Fine Oriental & European Works Of

Total Page:16

File Type:pdf, Size:1020Kb

Fine Oriental & European Works Of Hannam’s Auctioneers Hannam’s Thursday 10 July 2014 10 July Thursday Hannam’s Auctioneers The Old Dairy Norton Farm Selborne Hampshire Fine Oriental GU34 3NB & European Tel: 01420 511788 Works of Art hannamsauctioneers.com Thursday 10 July 2014 Lot 40 Lot 22 Lot 1 Lot 78 Lot 2 Lot 41 Fine Oriental & European Works of Art Thursday 10 July 2014 at 11am Order of sale Oriental Works of Art (lots 1-266) European Works of Art (lots 301-542) Viewing times Monday 7th July 10am till 4pm Tuesday 8th July 10am till 4pm Wednesday 9th July 10am till 4pm Morning of sale from 9am Full catalogue & bidding (online and telephone bidding registration will close 24 hours prior to the auction) the-saleroom.com liveauctioneers.com Cover illustrations: Lot 8 (front), Lot 304 (back) The Old Dairy, Norton Farm, Selborne, Hampshire GU34 3NB Tel: 01420 511788 hannamsauctioneers.com Buying at Hannam’s Buying at auction is a simple yet exciting experience. We offer these Payment following ways to buy with us: You may pay with cash up to £10,000, cheque (only accepted Buying in Person upon prior arrangement), credit Customers wishing to attend the sale will need to register to bid on and debit cards, wire transfer sale day. We require your full name, address, telephone number and or bankers draft. Please note a in certain circumstances a bank reference. You will be issued with a handling fee of 3% is payable on numbered paddle which you will need to bid with. When the lot is all credit card transactions. Debit being sold, raise your paddle clearly so the auctioneer can see, and he cards are no extra charge. Credit will acknowledge your bid. The auctioneer with accept increasing bids or debit card payments must from interested parties until one bidder remains. The final bidder is the be made in person unless prior successful buyer. arrangements have been agreed upon. For further details contact Absentee Bid the office. You must pay for your For customers unable to attend the auction they may leave an purchase immediately following Absentee bid with the auctioneer, also known as a Commission or the sale. All funds must be Written bid. We are happy to execute these bids on your behalf and cleared before goods are released will purchase the lot as cheaply as possible, other bids and reserves for collection or delivery. We permitting. Forms are available in the saleroom during the viewing request purchases are collected period and in the back of the catalogue. Once completed can be immediately following sale. If you returned to the auctioneers office. Absentee and telephone bids are require us the store the items for offered as a free service and at the buyer’s risk, we cannot accept you, this can be arranged at cost liability for any failure to place such bids. with a member of staff. Telephone Bid Delivery Telephone bidding works in a similar way to Absentee bidding, Our recommended companies however a member of staff will telephone you just before your for national or internationally selected lot is due to come under the hammer. You will then be able delivery of items are Mailboxes to bid live over the telephone for the lot, with the member of staff Guildford and Essential Address. conveying your bid to the auctioneer. This facility is offered for all They will be happy to provide sales with the exception of Saturday Antique auctions. The minimum you with a quote for packing and lot value for a telephone bid is £500. Because telephone lines are shipping. Customers are invited limited, telephone bids must be booked at least 24 hours in advance to contact Mailboxes or Essential of the sale. Telephone bids are