The Sexual Politics of Meat Substitutes
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STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
| | Reapportionment Vote in House
6 THE EYENTXH STAR. TYASHTXfiTOy. P. C, SATURDAY. JANUARY TO. WW. [THE EVENING STAR ? ferences and seiztng an opportunity be- ha* perfected a tube which, through a set with perils. He has yet to conclude color change of its content, unerringly THE LIBRARY TABLE With Sunday Morning Edition. -1 I ANSWERS TO QUESTIONS | his dealings with the Shlnwarls, who indicate* the presence of ga*. That I THIS AND THAT I WASHINGTON, C. are still on the road of insurgency, but will supplant the l D. science feathered i By th« Booklovtr J. HASKIN. Kabul reports confidence that he will songsters in is almost BY FREDERIC | . 1929 > future conflicts SATURDAY. .January 19, effect an adjustment with them. certain. BY CHARLES E. TRACER'ELL. Augustine Birrell says in his “Obiter. public Instruction, reports that it . Afghanistan's new king will not be Doubtless it la better so. The soldier Stop a minute and think about this of , THEODORE W. NOYES... .Editor They are all Dicta,” “History is a pageant and not fact: You can aak our Information is sll4. At the beginning of this cen- known as Bacha Sagao, which Is not a now seldom uses horse* or rpules, which i There is nothing like getting mad have arisen from them. average salary $24. of their origins, just philosophy.” This dictum would ap- Bureau any question of fact and get the tury the was royal designation. He has, it is stated, once played ao important so , 1 to make one forget minor ills. the finer because a The Star Newspaper Company r and tragic powers of anger, in not as a coward who performs bravely on history well as to the answer back in a personal letter. -
National Association of Retail Druggists, Boston, Massachusetts
r ' STP.TEt1F.NT OF VICE PRESIDENT fTUT'1ERT EUTJ TYERJ::Y n r.FORE TilE NATIONP·!j 1\~SOCIJ\TION • OF RETAIL DRUGGISTS Grand Gallroom Sheraton-Bo ston HotPl r. ostcn, ~ ' assachusetts Yednesday, nct~ he r 9, 1968 Thenak you very nuc ~1 . Thank you very much. Thank you very much, my very dear and rrooC. friend and felloN citizen of the great ¥orth Star State of ~'iinnesota, Georq f'= Pilharl!l, and t.,re C. nn' t mind also salutin<; a q(>ntleman frnrn Texas 1 T~ illard Sim"TTons. So, t-re are v e ry happy to s ee both sic1es reprF>s r:? nted here . (I< pplause) You have a pharmacist from t-.1aine, that ic; crood. Those ar.e ~ n u s kie pharmacists out there. I arrt v ~ ry happy t c s ee you. (P.pplause) And I a m particularly please<1, f; eorry e I to s ee Many of 'f!:IY 0.earest and closest friends that have a l -:.1 ays supportE:!n.rne hut I neve r knew they r,orere so much behind M~· as they are tnday , a ll these ryoo<'! ~ unnesota pharmacists u ~ hereon t his platform u ith me, every one of theiTl. (l:.pplause) Ladie s and gentle-Men, I af"' no ne,,comer t o this 1athering . 1 I just asked Pillard, I saic 1 uhicl·· year is it now of the T'1l\TID Conventi~n and I believe you said t he 70th. ~ · ' e ll, I guess ' ·u~ are ready for Medicare the n. -
Effects of State-Wide Salary Equity Provisions on Institutional Salary
' . * o :0 '4 41,1,4 MINED! RUDE mt. ID 152,205 .HE 009 800 . JUTHOR Nittin, NaryP. 'Mitts, Johat.D. TITLE: Affects ,of State -Wide Salary Equity Provisions on Xpdtitutionhl Salary Policies: A Regression fAlysis; , , . 111SirrillIZON Plorilla'StatelnAv., TalltlAssee.Laorth Dakiita. Univ., Grand Perks. 11.18 DiT.) 78. , , - 17p. 110T3 % . pRicv NP -10,83 Plus-Postage.' RIpIORS., *College Eacultt; *Contracts; Higher Education; si VrivateColleges***Salary Differentials;.*State . : Action; State.Coileges; State Universities; 'Statistical Analysis; Statistical Data; *teacher' Salaries: Tenure. lb$NTIFIERS. .North Dakota; *Univeetity of Nortb-Dalota . A SBSTRAC2 . 