Filmlandkarte Brandenburg 2006/07

Total Page:16

File Type:pdf, Size:1020Kb

Filmlandkarte Brandenburg 2006/07 FILMLOCATION BRANDENBURG 2006/2007 Ein Ausschnitt LEGENDE: 1. AUF DER SUCHE NACH DEM SCHATZ VON TROJA (TV) Produktion/Dt. Koproduzent: Teamworx Television & Film GmbH Regie: Dror Zahavi Schauspieler: Melanie Doutey, Heino Ferch Drehorte: Marwitz 2. AUSBILDER SCHMIDT - DER FILM Produktion/Dt. Koproduzent: Hofmann & Voges Entertainment GmbH Regie: Christoph Schrewe Schauspieler: Holger Müller Drehorte: Pankow, Stahnsdorf 3. DIE DUNKLE SEITE (TV) Produktion/Dt. Koproduzent: Network Movie Film- und Fernsehproduktion GmbH & Co. KG Regie: Peter Keglevic Schauspieler: Melika Foroutan, Charly Hübner Drehorte: nahe Belzig 4. DIE FÄLSCHER Produktion/Dt. Koproduzent: Magnolia Filmproduktion GmbH Regie: Stefan Ruzowitzky Schauspieler: Karl Markovics, August Diehl, Devid Striesow Drehorte: Studio Babelsberg 5. DIE WELLE Produktion/Dt. Koproduzent: Ratpack Filmproduktion GmbH Regie: Dennis Gansel Schauspieler: Jürgen Vogel, Christiane Paul, Max Riemelt Drehorte: Dallgow-Döberitz, Babelsberg, Berlin 6. DIE TAGE SIND ENDLICH Produktion/Dt. Koproduzent: Mafilm Martens Film- und Fernsehproduktions GmbH Regie: Bernd Böhlich Schauspieler: Katharina Thalbach, Steffen Scheumann Drehorte: voraussichtlich in Vetschau 7. EFFI Produktion/Dt. Koproduzent: Constantin Film AG Regie: Hermine Huntgeburth Schauspieler: Julia Jensch, Sebastian Koch Drehorte: Hoppenrade bei Neuruppin 8. FERIEN Produktion/Dt. Koproduzent: Pickpocket Filmproduktion Regie: Thomas Arslan Schauspieler: Angela Winkler, Karoline Eichhorn, Uwe Bohm, Gudrun Ritter, Anja Schneider Drehorte: Berlin und Freiburger Provinz 9. FLAME & CITRON Produktion/Dt. Koproduzent: Wüste Film Ost Regie: Ole Christian Madsen Schauspieler: Mads Mikkelsen, Christian Berkel Drehorte: Studio Babelsberg 10. Flucht und Vertreibung (TV) Produktion/Dt. Koproduzent: teamWorx Television & Film GmbH Regie: Kai Wessel Schauspieler: Maria Furtwängler, Jean Yves Berteloot, Gabriela Maria Schmeide, Angela Winkler Drehorte: Brandenburg 11. FREE RAINER Produktion/Dt. Koproduzent: kahuuna films GmbH Regie: Hans Weingartner Schauspieler: Moritz Bleibtreu Drehorte: Belzig, Berlin 12. FREI NACH PLAN Produktion/Dt. Koproduzent: Credo Film GmbH Regie: Franziska Meletzky Schauspieler: Simone Kabst, Kirsten Block, Dagmar Manzel Drehorte: Straßen im Elbe Elster Land 13. HEXE LILLI Produktion/Dt. Koproduzent: Babelsberg Film GmbH Regie: Stefan Ruzowitzky Schauspieler: Andrea Sawatzki Drehorte: Studio Babelsberg 14. IM WINTER EIN JAHR Produktion/Dt. Koproduzent: Bavaria Filmverleih- und Produktions GmbH/Constantin Regie: Caroline Link Schauspieler: Karoline Herfurth, Corinna Harfouch Drehorte: Krams/Bad Wilsnack 15. INTERNATIONAL Produktion/Dt. Koproduzent: Rose Line Productions Limited / Siebte Babelsberg Film GmbH Regie: Tom Tykwer Schauspieler: Naomi Watts; Clive Owen Drehorte: Studio Babelsberg 16. JAGDHUNDE Produktion/Dt. Koproduzent: Credo Film GmbH Regie: Ann Kristin Reyels Schauspieler: Luise Berndt, Josef Hader, Sven Lehmann Drehorte: Mehrere Orte in der Uckermark (u.a. Marienwerder, Gersdorf, Bad Freienwalde und Grünz - Winterlandschaft) 17. KEINOHRHASEN Produktion/Dt. Koproduzent: