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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Rocking the Digital & Physical World
ROCKING THE DIGITAL & PHYSICAL WORLD When you can’t welcome fans to the Rock & Roll Hall of Fame, you take the Rock & Roll DAWN WAYT Hall of Fame to the fans. Learn how the Rock VP of Marketing & Sales Hall pivoted during the pandemic to connect people of all backgrounds and beliefs to the July 28, 2020 music we love through engaging content, exhibits, and experiences that make life just a little bit better. 2020: Pandemic, protest & Pivot • 2019 ROCKED • 2020 ON A ROLL • 2020 WTF JUST HAPPENED • 2020 WE GOT THIS 3 2019 rocked 4 2019 rocked McDANIELS of Run DMC 2019 rocked GEORGE CLINTON THE ZOMBIES of Parliament Funkadelic 2019 rocked MAVIS STAPLES JACKSON BROWNE of the Staple Singers 2019 rocked ROBERT TRUJILLO of Metallica DON FELDER KIRK HAMMETT NANCY WILSON formerly of the Eagles of Metallica of Heart FAST FACTS 13M+ 338 8M+ INDUCTEES FANS HAVE VISITED FAN VOTES IN THE ROCK & ROLL THE MUSEUM CAST FOR THE HALL OF FAME CLASS OF 2020 2.3K+ 35K+ ARTISITS & VIPS ONE-OF-A-KIND TOURED IN 2019 ARTIFACTS 2020 ON A ROLL 20-20 COVID-19: THIS WAS NOT THE PLAN What a difference a year makes 2019 2020 What a difference a year makes 2019 2020 What a difference a year makes 2019 2020 OUR TARGET Music Fan 2 local 11% regional 40% national 41% global 8% 2020 18 DRIVE CONVERSION visit join attend support shop partner share host 2020 PIVOT: STRATEGIC priority BLOW OUT DIGITAL TO Grow, ENGAGE & CONVERT targets to ENGAGE Educators Media Partners Music Fans (Segment 2s) Digital / Current + Current + Social Prospective Ecommerce Prospective Partners + Members -
'Music and Remembrance: Britain and the First World War'
City Research Online City, University of London Institutional Repository Citation: Grant, P. and Hanna, E. (2014). Music and Remembrance. In: Lowe, D. and Joel, T. (Eds.), Remembering the First World War. (pp. 110-126). Routledge/Taylor and Francis. ISBN 9780415856287 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16364/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Music and Remembrance: Britain and the First World War’ Dr Peter Grant (City University, UK) & Dr Emma Hanna (U. of Greenwich, UK) Introduction In his research using a Mass Observation study, John Sloboda found that the most valued outcome people place on listening to music is the remembrance of past events.1 While music has been a relatively neglected area in our understanding of the cultural history and legacy of 1914-18, a number of historians are now examining the significance of the music produced both during and after the war.2 This chapter analyses the scope and variety of musical responses to the war, from the time of the war itself to the present, with reference to both ‘high’ and ‘popular’ music in Britain’s remembrance of the Great War. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs *
Fragile, Emergent, and Absent Tonics in Pop and Rock Songs * Mark Spicer NOTE: The examples for the (text-only) PDF version of this item are available online at: h'p://www.mtosmt.org/issues/mto.17.23..(mto.17.23.2.spicer.php 0E1WORDS: tonality, popular song, rock harmony, ragile tonics, emergent tonics, absent tonics, soul dominant, Sisyphus e3ect A4STRACT: This article explores the sometimes tricky 6uestion o tonality in pop and rock songs by positing three tonal scenarios: 1) songs with a fragile tonic, in which the tonic chord is present but its hierarchical status is weakened, either by relegating the tonic to a more unstable chord in 7rst or second inversion or by positioning the tonic mid-phrase rather than at structural points o departure or arrival8 .) songs with an emergent tonic, in which the tonic chord is initially absent yet deliberately saved or a triumphant arrival later in the song, usually at the onset o the chorus8 and 3) songs with an absent tonic, an extreme case in which the promised tonic chord never actually materiali9es. In each o these scenarios, the composer’s toying with tonality and listeners’ expectations may be considered hermeneutically as a means o enriching the song’s overall message. Close analyses o songs with ragile, emergent, and absent tonics are o3ered, drawing representative examples rom a wide range o styles and genres across the past 7 ty years o popular music, including 1960s Motown, 1970s soul, 1980s synthpop, 1990s alternative rock, and recent A.S. and A.0. B1 hits. Received November 2016 Colume 23, Number 2, Dune 2017 Copyright © 2017 Society for Music Theory F,G Skilled nineteenth-century song composers such as Robert Schumann and Dohannes 4rahms o ten exploited tonality and its expectations or symbolic or expressive purposes. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Forensic Science Police Sketches April 28, 2020
