Gene Bushmann Postcard Collection
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Covenant Blu/Grand Center Blu/Grand Covenant
2016 Neighborhood Profile Covenant Blu/Grand Center Blu/Grand Covenant Washington University Medical Center A partnership between BJC HealthCare and Washington University in St. Louis 1 Covenant Blu/Grand Center Neighborhood Introduction The Covenant Blu- Grand Center neigh- borhood is located at the geographic center of the City of St. Louis, home to a dynamic and diverse array of anchor institutions, residents , and venues for the arts. The neighborhood suffered from precipitous decline in the latter half of the 20th century while dealing with significant structural changes, but has been engaging in revitalization efforts with its stakeholder institutions since the 1980s, achieving great progress along the way. Covenant Blu- Grand Center is located just north of Saint Louis University, centered around the Grand Center Arts District on North Grand Blvd, home to the Fabulous Fox Theatre, Powell Symphony Hall, The Pulitzer Foundation for the Arts, and a host of additional arts, media, and civic institutions and venues. With the motto, “The Intersection of Art & Life”, Grand Center is arguably the center of the high arts community in St. Louis while presenting a skyline of architectural landmarks recognizable and visible to St. Louisans throughout the city. In the early decades of the 20th Century, the area was known as the social hub of Saint Louis, with the city’s 2 grandest social clubs, fraternities, hotels, and classic theatres. However, by the middle of the century, these venues fell out of fashion as society moved westward and many were shuttered. As private investment withdrew from the City, the urban fabric of the neighborhood surrounding the Grand Center Arts District experienced great decline. -
“Folk Music in the Melting Pot” at the Sheldon Concert Hall
Education Program Handbook for Teachers WELCOME We look forward to welcoming you and your students to the Sheldon Concert Hall for one of our Education Programs. We hope that the perfect acoustics and intimacy of the hall will make this an important and memorable experience. ARRIVAL AND PARKING We urge you to arrive at The Sheldon Concert Hall 15 to 30 minutes prior to the program. This will allow you to be seated in time for the performance and will allow a little extra time in case you encounter traffic on the way. Seating will be on a first come-first serve basis as schools arrive. To accommodate school schedules, we will start on time. The Sheldon is located at 3648 Washington Boulevard, just around the corner from the Fox Theatre. Parking is free for school buses and cars and will be available on Washington near The Sheldon. Please enter by the steps leading up to the concert hall front door. If you have a disabled student, please call The Sheldon (314-533-9900) to make arrangement to use our street level entrance and elevator to the concert hall. CONCERT MANNERS Please coach your students on good concert manners before coming to The Sheldon Concert Hall. Good audiences love to listen to music and they love to show their appreciation with applause, usually at the end of an entire piece and occasionally after a good solo by one of the musicians. Urge your students to take in and enjoy the great music being performed. Food and drink are prohibited in The Sheldon Concert Hall. -
PROFILE 2 Higher Purpose
