Nicole Maines.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Nicole Maines.Pdf B E B O L D. 317 MARGINAL WAY l PORTLAND, ME 207.772.2003 l marvinbyeldredge.com M A R V I N W I N D O W S A N D D O O R S ISN’T THAT… From landmark court case to groundbreaking television role, Nicole Maines seizes the day. INTERVIEW BY OLIVIA GUNN KOTSISHEVSKAYA series that opens this month. n 2014, it was likely you’d recognize the name “Susan Doe” before Ni- Are you in Vancouver right now? cole Maines. Today, the young ac- Yes, I am. I just recently moved here. tress who challenged state law, discrimination, and minds How did you ended up auditioning for the role of Nia in the Maine Supreme Judi- Nal? cial Court transgender rights I’d been doing auditions for a while. case Doe v. Regional School Unit 26 is I’d film them on my laptop with the help Inationally known as a hero—in more of a family member or friend, whoev- ways than one. This Fall, Maines stars as er was around. Then my agent sent me MICS; IMDB O television’s first transgender superhero, the audition for Supergirl: “Hey, this one Nia Nal (a.k.a. Dreamer), in Season Four is very, very big, so pull out all the stops.” P: DC C O of the CW Network’s Supergirl, premier- So I hired someone to help me film, and a M T ing October 14. She caught up with Portland friend read with me. We did a professional- O FR Monthly while filming new episodes for the looking job. Soon after that, I went out to Los OCT O B E R 2 0 1 8 3 7 ISN’T THAT… that they wanted to move the character in ing up food, and when I went to pay, the a new direction. They want her to kind of cashier asked where I was from. I told him mirror Kara’s energy from season one and I was from Maine. He said, “You all live in Angeles to filmBit . While I was out there, bring her in with a wide-eyed, ingénue ener- igloos.” I said, “Yep. Igloos and log cabins.” my agent was contacted by Supergirl pro- gy. They gave me a little bit more direction duction. They asked if I could send another than they had when I was self taping. By that And of course you only eat blueberries, and your dog is self tape. My agent said, “No need, she’s in point, I’d already seen the first season, so I a moose. Los Angeles and can come in to your offic- knew the energy they were looking for. Yes, absolutely. es.” I met with Robert and Jessica and read in the room with them. I felt really good Did it come up that you’re from Maine? Some people on Now that you’ve been on set—and you’ve worked on sets about the audition. They said, “We’d love the West Coast consider us a foreign country. To them, before, but maybe not to this extent—what were some of to take this to the next level.” The next day, Maine feels like an international flight. they offered me the part. It does! I was at the grocery store pick- How did you feel the second you learned you got the role? I don’t think It was very strange. The night before I’d been filming. I had a 13-hour day, and I got home around six in the morning. I was it’s fair to expect sleeping, and my agents called me. They were all on the phone and told me they an individual to were offering me the part. I was so tired I said, “Oh, wow.” It was a combination of disbelief and being half awake. They told represent an me three times, and I was like, “That’s far out, man.” And I went back to sleep! entire group.” ow did they ask you to prepare for the audition? “Dream Girl” first appeared in DC comics in 1964 and is a member of the Legion of Super-Heroes. She hails I got there a half hour early, H from the planet Naltor, where inhabitants have the and I worked with someone in the produc- ability to see the future. Above, Supergirl star Melissa tion office. They gave me the information Benoist on set with Nicole. 3 8 P O RTLAND M O NTHLY MAGAZINE the biggest surprises for you? I’m endlessly surprised by how wel- coming and friendly everyone in the crew and cast is. I feel like I always hear, “Oh, Guidance, Dedication & Compassion you know it’s not normally like this. People aren’t always this friendly.” And I feel ex- I have been both an employment tremely privileged because, in every pro- lawyer and have represented nonprofi t duction I’ve worked on, from Supergirl and entities for 25 years. Royal Pains, everyone was so nice. I feel like If you have been harassed or discriminated I have completely lucked out with incred- against, I know you are fi ghting for your ible casts and crews. I’m kind of waiting for dignity. I listen to you and fi ght hard to people to not be so nice. I’m waiting to walk protect your rights. into a production some day and have some open-hand slap me in the face. Oh, that’s Maine nonprofi ts work tirelessly and the Hollywood they’re talking about. passionately to fulfi ll their missions. I am here to stand beside your organization Who taught you about acting? and guide you through policy, compliance I started