Download a PDF of This Article

Total Page:16

File Type:pdf, Size:1020Kb

Download a PDF of This Article 62 MAY | JUNE 2015 THE PENNSYLVANIA GAZETTEGAZETTE iven its dramatic twists and turns, what’s most surprising about the fact that Michael Finkel W’90’s life has been Gturned into the new film True Story— produced by Brad Pitt and starring Jonah scheduled for general release in late April Hill and James Franco—may be that it’s (after the Gazette went to press). Early taken 10 years since he wrote the book reviews have been mixed, with some crit- version [“Arts,” Jul|Aug 2005] to make it ics praising the thoughtful treatment of to the big screen. the material, and others saying the direc- To put things into context, back then tor didn’t quite pull it off. two-time Academy Award nominee Hill, “If this all sounds like red meat for phi- who plays him in the movie, was just get- losophers and ethicists at the movies, it ting noticed as “eBay customer” in The certainly is. It doesn’t, unfortunately, 40-Year-Old Virgin; Franco was between make for crackling cinema,” wrote Jordan stints as Harry Osborn, the bad guy/best Hoffman in the Guardian. But Variety’s friend in the Tobey Maguire Spiderman; Peter Debruge wrote, “In [director Rupert] and Brangelina was just becoming a thing. Goold’s hands, the two thesps [Hill and The story of True Story starts with a James Franco, as Longo] deliver measured, bizarre coincidence: Finkel, a star jour- soul-searching work. Both Finkel and Longo nalist with a clutch of New York Times found in one another a much-needed con- Magazine cover stories to his credit, is fessor, as well as a potential redeemer.” getting dismissed from the Times over fabrications in one of them—effectively Finkel says he “never in a million years” destroying his identity as a writer. expected his life and career to end up on Within days of his firing, he learns that the silver screen. a man named Christian Longo, wanted Before they did, he was a scrawny Jew- for the murders of his wife and three ish kid from Stamford, Connecticut, who children in Oregon, had been calling was on the varsity track team at his himself “Michael Finkel of The New York high school. He ran in the Penn Relays Times” while on the run in Mexico. and took a shine to Franklin Field, By then Longo has been captured and which helped him decide to apply to sent back to the US. Finkel writes letters Penn. He also had a head for business— to the killer in prison, and manages to he netted more than $20,000 in profits strike up a relationship, and embarks on dealing in baseball cards—and chose a memoir as a way to revive his writing Wharton as his school at the Univer- career. The film explores the implications sity, majoring in finance. of their connection, as well as Finkel’s Neither choice stuck, though. Finkel romance with the woman who would quit Penn’s track team after two years, become his wife—and her concerns about and by the time he graduated, he “didn’t Finkel’s interactions with the killer. want to do a single minute more of The film premiered at the Sundance finance,” he says. “I think I learned what Film Festival in Utah in February and was I didn’t like in college.” ILLUSTRATION BY MARTHA RICH THE PENNSYLVANIA GAZETTE MAY | JUNE 2015 63 Finkel had written for his high-school He also published a long story in the US worker. Finkel survived, but later newspaper, and midway through his Penn Sunday Times Travel section about a described the experience as “horrible” in career, he joined The Daily Pennsylvanian. cross-country biking trip he took with the Gazette article about the magazine. He covered sports, with a prediliction for Bret Parker C’90, a friend and fellow DPer In a story for the Times, he squeezed into long-form stories—“I thought I could learn who is now the executive director of the a tightly cramped boat of Haitian refugees more about the human experience through New York City Bar Association. Within a bound for the US. Passengers were sick soft features than hard news,” he says—and year, Finkel was offered a low-level edito- from dehydration by the second day, but also wrote for 34th Street. rial staff job at Sports Illustrated, but luckily a Coast Guard ship caught them (Coincidentally, his editor there was Larry turned it down. “I’m not a good editor. I heading toward a shallow reef. Finkel’s story Smith ASC’91, who—besides creating the want[ed] to write,” he says. about the experience was well received, and “Six Word-Memoirs” publishing phenom- After 20 months in Manhattan, he