2017 PROFILE 2 Higher purpose. Greater good. Saint Louis University is a world-class Catholic, Jesuit institution educating nearly 13,000 students on two dynamic, urban campuses — in St. Louis, Missouri, and Madrid, Spain. Founded in 1818, the University will soon celebrate its bicentennial. With a legacy of innovative academics and research, compassionate health care and faithful service, Saint Louis University attracts a diverse community of scholars who push intellectual boundaries in pursuit of creative, meaningful ways to impact the world, striving to serve a higher purpose and seek a greater good. OUR MISSION The mission of Saint Louis University is the pursuit of truth for the greater glory of God and for the service of humanity. The University seeks excellence in the fulfillment of its corporate purposes of teaching, research, health care and service to the community. The University is dedicated to leadership in the continuing quest for understanding of God’s creation and for the discovery, dissemination and integration of the values, knowledge and skills required to transform society in the spirit of the Gospels. As a Catholic, Jesuit university, this pursuit is motivated by the inspiration and values of the Judeo-Christian tradition and is guided by the spiritual and intellectual ideals of the Society of Jesus. FOUNDED 1818 RELIGIOUS AFFILIATION Roman Catholic, Jesuit LOCATIONS St. Louis, Missouri Madrid, Spain PRESIDENT Fred P. Pestello, Ph.D. Samuel Cupples House /// Saint Louis University 1 COLLEGES AND SCHOOLS NEARLY MORE -
St. Louis Fox by Terry Clark,J~
THE CAVERNOUS ST. LOUIS FOX BY TERRY CLARK,J~ The Fox Theatre circuit, perhaps the Thus, a great movie palace, conceived most prodigious builder of cinema pal and partially constructed in the silent aces in an era of extravagant motion pic era, opened in a new age - an age its ture theatre construction, poured its re builders had not foreseen, even with the sources into five great Fox Theatres at ominour forebodings of "sound". Detroit (September 1928), Saint Louis During the eight months preceding the (January 1929), San Francisco (February opening of the house, work went forward 1929), and Philadelphia, and Newark on the $75,000 4/36 Wurlitzer, one of the (September 1929). four great Crawford Specials built during The Saint Louis Fox, a midwestern the last days of the theatre organ con theatre landmark, was lavishly decorated struction. So much of rather conflicting under the personal supervision of Mrs. nature has been written concerning these William Fox. A Moorish motif was instruments, that this writing shall be carried out through the use of expensive confined to the physical aspects of the objects d'art imported from the Far instrument. That the Paramount Wur East. The vast majority of motion pic litzer was the "mother" instrument and Drawing of the facade from the original ture theatres of that era could have been that similar, if not identical instruments souvenir program (Courtesy of George housed comfortably in the grand Lobby went into Detroit, San Francisco, and Swett). and Foyer of the Saint Louis Fox. Saint Louis, cannot be argued. On January 31, 1929, the theatre opened In the Saint Louis Fox, the blower and with Frank Borzage's "Street Angel", relay rooms and the seven chambers starring Janet Gaynor and Charles Far cover a vertical height equal to a five rell. -
St. Louis Regional Chamber Records (S0162)
PRELIMINARY INVENTORY S0162 (SA0016, SA2507, SA2508, SA2799, SA2958, SA3101, SA4087, SA4105, SA4127) ST. LOUIS REGIONAL CHAMBER RECORDS This collection is available at The State Historical Society of Missouri Research Center- St. Louis. If you would like more information, please contact us at [email protected]. Introduction Approximately 45 cubic feet, 2088 photographs, 174 videos, 7 cassette tapes The St. Louis Regional Chamber records contain materials from its six-predecessor organizations, the City Plan Commission, the Metropolitan Plan Association, the St. Louis Research Council, the St. Louis Chamber of Commerce, the Regional Industrial Development Corporation (RIDC), and the St. Louis Regional Commerce and Growth Association (RCGA). The records include correspondence, meeting minutes, reports, photographs, newspaper clippings, and videotapes, documenting the St. Louis Regional Chamber and its predecessor’s mission to promote regional cooperation and planning for the development of the area’s resources. Materials of interest include RCGA and RIDC’s reports and studies, which provided economic and sociological analyses, as well as statistical data, of urban problems in transportation, public works, labor, the environment, capital investment, manufacturing, industrial education, and employment. The materials in this collection are incomplete, as they do not contain the records of the City Plan Commission before 1912. Donor Information The records were donated to the University of Missouri by R.A. Murray on February 23, 1971 (Accession No. SA0016). An addition was made on January 17, 1983 by James O’Flynn (Accession No. SA2507). An addition was made on February 16, 1983 by James O’Flynn (Accession No. SA2508). An addition was made on June 24, 1987 by Bill Julius (Accession No. -