accepted at the sole discretion of the Address directly, or if you prefer, auctioneer. Absentee and telephone bids are offered as a free service we can request this on your and at the buyer’s risk, we cannot accept liability for any failure to behalf. place such bids, and bids are accepted at the buyer’s risk. Essential Address Hannam’s auctions are easy to view, and clients may view without 01276 684 840 any obligation or pressure to buy. Catalogues are available showing [email protected] estimated prices. Auctioneers are on hand to give advice and information on what you are buying. Mailboxes Guildford 01483 453131 Buyer’s Premium [email protected] For all sales, the buyer will pay the hammer price plus a buyer’s premium, unless stated by the auctioneer. Fine Art Sales: 20% + VAT on the commission. Catalogue produced by 2 hannamsauctioneers.com Oriental Works of Art 1 A CHINESE QING DYNASTY PORCELAIN ROULEAU VASE Guangxu, Kangxi Style, painted with landscapes and encased within panels of insects and foliage. 17.5ins high. See illustration on inside back cover. £300-500 2 A CHINESE MING STYLE WUCAI PORCELAIN MEIPING VASE possibly 18th Century, enamelled with a central four claw dragon. 13.5ins high. See illustration on inside back cover. £300-500 3 A FINE 19TH CENTURY CHINESE CARVED HONGMU DESK the top carved with a pair of birds perched amongst flowering vines, over a central shelf with twin panel doors, upon a base of one long and four short drawers. 4ft x 1ft 11ins. £3000-5000 Lot 3 4 A GOOD 19TH CENTURY CHINESE CARVED HARDWOOD ALTAR TABLE rectangular top with carved frieze depicting precious objects and urns containing flowers, upon square carved legs. 6ft 9ins x 3ft 5ins. £3000-5000 hannamsauctioneers.com 3 Lot 5 Lot 6 5 7 9 A CHINESE QING DYNASTY A LATE 17TH/18TH CENTURY A 19TH CENTURY CHINESE CARVED MUTTON JADE FIGURE CHINESE EXPORT PLATE CARVED RED LACQUER BRUSH OF A RAM modelled with a Kangxi, decorated with a POT bearing Wanli marks to base, lingzhi fungus within its mouth. flowering tree, together with decorated with pagodas within 2ins wide. a mid 20th century elaborate landscapes. 5.75ins £200-300 painted hardstone screen. high. 8.75ins & 1ft 2ins wide. (2) Provenance: Private European 6 £40-60 Collection. AN EARLY 20TH CENTURY £300-500 CHINESE CARVED GREEN JADE 8 FRUITING POD of naturalistic A LOVELY CHINESE QING 10 form with lotus under carving. DYNASTY CARVED WOOD A MID 19TH CENTURY CHINESE 2.5ins wide. BUST OF LUOHAN possibly CARVED CANTON IVORY £200-300 18th Century, elegantly modelled BASKET AND COVER depicting with a sureen expression, upon a figures on horseback within later perspex base. Bust 12.75ins extensive landscapes in various high. pursuits, with vacant cartouche. Provenance: Private Local 10.25ins x 9ins. Collection. £400-600 £300-500 Lot 8 Lot 9 4 hannamsauctioneers.com Lot 10 Lot 11 11 14 17 A CHINESE REPUBLICAN A SET OF FIVE CHINESE REPUB- A CHINESE PORCELAIN PERIOD PORCELAIN FIGURE OF LICAN PERIOD WHITE METAL ENAMELLED CIRCULAR BOWL A BUDDHA modelled seated BUTTONS decorated with a 20th Century, finely decorated smiling, holding prayer beads, in portrait and foliage. 1.5ins with two birds perched amongst famille jaune robes. 9.75ins high. wide. (5) foliage. 5.25ins diameter. £200-300 £60-80 £200-300 12 15 18 A LATE 19TH CENTURY JAPANESE A CHINESE CANTON ENAMEL A PAIR OF CHINESE MEIJI PERIOD IVORY NETSUKE SNUFF BOTTLE AND STOPPER MONOCHROME PORCELAIN modelled as a young male bearing Qianlong marks to base, STEM CUPS bearing Wanli marks holding an axe, seated upon a 20th Century, decorated with to base, 20th century, of plain ear. Signed. 2ins high. landscapes. 