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Sunday Morning Grid 11/11/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/11/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Arizona Cardinals at Kansas City Chiefs. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Figure Skating NASCAR NASCAR NASCAR Racing 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Eyewitness News 10:00AM (N) Dr. Scott Dr. Scott 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 1 1 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Planet Weird DIY Sci They Fight (2018) (Premiere) 1 3 MyNet Paid Program Fred Jordan Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Belton Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Forever Painless With Rick Steves’ Europe: Great German Cities (TVG) 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva 4 0 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It is Written Jeffress K. -
Sunday Morning Grid 7/26/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 7/26/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Program Golf Res. Faldo PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid Volleyball 2015 FIVB World Grand Prix, Final. (N) 2015 Tour de France 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Outback Explore Eye on L.A. 9 KCAL News (N) Joel Osteen Hour Mike Webb Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program Rio ››› (2011) (G) 18 KSCI Man Land Paid Church Faith Paid Program 22 KWHY Cosas Contac Jesucristo Local Local Gebel Local Local Local Local RescueBot Transfor. 24 KVCR Painting Dowdle Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Cooking BBQ Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Ed Slott’s Retirement Roadmap (TVG) Celtic Thunder The Show 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY7) Doki (TVY7) Dive, Olly Dive, Olly Cinderella Man ››› 34 KMEX Paid Conexión Tras la Verdad Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Hour of In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Fórmula 1 Fórmula 1 Gran Premio Hungria 2015. -
TOP GUN (1986) and the Emergence of the Post-Cinematic by MICHAEL LOREN SIEGEL
5.4 Ride into the Danger Zone: TOP GUN (1986) and the Emergence of the Post-Cinematic BY MICHAEL LOREN SIEGEL Introduction The work of British-born filmmaker Tony Scott has undergone a major critical revision in the last few years. While Scott’s tragic suicide in 2012 certainly drew renewed vigor to this reassessment, it was well underway long before his death. Already by the mid-2000s, Scott’s brash, unapologetically superficial, and yet undeniably visionary films had been appropriated by auteurists and film theorists alike to support a wide range of arguments.[1] Regardless of what we may think of the idea of using auteurism and theory to “rescue” directors who were for decades considered little more than action hacks—an especially meaningful question in the digital age, given the extent to which auteur theory’s acceptance has increased in direct proportion to the growth of online, theoretically informed film criticism—it would be difficult to deny the visual, aural, narrative, thematic, and energetic consistency of Scott’s films, from his first effort, The Hunger (1983), all the way through to his last, Unstoppable (2011). The extreme scale and artistic ambition of his films, the intensity of their aesthetic and affective engagement with Ride into the Danger Zone the present (a present defined, as they constantly remind us, by machines, mass media, masculinity, and militarization), and, indeed, the consistency of their audiovisual design and affect (their bristling, painterly flatness, the exaggerated sense of perpetual transformation and becoming that is conveyed by their soundtracks and montage, the hyperbolic and damaged masculinity of their protagonists)—all of this would have eventually provoked the kind of critical reassessment we are seeing today, even without the new mythos produced around Scott upon his death. -
Build a Be4er Neplix, Win a Million Dollars?