Group Tour Manual
Group Tour GUIDE 1 5 17 33 36 what's inside 1 WELCOME 13 FUN FACTS – (ESCORT NOTES) 2 WEATHER INFORMATION 17 ATTRACTIONS 3 GROUP TOUR SERVICES 30 SIGHTSEEING 5 TRANSPORTATION INFORMATION 32 TECHNICAL TOURS Airport 35 PARADES Motorcoach Parking – Policies 36 ANNUAL EVENTS Car Rental Metro & Trolley 37 SAMPLE ITINERARIES 7 MAPS Central Corridor Metro Forest Park Downtown welcome St. Louis is a place where history and imagination collide, and the result is a Midwestern destination like no other. In addition to a revitalized downtown, a vibrant, new hospitality district continues to grow in downtown St. Louis. More than $5 billion worth of development has been invested in the region, and more exciting projects are currently underway. The Gateway to the West offers exceptional music, arts and cultural options, as well as such renowned – and free – attractions as the Saint Louis Art Museum, Zoo, Science Center, Missouri History Museum, Citygarden, Grant’s Farm, Laumeier Sculpture Park, and the Anheuser-Busch brewery tours. Plus, St. Louis is easy to get to and even easier to get around in. St. Louis is within approximately 500 miles of one-third of the U.S. population. Each and every new year brings exciting additions to the St. Louis scene – improved attractions, expanded attractions, and new attractions. Must See Attractions There’s so much to see and do in St. Louis, here are a few options to get you started: • Ride to the top of the Gateway Arch, towering 630-feet over the Mississippi River. • Visit an artistic oasis in the heart of downtown. -
Group Outing
Group Outing... ALL WITHIN REACH Eat & Drink Sample Itineraries Available St. Louis is home to a rich mix of cultures and culinary America’s Music Corridor interests. From Italian and German fare to Bosnian and Architectural Tour Vietnamese cuisine, there’s something to satisfy every Black Heritage craving at the hundreds of one-of-a-kind restaurants dotting the city’s culinary landscape. Explore the Environmentally Friendly St. Louis neighborhoods listed below to find the best restaurants Feed Me in St. Louis and dining experiences St. Louis has to offer. Heavenly Attractions Historic St. Louis The Hill Holiday Tour Laclede’s Landing The Loop Lewis & Clark Adventure Soulard Get Your Kicks on Route 66 South Grand 1904 World’s Fair Music, Dance & Theatre Casinos Dance St. Louis www.dancestl.org Casino Queen Fabulous Fox Theatre (Aug-May) www.fabulousfox.com Hollywood Casino The Muny (June-Aug) www.muny.org Lumiére Place Opera St. Louis (May-June) www.opera-stl.org River City Peabody Opera House www.peabodyoperahouse.com Powell Symphony Hall (Sept-June) www.stlsymphony.org Repertory Theatre St. Louis (Sept-April) www.repstl.org St. Louis Black Repertory Company (Jan-June) www.theblackrep.org Stages St. Louis (May-Oct) www.stagesstlouis.com RESIDENCE INN BY MARRIOTT DOWNTOWN ST. LOUIS Sample Itinerary COURTYARD BY MARRIOTT C L A M JEFF R ERSON A K Day 1 R A K V E E T . W A S PEAR TREE 23RD H IN G Gateway Arch & Museum of Westward Expansion INN T O N A LEGEND 22ND V E . Anheuser-Busch brewery tour Urgent Care 22ND Lunch: Soulard Metrolink Stop 21ST 21ST One-Way Street Forest Park: Zoo, Art Museum, Science Center, DRURY INN 20TH Green Space History Museum UNION STATION Visitor Center ION T A T 25 DOUBLETREE Dinner: The Hill 19TH N S IO N U Downtown Bicycle Station 18TH 18TH CID Day 2 17TH 16TH 16TH Grant’s Farm T R AN G C S A E P T N O E Lunch: The Landing/Downtown T W R E T A R 15TH A R Y E T T N IO N E N IC C IV D E Old Courthouse C L M A R 14TH 14TH City Museum 13TH Dinner and theatre O C L C M SHERATON C U A O HE L . -