2.25ins high. form. 3.75ins high. £100-150 £80-120 £80-120 13 16 A CHINESE CARVED GREEN JADE A LATE 19TH CENTURY JAPANESE SNUFF BOTTLE AND STOPPER MEIJI PERIOD IVORY NETSUKE possibly 19th century, bearing in the form of figures beneath hall mark to reverse, carved with a house, together with another a scholar. 3.25ins high. similar group. 1.5ins & 1.25ins £80-120 wide. (2) £200-300 Lot 16 Lot 17 hannamsauctioneers.com 5 Lot 19 Lot 20 Lot 23 Lot 24 Lot 29 19 21 23 AN 18TH/19TH CENTURY A 19TH CENTURY CHINESE A CHINESE MING DYNASTY CHINESE BRONZE CENSER with CARVED RED LACQUER DISH BRONZE FIGURE OF GUANYIN twin buddhistic lions, inlaid in depicting a hut within an 16th/17th Century, modelled gold with opposing mythical extensive landscape. 5.5ins square. seated upon a recumbent birds and foliage. 8.25ins high. £80-120 elephant, traces of gilt £600-800 remnants and enamel to face. 22 8.5ins x 5.75ins. 20 A FINE EARLY 20TH CENTURY £300-500 A LATE 19TH CENTURY JAPANESE JAPANESE MEIJI PERIOD MEIJI PERIOD BRONZE FIGURE SHIBAYAMA SCREEN in the 24 OF A FISHERMAN modelled with manner of Masayuki, inlaid in AN EARLY 20TH CENTURY his catch upon his back, together mother of pearl, coral and horn, CHINESE PORCELAIN TABLE with another Japanese bronze depicting herons and an eagle SCREEN ON STAND Guangxu, fisherman. Signed. 11.75ins & within a landscape. Signed. painted with two figures within 8ins high. (2) 1ft 3.5ins x 9.25ins. a mountainous landscape, £400-600 See illustration on inside front cover. contained within a wood frame. £2000-3000 Porcelain 10ins x 5.5ins. £200-300 6 hannamsauctioneers.com Lot 30 Lot 35 Lot 36 25 30 35 AN EARLY 20TH CENTURY A CHINESE GE TYPE CRACKLE A RARE CHINESE QING DYNASTY CHINESE PEKING GLASS SNUFF GLAZED VASE Late Qing, with CARVED IVORY ARCHERS RING BOTTLE with amber finial and brown rim and baluster body. probably 18th/19th Century, of carved shoulders. 2.5ins high. 5.5ins high. cylindrical form. 1.25ins high. £80-120 £150-200 £80-120 26 31 36 A CHINESE CARVED WHITE A CHINESE PORCELAIN A CHINESE PORCELAIN CIRCULAR HARDSTONE CIRCULAR BANGLE CIRCULAR BOX AND COVER TEABOWL bearing Qianlong possibly Jade, of plain form.
Recommended publications
  • 'A Mind to Copy': Inspired by Meissen
    ‘A Mind to Copy’: Inspired by Meissen Anton Gabszewicz Independent Ceramic Historian, London Figure 1. Sir Charles Hanbury Williams by John Giles Eccardt. 1746 (National Portrait Gallery, London.) 20 he association between Nicholas Sprimont, part owner of the Chelsea Porcelain Manufactory, Sir Everard Fawkener, private sec- retary to William Augustus, Duke of Cumberland, the second son of King George II, and Sir Charles Hanbury Williams, diplomat and Tsometime British Envoy to the Saxon Court at Dresden was one that had far-reaching effects on the development and history of the ceramic industry in England. The well-known and oft cited letter of 9th June 1751 from Han- bury Williams (fig. 1) to his friend Henry Fox at Holland House, Kensington, where his china was stored, sets the scene. Fawkener had asked Hanbury Williams ‘…to send over models for different Pieces from hence, in order to furnish the Undertakers with good designs... But I thought it better and cheaper for the manufacturers to give them leave to take away any of my china from Holland House, and to copy what they like.’ Thus allowing Fawkener ‘… and anybody He brings with him, to see my China & to take away such pieces as they have a mind to Copy.’ The result of this exchange of correspondence and Hanbury Williams’ generous offer led to an almost instant influx of Meissen designs at Chelsea, a tremendous impetus to the nascent porcelain industry that was to influ- ence the course of events across the industry in England. Just in taking a ca- sual look through the products of most English porcelain factories during Figure 2.
