Design Journey

Total Page:16

File Type:pdf, Size:1020Kb

Design Journey DESIGN JOURNEY SERPENTINE GALLERIES PATH TO CHINA ROCCO YIM MUSEUM DISCOVERY AIRBNB HOSPITALITY GAME-CHANGER DESIGNER TRAVELS CREATIVE WAYFINDING TRENDING FURNITURE ANDRÉ FU’S LV SCENOGRAPHY + LIGHT+BUILDING FRANKFURT REPORT IMPRESSIONS 2 #120/Blue Lotus Gallery Photo. Michael Wolf, Hong Kong 2008, Photo. Michael Wolf, Hong Kong 2008, Architecture of Density Architecture of Density: German-born photographer Michael Wolf’s large-scale views of Hong Kong’s small-sized spaces 3 CONTENTS MAY 2018 ARCHITECTURE DESIGN 60 29 SERPENTINE GALLERIES | HOUSE OF ART FOCUS | FURNITURE A famous London institution extends its reach to China Plush textures and inviting colours are the leading By Danielle de Wolfe trends in furniture design By Dennis Lee 68 AIRPORTS | TERMINALLY COOL 42 Design takes an increasingly important role in the world DIRECTIONS | LET THERE BE LIGHT of aviation hubs Perspective uncovers the latest trends from Frankfurt’s By Helen Dalley Light+Building trade fair, and chats with renowned designer Arik Levy By Dennis Lee PEOPLE 76 YACHTS | PUSHING THE BOAT OUT 52 As materials and techniques advance, marine interior ROCCO YIM | STATEMENT OF INTENT design is taken to a new level The architect behind the Hong Kong Palace Museum By Maeve Hosea talks about his singular vision for cultural spaces By Elizabeth Kerr 85 AIRBNB | INDIVIDUALITY RE-LEASED 92 The peer-to-peer rental platform has now become a TRAVEL | WANDERING STARS driving force in the design world Six designers tell us about the inspiration they derive By Leanne Mirandilla from travel By Michele Koh Morollo 100 DESTINATION | THE ART OF THE 108 NEIGHBOURHOOD Q&A | BREWING A SOLUTION In New York City, Manhattanites define themselves by Designer duo Vicky Chan and Chris Cho on their where they live and, increasingly, by the local architecture pitch-perfect collaboration for the new concept space By Sophie Kalkreuth The Artist House in Hong Kong By Hannah Grogan 4 60 Serpentine Sackler Gallery 85 Photo. Serpentine: Luke Hayes An Airbnb listing in Barcelona 5 CONTENTS | MAY 2018 REGULARS 02 IMPRESSIONS | ARCHITECTURE OF DENSITY Photographer Michael Wolf looks at Hong Kong’s small- sized spaces in a panoramic format 10 SPACE | TACTILE CLASSICISM Bill Bensley’s upmarket Bangkok hotel design is a tranquil place to stay – and a design-lovers’ dream 10 110 The Siam hotel in Bangkok OPINION | A MATTER OF JUDGMENT Central’s former police station, magistracy and prison complex is set to reopen as a public space and arts venue. DIGEST Can we trust the powers-that-be to do justice to its heritage? By John Batten 12 BULLETIN | Career moves, people news and other 112 industry happenings EDITOR’S SELECTION | SHINING STAR The sculptured Harlow chandelier, by Gabriel Scott 14 AGENDA | Exhibitions, events, auctions, books 18 PARTNERSHIP DEVELOPMENTS | Construction, sketches, blueprints, progress 26 DESIGNINSPIRE 22 TALKING POINT | BEHIND THE SCENES Louis Vuitton unveils the latest contemporary travel collection created by the world’s leading designers – and a space designed by André Fu By Hannah Grogan 25 PORTFOLIO | SENSE AND SENSIBILITY French designer Rodolphe Parente lends his skills to a furniture and lighting collection for Pouenat By Dennis Lee 6 CONTENTS | MAY 2018 EDITORIAL PUBLISHER PERSPECTIVE LIMITED Editor Peter Jeffery Unit B, 1/F, Cheung Wah Industrial Leona Liu ASSOCIATE PUBLISHER Building, 10-12 Shipyard Lane, Managing Editor – Tony Chow Quarry Bay, Hong Kong Features & Digital Tel: +852 2525 0287 Dennis Lee FINANCE & ADMINISTRATION Fax: +852 2526 3860 Digital Editor Finance & Administration Director perspectiveglobal.com Hannah Grogan Loesa Lee ISSN 1606-2558 Contributing Editor Finance & Administration Executive Nick Goodyer Catherine Chan PRINTING Ocean Design & Printing Co Ltd CONTRIBUTORS ADVERTISING SALES Flat A, 5/F, Shell Industrial Building, Danielle de Wolfe Associate Publisher 12 Lee Chung Street, Elizabeth Kerr Tony Chow Chai Wan, Hong Kong Helen Dalley Advertising Director John Batten Karin Leung Leanne Mirandilla Advertising Manager Maeve Hosea Colin Shum RIGHTS & PERMISSIONS Michele Koh Morollo Advertising Manager Published monthly by Perspective Limited. Although every reasonable care has