Clara Jane Nixon Sheet Music Collection
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
EXCEL LATZKO MUZIK CATALOG for PDF.Xlsx
Walter Latzko Arrangements (Computer/Non-Computer) A B C D E F 1 Song Title Barbershop Performer(s) Link or E-mail Address Composer Lyricist(s) Ensemble Type 2 20TH CENTURY RAG, THE https://www.sheetmusicplus.com/title/the-20th-century-rag-digital-sheet-music/21705300 Male 3 "A"-YOU'RE ADORABLE www.sheetmusicplus.com/title/a-you-re-adorable-digital-sheet-music/21690032Sid Lippman Buddy Kaye & Fred Wise Male or Female 4 A SPECIAL NIGHT The Ritz;Thoroughbred Chorus [email protected] Don Besig Don Besig Male or Female 5 ABA DABA HONEYMOON Chordettes www.sheetmusicplus.com/title/aba-daba-honeymoon-digital-sheet-music/21693052Arthur Fields & Walter Donovan Arthur Fields & Walter Donovan Female 6 ABIDE WITH ME Buffalo Bills; Chordettes www.sheetmusicplus.com/title/abide-with-me-digital-sheet-music/21674728Henry Francis Lyte Henry Francis Lyte Male or Female 7 ABOUT A QUARTER TO NINE Marquis https://www.sheetmusicplus.com/title/about-a-quarter-to-nine-digital-sheet-music/21812729?narrow_by=About+a+Quarter+to+NineHarry Warren Al Dubin Male 8 ACADEMY AWARDS MEDLEY (50 songs) Montclair Chorus [email protected] Various Various Male 9 AC-CENT-TCHU-ATE THE POSITIVE (5-parts) https://www.sheetmusicplus.com/title/ac-cent-tchu-ate-the-positive-digital-sheet-music/21712278Harold Arlen Johnny Mercer Male 10 ACE IN THE HOLE, THE [email protected] Cole Porter Cole Porter Male 11 ADESTES FIDELES [email protected] John Francis Wade unknown Male 12 AFTER ALL [email protected] Ervin Drake & Jimmy Shirl Ervin Drake & Jimmy Shirl Male 13 AFTER THE BALL/BOWERY MEDLEY Song Title [email protected] Charles K. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Sabbath Chimes (Reverie) F
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Sabbath Chimes (Reverie) F. Henri Klickmann Harold Rossiter Music Co. 1913 Sack Waltz, The John A. Metcalf Starmer Eclipse Pub. Co. [1924] Sadie O'Brady Billy Lindemann Billy Lindemann Broadway Music Corp. 1924 Sadie, The Princess of Tenement Row Frederick V. Bowers Chas. Horwitz J.B. Eddy Jos. W. Stern & Co. 1903 Sail Along, Silv'ry Moon Percy Wenrich Harry Tobias Joy Music Inc 1942 Sail on to Ceylon Herman Paley Edward Madden Starmer Jerome R. Remick & Co. 1916 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailin' Away on the Henry Clay Egbert Van Alstyne Gus Kahn Starmer Jerome H. Remick & Co. 1917 Sailing Down the Chesapeake Bay George Botsford Jean C. Havez Starmer Jerome H. Remick & Co. 1913 Sailing Home Walter G. Samuels Walter G. Samuels IM Merman Words and Music Inc. 1937 Saint Louis Blues W.C. Handy W.C. Handy NA Tivick Handy Bros. Music Co. Inc. 1914 Includes ukulele arrangement Saint Louis Blues W.C. Handy W.C. Handy Barbelle Handy Bros. Music Co. Inc. 1942 Sakes Alive (March and Two-Step) Stephen Howard G.L. Lansing M. Witmark & Sons 1903 Banjo solo Sally in our Alley Henry Carey Henry Carey Starmer Armstronf Music Publishing Co. 1902 Sally Lou Hugo Frey Hugo Frey Robbins-Engel Inc. 1924 De Sylva Brown and Henderson Sally of My Dreams William Kernell William Kernell Joseph M. Weiss Inc. 1928 Sally Won't You Come Back? Dave Stamper Gene Buck Harms Inc. -
Outlined Above