THE OFFICIAL CHECKLIST Broadwayoyster Bar.Com; Beale on Broadway, 701 S
4344 Shaw, 314- 577-5100, missou- ribotanicalgarden. org; The National Shrine of Our Lady of the Snows, 442 S. Demazenod, Bel- leville, Ill., 618-397- 6700, snows.org. 11./See a big name at the Peabody Opera House. 1400 Mar- ket, 314-499-7600, peabodyopera house.com. 12./Watch the sunset from the top of the Arch. 1 N. Leonor K. Sulli- van, 877-982-1410, gatewayarch.com. 13./Keep the party going on Broadway. BB’s Jazz, Blues & Soups, 700 S. Broadway, 314-436-5222,bbs jazzbluessoups.com; Broadway Oyster A GUIDE TO SOME OF THE REGION’S MOST MEMORABLE EXPERIENCES Bar, 736 S. Broad- way, 314-621-8811, THE OFFICIAL CHECKLIST broadwayoyster bar.com; Beale on Broadway, 701 S. Broadawy, 314-621- 7880, bealeon broadway.com. 1./Pick your 4. /Walk out on 7. /Admire the 9./Hear the blues favorite tag on the the bus at City Arch. Malcolm W. at the National 14./See “The graffiti-covered Museum. 750 N. Martin Memorial Blues Museum. 615 Meeting of the Wa- floodwall. Chou- 16th, 314-231-2489, Park, 185 W. Trend- Washington 314- ters.” 1800 block teau at S. Leonor citymuseum.org. ley, East St. Louis, 925-0016, national of Market. K. Sullivan. 618-346-4905, bluesmuseum.org. paintlouis.com. meprd.org/mmmp. 5. /Tour the Three Sixty, 1 S. 15./ When it brewery. 1 Broadway, 360-stl. 10./Pick a reopens, pay your 2./See the Cardi- 2th & Lynch, com. Cielo, 999 N. favorite holiday respects at the nals on the cheap. 314-577-2626, bud 2nd, 314-881-5759, light display. -
PLAZA NEWS October 2018 Save the Date! Stop by the Skywalk Café This October for Fresh, Healthy Meals
PLAZA NEWS October 2018 Save the Date! Stop by the Skywalk Café this October for fresh, healthy meals. Also, make note of two specialty days! 505 N. 7th Street, Suite 200 October 24: Caramel Apple Cobbler a la mode Saint Louis, MO 63101 October 31: Chili Cheese Dog with a drink for $5—free cookie for Management Office customers wearing a costume Office: (314) 418-1933 An electronic copy of the newsletter can be found at Fax: (314) 418-3791 stlouisplaza.usbankpropertymanagement.com Office Hours: Monday – Friday American Red Cross Blood Drive 8:00am – 5:00pm Monday, October 29 Our Staff: Mike Krivonak, General Mgr. 8:30am—12:30pm Second Floor of the Bank Mike Sprigg, Project Mgr. Kris Winkler, Property Mgr. To register & schedule an appointment, visit Jessie Moore, Facilities Administrator redcrossblood.org [enter sponsor code: USB], Adrien Hernandez, Maintenance call 1-800-RED-CROSS, or contact Cushman & Wakefield at SPV. (314) 418-1933. For more Downtown St. Louis Our goal for the drive is 20 donors – please help by donating this life information: saving gift! www.downtownstl.org www.gatewayarch.com U.S. Bank Plaza Fitness Center www.lacledeslanding.org Requirements For Access For latest weather and - Sign Waiver of Liability and Rules & Regulations building news: - Pay Annual User Fee, Prorated Monthly ($15/month) stlouispla- - Checks Only Payable to US Bank - No Refunds za.usbankpropertymanagemen - Must be a building occupant of the Plaza or 8th Street Bank t.com Registration Times & Location STL Websites to check out: - Location: Management Office, 2nd Floor www.explorestlouis.com Monday through Friday 10:00—11:30 and 1:00—2:30 www.alivemag.com Contact the Management Office at 418-8193 with any questions. -
Winter 2011 Courier