been taken to ensure the Sophie Kalkreuth Arthur Au Yeung accuracy and objectivity of the information contained Advertising Manager in this publication, neither the publishers, editors DESIGN & PRODUCTION Icy Cheung and their employees and agents can be held liable for any errors, inaccuracies and/or omissions, howsoever Senior Graphic Designer caused. We shall not be liable for any actions taken Angeli Tam MARKETING & SUBSCRIPTION based on the views expressed, or information provided Senior Graphic Designer Marketing Director within this publication. You should always seek your Shadow Ng Rosa Chow own professional advice from the appropriate advisor, professional or institution. Copyright 2018. Photographer Marketing Manager Those submitting manuscripts, photographs, artwork or Dicky Liu Quincy Luk other materials to Perspective Limited for consideration Marketing Executive should not send originals unless specifically requested to do so in writing by Perspective. Unsolicited manuscripts, MANAGEMENT Aka Chan photographs, and other graphics must include a self- Directors Marketing Executive addressed envelope with prepaid postage if material is Peter Jeffery Chloe Yiu to be returned. Perspective is not responsible for Cordelia Chan unsolicited submissions. Reproduction in whole or in part without written Business Director ENQUIRIES permission is strictly prohibited. For permission, please Graham Cheung Editorial write to the Publisher c/o the above editorial address. Email: [email protected] Advertising Email: [email protected] Subscription Email: [email protected] Marketing & Event Email: [email protected] GET YOUR COMPLIMENTARY COPY NOW! ON THE COVER The Cocoon pod by Campana Brothers for Objets Nomades, Louis Vuitton's contemporary furniture collection, exhibited in Hong Kong, perspectiveglobal.com/subscription curated by André Fu * T&C apply (see page 22) 8 EDITOR’S LETTER The André Fu-designed Ribbon Dance chair was exclusively unveiled at Louis Vuitton’s Objets Nomades exhibition in Hong Kong ahead of Milan Design Week Milan in April is a magic place. Where else can you run over the entire city. It featured a public exhibition into Olivier Rousteing, creative director of French fashion celebrating Milanese architecture from the 1930s in the house Balmain, and then Marcel Wanders, the Dutch city’s busiest Monte Napoleone District; talks hosted by designer who created the Knotted Chair? Milan Design young design students in Isola; celebrity-frequented Week is that sort of event. parties in the Brera Design District; and an open-house Known for its fashion influence, the city has visit to architect Osvaldo Borsani’s modernist villa on the established itself as a wider design capital with design outskirts of the city. These were just a few of the events. week, encompassing the acclaimed Salone del Mobile. What happened in the Italian city is one of the most The international furniture fair dates to 1961 and is now encouraging things that I have witnessed – design for a must-attend on the global design calendar. Originally, everyone rather than designers alone. Italian furniture brands showcased their house While this issue was conceived in high Italian spirits, collections, but the fair has evolved into the world’s we also look at Beijing, where Sichuan-based architect design party where global creatives from the fields of Liu Jiakun has designed the Serpentine Galleries’ first architecture, interior design and product design gather overseas pavilion, located next to the Forbidden City. to exhibit and exchange ideas. André Fu arrived from Liu borrowed inspiration from traditional Chinese Hong Kong to officially unveil his Ribbon Dance chair, archery for the London art institution’s pop-up in China, designed for Louis Vuitton’s Objets Nomade collection. conveying the power and tension of architecture in balance. In early April he created a space – or an “abstract It will open to the public in Beijing this month. scenography”, according to the designer himself – in This issue is also dedicated to travel, because we at Hong Kong’s Central to showcase the brand’s furniture Perspective, as well as the six designers profiled, believe collection that is created by a group of some of the fresh perspectives are important to inspire and to