Turkey, Greece Agree to Cease-Fire
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Apparel, Made-Ups and Home Furnishing
Apparel, Made-ups and Home Furnishing NSQF Level 2 – Class X Student Workbook COORDINATOR: Dr. Pinki Khanna, Associate Professor Dept. of Home Science and Hospitality Management iii-i---lqlqlqlq----'k'k'k'k----dsUnzh;dsUnzh; O;kolkf;d f'k{kk laLFkku]';keyk fgYl , Hkksiky PSS Central Institute of Vocational Education, Shyamla Hills, Bhopal Student Workbook Apparel, Made-ups and Home Furnishing (Class X; NSQF Level 2) March, 2017 Publication No.: © PSS Central Institute of Vocational Education, 2017 ALL RIGHTS RESERVED ° No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronically, mechanical, photocopying, recording or otherwise without prior permission of the publisher. ° This document is supplied subject to the condition that it shall not, by way of trade, be lent, resold, hired out or otherwise disposed of without the publisher’s consent in any form of binding or cover other than that in which it is published. • The document is only for free circulation and distribution. Coordinator Dr. Pinki Khanna Associate Professor, Department of Home Science & Hospitality Management Production Assistant Mr. A. M. Vinod Kumar Layout, Cover Design and Laser Typesetting Mr. Vinod K. Soni, C.O. Gr.II Published by the Joint Director, PSS Central Institute of Vocational Education, Shyamla Hills, Bhopal-462 013, Madhya Pradesh, India Tel: +91-755-2660691, 2704100, Fax: +91-755-2660481, Web: http://www.psscive.nic.in Preface The National Curriculum Framework, 2005, recommends that children’s life at school must be linked to their life outside the school. This principle makes a departure from the legacy of bookish learning which continues to shape our system and causes a gap between the school, home, community and the workplace. -
Read Book Disneys British Gentleman : the Life and Career of David
DISNEYS BRITISH GENTLEMAN : THE LIFE AND CAREER OF DAVID TOMLINSON PDF, EPUB, EBOOK Nathan Morley | 240 pages | 01 Apr 2021 | The History Press Ltd | 9780750993302 | English | Stroud, United Kingdom Disneys British Gentleman : The Life and Career of David Tomlinson PDF Book He is after her money and must try several times before he finally succeeds. It is unusual in that it has two directors, Didi Hopkins and Selina Cadell, but whoever dis what the have helped to create a wonderful night of intimate theatre. David Tomlinson For a start, as a young man he had a stammer, somewhat of a drawback for an aspiring actor, and he had a difficult relationship with his solicitor father, Clarence, a cold man who preferred to be called CST and who thought David would never amount to much, regularly telling him to his face. David, however, has poor height perception and cannot master his landings. As young and handsome William Green he changed his name to include his first wife's so that it sounded more impressive for the photographic portrait work at which he was so good. David Tomlinson Trivia Follow That Horse! Only then did it dawn on David why his father had suggested he take a stage name when he began to enjoy success as an actor — Clarence had feared the Tomlinson name would become so well-known it might expose his secret. Report a problem with this article. For a start, as a young man he had a stammer, somewhat of a drawback for an aspiring actor, and he had a difficult relationship with his solicitor father, Clarence, a cold man who preferred to be called CST and who thought David would never amount to much, regularly telling him to his face. -
Brooks Default Orientation UTR
Tested textiles for: Brooks Default Orientation UTR Textiles are a critical component of our seating and screen products. The following list is intended to facilitate selection of textiles for use on our products. COM Selections Stylex is pleased to accept COM selections, but they must be approved. Stylex reserves the right to reject textiles to ensure that quality and construction are satisfactory for intended use. Once COM is approved, Stylex assumes no responsibility for its overall appearance, durability, colorfastness, or any other quality issues after upholstered on a Stylex product. Textile Orientation Textile orientation is determined by Stylex on a per product basis. Yardage requirements shown in the Stylex price list are calculated based on the product’s default orientation. Yardage requirements may increase for COM’s that require an