Nonprofit Org. U.S. Postage PAID St. Louis, MO Permit No. 7207 P.O. Box 1065 Winter 2011 Chesterfield, MO 63006-1065 Return Service Requested STATE OF THE UNION By Gloria S. Ross, President Dear members of the greatest Press Club in the The untold story. nation: The Press Club has renewed the commitment begun As we, incredibly, careen into 2011, I find that I’m under Immediate-past-president Dick Weiss in 2009, to anxious, I’m excited and I’m hopeful, despite the help ensure that more investigative stories do not fall daily predictions of the demise of journalism. To prey to the budget axe. The enterprise journalism fund, paraphrase what Mark Twain reportedly said upon established to spur local reporting of under-reported hearing that his obituary had been published in the community topics, remains a priority. New York Journal: reports of journalism’s death are Partnering for a purpose. greatly exaggerated. The Press Club of Greater St. We are partnering with other organizations – Louis is helping to ensure that journalism’s epitaph Gateway Media Literacy Partners to help enhance will not soon be written. critical thinking skills; the St. Louis Public Library We are all journalists now Media Archives to ensure that our history is saved; and In the late 80’s and early 90’s, the computer became the St. Louis Journalism Review as it celebrates its ubiquitous. No longer were keyboards the domain of 40th anniversary – and others to leverage the impact of 2011 Press Club Membership Dues Are Due. clerical workers. Almost everyone, from executives our efforts. -
Stadium Development and Urban Communities in Chicago
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1996 Stadium Development and Urban Communities in Chicago Costas Spirou Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Social and Behavioral Sciences Commons Recommended Citation Spirou, Costas, "Stadium Development and Urban Communities in Chicago" (1996). Dissertations. 3649. https://ecommons.luc.edu/luc_diss/3649 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1996 Costas Spirou LOYOLA UNIVERSITY CHICAGO STADIUM DEVELOPMENT AND URBAN COMMUNITIES IN CHICAGO VOLUME 1 (CHAPTERS 1 TO 7) A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOCIOLOGY BY COSTAS S. SPIROU CHICAGO, ILLINOIS JANUARY, 1997 Copyright by Costas S. Spirou, 1996 All rights reserved. ii ACKNOWLEDGMENTS The realization and completion of this project would not have been possible without the contribution of many. Dr. Philip Nyden, as the Director of the Committee provided me with continuous support and encouragement. His guidance, insightful comments and reflections, elevated this work to a higher level. Dr. Talmadge Wright's appreciation of urban social theory proved inspirational. His knowledge and feedback aided the theoretical development of this manuscript. Dr. Larry Bennett of DePaul University contributed by endlessly commenting on earlier drafts of this study. -
University Library 11
I ¡Qt>. 565 MAJOR LEAGUE BASEBALL PRINCIPAL PLAY-BY-PLAY ANNOUNCERS: THEIR OCCUPATION, BACKGROUND, AND PERSONAL LIFE Michael R. Emrick A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY June 1976 Approved by Doctoral Committee DUm,s¡ir<y »»itti». UNIVERSITY LIBRARY 11 ABSTRACT From the very early days of radio broadcasting, the descriptions of major league baseball games have been among the more popular types of programs. The relationship between the ball clubs and broadcast stations has developed through experimentation, skepticism, and eventual acceptance. The broadcasts have become financially important to the teams as well as the advertisers and stations. The central person responsible for pleasing the fans as well as satisfying the economic goals of the stations, advertisers, and teams—the principal play- by-play announcer—had not been the subject of intensive study. Contentions were made in the available literature about his objectivity, partiality, and the influence exerted on his description of the games by outside parties. To test these contentions, and to learn more about the overall atmosphere in which this focal person worked, a study was conducted of principal play-by-play announcers who broadcasted games on a day-to-day basis, covering one team for a local audience. With the assistance of some of the announcers, a survey was prepared and distributed to both announcers who were employed in the play-by-play capacity during the 1975 season and those who had been involved in the occupation in past seasons.