Build a Be)er Ne,lix, Win a Million Dollars? Lester Mackey 2012 USA Science and Engineering FesDval Nelix • Rents & streams movies and TV shows • 100,000 movie Dtles • 26 million customers Recommends “Movies You’ll ♥” Recommending Movies You’ll ♥ Hated it! Loved it! Recommending Movies You’ll ♥ Recommending Movies You’ll ♥ How This Works Top Secret Now I’m Cinematch Computer Program I don’t unhappy! like this movie. Your Predicted Rang: Back at Ne,lix How can we Let’s have a improve contest! Cinematch? What should the prize be? How about $1 million? The Ne,lix Prize October 2, 2006 • Contest open to the world • 100 million movie rangs released to public • Goal: Create computer program to predict rangs • $1 Million Grand Prize for beang Cinematch accuracy by 10% • $50,000 Progress Prize for the team with the best predicDons each year 5,100 teams from 186 countries entered Dinosaur Planet David Weiss David Lin Lester Mackey Team Dinosaur Planet The Rangs • Training Set – What computer programs use to learn customer preferences – Each entry: July 5, 1999 – 100,500,000 rangs in total – 480,000 customers and 18,000 movies The Rangs: A Closer Look Highest Rated Movies The Shawshank RedempDon Lord of the Rings: The Return of the King Raiders of the Lost Ark Lord of the Rings: The Two Towers Finding Nemo The Green Mile Most Divisive Movies Fahrenheit 9/11 Napoleon Dynamite Pearl Harbor Miss Congeniality Lost in Translaon The Royal Tenenbaums How the Contest Worked • Quiz Set & Test Set – Used to evaluate accuracy of computer programs – Each entry: Rang Sept. -
Game List of Game Elf (Vertical) 001.Ms
Game list of game elf (Vertical) 001.Ms. Pac-Man ▲ 044.Arkanoid 002.Ms. Pac-Man (speedup) 045.Super Qix 003.Ms. Pac-Man Plus 046.Juno First 004.Galaga 047.Xevious 005.Frogger 048.Mr. Do's Castle 006.Frog 049.Moon Cresta 007.Donkey Kong 050.Pinball Action 008.Crazy Kong 051.Scramble 009.Donkey Kong Junior 052.Super Pac-Man 010.Donkey Kong 3 053.Bomb Jack 011.Galaxian 054.Shao-Lin's Road 012.Galaxian Part X 055.King & Balloon 013.Galaxian Turbo ▲ 56.1943 014.Dig Dug 057.Van-Van Car 015.Crush Roller 058.Pac-Man Plus 016.Mr. Do! 059.Pac & Pal 017.Space Invaders Part II 060.Dig Dug II 018.Super Invaders (EMAG) 061.Amidar 019.Return of the Invaders 062.Zaxxon ▲ 020.Super Space Invaders '91 063.Super Zaxxon 021.Pac-Man 064.Pooyan 022.PuckMan ▲ 065.Pleiads 023.PuckMan (speedup) 066.Gun.Smoke 024.New Puck-X 067.The End 025.Newpuc2 ▲ 068.1943 Kai 026.Galaga 3 069.Congo Bongo 027.Gyruss 070.Jumping Jack 028.Tank Battalion 071.Big Kong 29.1942 072.Bongo 030.Lady Bug 073.Gaplus 031.Burger Time 074.Ms. Pac Attack 032.Mappy 075.Abscam 033.Centipede 076.Ajax ▲ 034.Millipede 077.Ali Baba and 40 Thieves 035.Jr. Pac-Man ▲ 078.Finalizer - Super Transformation 036.Pengo 079.Arabian 037.Son of Phoenix 080.Armored Car 038.Time Pilot 081.Astro Blaster 039.Super Cobra 082.Astro Fighter 040.Video Hustler 083.Astro Invader 041.Space Panic 084.Battle Lane! 042.Space Panic (harder) 085.Battle-Road, The ▲ 043.Super Breakout 086.Beastie Feastie Caution: ▲ No flipped screen’s games ! 1 Game list of game elf (Vertical) 087.Bio Attack 130.Go Go Mr. -
Tony Scott [1944-2012] « Toutes Les Histoires N’Ont Qu’Une Conclusion, on Finit Tous Par Tomber
