Department Conditions and the Emergence of New Disciplines: Two
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UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture Permalink https://escholarship.org/uc/item/65f2825x Author Young, Mark Thomas Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sonic Retro-Futures: Musical Nostalgia as Revolution in Post-1960s American Literature, Film and Technoculture A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Mark Thomas Young June 2015 Dissertation Committee: Dr. Sherryl Vint, Chairperson Dr. Steven Gould Axelrod Dr. Tom Lutz Copyright by Mark Thomas Young 2015 The Dissertation of Mark Thomas Young is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS As there are many midwives to an “individual” success, I’d like to thank the various mentors, colleagues, organizations, friends, and family members who have supported me through the stages of conception, drafting, revision, and completion of this project. Perhaps the most important influences on my early thinking about this topic came from Paweł Frelik and Larry McCaffery, with whom I shared a rousing desert hike in the foothills of Borrego Springs. After an evening of food, drink, and lively exchange, I had the long-overdue epiphany to channel my training in musical performance more directly into my academic pursuits. The early support, friendship, and collegiality of these two had a tremendously positive effect on the arc of my scholarship; knowing they believed in the project helped me pencil its first sketchy contours—and ultimately see it through to the end. -
Africana Studies in New York State
Africana Studies in New York State Abdul Alkalimat, University of Toledo Draft released March 28, 2006 Available at eblackstudies.org Table of contents Introduction......................................................................................................................... 4 Need for this study.............................................................................................................. 4 Method ................................................................................................................................ 6 D1: Definition................................................................................................................. 6 D2: Data collection ......................................................................................................... 6 D3: Digitization .............................................................................................................. 7 D4: Discovery................................................................................................................. 7 D5: Design ......................................................................................................................7 D6: Dissemination .......................................................................................................... 8 Research note...................................................................................................................... 8 The historical background to Black Studies in New York State ....................................... -
Revisiting the Media Freedom Debate at Uganda's Independence Golden Jubilee
REVISITING THE MEDIA FREEDOM DEBATE AT UGANDA'S INDEPENDENCE GOLDEN JUBILEE Michael Kakooza REALITY CHECK Revisiting the media freedom debate at Uganda’s independence golden jubilee Written by Dr. Michael Kakooza The views expressed in this publication do not necessarily reflect the views of Konrad-Adenauer-Stiftung and Uganda Media Development Foundation but rather those of the author. REVISITING THE MEDIA FREEDOM DEBATE AT UGANDA’S INDEPENDENCE GOLDEN JUBILEE i REALITY CHECK Revisiting the media freedom debate at Uganda’s independence golden jubilee Published by: Konrad-Adenauer-Stiftung, Uganda 51. A Prince Charles Drive, Kololo P.O. Box 647, Kampala, Tel. +256 414 254611 www.kas.de ISBN: 978 9970 153 08 4 In partnership with: Uganda Media Development Foundation Plot 976 Mugerwa Road. Bukoto P.O.Box 21778 Kampala, Tel. +256 414 532083 www.umdf.co.ug © Konrad-Adenauer-Stiftung e.v. 2012 All rights reserved. No part of this publication may be reproduced, stored in retrieval system, or transmitted in any form or by any means, without the prior written permission of the Konrad-Adenauer-Stiftung. ii REVISITING THE MEDIA FREEDOM DEBATE AT UGANDA’S INDEPENDENCE GOLDEN JUBILEE Table of Contents Foreword ...................................................................................... 1 Preface ............................................................................................3 Profile of the Author ....................................................................... 6 Acknowledgements ....................................................................... -
The Intersections of Africana Studies and Curriculum Theory: a Counter-Western Narrative for Social Justice