High School Science Virtual Learning Forensic Science Police Sketches April 28, 2020 High School Forensic Science Lesson: April 28, 2020 Objective/Learning Target: Students will be able to create and assess police sketches used to identify persons. Let’s Get Started: On your own sheet of paper answer the following: 1. Do you believe that these two sketches were very accurate ? 2. Why could sketches lead to arresting the wrong person? Let’s Get Started: 1. Opinion response- yes or no (top is not close at all) 2. Inaccurate sketches can indicate the wrong person by looking like someone else instead of the actual perp. Lesson Activity: Directions: You will be watching this short video on how human brains remember faces and how it relates to police sketches. Then you will see first hand examples of people using common characters in creating police sketches and their accuracy. Link(s): Human Memory and Police Sketching Accuracy Test for Police Sketch Artist Practice You will use the information from the activity on slide 5 to answer the following questions. Practice Questions 1. How often were sketches correctly identified in some studies? 2. How do humans process faces? 3. Pause video at 2:04, Name the top half of the face and bottom. 4. Why are sketches so hard to match up to criminals? (Human skill) 5. When the new program was tried in real police departments how well did it do? Answer Key Once you have completed the practice questions check with the work. 1. 8% of the time 2. Holistically 3. -
Mixed Media December Online Supplement | Long Island Pulse
Mixed Media December Online Supplement | Long Island Pulse http://www.lipulse.com/blog/article/mixed-media-december-online-supp... currently 43°F and mostly cloudy on Long Island search advertise | subscribe | free issue Mixed Media December Online Supplement Published: Wednesday, December 09, 2009 U.K. Music Travelouge Get Yer Ya-Ya’s Out and Gimmie Shelter As a followup to our profile of rock photographer Ethan Russell in the November issue, we will now give a little more information on the just-released Rolling Stones projects we discussed with Russell. First up is the reissue of the Rolling Stones album Get Yer Ya-Ya’s Out!. What many consider the best live rock concert album of all time is now available from Abcko in a four-disc box set. Along with the original album there is a disc of five previously unreleased live performances and a DVD of those performances. There is a also a bonus CD of five live tracks from B.B. King and seven from Ike & Tina Turner, who were the opening acts on the tour. There is also a beautiful hardcover book with an essay by Russell, his photographs, fans’ notes and expanded liner notes, along with a lobby card-sized reproduction of the tour poster. Russell’s new book, Let It Bleed (Springboard), is now finally out and it’s a stunning visual look back on the infamous tour and the watershed Altamont concert. Russell doesn’t just provide his historic photos (which would be sufficient), but, like in his previous Dear Mr. Fantasy book, he serves as an insightful eyewitness of the greatest rock tour in history and rock music’s 60’s live Waterloo. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
Jon Batiste and Stay Human's