acting in middle school. and tricky situations. When I was in sixth grade, my brother Jo- nas and I started doing drama club togeth- Six City Center, Suite 300, Portland | 207.558.6161 x109 er. The first thing we did wasCharlie and the Chocolate Factory. He was Charlie, and www.morrisemploymentlaw.com I was Veruca. It just kind of continued from there. I took some acting classes that were offered by the school. Nothing formal. Did you have anyone you looked up to as a mentor? No one was ever telling me, “Do this, do that for your career.” I had supportive directors, but I learned a lot just doing the- ater in high school and watching how the rest of the cast worked. I learned a little bit more with each production. And I continue to learn. From three years ago, when I did Royal Pains, to now, it’s an ever-evolving skill set. The older I get and the more expe- riences I have, the more I have to draw on when I’m acting. You’re acting out experi- ences. The older I get, the greater the well to draw from. ou said you watched the show before the audition. Would you consider yourself a fan? Y Yes! Yes. I just love televi- MICS sion, and when I was first starting to work O with my agents, they asked me what shows I liked. At the time, I had only seen Arrow, but I loved it. If I could be on Arrow, I’d lose W © 2018; DC C my mind. Now I am in the ‘Arrowverse.’ C The other day I was sitting next to Melissa [Benoist], and she was in the Supergirl suit. It took every ounce of strength in my body. I was, like, “Nicole, be professional. Do not touch the cape.” I first started watch- ETTINA STRAUSS: THE B ing when I was going to do the audition. I OCT O B E R 2 0 1 8 3 9 ISN’T THAT… thought I’d watch a couple of episodes, but then I loved it. I love the show. ou’ve been called a hero yourself. Can that be overwhelming? how they portray a trans character and ex- It must be a breath of fresh air for the rest of the cast Y It’s never overwhelming. perience. I’m hoping then when we look and crew to have someone who’s that excited on set. It’s just strange to hear. It’s the same kind at a character and say, “Well, trans people I don’t know. Maybe. I feel like one of thing when I’ll be bantering with my aren’t like that,” we can say back, “No, but day I’m going to overstep. Walking in- friends and they’ll say, “Oh, you’re famous.” this person is like that; this character is like to Comic-Con that first day, I always felt I’m like, “Oh, okay. Sure.” I’m, not going that.” We’ll be looking at an individual’s like I’d go through the front door. Here I to say that, but if you want to say that, it’s storyline and not the trans storyline. I don’t was going through the back and into the okay. I’m just here doing my best. If that think it’s fair to expect an individual to rep- green room with the cast. I totally felt makes me a hero in some people’s eyes, resent an entire group. like I was some fan who’d managed to that’s very touching. It means a lot to me. It slip past someone and get in through the just feels weird when I say it. So I don’t. Can you tell me about living in Vancouver? back door.
Recommended publications
  • GLAAD Where We Are on TV (2020-2021)
    WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.
    [Show full text]
  • Saginaw SOGI YAC
    Saginaw SOGI YAC Sexual Orientation and Gender Identity Youth Advocacy Council Mission: Identify risks and explore needs for SOGI youth in our community with a focus on collaboration, education, outreach and support. Volume 1, Issue 16 August 2018 TV’s First Transgender Superhero Upcoming Events LGBTQ Youth Leadership Camp The CW series Supergirl will make history by welcoming tel- Thursday, August 23, 4:30 to 6:30pm evision’s first transgender superhero in Season 4. The role of Saginaw YMCA Nia Nal, aka Dreamer, will be played by trans activist and 1915 Fordney St, Saginaw, MI 48601 actress Nicole Maines. In 2014, Maines, who has identified as a female since age 2, successfully sued her school district Understanding LGBTQ after her elementary school denied her access to the girl’s Communities restroom. It was the first time a court had ruled in favor of a transgender stu- Hosted by Perceptions dent’s right to use the restroom congruent with her gender identity. Tuesday, August 28, 7 to 9pm Based on the DC Comics character, Supergirl follows the title character as she Midland Center for the Arts learns to embrace her super powers. The series has received praise in the past for 1801 W. Saint Andrews Rd. its inclusive storytelling and accurate portrayal of the coming out process as expe- Midland, MI 48640 rienced by another lead character. In the upcoming season, the character of Nia Drag Queen Bingo Brunch Nal will join the CatCo Magazine reporting team in the fictional universe. Sunday, September 9, 1:00pm For LGBTQ youth, especially those lacking support or resources, high profile Hamilton St.