be world’s most sought-after designers, including Milan- inspired. As French novelist Marcel Proust wrote, “The based Patricia Urquiola. real voyage of discovery consists not in seeking new Spanning more than seven days, the design week took landscapes, but in having new eyes.” GO TO PERSPECTIVEGLOBAL.COM TO CLICK & CONNECT! PerspectiveGlobal perspective_mag perspective-global perspectiveHQ 9 SPACE 10 Tactile classicism The Siam hotel by Bill Bensley is a design-lovers’ dream When The Siam hotel opened on the banks of the With just 39 guest rooms and four traditional Chao Phraya River, Bangkok five years ago, it teak villas, The Siam is dominated by its public marked a point in the evolution of East-meets-West spaces, where the incorporation of carefully selected Thai hospitality design. Under the guidance of pop-culture accents, such as the vintage film creative director Krissada Sukosol Clapp and the projector in the state-of-the-art media room are Sukosol Group, Bill Bensley
Recommended publications
  • The Globalization of Chinese Food ANTHROPOLOGY of ASIA SERIES Series Editor: Grant Evans, University Ofhong Kong
    The Globalization of Chinese Food ANTHROPOLOGY OF ASIA SERIES Series Editor: Grant Evans, University ofHong Kong Asia today is one ofthe most dynamic regions ofthe world. The previously predominant image of 'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs. Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representa­ tions, arts and performance. The complexities of urban Asia, its elites, its political rituals, and its families will also be explored. Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Folk Art Potters ofJapan Beyond an Anthropology of Aesthetics Brian Moeran Hong Kong The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam Anthropology and Colonialism in Asia and Oceania Jan van Bremen and Akitoshi Shimizu Japanese Bosses, Chinese Workers Power and Control in a Hong Kong Megastore WOng Heung wah The Legend ofthe Golden Boat Regulation, Trade and Traders in the Borderlands of Laos, Thailand, China and Burma Andrew walker Cultural Crisis and Social Memory Politics of the Past in the Thai World Edited by Shigeharu Tanabe and Charles R Keyes The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung The Globalization of Chinese Food Edited by David Y. H. Wu and Sidney C. H. Cheung UNIVERSITY OF HAWAI'I PRESS HONOLULU Editorial Matter © 2002 David Y.
    [Show full text]
  • TFK/02/2017 on 14 February 2017
    Task Force on Harbourfront Developments in Kowloon, Tsuen Wan and Kwai Tsing For discussion TFK/02/2017 on 14 February 2017 The Development of Hong Kong Palace Museum in the West Kowloon Cultural District PURPOSE This paper contains information on the proposed Hong Kong Palace Museum (“HKPM”). BACKGROUND 2. The proposed development of HKPM in the West Kowloon Cultural District (“WKCD”) will be a unique collaborative arrangement between the West Kowloon Cultural District Authority (“WKCDA”) and the Palace Museum under which the exquisite collection of the Palace Museum will be loaned to HKPM for display on a long-term basis and in a more in-depth and comprehensive manner. The building of a new world-class museum dedicated to the display and interpretation of artefacts from the renowned Palace Museum is a significant addition to the cultural fabric of WKCD. Being the second major museum in WKCD, HKPM will enhance the cultural offering and greatly increase WKCD’s attractiveness as a cultural destination. Focusing on traditional Chinese culture, HKPM will add to WKCD’s diverse mix of programmes and activities, thereby enabling it to attract visitors of all ages and backgrounds, both locally and from outside Hong Kong. 3. Sitting across the Art Park from M+, HKPM will complement M+ as a museum of 20th and 21st century visual culture, allowing visitors to explore in close proximity arts and culture of both the contemporary and the ancient. It will also reinforce WKCD’s cultural offering of traditional Chinese art, with the Xiqu Centre located at the eastern end of WKCD focusing on performing art (Chinese opera) and HKPM at the western end Task Force on Harbourfront Developments in Kowloon, Tsuen Wan and Kwai Tsing TFK/02/2017 showcasing precious artefacts and artworks of the Palace Museum.