University of Calgary Department of Communication, Media and Film Film Studies FILM 305 L01/B01 TOPIC IN GENRE: ANIMATION FALL 2019 Thurs., Sept. 5 – Thurs., Dec. 5 (excluding November 11th – 15th) Lecture, Thurs. 12:30 – 2:20 Lab (film screening), Tues. 12:30 – 3:15 Instructor: Ryan Pierson Office: SS 214 Office Phone: 220-6720 E-Mail: [email protected] Web Page: D2L Office Hours: 11:00 – 12:00, T + Th Teaching Assistant: Sarah Samwel E-Mail: [email protected] Office Hours: XXXX Course Description This course will explore the role that animation has played in the history of moving-image culture. From the beginning of moving pictures, filmmakers have manipulated images frame-by- frame to create the impression of movement where none had originally existed. This course will study the different ways that filmmakers have made things move, in the context of their aesthetic and industrial histories. We will pay particular attention to the construction of the movements of animated figures and to the construction of animated spaces. Objectives of the Course This course will focus on developing two major skills. First, observing and analyzing formal elements specific to animated films (such as the timing of movements); and second, reading high-level historical and theoretical film scholarship. Textbooks and Readings All readings will be posted on D2L. Internet and electronic communication device information Laptops may be used only for taking notes and consulting the readings for discussion; they may not be out during screenings. (You will be given time to take notes on each short.) Handheld devices (cell phones, etc.) may not be used at any time. -
Florenz Ziegfeld Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals. -
Inventory of American Sheet Music (1844-1949)
University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”. -
History of Leonard's Mill Pond the Original Mill Construction Date Of
History of Leonard's Mill Pond The original mill construction date of Leonard's Mill and millpond is unknown. The owner of the mill at the time of the Revolutionary War was George Parker, Sr. He received by original patent "a tract of land called 'Parker's Security' in 1770". Whether Mr. Parker built the homestead, barn, saw and grist mills, and pond after obtaining the patent is unknown, but we do know that during the American Revolution in 1777 his land was called Parker's Mill. On February 6, 1777 the Council of Safety of the Maryland Congress received word from Samuel Chase of Tory (Loyalist) build-up on the Eastern Shore at Parker's Mill. He wrote, " ... the Tories in Sussex, Somerset and Worcester Counties have been assembling for some days. They have 250 men collected at Parker's Mill, about nine miles from the Roebuck with some men, with intention to seise (sic) the Magazine and destroy the property of the Whigs." Three regiments were sent to quell the insurrection. When General Smallwood, later governor of Maryland, finally arrived from Wilmington with his regiment on February 19th, it is reported in the Archives of Maryland that he "found people generally quiet and peaceable". An additional report states, "upon arrival here General Smallwood found the community had recruited a military body, and though inadequately armed; had with daring and courage captured a large ·number of Tories without bloodshed". Even though the insurrection was pinpointed at Parker's Mill, and George Parker probably allowed the Tories to assemble at his place, there is no record with which side he sympathized. -