Barefoot Films GmbH Regie: Till Schweiger Schauspieler: Till Schweiger, Nora Tschirner Drehorte: Paretz 18. MEINE SCHÖNE BESCHERUNG Produktion/Dt. Koproduzent: X Filme Creative Pool GmbH Schauspieler: Vanessa Jopp, Heino Ferch, Martina Gedeck Drehorte: Studio Babelsberg 19. MEIN FÜHRER – DIE WIRKLICH WAHRSTE WAHRHEIT ÜBER ADOLF HITLER Produktion/Dt. Koproduzent: Y Filme Creative Directors GmbH / X Filme Creative Pool GmbH Regie: Dani Levi Schauspieler: Helge Schneider, Ulrich Mühe, Katja Riemann Drehorte: Studio Babelsberg (Berliner Straße), Krampnitz 20. MONDKALB Produktion/Dt. Koproduzent: Beagle Films Filmproduktions GmbH Regie: Sylke Enders Schauspieler: Juliane Köhler, Axel Prahl Drehorte: Lenin, Rüdersdorf, Rathenow u.a. 21. NACHMITTAG Produktion/Dt. Koproduzent: Nachmittagfilm GbR Regie: Angela Schanelec Schauspieler: Miriam Horwitz, Mark Waschke, Fritz Schediwy, Angela Schanelec Drehorte: Potsdam 22. NEGER, NEGER, SCHORNSTEINFEGER Produktion/Dt. Koproduzent: Aspekt Telefilm Produktion Berlin GmbH Regie: Jörg Gründler Schauspieler: Veronika Ferres Drehorte: Wittenberge 23. RENNSCHWEIN RUDI RÜSSEL - RUDI RENNT WEITER Produktion/Dt. Koproduzent: Relevant Film Produktionsges. mbH Regie: Peter Timm Schauspieler: Sebastian Koch Drehorte: Bad Freienwalde 24. SECHS RICHTIGE UND ANDERE KATASTROPHEN (TV) Produktion/Dt. Koproduzent: Provobis Film GmbH Jan Ruzcika Schauspieler: Dominik Horwitz, Muriel Baumeister Drehorte: Kribbe/Neuhof (Prignitz) 25. SEHNSUCHT Produktion/Dt. Koproduzent: Peter Rommel Productions Regie: Valeska Grisebach Schauspieler: Laiendarsteller Drehorte: Zühlen/Ostprignitz 26. SPEED RACER Produktion/Dt. Koproduzent: Sechste Babelsberg Film GmbH Regie: Larry und Andy Wachowski Schauspieler: Cristina Ricci, Susan Sarandon, John Goodman, Benno Fürmann Drehorte: Studio Babelsberg 27. SPURLOS Produktion/Dt. Koproduzent: Cinemakers Film GmbH Regie: Jorgo Papa Vassiliou Schauspieler: Vassily Kazakos, Jannis Michel Drehorte: Freesdorf 28. VALKYRIE Produktion/Dt. Koproduzent: Studio Babelsberg GmbH Regie: Bryan Singer Schauspieler: Tom Cruise Drehorte: Königswusterhausen/Dahme-Spreewald, Löwenvilla (Potsdam) 29. VIER MINUTEN Produktion/Dt. Koproduzent: Kordes & Kordes Film GmbH Regie: Chris Kraus Schauspieler: Monica Bleibtreu; Hannah Herzsprung Drehorte: Luckau 30. WEGE ZUM GLÜCK (TV-SERIE) Produktion/Dt. Koproduzent: Grundy UFA TV Produktions GmbH Regie: Walter Franke, Christa Mühl, Gerald Diestl, Irina Popow, Petra Wiemers, Klaus Petsch, Kerstin Schefberger, Martina Westhofen Schauspieler: Gisa Zach, Hubertus Grimm Drehorte: Studio Babelsberg 31. WESTERN WALD Produktion/Dt. Koproduzent: teamWorx Television & Film GmbH Regie: Tomy Wigand Schauspieler: Lisa Martinek Drehorte: Werder (Havel) 32. WHISKY MIT WODKA Produktion/Dt. Koproduzent: Senator Film Produktion GmbH Regie: Andreas Dresen Schauspieler: Henry Hübchen Drehorte: Studio Babelsberg, Velten, Werder, Saarmund 33. WOLKE NEUN Produktion/Dt. Koproduzent: Peter Rommel Productions Regie: Andreas Dresen Schauspieler: Steffi Kühnert Drehorte: Forst, Grünefeld 34. YELLA Produktion/Dt. Koproduzent: Schramm Film Koerner & Weber Regie: Christian Petzold Schauspieler: Nina Hoss, Devid Striesow Drehorte: Wittenberge .