    [Show full text]
  • Bottom Line Inside Happy Mother’S Day! 021 •
    NEWS Local news and entertainment since 1969 Bottom Line A look at the color Happy Mother’s Day! Inside and sights of local GREATER LAS CRUCES CHAMBER OF COMMERCE • MAY 2021 • WWW.LASCRUCES.ORG TABLE OF CONTENTS A year like no other From the GLCC President premier of “Walking By BRANDI MISQUEZ It’s Mother’s Day..............................2 The pressures of main- A Mom’s 10 Rules for taining a household during the future workforce .......................3 a pandemic are intense on their own. 2020 brought 2021 Annual Chamber additional pressures to Gala Winners ................................4-5 millions of households with parents being tasked with Herb.” to uphold their own work 2021 Annual Chamber responsibilities, while Awards Video ................................6 also ensuring their kids are learning effectively. 2021 LCHBA Parents wanting to instill Casa for a Cause .............................7 some sense of normalcy into their kids’ lives while page 3 New/rewewing upholding these tasks can members ........................................8 simply be summed up by FRIDAY, one word for me: balance. It’s clear that being a par- COURTESY PHOTO MAY ent during COVID-19 times The pandemic changed everything for families like that of Brandi Misquez and Matthew Arguello. GREATER LAS CRUCES has not been an easy feat. 7, 2021 CHAMBER OF COMMERCE From my perspective, this for their virtual school- the Greater Las Cruces walls. It’s been both terrible I Volume 53, Number 19 150 E. LOHMAN AVE. has awarded us a unique ing once the quarantine Chamber of Commerce. and amazing all at the same LAS CRUCES, NM 88001 challenge mixed with a phase was lifted.
    [Show full text]
  • Where We Are on Tv 2018 – 2019 Where We Are on Tv 2018 – 2019
    WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 2018–2019 Where We Are on TV 1 PB WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 Contents 4 From the Desk of Sarah Kate Ellis 5 Methodology 6 Executive Summary 8 Summary of Broadcast Findings 10 Summary of Cable Findings 12 Summary of Streaming Findings 14 Gender Representation 16 Race & Ethnicity 18 Representation of Black Characters 20 Representation of Latinx Characters 22 Representation of Asian-Pacific Islander Characters 24 Representation of Characters With Disabilities 26 Representation of Bisexual+ Characters 28 Representation of Transgender Characters 30 Representation in Alternative Programming 31 Representation in Daytime, Kids & Family Programming 32 Representation on Other SVOD Streaming Services 33 Representation in Spanish-Language Programming 34 About GLAAD 3 2 WHERE WE ARE ON TV 2018 – 2019 WHERE WE ARE ON TV 2018 – 2019 From the Desk of Sarah Kate Ellis GLAAD has tracked the presence of lesbian, gay, Inclusive shows also pay off in the ratings. NBC’s bisexual, transgender, and queer (LGBTQ) characters season nine premiere of Will & Grace counted 15 on television for 23 years, and this year marks our million viewers in the first week of release, ABC’s 14th report since expanding that focus into what is Modern Family ranked in the top 20 broadcast series now the Where We Are on TV (WWAOTV) report among 18-49 year old viewers for the entirety of its in 2005.