Document generated on 09/28/2021 5:29 p.m. Séquences La revue de cinéma --> See the erratum for this article Tony Scott [1944-2012] « Toutes les histoires n’ont qu’une conclusion, on finit tous par tomber... » Sami Gnaba Number 281, November–December 2012 URI: https://id.erudit.org/iderudit/67874ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Gnaba, S. (2012). Tony Scott [1944-2012] : « Toutes les histoires n’ont qu’une conclusion, on finit tous par tomber... ». Séquences, (281), 15–18. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Laboratoire expérimental | PANORAMIQUE 15 HTONY SCOTTH SÉQUENCES 281 | NOVEMBRE — DÉCEMBRE 2012 16 PANORAMIQUE | Laboratoire expérimental Tony Scott (1944-2012) « Toutes les histoires n’ont qu’une conclusion, on finit tous par tomber » (Domino) Devant la soudaine et tragique disparition de Tony Scott le mois d’août dernier, une admiration émue se fit sentir dans les médias pour être précipitamment suivie d’une malheureuse désapprobation publique à l’égard de son oeuvre. Une forme de « guérilla médiatique » gratuite pour citer un rédacteur des Cahiers, fondée sur le même malentendu qui sévissait autour de la personnalité de Tony Scott depuis des années, voire des décennies. -
Déjà Vu and the Timequake: Beyond Postmodernism
Déjà vu and the Timequake: Beyond Postmodernism FEDERICO GIORDANO, University for Foreigners, Perugia ABSTRACT The aim of this article is to verify how Tony Scott proved to be, throughout his career, a director particularly sensitive to social shifts and to artistic and cultural modifications. He adjusted the content and formal structure of his films according to what seemed to be the most “modern” or suitable way of depicting contemporaneity. When observed in these terms and a posteriori, in his last films Tony Scott can be seen as a director who tried to go beyond postmodernism, addressing himself towards the new movements of post-postmodernism, as with metamodernism, pseudomodernism or digimodernism. Among Scott’s films, the one which seems to be particularly relevant in this sense is Déjà Vu (2006), where the latest artistic point of view of the director is quite well summarized. It is a film that puts into metaphor some of the political problems of our epoch and, above all, through a reflection on time embraces some of the features of postmodernism. In doing so, it surpasses postmodernism, opening towards the new aesthetic movement of post-postmodernism. In such a kind of filmic construction, which entails a theoretical reflection on modernity through images, Scott adopts and confirms the post-postmodernist inclination of the final phase of his body of work. KEYWORDS Postmodernism, digimodernism, metamodernism, pseudomodernism, alternative worlds. Fluidity, epigonal films and adherence to the spirit of the times In referring to Tony Scott’s filmography and reconsidering his later works in an attempt to grasp the distinctive elements of director, both themes as well as stylistic variables that run throughout his work can be pinpointed. -
1162 in 1 Game Elf from Horizontal and Vertical Multiboard for 3 Sided Cocktail Cabinets
1162 in 1 Game Elf from www.highscoresaves.com Horizontal and Vertical multiboard for 3 sided cocktail cabinets Vertical Abscam Aero Fighters Air Duel Ajax Ali Baba and 40 Thieves Alley Master Alpine Ski Amidar Anteater APB - All Points Bulletin Arabian Argus Armed Formation Armored Car Ashura Blaster Assault Astro Blaster Astro Fighter Astro Invader Battlantis Battle Bakraid Battle Lane! Battle-Road, The Beastie Feastie Bells & Whistles Big Kong Bio Attack Black Hole Blades of Steel Blast Off Blazer Block Block Block Gal Blue Print Bomb Bee Bongo Bowl-O-Rama Bump ’n’ Jump Burger Time Caliber 50 Carnival Cavelon Centipede Cheeky Mouse Circus Charlie City Bomber Comma.ndo Commando Congo Bongo Cosmo Gang the Video Crazy Kong Crush Roller Cutie Q Dangar - Ufo Robo Dangun Feveron Darwin 4078 Defend the Terra Attack - Devastators Devil Fish Devil Zone Dig Dug Dig Dug II Dingo Disco No.1 Dock Man Dog Fight (Thunderbolt) Dommy Donkey Kong Donkey Kong 3 Donkey Kong Junior Dorodon DownTown Dr. Micro Dr. Toppel’s Adventure Dragon Saber Dragon Spirit