    [Show full text]
  • Paper on the Development of Hong Kong Palace Museum
    立法會 Legislative Council LC Paper No. CB(1)668/19-20(05) Ref : CB1/PS/2/16 Joint Subcommittee to Monitor the Implementation of the West Kowloon Cultural District Project Meeting on 1 June 2020 Updated background brief on the development of Hong Kong Palace Museum Purpose 1. This paper provides background information on the Hong Kong Palace Museum ("HKPM") project in the West Kowloon Cultural District ("WKCD"). It also summarizes the views and concerns expressed by Members on the subject at meetings of the Joint Subcommittee to Monitor the Implementation of the West Kowloon Cultural District Project ("the Joint Subcommittee") and relevant committees of the Legislative Council ("LegCo") since January 2017. Background 2. On 23 December 2016, the West Kowloon Cultural District Authority ("WKCDA") announced the signing of a Memorandum of Understanding of Cooperation ("MOU") between WKCDA and the Palace Museum in Beijing to launch a new museum in WKCD with long-term loans from the Palace Museum.1 Under this special arrangement, HKPM will be established by WKCDA as a new focal point of WKCD for displaying the visual culture of historical Chinese art from the imperial courts. The Hong Kong Jockey Club Charities Trust has agreed to donate $3.5 billion to fund the capital cost of the project, covering design, construction and exhibition development cost. HKPM will occupy part of the site originally reserved for the co-located Mega 1 A copy of the MOU (Chinese version only) is given at Annex B to LC Paper No. CB(2)544/16-17(01). - 2 - Performance Venue ("MPV") and Exhibition Centre ("EC").2 Its location is shown on the schematic plan of WKCD facilities in Appendix I.
    [Show full text]
  • 慈善及社區項目,捐款總額達76億港元。 Now Deepening Its Role
    Charities 慈善 © C h a r le s T a n dy The Hong Kong Jockey Club contributes to the betterment of The Club donates 94% of its annual society both directly and through The Hong Kong Jockey Club operating surplus after tax to the Charities Charities Trust. In 2015/16, the Trust was one of the world’s top Trust. Its support covers ten areas of need: ten charity donors. arts, culture and heritage; education and training; elderly services; emergency and In 2016/17, the Trust approved HK$4.1 billion to support 215 poverty relief; environmental protection; charitable and community projects. To mark the 20th Anniversary family services; medical and health; of the Hong Kong Special Administrative Region it also made a rehabilitation services; sports and recreation; special donation of HK$3.5 billion towards the construction of the and youth development. Full details of Hong Kong Palace Museum. In all, total Trust donations in 2016/17 Charities Trust donations this year can were HK$7.6 billion to 216 charitable and community projects. be found on pages 109-124 of the Financial Report. 馬會直接及透過香港賽馬會慈善信託基金,一直為建設更美好社會作出 貢獻。2015/16年度,馬會位列全球十大慈善捐助機構。 Creating Impact 2016/17年度,慈善信託基金已審批41億港元捐款,支持215個慈善及 Alongside the growth in its charitable giving, and in response to new and emerging 社區項目。基金亦以35億港元的特別捐款支持成立「香港故宮文化博物 needs, both within the community and 館」,紀念香港特別行政區成立20週年。因此,基金於2016/17年度共 amongst its partner agencies, the Trust is 支持216個慈善及社區項目,捐款總額達76億港元。 now deepening its role. In particular, while continuing to serve the broad range of community needs, the Trust is focusing on four areas – youth; the elderly; sports; and arts, culture and heritage.