Annual Gala Concert 2019 the Chicago Paris Cabaret Connexion Tour De France Is Open to Performers and Fans
annual gala concert 2019 The Chicago Paris Cabaret Connexion Tour de France is open to performers and fans. September 12-22, 2019: Ten exciting days in France to tour, sing, Production by Claudia HOMMEL learn and perform with fellow artists * Over 30 hours of master classes and workshops Music direction by * Evening concerts and jam sessions Elizabeth DOYLE and Myron SILBERSTEIN * French cuisine and camaraderie * Free time to explore Montpellier, Sète and Paris bene! tting the SongShop Scholarship Fund, www.cabaretconnexion.org/program_join.php a project of Working in Concert NFP SATURDAY, MAY 4 SUNDAY, MAY 5 Beth Halevy, Carrie Hedges, Caryn Caffarelli, Don Hoffman, Carmen Bodino, Christine Steyer, Claudia Hommel, Daniel Drew Fase, Kimberly Mann, Lynda Gordon, Patrick Davis, Johnson, David M Stephens, Evelyn Danner, Leona Zions, Nadine Susan Dennis, Vivian Beckford with Elizabeth Doyle at the piano Vorenkamp, Ruth Fuerst with Myron Silberstein at the piano Introduced by Claudia Hommel Special guests Jean-Claude Orfali and Cappy Kidd Claudia I’m Old Fashioned Jerome Kern & Johnny Mercer Claudia Lusty May Gabriel Fauré & adapted by Claudia Hommel Vivian It’s a Grand Night for Singing David Times of Your Life Roger Nichols & Bill Lane Richard Rogers & Oscar Hammerstein II (State Fair) Arthur’s Theme Burt Bacharach, Carole Bayer Sager, Drew Singin’ in the Rain Nacio Herb Brown & Arthur Freed Christopher Cross and Peter Allen The Moon Was Yellow Fred E Ahlert & Edger Leslie One in a Million You Sam Dees Kim Don’t Let the Sun Go Down on Me Bernie Taupin & Elton John Evelyn The First Time Ever I Saw Your Face Ewan MacColl Beth Smile Charlie Chaplin, John Turner & Geoff rey Parsons Christine Tonight Leonard Bernstein & Stephen Sondheim Carrie It’s a Good Day Peggy Lee and Dave Barbour Moon over Bourbon Street Sting Les Champs-Elysees Mike Wilsh & Michael Deighan, Ruth My Sweetheart’s the Man in the Moon / James Thornton Pierre Delano, English translation by Patricia Spaeth The Man in the Moon is a .. -
CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS
CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS CLASSIC AFRICAN AMERICAN SONGSTERS from SMITHSONIAN FOLKWAYS 1. Warner Williams with Jay Summerour—BRING IT ON DOWN TO MY HOUSE 2:02 (Bob Wills / Unichappell Music, ASCAP) 2. Pink Anderson—TALKING BLUES 2:26 (Chris Bouchillon/Jaymore Music, BMI) 3. John Jackson—NOBODY’S BUSINESS (IF I DO) 3:15 (Porter Grainger–Everett Robbins; arr. John Jackson) 4. Little Brother Montgomery—ALABAMA BOUND 2:17 (Little Brother Montgomery/Jet Music Publishers, BMI) 5. Brownie McGhee—PALLET ON THE FLOOR 3:09 6. Bill Williams—CHICKEN, YOU CAN’T ROOST TOO HIGH FOR ME 3:16 (Bob Cole-J. Rosamond Johnson) 7. Lead Belly—MY HULA LOVE 2:16 (Edward Madden-Percy Wenrich, arr. Huddie Ledbetter/TRO-Folkways Music Publishers, BMI) 8. Reverend Gary Davis—CANDY MAN 2:32 (Gary Davis / Chandos Music, ASCAP) 9. John Cephas and Phil Wiggins—GOING DOWN THE ROAD FEELING BAD 3:32 10. Peg Leg Sam—FROGGY WENT A-COURTING 4:10 11. Mississippi John Hurt—MONDAY MORNING BLUES 5:52 (John Hurt/Wynwood Music Inc., BMI) Compiled and Annotated by Barry Lee Pearson and Jeff Place SFW 40211 © 2014 Smithsonian Folkways Recordings 12. Pink Anderson—THE BOYS OF YOUR UNCLE SAM 2:03 13. Brownie McGhee—RAISE A RUCKUS TONIGHT 2:49 14. Marvin Foddrell—RENO FACTORY 2:09 (arr. Marvin Foddrell) 15. John Jackson—DON’T LET YOUR DEAL GO DOWN 3:07 (arr. John Jackson / Tradition Music Co., BMI) 16. Warner Williams with Jay Summerour—HONEYSUCKLE ROSE 2:05 (Fats Waller-Andy Razaf / Chappell & Co., ASCAP-Razaf Music, ASCAP) 17. -