Dream Shopper Dyger Eagle Eggor Eight Ball Action Electric Yo-Yo, The Enigma 2 ESP Ra.De. Exciting Soccer Exerion Extermination Eyes Fantazia fastfred Fighting Hawk Fighting Roller Final Star Force Finalizer - Super Fire Battle Fire Trap Fly-Boy Flying Shark Free Kick Frog Frogger Front Line Funky Bee Funky Fish Funny Mouse Future Spy Galaga Galaga (fast shoot) Galaga ’84 Galaga ’88 Galaga 3 Galaxian Galaxian Part X Galaxian Turbo Galaxy Wars Gang Busters Gaplus Gardia Gemini Wing Ghostmuncher Galaxian Go Go Mr. Yamaguchi Gomoku Narabe Renju Gorkans Green Beret Grobda Gun & Frontier Gun Dealer Gun.Smoke Guwange Guzzler Gyrodine Gyruss Hangly-Man Heavy Barrel Hero in the Castle of Doom High Way Race Jackal Jr. -
1162 Game List
1162 Game List '88 Games (381 H) Anteater (271 V) Baraduke (543 H) 10-Yard Fight (540 H) APB - All Points Bulletin (353 V) Baseball Stars 2 (367 H) 1941 - Counter Attack (351 V) Appoooh (542 H) Baseball Stars Professional (366 H) 1942 (029 V) Aqua Jack (653 H) Batman(1P) (125 H) 1943 (056 V) Aquarium (654 H) Battlantis (323 V) 1943 Kai (068 V) Arabian (079 V) Battle Bakraid (408 V) 1944: The Loop Master (167 H) Arbalester (397 V) Battle Circuit (088 H) 1945 Kai III (398 V) Area 88 (172 H) Battle City (528 H) 19XX:The War Against Destiny (384 V) Argus (290 V) Battle Flip Shot (405 H) 2020 Super Baseball (375 H) Arkanoid - Revenge of DOH (395 V) Battle K-Road (669 H) 3 Count Bout (243 H) Arkanoid (044 V) Battle Lane! (084 V) 4-D Warriors (191 H) Armed Formation (298 V) Battle Rangers (317 H) 800 Fathoms (160 V) Armored Car (080 V) Battle-Road, The (085 V) Abscam (075 V) Armored Warriors (432 H) Beastie Feastie (086 V) Acrobatic Dog-Fight (533 H) Art of Fighting (050 H) Bells & Whistles (349 V) Act-Fancer Hyper Weapon (318 H) Art of Fighting 2 (051 H) Berzerk (495 H) Aero Fighters (278 V) Art of Fighting 3 (052 H) Big Kong (071 V) Aero Fighters 2 (163 H) Ashura Blaster (316 V) Big Striker (360 H) Aero Fighters 3 (164 H) Assault (327 V) Bio Attack (087 V) Aggressors of Dark Kombat (116 H) Asteroids (620 H) Bio-ship Paladin (658 H) Air Buster: Trouble Specialty Raid Unit (652 H) Asteroids Deluxe (621 H) Biomechanical Toy(1P) (428 H) Air Duel (305 V) Astro Blaster (081 V) Bionic Commando (310 H) Airwolf (189 H) Astro Fighter (082 V) Black Dragon (536 H) Ajax (076 V) Astro Invader (083 V) Black Hole (088 V) Ali Baba and 40 Thieves (077 V) Asura Blade - Sword of Dynasty (655 H) Black Tiger (661 H) Alien Syndrome (515 H) Aurail (152 H) Blade Master (032 H) Alien vs. -
Imagining National Security: the CIA, Hollywood, and the War on Terror
Democratic Communiqué 26, No. 2, Fall 2014, pp. 72-83 Imagining National Security: The CIA, Hollywood, and the War on Terror Deepa Kumar and Arun Kundnani Abstract: The era of the War on Terror has necessitated a security imagination that both justifies a gigantic national security state and provides security personnel with the scenarios needed to develop security practices and policies. While schol- ars have studied the ways in which cultural products are influenced by national security agencies, we seek to highlight the complementarity in the media-state nex- us and the part played by the culture industry in furnishing the security establish- ment with the cultural imagination needed to meet its goals. Such a dialectical ap- proach has the advantage of charting the flow of culture in multiple directions in order to develop a holistic understanding of how a national security imagination is mobilized. In particular, we focus on the show Homeland to explore the ways in which the workings of the national-security state under Obama have been natural- ized through the activities of a new and rebranded CIA. We set out to contribute to the relatively small body of work on the CIA and Hollywood through this prelimi- nary analysis of Homeland. Keywords: Hollywood, CIA, national security imagination, popular culture, Homeland n September 2013, the US television show Homeland began its third season with rec- ord-breaking ratings.1 The show’s creators Alex Ganza and Howard Gordon, who pre- viously collaborated on the popular series 24,2 seem to have worked out a successful narrative for the War on Terror during the Obama era. -
