov. -
Keith Moon Was Here
KEITH MOON WAS HERE by TOD DAVIES & ALEX COX FIRST DRAFT, January 2001 © 2001 2 BLACK SCREEN The opening bars of "BARBARA ANN," as played by THE BEACH BOYS, are heard. FADE IN -- EXT DREAM CALIFORNIA DAY A FANTASY VERSION of MALIBU BEACH in the EARLY SIXTIES. SURFERS, bikini-clad SURFER BABES, VOLLEYBALL, WOODIES, a SKINNY BESPECTACLED FELLOW getting SAND kicked in his face. A GANG OF SPECTACULAR FOXY BIKINI CHICKS is gathered in front of an improvised stage -- on which a band is playing an impromptu surfer music gig. The band is THE BEACH BOYS. The SONG is "BARBARA ANN." CAMERA PANS across our BEACH BOYS LOOKALIKES -- all is as it should be -- till we reach the DRUMMER. The YOUNG KEITH MOON. MOON does not thrash his kit, but plays an easygoing beat. For he is, in his fantasy, a BEACH BOY. And his drum kit is ELEVATED, at the FRONT and CENTRE of the stage. KEITH I should have been a BEACH BOY. No question. I loved that music above all others. That, and the Calfornia LIFESTYLE. Sun. Sand. Surf. And SENSUALITY. What more could a fifteen year old lad from Wembley want? But 'oo did I end up with? CUT TO -- INT SAN FRANCISCO CIVIC AUDITORIUM NIGHT REAR VIEW of a DRUMMER hammering the BIGGEST DRUM KIT anyone has ever seen, on a riser on stage. This is KEITH, at 25. It's 1971. The BAND, as KEITH's drums proudly state, is THE WHO. 3 The scene plays without dialogue. We'll hear the dialogue later. -
The British Invasion: Finding Traction in America by Piacentino Vona A
The British Invasion: Finding Traction in America by Piacentino Vona A thesis presented to the University Of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in History Waterloo, Ontario, Canada, 2018 © Piacentino Vona 2018 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract As a period of American History, the 1960s has provided historians and academics with a wealth of material for research and scholarship. Presidents John F. Kennedy, Lyndon B. Johnson and Richard Nixon, the Vietnam War, the hippie era, and the Civil Rights Movement, among other topics have received thorough historical discussion and debate. Music was another key aspect in understanding the social history of the 1960s. But unlike the people and events mentioned above, historians have devoted less attention to music in the historical landscape. The British Invasion was one such key event that impacted America in the 1960s. Bands such as the Beatles, the Rolling Stones, and the Who found their way into the United States and majorly impacted American society. Using secondary sources, newspaper articles, interviews and documentaries on these bands, this thesis explores the British Invasion and its influence in the context of 1960s America. This thesis explores multiple bands that came in the initial wave. It follows these bands from 1964-1969, and argues that the Beatles, the Rolling Stones, and the Who shared common multiple factors that allowed them to attain the traction to succeed and to maintain that success in the United States. -
Lambert & Stamp
Mongrel Media Presents A MOTOCINEMA HARMS/COOPER Production LAMBERT & STAMP A film by James D. Cooper (117 min., USA, 2015) Language: French Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/ Starring Chris Stamp Kit Lambert ! Featuring ! Pete Townshend Roger Daltrey Terence Stamp Heather Daltrey Richard Barnes John Hemming Irish Jack Robert Fearnley-Whittingstall ! ! ! Edited by Christopher Tellefsen, A.C.E. Director of Photography - James D. Cooper Associate Producers - W. Wilder Knight II, Elizabeth Negrotto Sapnar Executive Producers - Loretta Harms, Mark Mullen Produced by Loretta Harms, Douglas Graves Produced and Directed by James D. Cooper ! ! ! ! ! LAMBERT & STAMP Director’s Statement ! ! ! Throughout time Youth has always struggled to find a place in a pre-existing world in which they feel they have little place. By risking new relations and creating a sense of identity which better reflects them, they can have the power to impact a changing world by what they bring into it, -through fearless self discovery. "Lambert & Stamp" tells this story. It's universal theme of self discovery through connection with others, along with an extraordinary (and highly entertaining) set of circumstances, is what I wanted to portray in the film. ! In postwar London, two men seeking to transcend the constraints of their respective circumstances: one, the bleak reality of the East End working class, the other, a daunting aristocratic legacy, -embrace the dynamics of an unlikely relationship to pursue a shared artistic dream. -
Mit Pete Townshend Und Roger Daltrey