    [Show full text]
  • February 14-16, 2020 Washington, Dc
    PROMOTING SAFETY, INCLUSION AND WELL-BEING FOR LGBTQ YOUTH EVERYTHWERE! FEBRUARY 14-16, 2020 WASHINGTON, DC CO-PRESENTING TIME TO THRIVE PRESENTING SPONSORS Freedom to reach your potential BBVA is proud to be a Presenting Sponsor of Time to THRIVE. Thank you, HRC, for creating opportunities for all LGBTQ youth. BBVA and BBVA Compass are trade names of BBVA USA, a member of the BBVA Group. BBVA USA, Member FDIC. Rev. 01/2020 / #830728 “As professionals who work closely with youth, it is essential to amplify and elevate our voices as you strive to become stronger advocates for our safety and inclusion. We are the experts of our own stories and experiences and have valuable suggestions on what works and doesn’t work. Thank you in advance for making sure we are invited to the table.” — Makayla Humphrey HRC Youth Ambassador SCHEDULE AT A GLANCE Friday, February 14th 1:00 p.m. Conference Registration (Location: Grand Ballroom Foyer) 2:00 – 4:30 p.m. Optional Pre-Conference for Beginners (Location: Congressional Ballroom C) 5:00 – 6:30 p.m. Attendee Welcome Reception with Food and Cash Beverages (Location: Grand Ballroom Foyer and Congressional Ballroom A/B) *More details on page 14 6:35 – 8:45 p.m. Opening Plenary (Location: Grand Ballroom) *More details on page 15–17 9:00 – 10:00 p.m. Optional Late-Night Networking (Location: MIXX Lounge) *More details on page 17 Saturday, February 15th 7:30 a.m. – 5:45 p.m. Conference Registration (Location: Grand Ballroom Foyer) 7:30 – 8:30 a.m. Breakfast Buffet (Location: Grand Ballroom Foyer and Congressional Ballroom A/B) 8:30 – 9:45 a.m.
    [Show full text]
  • The Liberty Ledger DECEMBER 2018 I S S U E 1 3 Why Should You Read and Write Historical Fiction By: Maura Baker
    The Liberty Ledger DECEMBER 2018 I S S U E 1 3 Why Should You Read and Write Historical Fiction By: Maura Baker Historical Fiction is a genre (literary and film) that best friends, one Dictionary.com generalizes as “The genre…that of a patriot family takes place in the past and are characterized and one of a loy- chiefly by an imaginative reconstruction of histori- alist family? In cal events and personages.” However, historical addition, you’re fiction is so much more than this! Historical Fic- much more likely tion is a glorious time-traveling adventure and to remember facts soap opera. I know you're probably thinking, about history from “Okay, sure, but why should we read and write an emotionally historical fiction?” Well, I’m going to answer just engaging story that! rather than a dry accounting of his- tory. For exam- Why you should read historical fiction ple, after a test, One of the great things about reading historical students may fiction is that it allows you to learn about historical promptly forget times and events in an exciting way! Since histor- the names and ical fiction usually focuses on the experiences of dates that they learned from textbooks, but we one individual and his or her relationships instead all remember that there were not enough life- of a general overview of the event or time like boats for everyone on the Titanic thanks to most historical textbooks would give you, it James Cameron’s brilliant work of historical leaves room for per- fiction, Titanic. sonal opinions and drama.
    [Show full text]
  • Outfronts Is Outfest’S Innaugural Fan-Based Experience for All Things Queer on Television and Streaming Platforms
    TWENTIES presented by BET ● Bringing together queer and trans talent from Twenties, Oval, and All the Queens Men, this discussion focuses on the representation of Black LGBTQ+ characters on television in its many forms. Featured Talent: To be announced. CLARICE presented by CBS Studios and MGM ● In the documentary Disclosure, actor Jen Richards memorably examined the legacy of transphobia that emerged from the infamous Silence of the Lambs character Buffalo Bill. Following that powerful statement, she was brought on as a consultant, and ultimately as a guest star, on CBS’ Clarice to address the character’s complicated history. In this panel, Richards is joined by the Clarice’s star, showrunner, and writers to discuss their crafting of the show’s fascinating new storyline.Deadline Featured Talent: Jen Richards, Rebecca Breeds, Elizabeth Klaviter (showrunner), Eleanor Jean (writer), moderated by Sam Feder (director of Disclosure) DAVID MAKES MAN presented by OWN ● Created by Academy Award-winning writer Tarell McCraney (Moonlight), the Peabody Award-winning series about a teenage prodigy in South Florida returns for Season 2 this summer. Moderator Kalen Allen speaks to the show’s creators and stars on how David Makes Man navigates questions of masculinity and queerness in the Black community, featuring sneak peek clips of season 2. Featured Talent: Alana Arenas, Dee Harris-Lawrence, Tarell McCraney, and Travis Coles moderated by Kalen Allen EQUAL (HBO Max) presented by Warner Bros. Unscripted Television in association with Warner Horizon ● The directors and actors from HBO Max’s vital docuseries will present individual, testimonial videos about the trailblazerDeadline they portrayed in the series and also reveal their own, personal LGBTQ trailblazing heroes.