moved the Times made him a contract writer. On enon—is the real-life model for the character to Montana. He had fallen “in absolute assignment in the Gaza Strip, he ducked Larry Bloom in the Netflix series Orange love” with the region when he and Parker into the trenches to avoid gunfire. After is the New Black, which is based on the rode through southwestern Montana on September 11, he was sent to cover the US memoir by Piper Kerman, Smith’s wife.) their bike trip, he says, and he was also invasion of Afghanistan for two months. Finkel was also a DP columnist, pour- inspired by John Steinbeck’s descriptions “I have a certain style of adventure that ing out his bleeding-heart liberal views of the state’s natural beauty in Travels with appeals to me,” he says. “The riskiest on topics ranging from Philly’s homeless Charlie. “When I stand among the moun- thing I do is drive a car, statistically. to inherent racism in the yearbook, and tains,” he explains, “I feel at home.” People thought of [my job] as risky. I a co-founder of the Wharton Democrats. Though he’d resigned his staff job at thought of it as interesting. Part of me What set Finkel decisively on the path Skiing, he continued to write features for enjoys when there’s a bit of danger. It to a professional writing career, he says, the magazine that took him to places like focuses me. I feel very much alive.” was taking the nonfiction course taught Iceland, Iran, and China, and one on ski- Finkel was thriving, writing for by the legendary Nora Magid [“The Nora ing Mount Kilimanjaro. He also had a National Geographic Adventure and Network,” Mar|Apr 2013] in his senior year. column, “Alpine Circus,” for which he did Sports Illustrated as well as the Times. Magid famously encouraged her charges “odd stunts” like skiing down a runway Then, one day, he made a bad choice. to aim for publication, to send out their truck ramp or on a volcano in Mexico, and work to magazines and newspapers. visited offbeat locations like the “smallest only happened once. For a story Finkel submitted a story—about his ski areas in the United States.” about the child slavery trade on reluctance, as a skinny kid in high school, And he proved adept at pitching short It cocoa plantations in West Africa, to change for gym, and how his love of travel-pieces to the Times—writing about he interviewed several boys but didn’t literature distracted him from his own, topics ranging from his love of getting find the evidence he was looking for that er, shortcomings—to the Times’ “About a haircut in foreign countries, to the fact they had been physically abused. Under Men” column, addressing his cover letter that he brought his Frisbee and played pressure to deliver a certain sort of tale, to the (male) editor, Leslie Gelb, “Dear with strangers everywhere he traveled. he combined several boys’ stories into a Mrs. Gelb.” The faux pas didn’t hurt: “Wet Still, however rich in experience, those composite character. After a relief agen- Behind the Ears” ran in The New York were “lean times” financially for Finkel. cy complained and Finkel was forced to Times Magazine and was Finkel’s first The Times pieces, for example, only brought admit one of his factual errors, the Times big literary paycheck. “Mike got a thou- in a few hundred dollars each. “It didn’t sniffed out the rest of the lies in the story sand dollars from the Times, and an A matter if I was only eating peanut butter and fired him in early 2002, publishing from me,” Magid told a subsequent class. and jelly,” he says. “I must like it. I must a terse note about his dismissal. After graduation, Finkel moved back to love it, actually. I’ve always been extraor- The Times looked carefully and found Connecticut, waited tables, penned sto- dinarily interested in a lot of things. I’ve no similar problems in Finkel’s other ries for the Stamford Advocate at $15 a been careful not to have a specialty.” stories, which sets him apart from noto- pop, and sent resumes all over Manhattan. His author’s bio after a 1998 travel rious serial fabricators like fellow DP An avid skier, he landed an associate edi- essay read, “Michael Finkel writes fre- alum Stephen Glass C’94 [“Through a tor slot at Skiing magazine for $18,000 quently about travel and unusual sports.” Glass Darkly,” Nov|Dec 1998] and fellow a year. He moved into a $1,500-a-month However, he soon began carving out a Times writer Jayson Blair. Nevertheless, apartment in New York with former DP niche with stories that put him into dan- his career was ruined.