4 . fla A procese cl4 equalization of salariel "has- taken plagAl _in thef*State of forth:Dakota-for higher eddcaticn 4uring' the 1977:78- school year. She stab cf North Dakota suppa*ts eight:instittrtionsof kigherleducation: tmoagiveisities, four state colleges, and tvb . two-.y partinstitutions. fhe equalization process as it effected the ,decid4.oa leaking at the .University 01 North Dakota is docualhted. , -:Table 0are, presented" that report' the results for the 1977-78 contracted., salary and the 1977 -78,salary after the equity' adjittaeits. (SPG) ! - :- I 4 ) ************************4****************************** 4,************** * - Reproductions sipplied'by16RS are the best that cab be made - * frothe original document. * *********************4**********************.*************************** , Ai f. 4 4 1 -ewe- teagil I tt-e, ..i_:10 EFFECTS OF STATE-WIDE SALARY EQUITY PROVISIONS ON. (gt-p;,2. _ 10-Is INSTITUTIONAL SALARY POLICIES: A REGRESSION ANALYSIS LiA* 44).;0=0_I ,,_c§f0zaz /. Duz e xi.A0.-0.79, 2 ..0.01, 0 ,Mary P:' Martin and John D. Williams Florida State University University of North Dakota t A process of equalization of sa3aries has taken place in the State Of Ntrth Dakota for.highertducation during the 1977/-78 schoolyear. -
WHAT IS a "FREE CHURCH"?* There Are Two Misunderstandings of the Church Which Are Very Widely Encountered Today
1 * WHAT IS A "FREE CHURCH"?* There are two misunderstandings of the church which are very widely encountered today, misunderstandings which confuse almost ©very discussion of the church, her discipline and Indiscipline. Indeed, to raise the very question of church discipline in some circles Is to invite the charge that one represents the "sect-type" or favors the "sectarian Protestant" view of the alternatives, Hear the way in which Professor Max Weber defined the alternative church t$?pe8i "The church is an institution, a sort of establishment of faith ... for the saving of the soul of the individual. The individual is born into it, and is dependent upon it because of the dispensing power of Its office and position. In contrast, a sect is a voluntary association of individuals qualified solely by religious traits, in which the individual freely decides to become a member and the group freely de cides whether to accept him or not."* We are reminded immediately of the typology which Weber*s colleague, Professor Ernst Tree Its eh t popularized in The Social Teaching.of the. Christian Churches. *The first of five addresses on this general theme» delivered as the H#ff Lectures at Bethany Theologies! Seminary, Lombard, Illinois , October 15-17, 196 3, by Dr. Franklin H. Littell, Professor at Chicago Theological Seminary. —2 The "church type" represents a kind of continuum of Christ and culture, in which "the church" and "the world" speak the same language. There is no discontinuity of social and educational and religious and polit ical values. In effect, the church has consecrated the high places and now serves as one of the mainstays of society. -
Lakeland Overall Score Reports
Lakeland Overall Score Reports Mini (8 yrs. & Under) Solo Recreational Platinum 1st Place 1 547 I Like to Fuss - Dance Dynamix - Leesburg, FL 82.0 Landi Hicks Platinum 1st Place 2 578 Hallelujah Hop - Debbie Cole's School of Dance - Homosassa Springs, FL 81.7 Alyceea Marcic Gold 1st Place 3 352 Constant As the Stars - Showtime Dance Studios - Altamonte Springs, FL 81.2 Shaina Smith Gold 1st Place 4 577 Head Over Heels - Debbie Cole's School of Dance - Homosassa Springs, FL 80.2 Gabrielle Marcic Gold 1st Place 5 106 Opus 1 - Deborah Vinton School of Ballet - Bradenton, FL 79.8 Will Miller Gold 1st Place 6 195 Castle on a cloud - Community Dance Connection - Coco, FL 79.6 Kathryn Meagher Gold 1st Place 7 349 Black Horse and a Cherry Tree - Showtime Dance Studios - Altamonte Springs, FL 79.3 Alexa Adams Competitive Platinum 1st Place 1 303 Some Kind of Wonderful - Deltona Academy of Dance - Deland, FL 84.3 Sydney Bettes Platinum 1st Place 2 780 Little Bitty - Studio 5D - Winter Springs, FL 83.9 Alexandria Navarro Platinum 1st Place 3 335 I've Got the World on a String - Erin's Danceworks - Spring Hill, FL 83.6 Kelcey Morris Platinum 1st Place 4 345 Pink Dancer - Showtime Dance Studios - Altamonte Springs, FL 83.2 Logan Misuraca Gold 1st Place 5 350 Dare You To Move - Showtime Dance Studios - Altamonte Springs, FL 82.5 Ashleigh Hambleton Gold 1st Place 6 253 Shop Around - Jayde Howard's Dance Legacy - Bradenton, FL 82.4 Karyssa Wong Gold 1st Place 7 885 Cruella de Vil - Tammy's Dance Co - , 82.2 Makinsy Wendel Gold 1st Place 8 110 Wish Upon -