The Who Die offizielle Bandgeschichte Ben Marshall mit Pete Townshend und Roger Daltrey The Who Die offizielle Bandgeschichte PRESTEL MÜNCHEN · LONDON · NEW YORK 6 Einführung 174 Amazing Journey von Bill Curbishley 1971 – 1975 8 It’s a Boy 208 Hooligans 1944 – 1955 1975 – 1978 16 Auftritt Roger Harry Daltrey 226 Narbengewebe 18 Auftritt John Alec Entwistle 20 Auftritt Peter Dennis Blandford Townshend 22 Auftritt Keith John Moon 230 Moon Beams 242 Die seltsame Story von Esso, Dave, Keith Moon 24 My Generation und den Freizeitpunks 1954 – 1958 40 Teddy Boys 244 Doctor Jimmy 1978 – 1979 266 Die Schlacht von Brighton Beach 44 Sparks 1958 – 1964 270 When You Do It Alone 1979 – 2000 58 Maximum R&B 1964 – 1965 98 Lambert und Stamp 276 The Ox 104 Wer sind die Mods? 286 The Seeker 110 The Who Sell Out 2006 1965 – 1969 144 Pop wird Kunst 292 What’s Next? 146 Tommy Can You Hear Me? 308 Diskographie 1969 – 1974 316 Register 170 Hippies 319 Bildnachweis Einführung Eine wirkliche Rockoper Jede gute Story hat einen Anfang, einen Verlauf und ein Hymnen, die auf eine Fragen stellende und desillusionierte Ende. Mein Anfang war im Dezember 1970, als ich auf Einla- Jugend abzielten. Neben ihnen ein musikalisches Multitalent, dung von Mike Shaw und Chris Stamp, zweier lebenslanger der Bassist John Entwistle, der so spielte, als sei er der Lead - Freunde, in die Plattenfirma Track Records eintrat. Als alten gitarrist, und Keith Moon, ein verrückter Drummer, der sich Schulfreunden und Mods lagen uns die Liebe zur Musik und an keine herkömmlichen Regeln hielt. -
I Can't Explain (Can't Explain) Forgive Me One More Time, Now I Said
I Can’t Explain (The Who) [Verse 1] I know what it means but Got a feeling inside (Can't explain) It's a certain kind (Can't explain) [Pre-Chorus] I feel hot and cold (Can't explain) Yeah, down in my soul, yeah (Can't [Chorus] explain) But I can't explain (Can't explain) Forgive me one more time, now I said ... (Can't explain) (Can't explain) I'm feeling good now, yeah, but (Can't explain) [Outro] I said I can't explain, yeah Dizzy in the head and I'm feeling You drive me out of my mind blue Yeah, I'm the worrying kind, babe The things you've said, well, maybe I said I can't explain they're true I'm gettin' funny dreams again and again I know what it means, but … [Pre-Chorus] Can't explain I think it's love Try to say it to you When I feel blue [Chorus] But I can't explain (Can't explain) Yeah, hear what I'm saying, girl (Can't explain) [Verse 2] Dizzy in the head and I'm feeling bad The things you've said have got me real mad I'm gettin' funny dreams again and again 91 "I Can't Explain"[a] is a song by the English rock band The Who, written by Pete Townshend, and produced by Shel Talmy. The song was issued as a single in December 1964 in the United States and on 15 January 1965 in the United Kingdom. "I Can't Explain" was the A-side of the group's first single released under the name The Who— their previous single, "Zoot Suit" / "I'm the Face," was released under the name The High Numbers. -
Who Before I Get Old AI FBF 15
ADVANCE INFORMATION BEFORE I GET OLD THE STORY OF THE WHO Dave Marsh 2015 marks the 50th anniversary of the Who The Who Hits 50! tour runs from 15 April to 4 November 2015, comprising 54 shows across the UK, Europe and the US “Dave Marsh’s Before I Get Old: The Story of the Who, remains the best Who book for its blend of reportage, musical analysis and cultural perspective.” – Greg Kot, Rolling Stone “Dave Marsh’s exhaustive and enjoyable study of the Who’s life and times . .” – Mojo “Before I Get Old: The Story of The Who is certainly the most exhaustive and informed book ever written on the group.” – Mick Brown, The Guardian Key Note The original and best biography of the Who. Commissioned by Pete Townshend and fully endorsed by everyone in the band, this is the definitive account of the legendary band – essential reading for fans of every generation. Description Before I Get Old stands as one of the best books ever written about rock’n’roll. After best-selling Rolling Stone writer Dave Marsh was invited by Pete Townshend to write a history of legendary band the Who, he spent three years investigating and researching their story. The result is the first in-depth biography of the band, discarding the myth and nonsense which has become so much a part of the usual Who coverage. Before I Get Old tells the story of not one but six personalities – guitarist Pete Townshend, bassist John Entwistle, drummer Keith Moon and singer Roger Daltrey plus their original managers Kit Lambert and Chris Stamp. -
Sony Pictures Classics Acquires Lambert and Stamp