    [Show full text]
  • Views of a Porcelain 15
    THE INFLUENCE OF GLASS TECHNOLOGY vessels nor to ceramic figurines, but to beads made in imitation of imported glass.10 The original models were ON CHINESE CERAMICS eye-beads of a style produced at numerous sites around the Mediterranean, in Central Asia and also in southern Russia, and current in the Near East since about 1500 Nigel Wood BC.11 A few polychrome glass beads found their way to Research Laboratory for Archaeology and the History of Art, University of Oxford. China in the later Bronze Age, including one example excavated from a Spring and Autumn period (770-476 BC) site in Henan province.12 This particular blue and ONE OF THE MOST IMPORTANT AND ENDURING DIFFER- white eye bead was of a style current in the eastern ences between the ceramics of China and the Near East Mediterranean in the 6th to 3rd century BC and proved lies in the role that glass has played in the establishment to have been coloured by such sophisticated, but of their respective ceramic traditions. In the ceramics of typically Near Eastern, chromophores as calcium- Mesopotamia, Persia, Egypt, and Syria glass technology antimonate-white, cobalt-blue and a copper-turquoise, proved vital for the development of glazed ceramics. while its glass was of the soda-lime type, common in 13 Figure 2. Earthenware jar with weathered glazes. Warring States Following the appearance of glazed stone-based the ancient world. period. Probably 3rd century BC (height: 9.5 cm). The British ceramics in the fourth millennium BC, the first glazes These ‘western’ beads would have been wonders in Museum.
    [Show full text]
  • January to March 2018
    SOUTHERN CERAMIC GROUP NEWSLETTER www.southernceramicgroup.co.uk/ Email : [email protected] Contents Editorial • Group & Members News Welcome to the January/March edition of the SCG Newsletter. The • What’s On newsletter is published electronically quarterly to members of the South- • Hey Clay ern Ceramic Group and is more widely distributed to associated pottery • Clay Group groups. • AGM • Glaze Group Meeting Notes We always welcome your contributions to the newsletter from events to • Members Profile technical articles to profiles. This edition is a great example of the varied • Demonstrations interests of the group, we hope you enjoy the newsletter and will consider • SCG Committee contributing in the future. Keith Menear Group & Members News New Members A very warm welcome to new members: Gael Emmett from Chichester Francheska Pattisson of Winchester Trish Marshall also from Chichester Nigel Hobbs from Bordon Membership is now 152 Next Committee Meeting. The committee meets every few months or so and our next meeting will be on Next meeting. 5th March 2018, 7.15 pm at Neil’s house. "Hilston House" Hambledon Road, Denmead, Waterlooville, Hampshire PO7 6HB . If you have anything you would like to bring to our attention please contact Sandie Dixon [email protected] or any other member of the committee. 1 SOUTHERN CERAMIC GROUP NEWSLETTER What’s On Su Cloud Ceramics. Workshops January-June 2018. The beginning of a new year and the perfect time to start a new project. Is your garden in need of a focal point? I have some new workshops on offer and some old favourites, which I hope will inspire you to come and create, in my purpose built ceramic studio.
    [Show full text]
  • HO060710 Sale
    For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others.
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 16 Aug 2014
    Philippa H Deeley Ltd Catalogue 16 Aug 2014 1 A mid 20th century Bowman live steam powered 18 Featherstone Robson 'Durham Castle' early 20th pond launch, an aluminium live steam speed boat century engraving, together with another of 'The and a Mamod style live steam motor £40.00 - Fish Market, Salisbury' £10.00 - £20.00 £60.00 19 An early 20th century Continental watercolour 2 A collection of Burago, Tonka and Solido 1/18 depicting a sea wall with figures and mountains to scale die cast cars to include a Ferrari GTO, background, unsigned and housed in a gilt frame Mercedes 300SL, Lancia Spider, a Maserati 250F £10.00 - £20.00 plus others (10 items) £40.00 - £50.00 20 R. Herdman-Smith F.R.S.A., A.R.W.A., 'Loch 3 Two hand-coloured prints of Windsor Castle Lomond', original aquatint engraving, edition engraved by John Boydell £10.00 - £20.00 limited to 150 signed artist's proofs, signed and 4 An oil on canvas depicting an African figure on a titled in pencil to lower margin with label to verso, forest path, signed Michel to lower right, together 23cm x 29cm £10.00 - £20.00 with another of an African female digging crops 21 A hand painted blue glazed Shelley vase, a Sylvac £10.00 - £20.00 vase and other items (1 box) £30.00 - £40.00 5 Two vintage bellows cameras, a Yvighander 22 A quantity of carved African heads, masks and bellows camera, a Carl Zeiss Jena Turmon 8x other tribal items (1 box) £20.00 - £30.00 angle lens, camera plates etc £20.00 - £40.00 23 A 1930s Royal Copenhagen handpainted porcelain 6 A mixed collection of ceramics and
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 17 Oct 2015
    Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high -
    [Show full text]
  • The Future of Derby Museums Service a Review of Alternative
    Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59
    [Show full text]
  • RCD Magazine July 2010
    GUILD EXCLUSIVE 2010 The Royal Crown Derby magazine ISSUE 39 July 2010 Guild Duck and Duckling COLLECTOR Duckling Modelled by Hilary Walker, Designed by Jane James. Height 5.5cm Duck Modelled by Hilary Walker, Designed by Jane James. Length 15.5cm On joining the Guild or renewing your membership you will receive the delightful little Duckling paperweight as a complimentary gift A special welcome pack will contain your complimentary Guild Duckling paperweight and a wealth of information about our collectables Royal Crown Derby Headquarters 194 Osmaston Road, Derby, DE23 8JZ, England Tel: (01332) 712846 Fax: (01332) 712863 royalcrownderby.co.uk CONTENTS NEW PIECES New Pieces 2 - 7 New Exclusives 8 - 10 Osprey Visitor Centre News 11 Modelled by Donald Brindley This stunning new piece is once again a Local Interest 12 Designed by Tien Manh Dinh. successful collaboration between modeller Height: 15cm News / Events 13 - 14 Donald Brindley and designer Tien Manh History/Tradition 15 Dinh. The Osprey sits high on its look-out point holding a tasty meal between its Guild Exclusive 2010 16 talons. The feathers are decorated in stunning shades of grey with black and Once again it is time for me to sit down with white flecks to create an opulent textured the proof of the latest magazine and write effect. The base is decorated with pebbles my small contribution. Usually this is and turquoise ripples to represent the something that I like to do sitting looking out at the garden but after a day spent swirling waters of the preparing a new price list at home Ospreys’ hunting yesterday, today I have to be in the office.
    [Show full text]
  • The Two Ages of Poole Pottery with Price Guide by Roland Head
    Ceramics The Two Ages of Poole Pottery With Price Guide by Roland Head The company finally succumbed in December 2006, ending a period and both Stablers contributed greatly to a revived interest in ceramic of more than 130 years of production at the quayside in Poole. This sculpture at Poole. They created a wide range of sculptural ceramics demise seems to have had little, if any, effect on the secondary Poole and also several specially-commissioned architectural wares, such market, which remains in good health. Decorative wares produced as the Rugby School War Memorial. Of particular interest are the between 1924 and 1970 are most in demand. Most fall into two sculpted ceramic figures designed by Harold and Phoebe Stabler distinctly different categories. from around 1910 until the early 1930s. Very successful, they were produced in press-moulded form by Poole with some also being Poole Studio Ware made under license by Royal Doulton and Royal Worcester. Today, In 1958, Poole recruited Robert Jefferson as its chief designer. His good examples of these figures are fairly rare and routinely fetch work led to the introduction of new designs and techniques, and in hundreds of pounds each. The subject matter for these figures varies 1961, to the expansion and relaunch of the Poole Studio. Its output widely, with both animals and people popular choices. of boldly-painted and largely-abstract designs was formalised into the Delphis and Aegean ranges. It is the early, pre-Delphis studio Vases and Other Decorative Wares pieces that are most collectable, in particular those pieces by Tony Early decorative wares used a red earthenware body and were Morris, an artist who worked alongside Jefferson in developing the decorated with a hand-painted pattern on clear glaze over white slip.
    [Show full text]
  • China: Qing Dynasty Porcelain and Global Exchange Pre-Visit
    China: Qing Dynasty Porcelain and Global Exchange Pre-Visit Share this background information with students before your Distance Learning session. Grade Level: Grades 9-12 Collection: East Asian Art Culture/Region: China, East Asia Subject Area: History and Social Science Activity Type: Distance Learning WHY LOOK AT PLATES AND VASES? When visiting a relative or a fancy restaurant, perhaps you have dined on “fine china.” While today we appreciate porcelain dinnerware for the refinement it can add to an occasion, this conception is founded on centuries of exchange between Asian and Western markets. Chinese porcelain production has a long history of experimentation, innovation, and inspiration resulting in remarkably beautiful examples of form and imagery. At the VMFA, you will examine objects from a small portion of this history — the 18th century during the Qing Dynasty — to expand your understanding of global exchange in this era. Because they were made for trade outside of China, these objects are categorized as export porcelain by collectors and art historians. Review the background information below, and think of a few answers you want to look for when you visit VMFA. QING DYNASTY Emperors, Arts, and Trade Around the end of the 16th century, a Jurchin leader named Nurhaci (1559–1626) brought together various nomadic groups who became known as the Manchus. His forces quickly conquered the area of present-day Manchuria, and his heirs set their sights on China. In 1636 the Manchus chose the new name of Qing, meaning “pure,” to emphasize their intention to purify China by seizing power from the Ming dynasty.