FEATURE ARTICLE The Intersections of Africana Studies and Curriculum Theory: A Counter-Western Narrative for Social Justice THEODOREA REGINA BERRY The University of Texas at San Antonio HE NOTION THAT THE WORLD IS GLOBAL, cosmopolitan, and complex would T naturally be fluid music for the ears of curriculum scholars. This is especially true for those of us whose work and identities are connected to the African diaspora. Our histories are, indeed, filled with rich narratives of struggling for more just and equitable curriculum thought. They are full of powerful and empowered struggles, many of which are routinely denounced in mainstream discourse, hidden from it, or both. If curriculum thought is to be truly globalized in ways it was initially intended, then our discourses and actions must be connected, inter- exchanged, and become inextricably tied to the project we call education. This could be life- giving. However, much critique of globalization now circulating in curriculum studies, both in the U.S. and internationally, helps us understand some of the lethal effects of globalization. Nevertheless, little of such critique is grounded in a strong commitment to work beyond the Western epistemological perimeter. The Western epistemology of curriculum is centered on the definition and position inspired by Ralph Tyler (1949), which focuses on “four fundamental questions”: 1. What educational purposes should the school seek to attain? 2. What educational experiences can be provided that are likely to attain these purposes? 3. How can these educational experiences be effectively organized? 4. How can we determine whether these purposes are being attained? (p. 1) As such, curriculum can be defined “as a plan for action or a written document that includes strategies for achieving desired goals or ends” (Orstein & Hunkins, 1998, p. -
Presented to the Graduate Council of the North Texas State University In
79I /f NIGERIAN MILITARY GOVERNMENT AND PRESS FREEDOM, 1966-79 THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Ehikioya Agboaye, B.A. Denton, Texas May, 1984 Agboaye, Ehikioya, Nigerian Military Government and Press Freedom, 1966-79. Master of Arts (Journalism), May, 1984, 3 tables, 111 pp., bibliography, 148 titles. The problem of this thesis is to examine the military- press relationship inNigeria from 1966 to 1979 and to determine whether activities of the military government contributed to violation of press freedom by prior restraint, postpublication censorship and penalization. Newspaper and magazine articles related to this study were analyzed. Interviews with some journalists and mili- tary personnel were also conducted. Materials collected show that the military violated some aspects of press freedom, but in most cases, however, journalists were free to criticize government activities. The judiciary prevented the military from arbitrarily using its power against the press. The findings show that although the military occasionally attempted suppressing the press, there are few instances that prove that journalists were denied press freedom. TABLE OF CONTENTS Page LIST OF TABLES............ .P Chapter I. INTRODUCTION . 1 Statement of the Problem Purpose of the Study Significant Questions Definition of Terms Review of the Literature Significance of the Study Limitations Methodology Organization II. PREMILITARY ERA,.... 1865-1966...18 . From Colonial to Indigenous Press The Press in the First Republic III. PRESS ACTIONS IN THE MILITARY'S EARLY YEARS 29 Before the Civil War The Nigeria-Biaf ran War and After IV. -
The Admiration and Complementary Africana Historical Scholarship of W.E.B
The Admiration and Complementary Africana Historical Scholarship of W.E.B. Du Bois and Joel Augustus Rogers by Thabiti Asukile, Ph.D. [email protected] (UC Berkeley, History, 2007) Independent Historian Abstract This essay delineates the respectful relationship and the historical works between W. E. B. Du Bois and Joel Augustus Rogers, and thus, it takes a look at how Du Bois and Rogers’ historical and political thoughts about each other evolved and how their historical writings challenged racist Western historical thought. The essay also seeks to raise the question of what it was like to write and research Africana historical research without funds from institutions or philanthropists that did not give money towards certain type of historical works that challenged status quo Western historiography. In addition, it also raise the question what was it like to conduct Africana archival research or write Africana history in era when the British and American academy did not find viable the need to teach or research African history. “Now Toynbee’s word carries great weight. He’s often called the world’s greatest living historian. Yet there are numerous facts to disprove him.”1 Joel Augustus Rogers, Pittsburgh Courier, 1952 I am quite frank: I do not pretend to “love” white people. I think that as a race they are the most selfish of any on earth. I think that the history of the world for the last thousand years proves this beyond doubt, and it is more than proven today by the Salvation Army tactics of Toynbee and his school of history. -
CB 3 4 Engl Samedi 1.Pmd