Authorship and Post-Classical Hollywood" (2015)
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2015 Understanding Tony Scott: Authorship and Post- Classical Hollywood Robert Arnett Old Dominion University, [email protected] Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Film Production Commons Repository Citation Arnett, Robert, "Understanding Tony Scott: Authorship and Post-Classical Hollywood" (2015). Communication & Theatre Arts Faculty Publications. 20. https://digitalcommons.odu.edu/communication_fac_pubs/20 Original Publication Citation Arnett, R. (2015). Understanding Tony Scott: Authorship and Post-Classical Hollywood. Film Criticism, 39(3), 48-67. This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. Understanding Tony Scott: Authorship and Post-Classical Hollywood Robert Arnett Few directors represent post-classical Hollywood cinema better than Tony Scott. His Hollywood career arcs from the 1980s and the iconic Top Gun (1984) to 2010, with the underrated Unstoppable. Scott’s films innovated the fragmentation and excessiveness of the post-classical Hollywood films, including the ability to overwhelm to an extent that negates for many critics and academics the possibility of any substance. Of Tony Scott, David Thomson, in his massive The New Biographical Dictionary o f Film (2003), managed about 100— dismissive—words, issuing, in effect, a challenge: those that see something in Tony Scott have “the advantage over me” (794).1 What Thomson and others fail to see in Tony Scott’s all-too-short career is a Hollywood director with a distinct authorship in the post-classical context. -
2600 in 1 Game List
2600 in 1 Game List www.myarcade.com.au # Name 50 Agu's Adventure 1 005 51 Air Attack (set 1) 2 10-Yard Fight 52 Air Buster: Trouble Specialty Raid Unit (World) 3 12Yards 53 Air Combat 4 1941: Counter Attack (World 900227) 54 Air Command 5 1942 (Revision A) 55 Air Duel (Japan) 6 1943 Kai: Midway Kaisen (Japan) 56 Air Gallet (Europe) 7 1943: The Battle of Midway (US, Rev C) 57 Air Strike 8 1943:The Battle of Midway 58 Airwolf 9 1944: The Loop Master (USA 000620) 59 Ajax 10 1945k III 60 Akkanbeder 11 19XX: The War Against Destiny (USA 951207) 61 Aladdin Fairy Tale 12 2020 Super Baseball (set 1) 62 Alex Kidd: The Lost Stars (set 2, unprotected) 13 3 Count Bout / Fire Suplex (NGM-043) 63 Alibaba and 40 Thieves (NGH043) 64 Alien Arena 14 4 En Raya (set 1) 65 Alien Challenge (World) 15 4 Fun in 1 66 Alien Sector 16 4-D Warriors (315-5162) 67 Alien Storm (World, 2 Players, FD1094 317- 17 5-Person Volleyball 0154) 18 64th. Street - A Detective Story (World) 68 Alien Syndrome (set 4, System 16B, 19 8 Billiards unprotected) 20 800 Fathoms 69 Alien vs. Predator (Euro 940520) 21 '88 Games 70 Aliens (World set 1) 22 8Th Heat Output 71 All American Football 23 9 Ball Shootout 72 Alligator Hunt 24 99:The Last War 73 Alpha Mission 25 9Th Forward 2 74 Alpha Mission II / ASO II - Last Guardian (NGM- 26 A Beautiful New World 007)(NGH-007) 27 A Drop Of Dawn Water 75 Alpha One 28 A Drop Of Dawn Water 2 76 Alpine Ski (set 1) 29 A Hero Like Me 77 Alsen 30 A Sword 78 Altered Beast (set 8, 8751 317-0078) 31 A.D.2083 79 Amazing World 32 Abscam 80 American Speedway