orientation differing from the default. Please see textile orientation explanations below: 1. Railroaded (RR) – The textile is applied to the unit perpendicular to the direction of the roll. 2. Up the Roll (UTR) – The textile is applied to the unit parallel to the direction of the roll. Textile Maintenance Please note that the below textiles identified as bleach cleanable were indicated as such by the textile supplier as of 6/1/2020. Detailed cleaning instructions and confirmation of disinfecting processes are provided by the textile supplier. As always, failure to follow cleaning instructions may result in damage to textiles. Stylex is not responsible for any damage that may occur from cleaning or maintenance. Approvals Please be advised that all approvals listed here are provisional. We reserve the right to withdraw approval at any time, including after an order has been placed. -
T8 Operating Unit User Manual Inhalt General Settings Reset
ZSK Stickmaschinen GmbH T8 Operating Unit User Manual Inhalt General Settings Reset ......................................................................................................................................6 Install mouse .......................................................................................................................... 6 Design from internet ............................................................................................................. 6 Change T8 Computer ............................................................................................................ 7 Base Setting ...........................................................................................................................8 i-Button The meaning of button .......................................................................................................... 9 [L1] Machine Information Password ................................................................................................................................9 [L2] Machine Setup Language Change................................................................................................................... 9 Sequins 5/7/4 … ..................................................................................................................... 10 From Simple to Complete Operations Mode ........................................................................ 10 Change start stitches after trimming .................................................................................... -
Presentation ‘Crisp and Fluid’
Presentation ‘Crisp and fluid’ Irmgard Mkhabela, November 09, 2012 The study of Madame Gres’ fine pleating technique Reflections My initial response when it was suggested I look at Madame Gres’ work, was, why? Firstly, I knew a little bit about Madame Gres, again, my knowledge and interest in her work was very limited. I remember saying to myself after looking at some of her work on the web, it’s not my style and besides, I did not see the need to study someone’s work if I am to be original. So, for me to fashion my concept on her method of construction was going to be a challenge! I had just had a critique session prior and what I had presented received a lot of criticism, leaving me pretty anxious. I began questioning my understanding of what’s wanted and if at all I am misunderstood. This may have been the reason for my apprehension about doing the study about Madame Gres’ work. But, because I am here to learn and maybe I did not articulate my concept properly, I thought I give this a try and will revert to my idea at a later stage. Immersing myself in everything Gres I am learning a lot from Gres’ sculptural creations and can see the influence from the Grecian statues Her fine pleating look deceptively easy to construct, yet they are very complex. They require a lot of time and handling to get them right She uses what looks like cartridge pleating and plies du soleil, including some sort of flat pleating kept flat by pick stitch. -
March/April 2019 Voicevolume 44 • Number 2 the Vintage Volkswagen Club of America Newsletter • Established 1976 the President's Corner Michael Epstein