CODESRIA Bulletin, Nos 3 & 4, 2008 Page 1 Editorial A Giant Has Moved On This 12th General Assembly is taking place exactly one year and Sociology Department at the University of Dar Es Salaam, Tan- nine months after the death of an illustrious member of zania before moving to The Hague as a Visiting Professor of CODESRIA, one most committed to the problematic of the pub- Social Anthropology of Development and Chairman of the Ru- lic sphere in Africa. Wednesday 28 March 2007 will go down as ral Development, Urban Development and Labour Studies a sad day among social researchers all over Africa and beyond. Programme at the Institute of Social Studies from 1972 to 1975. It was the day Professor Archibald Monwabisi Mafeje (fondly It was here that he met his wife and life-long companion, the known among friends, colleagues and admirers as Archie) passed Egyptian scholar and activist, Dr Shahida El Baz. In 1979, he away in Pretoria, in what was a most quiet exit that has left very joined the American University, in Cairo, as Professor of Sociol- many of us whom he touched directly or indirectly, in a state of ogy. Thereafter, he took up the post of Professor of Sociology sadness and anger. and Anthropology and Director of the Multidisciplinary Re- search Centre at the University of Namibia from 1992 to 1994. Archie Mafeje, the quintessential personality of science and Mafeje was also a senior fellow and visiting or guest professor one of the most versatile, extraordinary minds to emerge from at several other universities and research institutions in Africa, Africa was, in his days, a living legend in every sense. -
Scarcity's Toll
Fossil-Free Energy • Sharia Law • Translating Poetry May-June 2015 • $4.95 Scarcity’s Toll Sendhil Mullainathan probes poverty GO FURTHER THAN YOU EVER IMAGINED. INCREDIBLE PLACES. ENGAGING EXPERTS. UNFORGETTABLE TRIPS. Travel the world with National Geographic experts. From photography workshops to family trips, active adventures to classic train journeys, small-ship voyages to once-in-a-lifetime expeditions by private jet, our range of trips o ers something for everyone. Antarctica • Galápagos • Alaska • Italy • Japan • Cuba • Tanzania • Costa Rica • and many more! Call toll-free 1-888-966-8687 or visit nationalgeographicexpeditions.com/explore MAY-JUNE 2015 VOLUME 117, NUMBER 5 FEATURES 38 The Science of Scarcity | by Cara Feinberg Behavioral economist Sendhil Mullainathan reinterprets the causes and effects of poverty 44 Vita: Thomas Nuttall | by John Nelson Brief life of a pioneering naturalist: 1786-1859 46 Altering Course | by Jonathan Shaw p. 46 Mara Prentiss on the science of American energy consumption now— and in a newly sustainable era 52 Line by Line | by Spencer Lenfield David Ferry’s poems and “renderings” of literary classics are mutually reinforcing JOHN HARVard’s JournAL 17 Biomedical informatics and the advent of precision medicine, adept algorithmist, when tobacco stocks were tossed, studying sharia, climate-change currents and other Harvard headlines, the “new” in House renewal, a former governor as Commencement speaker, the Undergraduate’s electronic tethers, basketball’s rollercoaster season, hockey highlights, -
Africana Studies 1
Africana Studies 1 For more information about the concentration, please contact the Africana Studies Director of Undergraduate Studies. Honors in Africana Studies Chair Africana Studies’ concentrators with outstanding academic records (demonstration of excellent research and writing skills from course Noliwe Rooks selections to grades) may be admitted to the department’s Honors Located in the historic Churchill House on the campus of Brown University, Program. the Department of Africana Studies is the intellectual center for faculty Students interested in pursuing honors should identify a faculty sponsor and students interested in the artistic, historical, literary, and theoretical in Africana Studies (chosen from Core Faculty or affiliated faculty after expressions of the various cultures of Africa and the African Diaspora. Chair agreement) in their 6th semester and begin working on their thesis Central to the intellectual work of the department is the close collaboration project during the summer before their senior year. By the end of the of artists and scholars in examining relationships between academic sixth semester, while working in consultation with a faculty advisor, the and artistic knowledge about the world and human experience. Our student must submit a rough draft of the project proposal. Please visit commitment to rigorous scholarship and robust student and community the department website for proposal guidelines (https://www.brown.edu/ development is grounded in a truly global understanding of the reach and academics/africana-studies/sites/brown.edu.academics.africana-studies/ implications of the Africana World. files/uploads/Final-ProposalGuidelines.pdf). This preliminary plan should For additional information, please visit the department's website: http:// include a timeline for completion of the thesis and is not to exceed one brown.edu/Departments/Africana_Studies/ (1) typewritten page. -
Aneta Pawłowska Department of Art History, University of Łódź [email protected]
