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Nuts Von Martin Ritt

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Nuts Von Martin Ritt Nuts von Martin Ritt Autor(en): Lang, Michael Objekttyp: Article Zeitschrift: Filmbulletin : Zeitschrift für Film und Kino Band (Jahr): 30 (1988) Heft 158 PDF erstellt am: 30.09.2021 Persistenter Link: http://doi.org/10.5169/seals-866733 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch filmbulletin NUTS Martin Ritt moralischen und seelischen Leidens von in der Kindheit liegen, genauer bei einer überfürsorglichen, ängstlichen und verklemmten Mutter und einer überengagiert zärtlichen Vaterfigur. Drehbuch: Tom Topor, Darryl Ponicsan und Also spielen sich im Gerichtssaal Alvin Sargent, nach einem Bühnenstück von hektische und ergreifende Szenen ab, mit Tom Topor; Kamera: Andrzej Bartkowiak; einem rüden Staatsanwalt auf der Michael Gershman; Chef Kameraoperateur: einen und einem verständigen Lichttechnik: Christopher Strong; Lichtführung: Pflichtverteidiger auf der anderen Seite; Griffith; Spezialeffekte: Larry Cary Richard diesen und Fuentes; Schnitt: Sidney Levin, (A.C.E.); Dreyfuss gibt Part, Bauten: Eric Orbom; Bühnen-Dekoration: auch er hält gewissermassen die Anne McCulley; Kostüme: JoeTomkins; Musik: Steigbügel für Barbra Streisand, die Barbra Streisand, arrangiert und dirigiert sich als Angeklagte freiboxt und ihrer von Jeremy Lubbock. Umwelt klarmacht, dass zwischen Gut Darsteller (Rolle): Barbra Streisand (Claudia und Böse ein sehr weites Feld liegt. Faith Draper), Richard Dreyfuss (Aaron Levinsky), Maureen Stapleton (Rose Kirk), NUTS ist ein einnehmender Film, nicht Karl Maiden (Arthur Kirk), Eli Wallach (Dr. Herbert A. Morrison), Robert Webber (Francis unbedingt ein grosser, weil doch vieles MacMillan), James Whitmore (Richter Stanley klischeehaft eingebracht, verkürzt Murdoch), Leslie Nielsen (Allen Green), abgehandelt wird und die Quintessenz William Prince (Clarence Middleton) u.a.m. genau dem entspricht, was ein Produktion: Barwood Films; Produzentin: amerikanischer Kritiker treffend gesagt hat: Ausführender Produzent: Barbra Streisand; NUTS ist einer der Hollywood-Filme im Teri Schwartz, Cis Corman; Aufnahmeleitung: Stil: «Ich bin O.K., weil die Gesellschaft George Goodman. Kameras von Pana- ich sei O.K.». flex; Technicolor; Dolby Stereo; Verleih: sagt, nicht Warner Bros. Verrückt aber auch die Story um NUTS herum. Die Vorlage, ein Theaterstück, stammt von Tom Topor, wurde dann für den Film bearbeitet, unter anderem vom designierten Regisseur Mark Rydell. Als Produzent traten die Warner Brothers auf, wollten ein neues Buch und Rydell verpflichtete dafür Daryl Ponicsan (Autor von CRAZY FOR YOU), dessen Fassung gut ankam. Doch ein Telefonat von Ponicsan mit seinem Kollegen Alvin Sargent, so meldet das US-Fachblatt «Premiere», warf hohe Wellen. Rydell hatte nämlich auch Sargent (Autor von ORDINARY PEOPLE, PAPER MOON und Eine verrückte Geschichte: Claudia anderen) beauftragt. Kein Wunder, dass Draper verdient sich ihre sündhaft teuren die beiden arrivierten Experten verärgert Luxusgüter als Edelnutte in New waren und das Projekt damit York, als eigenständige Berufsfrau. gefährdeten. Barbra Streisand vermittelte Was in diesem Metier beileibe keine und konnte das Duo überzeugen, Selbstverständlichkeit ist. Doch sie gemeinsam weiterzuarbeiten. Doch gerät, natürlich, bald einmal in die der erste Entwurf gefiel Warner Bredouille, tötet einen possessiven und Brothers nicht, der nächste war nicht gewalttätigen Freier, wird festgenommen nach dem Gusto der Streisand. Erst und der Justiz zugeführt. NUTS nach einer Klausurwoche erhielt NUTS berichtet nun von der Zeit nach der definitive Konturen. Alles klar? Nein. Tat, ist ein Gerichtsfilm mit der quirligen Mark Rydell, aus Hawaiferien heimgekehrt, Barbra Streisand und vor allem für war plötzlich nicht mehr erste sie\ kaum eine Schauspielerin eignet Wahl als Regiesseur und den sich besser als Solozugpferd wie sie. Zuschlag erhielt Martin Ritt. Entstanden Also fightet die Dame mit dem ist, trotz Turbulenzen, Irrungen, schlechten Ruf, kämpft an gegen Wirrungen, Drängeleien ein Film, der Vorurteile und versucht dem Richter und zumindest in den USA grosse Kasse damit der Gesellschaft klarzumachen, macht, aber auch ein Modellfall sein weshalb und wieso ein intelligentes dürfte für die Art, wie in Hollywood mit Wesen wie sie überhaupt zu einem harten Bandagen gekämpft wird, Beruf wie dem besagten kommt. Und ohne Rücksicht auf grosse Namen. schliesslich schält sich aus der NUTS, eine wirklich verrückte Sache, widerspenstigen, aufmüpfigen Frau ein sehr in mancher Hinsicht. sensibles Geschöpf heraus: wir erfahren, dass die tieferen Ursachen des Michael Lang 55.
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