VintageMarch/April 2019 VoiceVolume 44 • Number 2 The Vintage Volkswagen Club of America Newsletter • Established 1976 The President's Corner Michael Epstein Spring is around the corner and I don’t know not? It’s free!!!! So what’s stopping all of you from about you folks, but us here in the midwest and joining the VVWCA and getting a beautifully rendered northern states have gotten just slammed this winter newsletter in full color every 2 months put together by with cold temps and snow, we won’t talk about tree our editor Eric Arnold, a freelance photographer who damage etc, and the natural gas shortage, it even shut works for many different magazines including Hot VWs, down car manufacturers (they were asked to by the it’s really changed the way the magazine looks and he’s utilities company), taken it to the next level, check us out, it only takes a WOW! few minutes and once again let me repeat, it’s FREE! Onto the brighter side of Welcome to the club all of you with 1994 VW spring. Warmer vehicles, you have reached Vintage status!!! That should temperatures, not have stopped you from joining the club, but if it did, cars shows it doesn’t have to anymore. getting planned, in fact I’ve already On to other business. I would like to say that because started to receive of the free membership, membership has quadrupled, requests for YEAH!!!!! Our FaceBook page, not our group page, keeps insurance for car growing in leaps and bounds and our group page is over shows from our chapters this year, that’s a great sign 39,000 members now. -
Kids Blouse: Mousie Blousie with Heather Ross
Kids Blouse: Mousie Blousie with Heather Ross Chapter 1 - Introduction Overview - This Mousie Blousie is a great way to use busier prints because it has such basic, simple lines, but it has a lot of great detail, too. It's a great first project if you've never done buttonholes or buttons before because it has a really simple fold over placket, really easy, really fun. We've finished it off with this great little detail in front with a little bit of hand stitching. It just gives it that perfect handmade finish. Chapter 2 - Materials Materials - So I've cut my pieces out for my mousie blousie based on the direction on my pattern, and this is what I've got. Two blouse back pieces, two blouse back facing pieces, one blouse front piece, one blouse facing piece. I have my small, little piece that is going to become my decorative tab. I have my piece of bias trim for the decorative tab. And for materials, I have six little green buttons. These are half-inch buttons, you could use 3/4-inch if you wanted to make a little more of a statement with your tab. I have a very standard sewing machine, but it needs to have a buttonhole foot, because I'm going to put buttons on the back of my blouse as well as on the decorative tab, and those are going to open and close. I have a pair of pinking shears, I have a pair of standard sewing shears. I have my trimmer. -
The Suit Book
THE SUIT BOOK Everything you need to know about wearing a suit CLARE SHENG First published 2018 by Independent Ink PO Box 1638, Carindale Queensland 4152 Australia Copyright © Clare Sheng 2018 All rights reserved. Except as permitted under the Australian Copyright Act 1968, no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. All enquiries should be made to the author. Cover design by Alissa Dinallo Internal design by Independent Ink Typeset in 11/15 pt Adobe Garamond by Post Pre-press Group, Brisbane Cover model Lee Carseldine Styled by Elle Lavon Suit and shoes by Calibre Photography by The Portrait Store Illustrations by Jo Yu (PQ Fine Alterations) 978 0 648 2865 0 9 (paperback) 978 0 648 2865 1 6 (epub) 978 0 648 2865 2 3 (kindle) Disclaimer: Any information in the book is purely the opinion of the author based on her personal experience and should not be taken as business or legal advice. All material is provided for educational purposes only. We recommend to always seek the advice of a qualified professional before making any decision regarding personal and business needs. ACKNOWLEDGEMENTS This book wouldn’t exist without my Mum. As a single mother, she started a clothing alterations business with very little English and hardly any money, but a lot of guts. Over the years, she worked tirelessly for 12 hours a day, seven days a week, to grow the business and put me through private school and university. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Set Decoration Feature Films the Little Things the Highwaymen Justice League Ad Astra Game Night the Founder