Recommended publications
  • Sunday Luncheon Friday May 7Th 2021 May 2Nd 11.30Am to 3.30Pm Cold Drinks from 4Pm Guests Welcome Delicious Meals from 6Pm
    ISSUE 5, 1st May 2021 Sunday Luncheon Friday May 7th 2021 May 2nd 11.30am to 3.30pm Cold Drinks from 4pm Guests welcome Delicious Meals from 6pm Music by Killing Time Music by Leo Abnes 2 course meal, All welcome Assorted Beers & wines $28 for Members & $30 for Visitors Raffles, Dancing Selected Menu by Lee from Meet your Friends The Bonegilla Bistro BOOKINGS ESSENTIAL BOOKINGS ESSENTIAL Ph: 0260 246905 Ph: 0260 246905 Join us for an early Mother's Day Celebration on Sunday 2nd May! Trivia Night Saturday 8th May 2021 see page 5 for details See Page 3 more upcoming events with music. https://www.facebook.com/gaacwodonga Presidents Message May 2021 Liebe Mitglieder, Dear Members, I trust everyone had a great Easter. Perfect weather, to catch up with family and friends or even to go camping. A great Aussie pastime. This was also a time for me to reflect on my childhood and the Easter traditions that were so typical for a German family. Easter is a special time for German- Austrians. Apart from the Easter Egg hunt, and going to Church, it was family time and enjoying beautiful meals, often a Goose or Roast Pork on Sunday, followed by Torte or Streusel Kuchen. Oma would help in the kitchen and Opa always had a small Cognac after the meal. Sweet memories. The club had another successful April Sunday lunch, this time being entertained by Jan and the Keys and Strings. She played a great range of music which was enjoyed by all. U3A who lease our building on week days completed their 1st Semester and after 2 weeks holiday had a celebratory Dinner on Saturday the 17th April.