WIN! A $3,695 BUCKS COUNTY/ZILDJIAN PACKAGE THE WORLD’S #1 DRUM MAGAZINE 6 WAYS TO PLAY SMOOTHER ROLLS BUILD YOUR OWN COCKTAIL KIT Jon Batiste and Stay Human’s Joe Saylor RUMMER M D A RN G E A Late-Night Deep Grooves Z D I O N E M • • T e h n i 40 e z W a YEARS g o a r Of Excellence l d M ’ s # m 1 u r D CLIFF ALMOND CAMILO, KRANTZ, AND BEYOND KEVIN MARCH APRIL 2016 ROBERT POLLARD’S GO-TO GUY HUGH GRUNDY AND HIS ZOMBIES “ODESSEY” 12 Modern Drummer June 2014 .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. It is the .580" Wicked Piston!” Mike Mangini Dream Theater L. 16 3/4" • 42.55cm | D .580" • 1.47cm VHMMWP Mike Mangini’s new unique design starts out at .580” in the grip and UNIQUE TOP WEIGHTED DESIGN UNIQUE TOP increases slightly towards the middle of the stick until it reaches .620” and then tapers back down to an acorn tip. Mike’s reason for this design is so that the stick has a slightly added front weight for a solid, consistent “throw” and transient sound. With the extra length, you can adjust how much front weight you’re implementing by slightly moving your fulcrum .580" point up or down on the stick. You’ll also get a fat sounding rimshot crack from the added front weighted taper. Hickory. #SWITCHTOVATER See a full video of Mike explaining the Wicked Piston at vater.com remo_tamb-saylor_md-0416.pdf 1 12/18/15 11:43 AM 270 Centre Street | Holbrook, MA 02343 | 1.781.767.1877 | [email protected] VATER.COM C M Y K CM MY CY CMY .350" .590" .610" .620" .610" .600" .590" “It is balanced, it is powerful. -
May 2014 New York County Lawyer
Vol. 8 Issue 21 | May 2014 | www.nycla.org New York COUNTY LAWYER The Beat of New York Law Employment Protections in New York for Individuals with Criminal Backgrounds against individuals with criminal records. By Jamie Sinclair, Esq. and Additionally, laws banning questions regard- Julieanne Yanez, Esq. ing criminal history on job applications, Edited by Stephen McQuade, Esq. informally called “Ban the Box” laws, are increasing in popularity. These laws require employers to remove questions about crimi- Statistics on Incarcerated Persons nal history from job applications and post- The United States leads the world in put- pone such inquiries until later stages of the ting people in prison. According to reports, hiring process. Currently 10 states, as well as in 2012, the United States boasted 760 51 municipalities, including New York City, prisoners per 100,000 people, as compared have such laws. to most European countries that have one- seventh that number per capita, leading Article 23-A of the New York some commentators to suggest that we are Correction Law becoming a “nation of criminals.” The total In New York State, an individual who has number of Americans under correctional been convicted of one or more offenses is supervision (i.e., prison, parole, etc.) is 7.1 afforded limited protection in the applica- million. Locally, in New York State, there tion for a license or employment. Article were 565,164 arrests in 2012; and in New all Americans have some sort of criminal behaviors and to associate with people who 23-A of the New York Correction Law pro- York County, there were 85,528 arrests in record including arrests that did not lead to do.” Having a job “enables individuals to con- hibits the denial of any license or application 2012. -
Underschultz.Derick
DERICK UNDERSCHULTZ DIRECTOR OF PHOTOGRAPHY www.dvudp.com BULL (series filmed in NYC) – CBS/CBSP/Amblin; Prods: Mark Goffman, Paul Attanasio, Christina Malach, Justin Falvey, Darryl Frank, Kati Johnston; Dirs: Doug Aarniokoski, Jan Eliasberg, Peter Werner, Dennis Smith, Brad Turner, Jet Wilkinson; w/ Michael Weatherly, Freddy Rodriguez, Geneva Carr, Jaime Lee Kirchner, Annabelle Attanasio LIMITLESS (series filmed in NYC) – CBS/CBSP; Prods: Craig Sweeny, Alex Kurtzman, Roberto Orci, Bradley Cooper, Tom Forman, Heather Kadin, Ryan Kavanaugh, Todd Phillips, Douglas Aarniokoski, Kati Johnston; Dirs: Steve Adelson, Ed Ornelas, Peter Werner, Maya Vrvilo; w/ Jennifer Carpenter, Jake McDorman, Hill Harper, Mary Elizabeth Mastrantonio, Colin Salmon, Ron Rifkin ZOO (series filmed in New Orleans) – CBS/CBSP; Prods: Scott Rosenberg, Josh Appelbaum, Andre Nemec, James Patterson, James Mangold, Cathy Konrad, Michael Katleman, Todd Coe; Dirs: Brad Anderson, Michael Katleman, Chris Long, David Solomon, Eric Laneuville; w/ Nonso Anonzie, Nora Arnezeder, Billy Slaughter MYSTERIES OF LAURA (pilot reshoot & series filmed in NYC) – NBC / Warner Brothers; Prods: McG, Aaron Kaplan, Greg Berlanti, Jeff Rake, Melissa Berman, Blair Singer, Denise Pinckley; Dirs: McG, Michael Lange, Bronwen Hughes, Vince Misiano, Michael Schultz, Michael Fields, Mike Listo, Cherie Nolan, Randy Zisk, Bethany Rooney; w/ Debra Messing, Josh Lucas MISTRESSES (series filmed in Los Angeles) – ABC / ABCP; Prods: Rina Mimoun, Bob Sertner, Reid Shane, Debbie Cass; Dirs: Ron Lagomarsino,