SET DECORATION FEATURE FILMS THE LITTLE THINGS Warner Brothers Director: John Lee Hancock. Production Designer: Michael Corenblith THE HIGHWAYMEN Netflix Director: John Lee Hancock. Production Designer: Michael Corenblith JUSTICE LEAGUE Warner Brothers Director: Zack Snyder Production Designer: Patrick Taopoulos Additional Photography LA AD ASTRA Lima Project Films Director: James Gray. Production Designer: KevinThompson. Additional Photography GAME NIGHT Warner Brothers Directors: John Francis Daley, Jonathan Goldstein. Production Designer: M. Corenblith THE FOUNDER Filmnation Director: John Lee Hancock. Production Designer: Michael Corenblith THE FINEST HOURS Walt Disney Pictures Director: Craig Gillespie. Production Designer: Michael Corenblith ALEXANDER AND THE TERRIBLE, Disney/Henson Productions. Director: Miguel Arteta. Production Designer: Michael Corenblith HORRIBLE VERY BAD NO GOOD DAY SAVING MR. BANKS Walt Disney Pictures Director: John Lee Hancock. Production Designer: Michael Corenblith THE CAMPAIGN Warner Brothers Director: Jay Roach. Production Designer: Michael Corenblith DOLPHIN TALE Alcon Entertainment Director: Charles Martin Smith. Production Designer: Michael Corenblith DINNER FOR SCHMUCKS Paramount Pictures Director: Jay Roach. Production Designer: Michael Corenblith THE BLIND SIDE Warner Bros./Alcon Ent. Director: John Lee Hancock. Production Designer: Michael Corenblith BEST PICTURE NOMINATION FROST/NIXON Universal/Imagine Director: Ron Howard. Production Designer: Michael Corenblith BEST PICTURE NOMINATION WILD HOGS -
Bug Owners Swarm Volkswagen Exhibit Car Club Members Give Mixed Reviews to the New Beetle
Bug owners swarm Volkswagen exhibit Car club members give mixed reviews to the new Beetle WILLIAM J. DONOVAN Journal-Bulletin Staff Writer Alyce Jacquet owns a 1960 Volkswagen Beetle. Its name is Astrid. Alyce named her car after the girlfriend of Stu Sutcliff, the fifth member of the singing Beatles, who left the band. It was the only thing to do. Astrid is Alyce's fifth Beetle. Yesterday was "Bugs on Broadway" day. To coincide with the introduction of the new Volkswagen Beetle at the Northeast International Auto Show, the Rhode Island Air- Cooled Volkswagen Association lined their rebuilt and not-so-rebuilt Beetles and VW buses from the 1950s, '60s and '70s along Broadway. There, anyone who cared to wander up from the nearby Rhode Island Convention Center, where the auto show is being held, could see a 1971 Super Beetle restored by Tim Boyle of Cumberland. They'd find Gracie Anne, the 1969 Beetle owned by Adam Waring of East Providence. Or they could gaze upon Astrid herself, as always, parked pointing down the hill so Alyce will be able to start her. ("I knew how to roll-start before I learned to parallel park," says Jacquet.) Maybe it was the shape, maybe it was the affordability. Whatever, the object of their affection is the number-one selling automobile of all time and making a bit of a comeback. After a 20-year hiatus, Volkswagen of America will soon be selling new Beetles in the United States. Whether it satisfies the many owners of classic Beetles remains to be seen. -
Share Your ACM Memories with the New Photo Car 1/21/15 5:19 PM
Share Your ACM Memories With the New Photo Car 1/21/15 5:19 PM Having trouble viewing this email? Click here LeMay - America's Car Museum March 2014 HOURS 10 AM - 5 PM Daily ENGAGE Introducing the ACM Photo Car: Take IN THIS ISSUE Your Memories Home With You New Photo Car Visitors regularly ask VeeDub Exhibit if they can sit in cars Extended at ACM. In December, The Meet we opened the new Family Zone Visitor Photos interactive space, which features a 1920s-era Dodge MARCH visitors of all ages are EDUCATION invited to climb into and "take the wheel" as they learn about EVENTS the inner-workings of cars. If Cars Could Talk Now, ACM is excited to announce our newest complimentary Car Story & Playtime interactive attraction, the Photo Car! Guests are invited to Family Workshop pose in a 1923 Buick Series 23-Four, Model 35-5 Passenger Touring and take their goofiest photos. Visitors receive one complimentary photo to take home, and they may email additional photos to themselves or share their unique ACM UPCOMING EVENTS memories on social media. https://ui.constantcontact.com/visualeditor/visual_editor_preview.jsp?agent.uid=1116643472714&format=html&printFrame=true Page 1 of 6 Share Your ACM Memories With the New Photo Car 1/21/15 5:19 PM Cruise-Ins Are Back! The Photo Car is open during regular Museum hours and is accessible to all visitors. Drive into ACM and have some fun! ACM STORE Take some VeeDub home with you. Your Volkswagen experience doesn't end once you leave the Museum.