SONY PICTURES CLASSICS ACQUIRES LAMBERT & STAMP NEW YORK (March 20, 2014) - Sony Pictures Classics announced today that they have acquired all North American, Australian and NZ, Asian, Eastern European and Russian rights to James D. Cooper’s directorial debut LAMBERT & STAMP. The film stars Chris Stamp and Kit Lambert, and features Pete Townshend, Roger Daltrey and Terence Stamp. The film premiered at the 2014 Sundance Film Festival to wide acclaim and critical reviews. The film is a Harms/Cooper, Motocinema, Inc. production and was gorgeously photographed by renowned cinematographer Cooper who also produced along with Loretta Harms and Douglas Graves. W. Wilder Knight II is the associate producer and Loretta Harms and Mark Mullen are executive producers on the film. LAMBERT & STAMP tells the remarkable story of Chris Stamp and Kit Lambert, aspiring New Wave filmmakers from opposite sides of the tracks who set out to find a subject for their underground movie, leading them to discover, mentor and manage the iconic band that would become known as The Who. This complex and moving relationship, a combination of the deeply tragic and brilliantly comedic, fueled the band's artistic development and left an indelible imprint on its time and generations to come. “LAMBERT & STAMP is the greatest untold story in rock. The movie captures a very unlikely partnership and the hailstorm of creativity that comes with it. Sony Pictures Classics is truly the ideal partner for distributing the film which I've been honored to make, and for the legacy with which I've been entrusted,” said James D. Cooper. -
The Who. Getting in Tune
Plus que quiconque, Pete Townshend, Roger Daltrey, Keith Moon et John Entwistle ont incarné l’urgence, la sauvagerie et la rébellion du rock et profondément influencé l’histoire de la musique populaire, du hard rock jusqu’à la brit pop des années quatre-vingt-dix. En octobre 1965, « My Generation » explose à la face du monde : ce titre devient l’hymne d’une jeunesse dont la soif de vivre est bridée par la société conformiste de l’époque. Héros du festival de Woodstock (1969) et de l’île de Wight (1970), les Who offrent des concerts débordant d’une énergie ravageuse et d’une puissance sonore incomparable, la CABOT JEAN-SYLVAIN presse rock les qualifiant de meilleur groupe live du monde.The Who, Getting in Tune analyse le parcours de cette formation légendaire qui JEAN-SYLVAIN CABOT continue de tourner sur toutes les scènes du monde après cinquante . ans de carrière. Jean-Sylvain Cabot a été spécialiste du hard rock et journaliste pour THE WHO le compte de Rock&Folk entre 1980 et 1985. Né en 1955 en Normandie, il réside et travaille dans le sud de la France. Aux éditions Le mot et le GETTING IN TUNE reste, il est l’auteur de Deep Purple, Fleetwood Mac et co-auteur avec Philippe Robert des deux tomes de Hard’n’Heavy. THE WHO Collection publiée avec le concours financier de la Région Provence-Alpes-Côte d’Azur. Prix : 25 euros M ISBN : 978-2-36054-394-6 — LE MOT ET LE RESTE R couv_who.indd 1 10/08/2017 14:47 JEAN-SYLVAIN CABOT THE WHO getting in tune le mot et le reste 2017 Keith Moon (1946-1978) John Entwistle (1944-2002) « La musique, ce n’est pas seulement des notes : c’est aussi un état d’esprit. -
Entertainment Memorabilia Wednesday 25 June 2014 Knightsbridge, London Ent E Rtainm E Nt Me Morabilia | Knightsbridge, London Wednesday 25 June 2014 21947
ENTERTAINMENT MEMORABILIA Wednesday 25 June 2014 Knightsbridge, London ENT E RTAINM E NT ME MORABILIA | Knightsbridge, London | Wednesday 25 June 2014 | Knightsbridge, London Wednesday 21947 Entertainment Memorabilia Wednesday 25 June 2014 at 12noon Knightsbridge, London BONHAMS ENQUIRIES CUSTOMER SERVICES The following symbol is used Montpelier Street Katherine Schofield Monday to Friday 8.30am to 6pm to denote that VAT is due on Knightsbridge +44 (0) 20 7393 3871 +44 (0) 20 7447 7447 the hammer price and buyer’s London SW7 1HH [email protected] premium www.bonhams.com Please see back of catalogue Natalie Downing for important notice to bidders † VAT 20% on hammer price VIEWING +44 (0) 20 7393 3984 and buyer’s premium Sunday 22 June [email protected] ILLUSTRATIONS 11am to 3pm Front cover: Lot 339 * VAT on imported items at Monday 23 June Consultant Specialist Back cover: Lot 342 a preferential rate of 5% on 9am to 4.30pm Stephen Maycock Inside front cover: Lot 177 hammer price and the prevailing Tuesday 24 June +44 (0) 20 7393 3844 Inside back cover: Lot 7 rate on buyer’s premium 9am to 4.30pm [email protected] Wednesday 25 June W These lots will be removed to 9am to 10am SALE NUMBER: Bonhams Park Royal Warehouse 21947 after the sale. Please read the BIDS sale information page for more +44 (0) 20 7447 7448 CATALOGUE: details. +44 (0) 20 7447 7401 fax £15 To bid via the internet please visit Y These lots are subject to CITES www.bonhams.com Live online bidding is regulations, please read the available for this sale information in the back of the Please note that bids should be Please email [email protected] catalogue.