    [Show full text]
  • Representations of Hong Kong's West Kowloon Cultural District by Local
    Southeast Asia: A Multidisciplinary Journal, Vol 18, 2018, pp 44–54 © FASS, UBD Representations of Hong Kong’s West Kowloon Cultural District by Local English Newspapers Benny Lim The Chinese University of Hong Kong Abstract To enhance cultural development in Hong Kong, the idea of West Kowloon Cultural District (WKCD) was mooted in 1998. WKCD is the biggest and most important arts and culture project by the Hong Kong government to date. This paper seeks to examine how Hong Kong newspapers have reported on WKCD since the inception of the Authority in 2008. The purpose of this research is to identify the common issues on WKCD as reported by the newspapers, in order to deduce the possible effects of news reporting on the public perceptions of the district. This study employs the concept of agenda-setting theory in its theoretical approach on how newspapers direct attitudes towards a particular issue. A total of 744 news reports from three local English newspapers bearing the keywords West Kowloon Cultural District and WKCD were subjected to content analysis, of which 576 relevant articles are further classified into seven categories. To better achieve the research objective, semi-structured interviews were carried out with two specialists. Research revealed that the majority of the news coverage of WKCD focuses on political issues, rather than the arts and culture. Further analysis uncovered two major reasons for this focus. First, political issues are generally more newsworthy than arts and culture, and politics-oriented coverage gives WKCD more editorial space in the news media. Second, centering politics in the reporting of WKCD functions as a way to articulate to the public the power of the media to monitor the government.
    [Show full text]
  • Governance Models for Cultural Districts
    Governance Models for Cultural Districts A Report by James Doeser and Anna Marazuela Kim Commissioned by the Global Cultural Districts Network GOVERNANCE MODELS FOR CULTURAL DISTRICTS GCDN Contents 4 Foreword 7 Executive Summary 10 Introduction 13 Approaches to governance in cultural districts 20 Income, expenditure, representation and decision-making in cultural districts 24 Case Study: QUARTIER DES SPECTACLES MONTREAL 27 Case Study: WEST KOWLOON CULTURAL DISTRICT 30 Case Study: EXHIBITION ROAD CULTURAL GROUP 34 Case Study: 22@ BARCELONA 38 Case Study: DALLAS ARTS DISTRICT 42 Case Study: MUSEUMSQUARTIER WIEN 45 Putting the results in context 48 Best practice in district governance 51 Conclusion 54 Appendix 1: Methodology 62 Appendix 2: References 64 Appendix 3: Acknowledgements GOVERNANCE MODELS FOR CULTURAL DISTRICTS GCDN This report was commissioned by the Global Cultural Districts Network (GCDN). We are grateful for the input and advice from our members and other contributors. About the authors Dr James Doeser is a freelance researcher, writer and consultant based in London. He works with artists, cultural organisations and policymakers in the UK and overseas to apply rigorous research to the development of policy, strategy and programmes of activity. Until 2013 he was a senior researcher at Arts Council England. He is currently on the advisory board of the journal, Cultural Trends, an Honorary Research Associate at the UCL Institute of Archaeology and a Research Associate at King’s College London (with whom he has published major reports on the history of arts and young people and culture in the service of soft power at the United Nations). Dr Anna Marazuela Kim is an art and architectural historian, independent scholar and research fellow of the Thriving Cities Lab at the Institute for Advanced Studies in Culture at the University of Virginia, where she advances research on the role of art and aesthetics in civic thriving.