    [Show full text]
  • FILMING in GERMANY MARCH 2021 MARCH Production Service Soft Money Incentives
    PRODUCTION SERVICE PRODUCTION FILMING IN GERMANY MARCH 2021 MARCH Production Service Soft Money Incentives STUDIOBABELSBERG.COM WE LOVE MAKING MOVIES SOFT MONEY Up to 25% Cash Rebate INCENTIVES plus regional soft money The German federal government as well as regional film internationally co-produced feature films, high-end series and funds support filmmakers by a one-of-a-kind film production VoD formats with large budgets. In addition, a number of re- rebate program totalling EUR 350 million. gional film funds provide efficient support to productions of any budget. Many German states grant funds and additional The established German Federal Film Fund (DFFF) with soft money depending on the regional spend. its two columns DFFF I and DFFF II contributes annually EUR 120 million to stimulate production activities in the film The German film production rebate is internationally reco- industry. International producers can apply for a rebate of up gnized. Numerous well-known productions have benefited to 25% for their spend on the ground. from the incentive program in the last years, among others The Reader, Inglourious Basterds, The Grand Budapest Hotel, With a yearly volume of EUR 30 million, the German Motion Bridge of Spies or The Hunger Games: Mockingjay, and Picture Fund (GMPF) additionally supports the production of series as Homeland, Berlin Station, Counterpart and Dark. Studio Babelsberg is your reliable partner for all incentive, soft money and financing solutions • Access the 25% rebate and regional subsidies • Build cost-effective
    [Show full text]
  • 1.7. Park Babelsberg, Potsdam
    1. Bauten und Gärten der UNESCO-Welterbestätte „Schlösser und Parks von Potsdam und Berlin“ 1.7. Park Babelsberg, Potsdam Potsdam, Park Babelsberg Park und Schloss Gestaltung des ab 1806 entwaldeten Geländes zum Schlosspark durch Peter Joseph Lenné, 1833 begonnen. 1834/35 erster Bauabschnitt des Schlosses nach Entwurf von Karl Friedrich Schinkel für Prinz Wilhelm (Kaiser Wilhelm I.) und seine Gemahlin Augusta von Sachsen-Weimar. Erweiterung 1845–1849 durch Ludwig Persius, Johann Heinrich Strack und Martin Gottgetreu. Ab 1842–1867 Gestaltung der Schlossterrassen und des Parkes durch Hermann Fürst von Pückler-Muskau, Fortset- zung durch Hofgärtner Otto Ferdinand Kindermann bis 1888. Nach 1945 Umbauten im Schloss für Schulungs- und Unterkunftszwecke von der Zentralen Richterschule und der Deutschen Hochschule für Filmkunst. Ab 1963 Museum für Ur- und Frühgeschichte. 1960 Beginn der Wiederherstellung des Parkes nach gartendenkmalpflegerischen Grundsätzen, von 1950–1989 25 ha Park mit Schul- und Internatsgebäuden der Akademie für Staats- und Rechtswissenschaften der DDR überbaut. 1961–1989 Zerstörung von 14 ha des Parkes durch die Grenzsicherungsanlagen der DDR. Park 1990 Beseitigung der Grenzsicherungsanlagen der DDR und Beginn der Wiederherstellung dieses Park- teils. Wegfreilegung am Schloss Babelsberg, oberhalb des Kanonenberges, im Umkreis des Mar- stalles und am Kleinen Schloss. Ausgrabung der Treppe zum Maschinenhaus. Entfernung von 5 hintereinander gestaffelten Metallzäunen und 2 Wachtürmen. Rodung von 30-jährigem Wildwuchs zwischen Haupteingang, Maschinenhaus und Schloss. 1991 Wiederherstellung des Schlossvorplatzes und des Drives zwischen Mühlentor und Pförtnerhaus II. Freilegung des Umfahrweges am Bowlinggreen, des Fußweges an der Friedrich-Wilhelm-Höhe, aller Fuß- und Fahrwege zwischen Fürstenhöhe und der Allee nach Glienicke, Restaurierung der Bodenmodellierung im Bereich des ehemaligen Grenzzaunes zwischen Hauptfahrweg und Pleasu- reground, im Bowlinggreen, oberhalb des Wilhelmwasserfalles und an der Treppe zum Maschinen- haus.
    [Show full text]
  • Berlin - Wikipedia
    Berlin - Wikipedia https://en.wikipedia.org/wiki/Berlin Coordinates: 52°30′26″N 13°8′45″E Berlin From Wikipedia, the free encyclopedia Berlin (/bɜːrˈlɪn, ˌbɜːr-/, German: [bɛɐ̯ˈliːn]) is the capital and the largest city of Germany as well as one of its 16 Berlin constituent states, Berlin-Brandenburg. With a State of Germany population of approximately 3.7 million,[4] Berlin is the most populous city proper in the European Union and the sixth most populous urban area in the European Union.[5] Located in northeastern Germany on the banks of the rivers Spree and Havel, it is the centre of the Berlin- Brandenburg Metropolitan Region, which has roughly 6 million residents from more than 180 nations[6][7][8][9], making it the sixth most populous urban area in the European Union.[5] Due to its location in the European Plain, Berlin is influenced by a temperate seasonal climate. Around one- third of the city's area is composed of forests, parks, gardens, rivers, canals and lakes.[10] First documented in the 13th century and situated at the crossing of two important historic trade routes,[11] Berlin became the capital of the Margraviate of Brandenburg (1417–1701), the Kingdom of Prussia (1701–1918), the German Empire (1871–1918), the Weimar Republic (1919–1933) and the Third Reich (1933–1945).[12] Berlin in the 1920s was the third largest municipality in the world.[13] After World War II and its subsequent occupation by the victorious countries, the city was divided; East Berlin was declared capital of East Germany, while West Berlin became a de facto West German exclave, surrounded by the Berlin Wall [14] (1961–1989) and East German territory.