    [Show full text]
  • It's a Bird! It's a Plane! It's… a Girl?!: Analyzing Representations of Femininity on the CW's Supergirl by Dylan Frei
    It’s a Bird! It’s a Plane! It’s… a Girl?!: Analyzing Representations of Femininity on The CW’s Supergirl by Dylan Freitag A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Communication Carleton University, Ottawa Ontario ©2020 Dylan Freitag Abstract Although it takes more than diverse media representation to create positive social change, representation is still an important part of normalizing identities and pushing discussions of social issues. However, representations of certain minority groups, whether on the basis of racial, ethnic, sexual, or gender identities, are often largely absent in media, and flawed when they do exist. This is true of comic books and the various forms of media that have adapted superhero stories. For instance, superhero tales have long been dominated by depictions of superheroes who are heterosexual cisgender men. Because of this trend spanning from the 1930s into the 21st century, superhero stories have developed a reputation of being a boy’s club rife with sexism. Certainly, this issue persists to this day, but this thesis provides a snapshot of how women are fairing in superhero media in the mid-to-late 2010s. By focusing specifically on the case study of the CW’s Supergirl, I discuss how representations of superwomen have improved greatly compared to popular expectations and no longer entirely reflect a singular and problematic ideal of what being a woman means. In particular, my examination is centered around three of Supergirl’s main women: protagonist Kara Danvers/Supergirl, Kara’s sister and super spy Alex Danvers, and the heroic Nia Nal/Dreamer.
    [Show full text]
  • Bi the Wayside?: Shifts in Bisexual Representations in Teen Television
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2019 Bi the Wayside?: Shifts in Bisexual Representations in Teen Television Analise Elle Pruni University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Journalism Studies Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Pruni, Analise Elle, "Bi the Wayside?: Shifts in Bisexual Representations in Teen Television" (2019). Theses and Dissertations. 2582. https://dc.uwm.edu/etd/2582 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. BI THE WAYSIDE?: SHIFTS IN BISEXUAL REPRESENTATIONS IN TEEN TELEVISION by Analise Pruni A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in Media Studies at University of Wisconsin-Milwaukee August 2019 ABSTRACT BI THE WAYSIDE?: SHIFTS IN BISEXUAL REPRESENTATIONS IN TEEN TELEVISION by Analise Pruni The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Elana Levine Television can be a reflection of the values we have as a society and its representations can have an impact on the way people, especially youth, shape their identities. This examination of teen-oriented television shows on the CW network looks at bisexual and queer representations and compares them with previous representations. I ground this essay in the youth-oriented television context, the progression of queer television representations, and ideas about media representation in a post-gay era.