    [Show full text]
  • Page 1 578 a Japanese Porcelain Polychrome Kendi, Kutani, 17Th C
    Ordre Designation Estimation Estimation basse haute 551 A Chinese mythological bronze group, 19/20th C. H: 28 cm 250 350 552 A Chinese bronze elongated bottle-shaped vase, Ming Dynasty H.: 31 600 1200 cm 553 A partial gilt seated bronze buddha, Yongzheng mark, 19th C. or earlier 800 1200 H: 39 cm L: 40 cm Condition: good. The gold paint somewhat worn. 554 A Chinese bronze jardiniere on wooden stand, 19/20th C. H.: 32 cm 300 600 555 A Chinese figural bronze incense burner, 17/18th C. H.: 29 cm 1000 1500 556 A Chinese bronze and cloisonne figure of an immortal, 18/19th C. H.: 31 300 600 cm 557 A Chinese bronze figure of an emperor on a throne, 18/19th C. H.: 30 cm 800 1200 Condition: missing a foot on the right bottom side. 558 A bronze figure of Samanthabadra, inlaid with semi-precious stones, 4000 8000 Ming Dynasty H: 28 cm 559 A Chinese gilt bronze seated buddha and a bronze Tara, 18/19th C. H.: 600 1200 14 cm (the tallest) 560 A Chinese bronze tripod incense burner with trigrams, 18/19th C. H.: 350 700 22,3 cm 561 A tall pair of Chinese bronze “Luduan� figures, 18/19th C. H.: 29 1200 1800 cm 562 A tall gilt bronze head of a Boddhisatva with semi-precious stones, Tibet, 1000 1500 17/18th C. H.: 33 cm 563 A dark bronze animal subject group, China, Ming Dynasty, 15-16th C. H.: 1500 2500 25,5 cm 564 A Chinese dragon censer in champlevé enameled bronze, 18/19th C.
    [Show full text]
  • 64997 Frontier Loriann
    [ FRESH TAKE ] Thrown for a Loop factory near his Staffordshire hometown, Stoke-on-Trent. Wedgwood married traditional craftsmanship with A RESILIENT POTTERY COMPANY FACES progressive business practices and contemporary design. TRYING TIMES He employed leading artists, including the sculptor John Flaxman, whose Shield of Achilles is in the Huntington by Kimberly Chrisman-Campbell collection, along with his Wedgwood vase depicting Ulysses at the table of Circe. As sturdy as they were beautiful, Wedgwood products made high-quality earthenware available to the middle classes. his past winter, Waterford Wedgwood found itself teetering on the edge of bankruptcy like a ceramic vase poised to topple from its shelf. As the company struggles A mainstay of bridal registries, the distinctive for survival, visitors to The Tearthenware is equally at home in museums around the world, including The Huntington. Now owned by an Irish firm, the once-venerable pottery manufactory was founded Huntington can appreciate by Englishman Josiah Wedgwood in 1759. As the company struggles for survival, visitors to The Huntington can appre - what a great loss its demise ciate what a great loss its demise would be. A look at the firm’s history reveals that the current crisis is just the most recent would be. of several that Wedgwood has overcome in its 250 years. The story of Wedgwood is one of the great personal and Today, Wedgwood is virtually synonymous with professional triumphs of the 18th century. Born in 1730 into Jasperware, an unglazed vitreous stoneware produced from a family of potters, Josiah Wedgwood started working at the barium sulphate. It is usually pale blue, with separately age of nine as a thrower, a craftsman who shaped pottery on molded white reliefs in the neoclassical style.
    [Show full text]