    [Show full text]
  • A History of German-Scandinavian Relations
    A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term
    [Show full text]
  • First Announcement 67
    th First Announcement 67 Annual Meeting of the International Committee for Coal and Organic Petrology (ICCP) Held at Helmholtz Centre Potsdam German Research Centre for Geosciences - GFZ Sponsored by: Potsdam, Germany September 5-11, 2015, Potsdam, Germany On behalf of the Organizing Committee you are invited to attend the 67th Annual Meeting of the International Committee for Coal Welcome and Organic Petrology (ICCP). The meeting is organisied and hosted by the Helmholtz-Zentrum Potsdam, Deutsches GeoFor- schungsZentrum GFZ. Meeting Venue The 67th Annual Meeting of the International Committee for Coal and Organic Petrology will be hosted by the Helmholtz-Zentrum Potsdam, Deutsches GeoForschungsZentrum GFZ in Potsdam, Germany, September 5 -11, 2015. The meeting venue is Building H at the Telegrafenberg in Pots- dam. Prior to the meeting, an ICCP Training Course „Organic Petrology in Industrial Applications“ will be organized. Potsdam The city of Potsdam directly borders the German capital Berlin and is part of the Berlin/Branden- burg Metropolitan Region. Potsdam is the capi- tal of the German Federal State of Brandenburg and has about 160.000 inhabitants. It is situa- ted at the river Havel. Potsdam was a residence of the Prussian kings and the German Kaiser, until 1918. Around the city there are a series of interconnected lakes and cultural landmarks, in particular the parks and palaces of Sanssouci, the largest World He- ritage Site in Germany. The Potsdam Conference, the major Post-World War II conference between the victorious Allies, was held at another palace in the area, the Ce- cilienhof. Babelsberg, in the south-eastern part of Pots- dam, was a major film production studio before the war and has enjoyed success as a major cen- ter of European film production since the fall of the Berlin Wall.
    [Show full text]
  • Commemorating Communist East Germany in the Berlin Republic: Modes of Remembrance in Literature, Film, and Memorial Sites
    COMMEMORATING COMMUNIST EAST GERMANY IN THE BERLIN REPUBLIC: MODES OF REMEMBRANCE IN LITERATURE, FILM, AND MEMORIAL SITES by Katrin Mascha BA equivalent, University of Augsburg 2007 MA, University of Pittsburgh 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Katrin Mascha It was defended on April 8, 2014 and approved by John Lyon, Associate Professor, Department of German Sabine von Dirke, Associate Professor, Department of German Clark Muenzer, Associate Professor, Department of German Marcia Landy, Professor, Department of English Dissertation Advisor: Randall Halle, Professor, Department of German ii Copyright © by Katrin Mascha 2014 iii COMMEMORATING COMMUNIST EAST GERMANY IN THE BERLIN REPUBLIC: MODES OF REMEMBRANCE IN LITERATURE, FILM, AND MEMORIAL SITES Katrin Mascha, PhD University of Pittsburgh, 2014 This dissertation studies how the Berlin Republic commemorates Communist East Germany and investigates how this engagement is translated into cultural memory. I understand cultural memory as dynamic, multifaceted, and as a widely contestational interplay of past and present in socio-cultural contexts. The making of cultural memory involves various participants and allows us to examine the nexus between individual remembering and culturally mediated memory. Culturally mediated memory appears as a process of the representation and manifestation of the past in the present. By studying the mediality of ‘present pasts,’ we gain an understanding of how the past is remembered and how it is mediated via cultural objects in the present.