    [Show full text]
  • Nia Nal the Super Girl: Transgender Representation and Body Image
    Nia Nal the Super Girl: Transgender Representation and Body Image SARAH F. PRICE With the production of television series such as Pose, Transparent, I am Jazz, I am Cait, and Orange is the New Black in conjunction with current political discussion on transgender rights involving transgender military service and the bathroom bills, transgender and gender diverse (TGD) representations have become a vital issue within American culture. Orange is the New Black and Pose focus on subjects directly impacting the TGD communities today, while I am Jazz and I am Cait follow the stories of Jazz Jennings and Caitlyn Jenner navigating life as transgender women. These series, surprisingly diverse in their racial representations of transgender identity, open the door to transgender existence in hegemonic media. In their latest season, the CW television series Supergirl has introduced the newest superhero to join the crew: a transgender woman named Nia Nal, who is able to see the future through her dreams. This new addition to TGD representation simultaneously breaks through to new territories as well as reinforces the existing hegemonic image of TGD identity and the gender binary. The influx of TGD characters has begun to assert an ideal transgender body upon the media-produced transgender narrative while furthering representation and acceptance of the existence of transgender people. Despite their innovative portrayals of these transgender characters, the effect of the combined representations creates a specific and narrow image of what it means to be transgender. As E.T. Booth explains: “As is the case with any marginalized group... an increase in media representation may be just as likely to further confuse the issue as to clarify it, particularly when the commercial interests controlling those Sarah F.
    [Show full text]
  • Warner Bros. Creative Talent (WBCT) HAS BEEN EXCITING
    Home CEO’s letter Workforce Content Community Thank you A NEW COMPANY WITH A RENEWED COMMITMENT WarnerMedia content and platforms It’s important to our leadership, are a part of life for millions of our employees and our creative consumers around the world. That’s partners—and it ensures our an enormous privilege—and it comes relevance and success. with awesome responsibility. Because when our workforce and The stories we tell travel the globe, our content reflect the diversity shape culture and inform people’s of our audiences and the world we aspirations. By hardwiring inclusion live in—when everyone can see into everything we do, we create themselves on screen—we expand connections and inspire hope. what’s possible and create real change. 2 Home CEO’s letter Workforce Content Community Thank you WHAT’S INSIDE WORKFORCE CONTENT COMMUNITY THANK YOU We’re striving for a work More stories from more We’re opening up Our employee groups culture where everyone storytellers will serve our opportunities for fresh and partners are feels they belong. audiences better. voices to be inspired essential to our success. and supported. 1Our workforce data 8 2Our production data 24 3Inspiring tomorrow’s storytellers 51 4Our employee groups 63 About the data 12 Our commitment to diversity 26 Access to the industry 54 Our partners 64 Our employee groups 13 Crazy Rich Asians 27 Supporting new writers and directors 57 Picture credits 68 Supporting diversity in tech 17 Random Acts of Flyness 30 Can one recruitment process make a difference? 60 Every story has impact 20 CNN’s diverse perspectives 33 Insecure 35 Claws 38 Supergirl 41 Sr.
    [Show full text]
  • September 28, 2020
    Reporting on the Planet Daily FREE Volume 7 | Issue 7 dailyplanetdc.com September 28, 2020 SUPERGIRLGIRL OF STEEL’S HIT CW SERIES SET TO END AFTER SEASON SIX Based on characters from DC created by Jerry Siegel and Joe Shuster, Supergirl is from Berlanti Productions in association with Warner Bros. Television, with executive producers Greg Berlanti, Sarah Schechter, Robert Rovner, Jessica Queller and Rob Wright. Photo courtesy The CW By Zack Benz celled by CBS and made a darkest of places, and that lives. Nicole Maines, who Daily Planet jump over to the CW for we are stronger when portrays the hero dreamer, Melissa Benoist & Chris the remainder of its run. we’re united. What she said she’s sad Supergirl Season six of 'Supergirl' O v e r t h e p a s t fi v e stands for pushes all of us must come to an end but Wood welcome son will be the girl of steels se- years 'Supergirl' has ex- to be better. She has she’s very proud to have ries finale for The CW. The plored immigration, gun changed my life for the been a part of it. final season will consist of control, and other timely better, and I’m forever “I am proud that I have 20 episodes, with produc- issues. In its fourth season, grateful. been privileged enough to tion set to begin soon it made history by casting I’m so excited that we be able to bring Nia Nal to ahead of its 2021 return. Nicole Maines as Dreamer, get to plan our conclusion life, and to have been able The network announced TV's first transgender su- to this amazing journey, to be a part of her evolu- the finale today.
    [Show full text]