    [Show full text]
  • Copyright 2018 Department of Fine Arts, the Chinese University of Hong Kong
    公眾議題 • Public Issues g. on K g on f H o ity rs ve ni U se ne hi C e Th s, rt A e in f F t o en tm ar ep D 8 01 2 ht ig yr op C 316 West Kowloon Cultural District g. on K g on f H o ity rs ve ni U se ne hi West Kowloon Cultural District C e h On December 22, 2016, then Chief Secretary for Administration, Carrie Lam, told the press at the Hong Kong International T Airport before her trip to Beijing that “there will be a collaborative cultural project between Hong Kong SAR Government and , Palace Museum, Beijing.” ts be built in West Kowloon Cultural District. It will be operated and managed by West Kowloon Cultural District Authority (WKCDA/ r Authority). A exhibition planning expenses will be supported by a donation of HK$3.5 billion from the Hong Kong Jockey Club Charities T e The majority of Hong Kong2 people only learnt about HKPM project as it was announced. In the society there was mixed opinions HKPM will display artifacts from the imperial collection of the Palace Museum, Beijing. n on the fact that the collaboration decision had been made in the absence of public consultation. Controversy was thus stirred up in i 1 f F the Legislative Council, the political circle, among arts Then, practitioners, on the following and the day, public. she announced in Beijing that “Hong Kong Palace Museum” (HKPM) would o On June 29, 2017, a Collaborative Agreement was signed by the WKCDA and the Palace Museum, Beijing on the development of the HKPM, nt Information: 3 e scheduled to complete in 2022.
    [Show full text]
  • Arts, Culture and Sports
    Arts, culture and sports Overview Hong Kong is developing hardware and software to reinforce the city’s status as an international cultural and sports hub. Arts and Culture Hong Kong has: 14 public museums draw about 3.5 million visitors annually. 16 performance venues under the management of the Leisure and Cultural Services Department (LCSD) draw about 3 million in attendance annually. Over 7 000 cultural programmes/activities organised by the LCSD attracting over 2 million audiences/participants each year. 9 major performing arts groups: Hong Kong Philharmonic Orchestra; Hong Kong Chinese Orchestra; Hong Kong Repertory Theatre; Hong Kong Dance Company; Hong Kong Sinfonietta; Hong Kong Ballet; City Contemporary Dance Company; Chung Ying Theatre Company; and Zuni Icosahedron. Major events year-round: Art Basel Hong Kong, Art Central, Fine Art Asia, Ink Asia, Hong Kong Arts Festival, Hong Kong International Film Festival, Le French May Arts Festival, Chinese Opera Festival, International Arts Carnival, New Vision Arts Festival, Lumieres Hong Kong, Business of Design Week, and, in alternate years, the Asia Cultural Co-operation Forum. West Kowloon Cultural District is one of the world’s largest cultural projects. Major venues have started to open. Tai Kwun – Centre for Heritage and Arts, encompassing 16 heritage buildings, including the former Central Police Station, Victoria Prison and Central Magistracy, is a cultural hub offering multi-purpose venues for a full array of artistic offerings from home and abroad. Hong Kong Museum of Art reopened in November 2019 after major renovations; construction of the East Kowloon Cultural Centre is underway and is expected to be commissioned in 2023.