    [Show full text]
  • DEFA Directors and Their Criticism of the Berlin Wall
    «Das ist die Mauer, die quer durchgeht. Dahinter liegt die Stadt und das Glück.» DEFA Directors and their Criticism of the Berlin Wall SEBASTIAN HEIDUSCHKE MONTANA STATE UNIVERSITY This article examines the strategies used by directors of the East German film monopoly Deutsche Film-Aktiengesellschaft (DEFA) to voice their disap- proval of the Berlin Wall.1 My aim is to show how it was possible, despite universal censorship in East Germany, to create films that addressed the wall as an inhumane means to imprison the East German people. Although many DEFA films adhered to socialist law and reiterated the official doctrine of the «antifascist protection rampart» on the silver screen, an analysis of three DEFA films will demonstrate how the representation of human crisis was used as a means to criticize the wall.2 The films Das Kleid (Konrad Petzold, 1961), Der geteilte Himmel (Konrad Wolf, 1964), and Die Architekten (Peter Kahane, 1990) address walls in a variety of functions and appearances as rep- resentations, symbols, and metaphors of the barrier between East and West Germany. Interest in DEFA has certainly increased during the last decade, and many scholars have introduced a meaningful variety of topics regarding the history of East Germany’s film company and its films. In addition to book-length works that deal exclusively with the cinema of East Germany, many articles have looked at DEFA’s film genres, provided case studies of single DEFA films, and engaged in sociological or historical analyses of East German so- ciety and its films.3 In order to expand the current discussion of DEFA, this article applies a sociocultural reading to the three DEFA films Das Kleid, Der geteilte Himmel, and Die Architekten with the goal of introducing the new subtopic of roles and functions of the Berlin Wall in East German film to the field of DEFA studies.
    [Show full text]
  • Boston College Economic Policy
    Boston College Economic Policy Field Trip to Potsdam, June 2 *If you do not want to buy your own lunch, bring one with you. *Paula can be reached on the IES field trip mobile: +49.1573-7728007. *Bring your extra ticket for public transport for Postdam (B/C Ticket) and stamp it the same day! Time Program 8.30 Meet IES Berlin staff Paula in front of Meininger 8.47 Take the S2 from Oranienburger Strasse to Friedrichstrasse (8.48) 8.53 Take the S7 from Friedrichstrasse to Potsdam Hauptbahhof Arrival at Potsdam-Hauptbahnhof, meet the city guide Thomas Abbott 9.35 (Tel: +49. 171 473 17 06) and walk to the Old Market 9.45 – 11.45 Walking tour of Potsdam 11.45 End of the tour at the Brandenburg Gate 11.45– 14 Lunch break (individual) 14.30 Take bus Nr. X15 (direction Potsdam Neues Palais) from Luisenplatz at (bus X15 is only Brandenburger Straße to Besucherzentrum an der Historischen Mühle, An running every 20 der Orangerie 1 (3 stops, 14.37 arrival) min; do not miss it) 14.50 – 16.50 Tour of Palace Neue Kammern and Park Sanssouci with Thomas Abbott From Besucherzentrum an der Historischen Mühle take bus Nr. X15 (direction: S Hauptbahnhof) to Potsdam Hauptbahnhof (6 stops, 15 min. travel time). Take S-Bahn back to Berlin. See next page for more information about: Potsdam and Sanssouci Park Potsdam Without any doubt, Potsdam is one of the most beautiful cities in Germany. Integrated into the attractive cultural ambience, the capital city of the State of Brandenburg is a natural destination to satisfy the most varied interests and demands.