Recommended publications
  • Theaters 3 & 4 the Grand Lodge on Peak 7
    The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • Forensic Science Police Sketches April 28, 2020
    High School Science Virtual Learning Forensic Science Police Sketches April 28, 2020 High School Forensic Science Lesson: April 28, 2020 Objective/Learning Target: Students will be able to create and assess police sketches used to identify persons. Let’s Get Started: On your own sheet of paper answer the following: 1. Do you believe that these two sketches were very accurate ? 2. Why could sketches lead to arresting the wrong person? Let’s Get Started: 1. Opinion response- yes or no (top is not close at all) 2. Inaccurate sketches can indicate the wrong person by looking like someone else instead of the actual perp. Lesson Activity: Directions: You will be watching this short video on how human brains remember faces and how it relates to police sketches. Then you will see first hand examples of people using common characters in creating police sketches and their accuracy. Link(s): Human Memory and Police Sketching Accuracy Test for Police Sketch Artist Practice You will use the information from the activity on slide 5 to answer the following questions. Practice Questions 1. How often were sketches correctly identified in some studies? 2. How do humans process faces? 3. Pause video at 2:04, Name the top half of the face and bottom. 4. Why are sketches so hard to match up to criminals? (Human skill) 5. When the new program was tried in real police departments how well did it do? Answer Key Once you have completed the practice questions check with the work. 1. 8% of the time 2. Holistically 3.
    [Show full text]
  • Report to Governor Kate Brown on Capital Punishment in Oregon
    REPORT TO GOVERNOR KATE BROWN ON CAPITAL PUNISHMENT IN OREGON GENERAL COUNSEL OFFICE OFFICE OF GOVERNOR KATE BROWN October 2016 Benjamin Souede Misha Isaak Emily Matasar INTRODUCTION Oregon Governor Kate Brown has tasked her General Counsel’s office with preparing this Report on the history and present circumstances of Oregon’s capital punishment regime. No single report could ever credibly claim to be a “definitive work” on a subject that carries such legal, moral, sociological, and philosophical weight and history as does the death penalty. This Report is certainly not such a work. It may therefore prove useful at the outset to say what this Report seeks to accomplish, and what it does not attempt to accomplish. This Report is intended to survey the landscape of capital punishment in Oregon. Specifically, this Report provides the Governor’s Office with a brief contextualized account regarding: 1. The legal and practical history of Oregon’s capital punishment system; 2. The present status of Oregon’s capital punishment system, including its legal status and functional/operational challenges; and 3. An Oregon Governor’s clemency powers as they may be exercised lawfully in the capital cases. This Report is not intended to be the “final word” on any topic, and does not even attempt to engage with many of the well-conceived arguments and observations relating to the death penalty. There are many, many nuanced writings on this topic, and while this Report cites some of them, its purpose is narrowly focused to the subjects listed above. This Report does include a brief recitation of the arguments made most often by proponents and opponents of capital punishment, but does not adopt or endorse any of them.
    [Show full text]
  • May 2014 New York County Lawyer
    Vol. 8 Issue 21 | May 2014 | www.nycla.org New York COUNTY LAWYER The Beat of New York Law Employment Protections in New York for Individuals with Criminal Backgrounds against individuals with criminal records. By Jamie Sinclair, Esq. and Additionally, laws banning questions regard- Julieanne Yanez, Esq. ing criminal history on job applications, Edited by Stephen McQuade, Esq. informally called “Ban the Box” laws, are increasing in popularity. These laws require employers to remove questions about crimi- Statistics on Incarcerated Persons nal history from job applications and post- The United States leads the world in put- pone such inquiries until later stages of the ting people in prison. According to reports, hiring process. Currently 10 states, as well as in 2012, the United States boasted 760 51 municipalities, including New York City, prisoners per 100,000 people, as compared have such laws. to most European countries that have one- seventh that number per capita, leading Article 23-A of the New York some commentators to suggest that we are Correction Law becoming a “nation of criminals.” The total In New York State, an individual who has number of Americans under correctional been convicted of one or more offenses is supervision (i.e., prison, parole, etc.) is 7.1 afforded limited protection in the applica- million. Locally, in New York State, there tion for a license or employment. Article were 565,164 arrests in 2012; and in New all Americans have some sort of criminal behaviors and to associate with people who 23-A of the New York Correction Law pro- York County, there were 85,528 arrests in record including arrests that did not lead to do.” Having a job “enables individuals to con- hibits the denial of any license or application 2012.