    [Show full text]
  • West Kowloon in 2014
    Location of West Kowloon Guangzhou Shenzhen Zhuhai Hong Kong Macau Location of West Kowloon Shenzhen New Territories Zhuhai Kowloon Lantau Island Hong Kong Island Macau Location of West Kowloon Tsing Yi Kowloon Hong Kong Island Location of West Kowloon Mong Kok Tai Kok Tsui Yau Ma Tei Jordan Kowloon Park Tsim Sha Tsui West Kowloon in 1991 6 West Kowloon in 2014 7 From Conceptual Plan to Development Plan WKCD Development Plan 40 Ha of land with 23 Ha of public open space Cultural Facilities Embedded in the City Fabric Office Other Arts and Cultural Facilities Avenue Retail Retail Core Arts and Cultural Facilities Drop-off and Servicing Carpark 10 Traffic is kept below ground 來自香港島、九龍、新界 和中國內地 Connecting the World From Hong Kong Island, 來自倫敦、紐約、巴黎、東京和 Kowloon, New Territories, 新加坡等地 Mainland China From London, New York, Paris, Tokyo and Singapore, etc. 碼頭的潛在選址 Potential Pier 機場快線 Location 九龍站 Kowloon Station 高鐵西九龍站 Airport Express XRL West Kowloon Terminus 柯士甸站 Austin Station 佐敦站 Jordon Station 碼頭的潛在選址 Potential Pier Location 來自香港島、澳門、中國內地和世 界各地 中港客運碼頭 From Hong Kong Island, Macau, China Ferry Terminal Mainland China and other parts of the world 尖沙咀站 Tsim Sha Tsui Station 天星碼頭 Star Ferry Pier Xiqu Centre Core Arts and West Kowloon Cultural District - Masterplan Cultural Facility* Great Theatre Artist Hostel/ Residence ACE M+ Hong Kong Palace Museum Medium Theatre I Musical Theatre Music Centre Lyric Theatre Complex M+ Pavilion * Future development to be reviewed due to partial Art Park Freespace incorporation into Lyric Theatre Complex Designed by Bing Thom Architects and Ronald Lu & Partners Designed by Herzog & de Meuron, with TFP Farrells and Ove Arup & Partners HK Designed by UNStudio / AD+RG Designed by Dennis Lau & Ng Chun Man Architects & Engineers (Hong Kong) Ltd with West 8 and ACLA Designed by VPANG architects ltd + JET Architecture Inc + Lisa Cheung Hong Kong Palace Museum 香港故宮文化博物館 Designed by Rocco Design Architects 27 28 29 Artistic Programmes 藝術節目 霸 小 劇 王 場 別 粵 劇 姬 ( 新 編 ) 香港國際黑盒劇場節 .
    [Show full text]
  • 21 November 2017 1 2017年11月21日
    立法會 CB(1)239/17-18(02)號文件 LC Paper No. CB(1)239/17-18(02) 2017年11月21日 21 November 2017 1 傳 統 中 國 視 藝 文 化 Traditional Chinese Visual Culture 傳 統 中 國 空 間 文 化 Traditional Chinese Spatial Culture 當 代 香 港 都 市 文 化 Contemporary Hong Kong Urban Culture 香 港 都 市 文 化 Hong Kong Urban Culture 緊 湊 通 達 流 暢 互 動 Compact Connected Fluid Interactive 整體規劃及發展概念 | Overall Planning and Development Concept 西九龍總站 West Kowloon Terminus 戲曲中心 Xiqu Centre 展覽中心 Exhibition Centre 西區海底隧道 Western Harbour Crossing 戲曲前地 林蔭大道 Xiqu Forecourt 香港故宮文化博物館 廣場 藝術廣場 中央廣場 The Avenue Hong Kong Square Artist Square Central Square Palace Museum 藝術公園 Art Park 自由空間 M+展亭 M+ 演藝綜合劇場 大劇院 音樂劇院 音樂中心 中型劇場 I Freespace M+ 博物館 Lyric Great Musical Music Medium Pavilion Theatre Theatre Theatre Centre Theatre I Complex 路徑 | Access 展覽中心 Exhibition Centre 廣場 Square 辦公室 Office 香港故宮文化博物館 酒店 Hong Kong Hotel Palace Museum 藝術公園 Art Park 海濱長廊 Waterfront Promenade 剖面圖 | Section 地面低層平面圖 | Lower Ground Floor Plan 預留展覧中心項目用地 FUTURE EXHIBITION CENTER SITE 機電 博物館儲藏室 E&M MUSEUM STORAGE 機電 卸貨區 E/M LOADING / UNLOADING AREA 餐飲 男 M 女 F 臨時儲存室 設施 TEMP STORAGE RDE 上/落客區 活動室/ PICK-UP / 餐飲 演講廳 設施 接待大堂 等候區 DROP-OFF AREA 海濱長廊 活動室 LECTURE ACTIVITY WATERFRONT RDE ACTIVITY THEATRE LOBBY PROMENADE ROOM ROOM / HOLDING AREA 活動室 餐飲 ACTIVITY 設施 ROOM 活動室 RDE ACTIVITY 活動室 ROOM ACTIVITY 預留酒店項目用地 ROOM FUTURE HOTEL SITE 地面層動線 | Proposed Circulation for Ground Floor 服務/售票處 . SERVICE/TICKET COUNTER 機電 衣帽間 CLOAK E/M 有蓋連接 ROOM 活動室 服務枱 COVERED LINKAGE ACTIVITY SERVICE 排隊區 ROOM COUNTER QUEUING AREA 接待處 主入口大堂 INFORMATION MAIN 覽廳 ENTRANCE GALLERY