Cipa Information
Companies and Intellectual Property Authority (CIPA) GABORONE Plot 181 Kgale Mews, Gaborone PHONE: 3673700 FAX: 3188130 Serowe Tel: 4630322 Francistown Tel: 2412339 Maun Tel: 6800912 COMPANIES & INTELLECTUAL COMPANIES AND PROPERTY AUTHORITY INTELLECTUAL PROPERTY AUTHORITY VISION Companies To be the leading Business Registration and and Intellectual Property Authority contributing Intellectual to making Botswana No 1 business destination in Africa by 2020. Property Authority MISSION CONTACT INFORMATION To protect the interest of Investors and Companies and Intellectual Property Rights Holders by providing efficient and Authority (CIPA) GABORONE accessible business registration and Plot 181 Kgale Mews, Gaborone Intellectual Property services. CIPA PHONE: 3673700FAX: 3188130 WEBSITE: www.mti.gov.bw VALUES INFORMATION FRANCISTOWN CONTACTS Customer Focus Innovation Integrity Efficiency Companies and Intellectual Property Authority (CIPA) GABORONE Plot 181 Kgale Mews, Gaborone PHONE: 3673700 FAX: 3188130 Serowe Tel: 4630322 Francistown Tel: 2412339 Maun Tel: 6800912 Companies and Intellectual Property Authority (CIPA) GABORONE Plot 181 Kgale Mews, Gaborone PHONE: 3673700 FAX: 3188130 Serowe Tel: 4630322 Francistown Tel: 2412339 Maun Tel: 6800912 Date : 09 June 2015 Public Notice: List of companies owing annual returns. The listed companies are reminded to pay their annual returns as per the requirement of the Companies Act. Companies which are not yet operational should pay outstanding annual returns and be declared dormant to avoid accruing -
N° Artiste Titre Formatdate Modiftaille 14152 Paul Revere & the Raiders Hungry Kar 2001 42 277 14153 Paul Severs Ik Ben
N° Artiste Titre FormatDate modifTaille 14152 Paul Revere & The Raiders Hungry kar 2001 42 277 14153 Paul Severs Ik Ben Verliefd Op Jou kar 2004 48 860 14154 Paul Simon A Hazy Shade Of Winter kar 1995 18 008 14155 Me And Julio Down By The Schoolyard kar 2001 41 290 14156 You Can Call Me Al kar 1997 83 142 14157 You Can Call Me Al mid 2011 24 148 14158 Paul Stookey I Dig Rock And Roll Music kar 2001 33 078 14159 The Wedding Song kar 2001 24 169 14160 Paul Weller Remember How We Started kar 2000 33 912 14161 Paul Young Come Back And Stay kar 2001 51 343 14162 Every Time You Go Away mid 2011 48 081 14163 Everytime You Go Away (2) kar 1998 50 169 14164 Everytime You Go Away kar 1996 41 586 14165 Hope In A Hopeless World kar 1998 60 548 14166 Love Is In The Air kar 1996 49 410 14167 What Becomes Of The Broken Hearted kar 2001 37 672 14168 Wherever I Lay My Hat (That's My Home) kar 1999 40 481 14169 Paula Abdul Blowing Kisses In The Wind kar 2011 46 676 14170 Blowing Kisses In The Wind mid 2011 42 329 14171 Forever Your Girl mid 2011 30 756 14172 Opposites Attract mid 2011 64 682 14173 Rush Rush mid 2011 26 932 14174 Straight Up kar 1994 21 499 14175 Straight Up mid 2011 17 641 14176 Vibeology mid 2011 86 966 14177 Paula Cole Where Have All The Cowboys Gone kar 1998 50 961 14178 Pavarotti Carreras Domingo You'll Never Walk Alone kar 2000 18 439 14179 PD3 Does Anybody Really Know What Time It Is kar 1998 45 496 14180 Peaches Presidents Of The USA kar 2001 33 268 14181 Pearl Jam Alive mid 2007 71 994 14182 Animal mid 2007 17 607 14183 Better -
How to Identify Old Chinese Porcelain