Art Inquiry. Recherches sur les arts 2014, vol. XVI ISSN 1641-9278 Aneta Pawłowska Department of Art History, University of Łódź [email protected] THE AMBIVALENCE OF AFRICAN-AMERICAN1 CULTURE. THE NEW NEGRO ART IN THE INTERWAR PERIOD Abstract: Reflecting on the issue of marginalization in art, it is difficult not to remember of the controversy which surrounds African-American Art. In the colonial period and during the formation of the American national identity this art was discarded along with the entire African cultural legacy and it has emerged as an important issue only at the dawn of the twentieth century, along with the European fashion for “Black Africa,” complemented by the fascination with jazz in the United States of America. The first time that African-American artists as a group became central to American visual art and literature was during what is now called the Harlem Renaissance of the 1920s and 1930s. Another name for the Harlem Renaissance was the New Negro Movement, adopting the term “New Negro”, coined in 1925 by Alain Leroy Locke. These terms conveyed the belief that African-Americans could now cast off their heritage of servitude and define for themselves what it meant to be an African- American. The Harlem Renaissance saw a veritable explosion of creative activity from the African-Americans in many fields, including art, literature, and philosophy. The leading black artists in the 1920s, 1930s and 1940 were Archibald Motley, Palmer Hayden, Aaron Douglas, Hale Aspacio Woodruff, and James Van Der Zee. Keywords: African-American – “New Negro” – “Harlem Renaissance” – Photography – “African Art” – Murals – 20th century – Painting. -
An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(H) CHIKE AKUA Georgia State University
Georgia State University ScholarWorks @ Georgia State University Educational Policy Studies Dissertations Department of Educational Policy Studies Fall 1-6-2017 The Life of a Policy: An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(h) CHIKE AKUA Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/eps_diss Recommended Citation AKUA, CHIKE, "The Life of a Policy: An Afrocentric Case Study Policy Analysis of Florida Statute 1003.42(h)." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/eps_diss/155 This Dissertation is brought to you for free and open access by the Department of Educational Policy Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Educational Policy Studies Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ACCEPTANCE This dissertation, THE LIFE OF A POLICY: AN AFROCENTRIC CASE STUDY POLICY ANALYSIS OF FLORIDA STATUTE 1003.42(H), by CHIKE AKUA, was prepared under the direction of the candidate’s Dissertation Advisory Committee. It is accepted by the committee members in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Education and Human Development, Georgia State University. The Dissertation Advisory Committee and the student’s Department Chair, as representatives of the faculty, certify that this dissertation has met all standards of excellence and scholarship as determined by the faculty. _________________________________ _________________________________ Joyce E. King, Ph.D. Janice Fournillier, Ph.D. Committee Chair Committee Member _________________________________ _________________________________ Kristen Buras, Ph.D. Akinyele Umoja, Ph.D. Committee Member Committee Member _________________________________ Date _________________________________ William Curlette, Ph.D. -
Black Woman Intellectual Vicki Garvin
Traut 1 Katerina Traut Lehigh University Giving ‘Substance to Freedom and Democracy’: Black Woman Intellectual Vicki Garvin ABSTRACT: This paper explores labor organizer Vicki Garvin's life and ideas as an instantiation of Black feminism and as characterized by features central to contemporary Black feminist thought. Garvin's philosophy and practice of feminism come forth in her research and activism in worker’s rights, African American’s rights, and women’s rights. Garvin came of age in a post-WWII era of politics that was shaped by social movements toward liberation. As a demonstration of how to resist domination and oppression while remaining committed to the practice of democracy, Garvin's lifework deserves attention. INTRODUCTION According to Patricia Hill Collins, one distinguishing feature of Black feminist thought is that there is a dialectical relationship between oppression and activism, and there is a dialogical relationship between Black women's collective experiences of oppression and their group knowledge.1 Because of their unique position within the matrix of domination, defined as the social organization in which intersecting oppressions are developed, maintained, and maneuvered, African American women have a special knowledge about the interlocking nature of race, gender, and class oppression.2 Therefore, they must be a part of any effective effort to critique and overcome oppression. As Collins explains, this insight was known and practiced well before contemporary feminist thinkers such as herself conceptualized Black feminist thought as a particular field of scholarship. The research and activism of labor organizer Vicki Garvin demonstrates an understanding of the specific and important role that African American women (as one of many historically marginalized/oppressed groups) have to play within the Traut 2 institutional contexts that create and perpetuate their oppression.