    [Show full text]
  • More Than Ink Wang Huangsheng, Raymond Fung, Yu Yang, Chloe Ho, Victor Wong
    More than Ink Wang Huangsheng, Raymond Fung, Yu Yang, Chloe Ho, Victor Wong 23rd January to 15th April 2020 3812 Gallery London, 21 Ryder Street, St James's, London, SW1Y 6PX Opening hours: Monday – Friday 10am-6:30pm; Saturday 11am-2pm Details shown (left to right): Wang Huangsheng, Tracing Vision 161015, 2016, Ink rubbing on paper, 124 x 120cm; Raymond Fung, Clean Water, 2011, Ink and colour on paper, 180 x 48 cm; Yu Yang, Ink Object - Animal Year, 2015, Ink on paper, wood, 180 x 150cm; Chloe Ho, Good Vibrations, 2017, Chinese ink and acrylic on rice paper, 89 x 199 cm; Victor Wong, Far Side of the Moon 0005, 2019, A.I. Ink on Paper, 89 x 62cm London - 3812 Gallery is delighted to announce that our exhibition, More than Ink, has been newly expanded to include artworks by Wang Huangsheng, Raymond Fung and Yu Yang, alongside works by Chloe Ho and Victor Wong. Now open until 15 April 2020, the exhibition demonstrates the diversity and innovation in Chinese contemporary ink, with Wang Huangsheng's abstract lines and gauze rubbing, Raymond Fung's reinterpretation of traditional techniques "Cun" (Chinese: "wrinkles") and blank-leaving, Yu Yang's minimalist abstraction in three-dimensional ink on paper with wood, Chloe Ho's lyrical and expressive use of mixed media and Victor Wong's A.I. landscape paintings. “More than Ink” was first conceived by Calvin Hui, Co-founder and Artistic Director of 3812 Gallery, in 2018 as part of the inauguration of Ink Now, the multi-faceted platform presenting the development of contemporary ink with the slogan “More than Art Fair, More than Ink”.
    [Show full text]
  • West Kowloon Cultural District Authority's Paper on Update on the Development of M+ and the Hong
    LC Paper No. CB(1)668/19-20(03) For discussion on 1 June 2020 Legislative Council Panel on Development and Panel on Home Affairs Joint Subcommittee to Monitor the Implementation of the West Kowloon Cultural District Project Update on the development of M+ and the Hong Kong Palace Museum PURPOSE This paper updates Members on the progress of the hardware and software development in relation to M+ and the Hong Kong Palace Museum (HKPM). M+ DEVELOPMENT OF M+ 2. M+ is the new museum for visual culture in Hong Kong within the West Kowloon Cultural District (WKCD). Its focus is on 20th and 21st century visual culture, broadly defined, from a Hong Kong perspective, the perspective of now and with a global vision. M+ is working on four fronts with a view to realising its vision and mission: to build a professional team; to build a collection; to build a museum building and to raise awareness through pre-opening programmes. 3. On 10 June 2019, the West Kowloon Cultural District Authority (WKCDA or the Authority) updated the Joint Subcommittee to Monitor the Implementation of the WKCD project (Joint Subcommittee) on the development of M+ (LC Paper No. CB(1)1128/18-19(01)). On 25 November 2019, the Authority further updated the Joint Subcommittee on the progress of the WKCD development (LC Paper No. CB(1)149/19-20(02)) including the M+ building, with the Conservation and Storage Facility (CSF) and the WKCDA Tower (formerly known as P39B). On 6 January 2020, the Authority updated the Joint Subcommittee on the M+’s latest development in cultural software (LC Paper No.
    [Show full text]