mmmKimmmmmmKmi^:^ lOW-TO-IDENTIFY OLD -CHINESE - PORCELAIN - j?s> -ii-?.aaig3)g'ggg5y.jgafE>j*iAjeE5egasgsKgy3Si CORNELL UNIVERSITY LIBRARY THE WASON CHINESE COLLECTION DATE DUE 1*-^'" """"^*^ NK 4565!h69" "-ibrary 3 1924 023 569 514 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023569514 'a4^(A<-^^ %//3 HOW TO IDENTIFY OLD CHINESE PORCELAIN PLATE r WHITE PORCELAIN "BLANC-DE-CHINE" PAIR OF BOWLS of pierced fret-work divided by five circular panels or medallions of raised figures in relief, supposed 10 represent the Pa-Sien or eight Immortals and the God of Longevity. Height, if in. Diameter, sfin. SEAL in the form of a cube surmounted by the figure of a lion Height, i^in. INCENSE BURNER, eight sided and ornamented by moulding in relief with eight feet and four handles. The sides have three bands enclosing scrolls in ancient bronze designs. At each angle of the cover is a knob; it is ornamented with iris and prunus, and by pierced spaces. The stand has eight feet and a knob at each angle ; in the centre is a flower surrounded by detached impressed scrolls, round the outside are similar panels to those on the bowl. Height, 4|in. Diameter of stand, 6f in. THE FIGURE OF A CRAB on a lotus leaf, the stem of which terminales in a flower. Length, 6| in. From Sir PV. fraiik^s Collection at the BritisJi Museum. S3 HOW TO IDENTIFY OLD CHINESE PORCELAIN BY MRS. -
The Dialectics of Virtuosity: Dance in the People's Republic of China
The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology of the University of California, Berkeley Committee in charge: Professor Xin Liu, Chair Professor Vincanne Adams Professor Alexei Yurchak Professor Michael Nylan Professor Shannon Jackson Spring 2011 Abstract The Dialectics of Virtuosity: Dance in the People’s Republic of China, 1949-2009 by Emily Elissa Wilcox Joint Doctor of Philosophy with the University of California, San Francisco in Medical Anthropology University of California, Berkeley Professor Xin Liu, Chair Under state socialism in the People’s Republic of China, dancers’ bodies became important sites for the ongoing negotiation of two paradoxes at the heart of the socialist project, both in China and globally. The first is the valorization of physical labor as a path to positive social reform and personal enlightenment. The second is a dialectical approach to epistemology, in which world-knowing is connected to world-making. In both cases, dancers in China found themselves, their bodies, and their work at the center of conflicting ideals, often in which the state upheld, through its policies and standards, what seemed to be conflicting points of view and directions of action. Since they occupy the unusual position of being cultural workers who labor with their bodies, dancers were successively the heroes and the victims in an ever unresolved national debate over the value of mental versus physical labor. -
The Fashion Vote NEW YORK — It’S Not 1954, It’S 2004
WARNACO TAPS INTIMATE APPAREL TEAM/3 WWDWomen’s Wear Daily • The Retailers’TUESDAY Daily Newspaper • November 2, 2004 • $2.00 Ready-to-Wear/Textiles The Fashion Vote NEW YORK — It’s not 1954, it’s 2004. So why do we think that First Ladies need to dress only in namby- pamby jewel-colored suits? True, we have elected our First Lady’s husband President, and we haven’t voted for her, but that doesn’t mean that the woman in question can’t wear something more exciting. So WWD approached some New York designers and asked them to design new looks for both potential First Ladies. Here, Oscar de la Renta, who has actually dressed both women (along with Hillary Clinton), offers an evening suit for Teresa Heinz Kerry and a gown for Laura Bush. For more designers’ ideas, see pages 4 and 5. 2 WWD, TUESDAY, NOVEMBER 2, 2004 WWW.WWD.COM WWDTUESDAY McCartney Trims U.K. Loss Ready-to-Wear/Textiles GENERAL By Samantha Conti stantial part of the costs — most of which are administrative — Warnaco named two key executive posts in its intimate apparel unit and LONDON — Stella McCartney and generates a small part of the 3 has embarked on a line of high-tech performance underwear. Ltd., the U.K. company that over- revenue,” James McArthur, exec- FASHION: What might the next White House fashion mood be? Designers sees the designer’s trademarks, utive vice president of Gucci 4 sketch something fun for both potential first ladies. licenses and London store, post- Group, said in an interview. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H.