    [Show full text]
  • Interior. Leather Bar
    INTERIOR. LEATHER BAR. LOGLINE Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from “Cruising” as a starting point to a broader exploration of sexual and creative freedom. SYNOPSIS In order to avoid an X rating, 40 minutes of gay S&M footage was rumored to be cut and destroyed from the controversial 1980 film, “Cruising.” Actor Val Lauren reluctantly agrees to take the lead in filmmaker James Franco’s and Travis Mathews’ reimagining of the lost footage. Amid the backdrop of a chaotic film set Val is repeatedly forced to negotiate his boundaries during scenes on and “off camera,” some involving unsimulated gay sex. The film itself is constructed as a play with boundaries remaining queer in subject and form. As much a film about filmmaking as it is about an exploration of sexual and creative freedom, “Interior. Leather Bar.” defies easy categorization. DIRECTORS STATEMENT James Franco I wanted to be taken on a ride. I wanted to make a film that was as much about the experience as it was about making something. I wanted to go to a place of uncertainty, to set up parameters and then let the movie make itself. I wanted to explore the beauty of queerness, beautiful because it is counter to everything normal. As "straight" becomes the new "gay," I wanted to find places where the anti-normative still thrived. Travis became my partner and guide on a trip to the queer-side. Travis Mathews One of the first things that James and I ever talked about was gay marriage.
    [Show full text]
  • Baltimore Eagle Denied License by Liquor Board
    AN INDEPENDENT VOICE FOR THE LESBIAN, GAY, BISEXUAL, AND TRANSGENDER COMMUNITIES OUT April 17, 2015 | Volume XII, Issue 25 Baltimore Eagle Denied License By Liquor Board BY STEVE CHARING uncertain as to the bars fate. Charles Par- We took bed sheets off the One obstacle after another has confounded rish and Ian Parrish purchased the property wall covering structural prob- the new ownership group of the Baltimore for $300,000 and vowed to re-open it again lems... there were goods and Eagle, a mainstay of Baltimores leather com- as the Baltimore Eagle after renovations are memorabilia collected over 30 munity since 1991. At completed. But when Ian Parrish came years. It was 10,000 square feet a hearing at City Hall in to further examine the premises fol- of hoarder space, said Parrish. on April 9, the three- ‘We will appeal, lowing the sale, the magnitude of the Parrish and supporters member Baltimore we will fight, and work needed to complete the project of the project saw the early City Liquor Board was, as he put it, the worst possible signs of trouble at a conten- unanimously denied God willing, we will case. tions meeting with the board the group the re- Parrish indicated that a dumpster on March 12. Attorney Mel- quested liquor-license open our doors a day for a month was needed to re- vin Kodensky, representing transfer, claiming that again.’ – Ian Parrish move the trash. Two large box trucks the Parrish group, pointed the work on renova- of furniture and personal items were out that extensions beyond tions was not com- donated to Habitat for Humanity, and the 180-day requirement had pleted within the requisite 180 days, deeming even more truckloads of items were sent for been granted in the past.