Varga Zoltán
Kurzus kódjai: BBN-FLM-241:25 BMA-FLMD-111:15 BMA-FLMD-211:29 Kurzus címe: Az animációs film tendenciái Tanár neve: Varga Zoltán Kurzus időpontja, helye: Péntek,15:30-17:00, 34-es terem Kurzus típusa: Előadás Kurzus leírása: A kurzus célja a bevezetés az animációs filmmel kapcsolatos fogalmak és jelenségek vizsgálatába. Az animációs film meghatározási lehetőségeinek térképezését és történetének felvázolását követően olyan jellegzetességek vizsgálatára helyeződik a hangsúly, mint az animációs film sajátos vizualitása és hanghasználatának különleges konvenciói; az animációs film és az elbeszélésmódok összekapcsolódása; valamint animáció és műfajiság kérdésköre. A félév az alábbi módon tagolódik; a témák több órát fed(het)nek le: 1. Az animációs film meghatározásának lehetőségei és problémái 2. Az animációs film történetének vázlata 3. Az animációs film és a vizualitás 4. Az animációs film és a hang 5. Az animációs film és az elbeszélés 6. Az animációs film és a műfajiság: burleszk, horror és musical az animációban Kurzus teljesítésének követelményei: Írásbeli vizsga: az óra anyaga + a kötelező filmek ismerete Kötelező filmek: Tex Avery: Dumb-Hounded; Red Hot Riding Hood; King Size Canary; Bad Luck Blackie Paul Berry: The Sandman Walerian Borowczyk – Jan Lenica: Dom/Ház/House Walerian Borowczyk: Renaissance; Les Yeux des Anges/Game of Angels/Angyaljáték Konstantin Bronzit: Switchcraft Tim Burton: Vincent Émile Cohl: Fantasmagorie Walt Disney: Steamboat Willie; The Old Mill Disney – John Kahrs: Paperman Piotr Dumala: Sciany/Walls Oskar Fischinger: -
Art Makosinski's HB Collection
Art Makosinski Henry Burr Collection as of April 18, 1998 LABEL ISSUE ARTIST TITLE COMPOSER COND. ACT 20751 HB Little Town in the Ould County Down Pascoe-Carlo-Sanders A ACT 20751 HB When You and I Were Young, Maggie G.Johnson-J.Butterfield A APX 4447 HB Down the Trail to Home Sweet Home Ernest R.Ball B APX 4447 AC-HB Let the Rest of the World Go By Ernest R.Ball B ARC 31268 HB Sing Me to Sleep - B ART 3001 PQ Silver Threads Among the Gold Eben B ART 3001 PQ When You and I Were Young, Maggie G.Johnson-J.Butterfield B BEL P44B ST Shades of Night Gilbert-Friedland-Frankl C BEL S-06-A PQ Carry Me Back to Old Virginny James Bland B BRU 4045 HB Memories of France Dubin-Robinson B BRU 4045 HB Out of the Dawn (theme song from film "Warming Walter Donaldson B CAM S240 HB Beautifull Isle of Somewhere J.B.Pounds-J.S.Fearis B CAM S240 HB Mother Machree J.Kiern Brennan-Ernest B COL 60 HB(T) The Holy City (Jerusalem) - C COL 3483 HB-CQ I'm Praying for You Ira D. Sankey D COL 3499 HB Love Me and the World is Mine Ernest R.Ball B COL 3603 HB Won't You Come Over to My House Harry Williams-Egbert C COL 3750 CQ Black Jim Wade B COL 3752 CQ When the Roll is Called Up Yonder James M. Black B COL A235 HB Ninety and Nine E.C.Clephane-Ira C COL A236 HB Where is My Wondering Boy Tonight Rev.Robert Lowery C COL A239 HB Saviour, Lead Me Lest I Stray Frank W.