    [Show full text]
  • Book Adaptation Rights Market Venice 3—5.09.2021
    BOOK ADAPTATION RIGHTS MARKET VENICE 3—5.09.2021 BOOK ADAPTATION RIGHTS MARKET 3—5.09.2021 LABIENNALE.ORG VENICEPRODUCTIONBRIDGE.ORG 78. Mostra Internazionale d’Arte Cinematografica La Biennale di Venezia La Biennale di Venezia Director General and its collaborators for Andrea Del Mercato Book Adaptation Rights Market Allegra Bell Artistic Director Erika Giorgianni of the Cinema Department Mariachiara Manci Alberto Barbera Chiara Marin Alessandro Mezzalira Venice Production Bridge Nikolas Montaldi Pascal Diot Savina Neirotti [email protected] labiennale.org veniceproductionbridge.org Main Broadcaster Thanks to Db Logic S.r.l. Festival Scope Book Adaptation Rights Market for 2021 has been edited using the information assembled by July 9th, 2021. The Venice Production Bridge may not be held responsible for possible errors. The 6th edition of the Book Adaptation Rights Market, which will take place within the context of the 78th Venice International Film Festival, confirms the increasing success of this initiative dedicated to publishers, as well as to producers. The Book Adaptation Rights Market will take place both on-site and online for the ones who cannot attend. We are thus welcoming for the first time the publishers and literary agents: Editis (France), Grandi e Associati (Italy) and Tunué (Italy) who will join our faithful publishers and agents from France, Germany, Italy, Norway, Spain, Switzerland, The Netherlands. The following famous films and TV series have been adapted from some of their most successful titles: Patria and Palm Trees in the Snow (Editorial Planeta), The Shape of Water, The Orphanage and Narcisuss and Goldmund (Suhrkamp Verlag), The Book Thief and The Girl on the Train (Sperling & Kupfer - Piemme - Mondadori Ragazzi), Romanzo Criminale and Siberian Education (Giulio Einaudi Editore), Wrinkles and The Lost Thing (Tunué), Mother’s Instinct and Time is a Killer (Editis), Gomorra and The Solitude of Prime Numbers (Mondadori Libri), The Shallows of Kabul and Papillon (Robert Laffont).
    [Show full text]
  • GSC Films: S-Z
    GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.
    [Show full text]
  • Quarterly 4 · 2004
    German Films Quarterly 4 · 2004 DOWNFALL by Oliver Hirschbiegel Competes for the OSCAR DIRECTORS’ PORTRAITS Dagmar Knoepfel & Oskar Roehler PRODUCERS' PORTRAIT Moneypenny Fosters New Talents SPECIAL REPORT German Films: Redefining the Role of Film Promotion Abroad german films quarterly 4/2004 focus on 4 GERMAN FILMS directors’ portraits 10 TRILOGY OF FEMININE STRENGTH A portrait of Dagmar Knoepfel 12 LEARNING TO LOVE LIFE A portrait of Oskar Roehler producers’ portrait 14 FOSTERING NEW TALENTS A portrait of Moneypenny Film actress’ portrait 16 TYPICAL GEMINI A portrait of Sibel Kekilli 18 news in production 22 CROSSING THE BRIDGE Fatih Akin 22 ERKAN & STEFAN III, FETTES MERCI FUER DIE LEICHE Michael Karen 23 GISELA Isabelle Stever 24 DIE HEXEN VOM PRENZLAUER BERG Diethard Kuester 24 ICH BIN EIN MOERDER Bernd Boehlich 25 KEIN HIMMEL UEBER AFRIKA Roland Suso Richter 26 MAX UND MORITZ Thomas Frydetzki 26 NVA Leander Haussmann 27 DER ROTE KAKADU Dominik Graf 28 DER SCHATZ DER WEISSEN FALKEN Christian Zuebert 28 SEHNSUCHT Valeska Grisebach 29 DIE WILDEN KERLE 2 Joachim Masannek new german films 30 24-7-365 Roland Reber 31 AUS DER TIEFE DES RAUMES Gil Mehmert 32 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 33 BIBI BLOCKSBERG UND DAS GEHEIMNIS DER BLAUEN EULEN BIBI BLOCKSBERG AND THE SECRET OF THE BLUE OWLS Franziska Buch 34 COWGIRL Mark Schlichter 35 ERBSEN AUF HALB 6 PEAS ON HALF PAST FIVE Lars Buechel 36 GOODBYE Steve Hudson 37 JENA PARADIES Marco Mittelstaedt 38 KAETHCHENS TRAUM Juergen Flimm 39 KATZE IM SACK LET THE CAT OUT OF THE BAG Florian
    [Show full text]