    [Show full text]
  • It's the Season for Big Movies and Big Hits—And the Occasional Sleeper
    Summer Blockbusters It’s the season for big movies and big hits—and the occasional sleeper. Here are directors living large in a selection of shots from some good old summertime films. HANGING OUT: (opposite) Michael Bay looks up at Mark Wahlberg in Transformers: Age of Extinction (2014). The Hong Kong set took 16 weeks to build in downtown Detroit and was so large, shooting had to be adjusted to allow the downtown light rail system to pass through; (above) Todd Phillips (center) sets up a driving shot en route to Las Vegas for The Hangover (2009). “There is a real freedom and an energy and an aggressiveness that comes with doing an R-rated movie,” Phillips said. “As a comedy director, it’s where you want to be.” 54 dga quarterly PHOTOS: (LEFT) FRANK MASI/WARNER BROS.; (OPPOSITE) ANDREW COOPER/PARAMOUNT PICTURES/EVERETT dga quarterly 55 THE NEXT THING: Jon Favreau (center) directs a scene with Robert Downey Jr. and Don Cheadle in Iron Man 2 (2010). Since so much of the technology depicted in the first Iron Man had inspired video games, Favreau pushed the sequel further into the future so that the look wouldn’t be behind the curve. WIZARD OF HOGWARTS: Ten years of storytelling comes to an end as David Yates prepares Lord Voldemort (Ralph Fiennes) for his impending death in Harry Potter and the Deathly Hallows: Part 2 (2011). Yates’ idea for his four Potter films was to make the magic “something visceral, frightening and percussive.” CHILD’S PLAY: Steven Spielberg (center) framed most of E.T.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Movie Releases on the Sunnier Side of Summer
    08 Arts [email protected] Movie releases on the sunnier side of summer Erica Balanc TROPIC THUNDER (opening AUGUST 22 STAFF WRITER 8/13) DEATH RACE Director: Ben Stiller Director: Paul W.S. Anderson As the beaches start to clear out and Cast: Ben Stiller, Jack Black, Robert Cast: Jason Statham, Joan Allen, Tyrese our long, hot summer comes to an end, Downey, Jr. Gibson there is still time to go to the movies, es- Rating: R Rating: R pecially if you’re in the mood for a laugh. When it comes to comedy, Ben Still- Take The Fast and the Furious, “Prison Spit out the bad seeds, and you should er is a great character actor. He is also Break,” and a Hot Wheels video game and be able to get in a good movie before au- a good director and writer, but audi- you get this movie. It’s shot in drab color, tumn creeps up on us. ences haven’t been able to experience the cars look like run-down versions of that side of him since Zoolander. Tropic the new Batman’s Batmobile, and the fe- AUGUST 8 Thunder (which Stiller directed and co- male inmates look like models that get to PINEAPPLE EXPRESS wrote) looks to be just as funny (and wear their makeup in prison. The idea is Director: David Gordon Green stupid -- but in a funny way) as the that the warden of a prison (surprisingly, Cast: Seth Rogen, James Franco rest of those “Frat-Pack” movies. It is played by Joan Allen) runs a dangerous Rating: R the story of a group of actors that think underground car race.
    [Show full text]
  • Movie Data Analysis.Pdf
    FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.
    [Show full text]
  • The American Pavilion 2015 Sponsorship Opportunities
    THE AMERICAN PAVILION 2015 SPONSORSHIP OPPORTUNITIES THE INTERNATIONAL VILLAGE, CANNES FILM FESTIVAL, MAY 13-24, 2015 ‣ 20,000 industry professionals ‣ 4,000+ journalists ‣ 12 days of center-stage presence at the most high-profile event on the international film calendar The American Pavilion is the center of activity for the American film community, offering an oasis on prime Festival real estate which includes a beachside restaurant, bar and terraces, wi-fi and other business services, the A-list Industry In Focus and In Conversation series which play to standing room only crowds, the highly-respected Emerging Filmmaker Showcase; media terrace and much more. BENEFITS OF SPONSORSHIP ‣ Harness The American Pavilion as a brand ‣ Take advantage of organic programming experience platform and destination for a including In Conversation, Industry In highly-engaged audience Focus and The Emerging Filmmaker ‣ Target entertainment industry tastemakers Showcase to support brand initiatives and influencers, exposing them to brand ‣ Package party invitations, insider access to culture through VIP lounges and other The American Pavilion talent, and other integrated environments luxury moments to create the ultimate experience for VIPs A-LIST SPONSORS* AT&T HP Access Hollywood Hollywood Reporter Adobe Intel American Express International Herald Apple Tribune BMW Kodak British Airways LA Times CNN The Peninsula Hotels Coca Cola RayBan Condé Nast SAG Davidoff Skyy Delta Skype ET Variety *Partial list of sponsors over the last 25 years BAR & RESTAURANT High-profile, targeted branding relative to: ‣ Daily bar and restaurant business ‣ Media events ‣ Private luncheons and dinners ‣ Cocktail parties ‣ After-hours experiences Includes: ‣ Branded/customized décor ‣ Pop-up experiences that enhance events ‣ Signature menu items and drink specials The Bar & Restaurant is the preferred meeting place for industry executives, journalists, and filmmakers.
    [Show full text]