Godzilla Vs King Caesar
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Godzilla Dossier Presse.Pdf
présente un film de Ryuhei Kitamura avec Don Frye Rei Kikukawa Masahiro Matsuoka 124’ - Japon - 2004 - couleur - Cinémascope - Dolby SRD Sortie nationale le 31 août 2005 Distribution Presse PRETTY PICTURES BOSSA NOVA 100, rue de la Folie Méricourt Michel Burstein 75011 Paris 32, bd Saint Germain Tél: 01 43 14 10 00 75005 Paris Fax: 01 43 14 10 01 Tél: 01 43 26 26 26 [email protected] Fax: 01 43 26 26 36 www.prettypictures.fr [email protected] www.bossa-nova.info Les photos du film et le dossier de presse sont téléchargeables sur le site www.prettypictures.fr Suite à une vague incessante de guerres et à la croissance Masahiro MATSUOKA ...... Soldat Shin’ichi Ôzaki démesurée de la pollution, d’énormes monstres font leur apparition. Rei KIKUKAWA ................ Biologiste moléculaire Miyuki Otonashi Heureusement pour l’humanité, l’Armée Mondiale veille et emploie Akira TAKARADA ............. Secrétaire Général Naotarô Daigo des unités mutantes, la Force M, pour combattre la nouvelle menace. Kane KOSUGI ................. Militaire Katsunori Kazama Lorsque les différentes créatures gigantesques se mettent à attaquer Kazuki KITAMURA ........... Officier de la Planète X simultanément les diverses capitales de la planète, l’Armée Mondiale Maki MIZUNO ................. Présentatrice Anna Otonashi se retrouve soudainement impuissante face à l’énorme invasion. Masami NAGASAWA ....... Fées Shobijin Arrive alors un vaisseau spatial qui stoppe net la menace. À son bord, Don FRYE ....................... Douglas Gordon Capitaine du Gotengo les Xiliens, des extraterrestres humanoïdes venus prévenir la terre Kenji SAHARA ................. Paléontologiste Hachirô Jingûji d’une menace imminente : la collision avec un astéroïde gigantesque Kumi MIZUNO ................. Commandant Akiko Namikawa nommé Gorus. -
By Goji-Anon
By Goji-anon The year is 1999, the turn of the mellennia. One year ago a monster believed to be Godzilla attacked New York City, although Japanese analysts have doubts. These doubts are justified, as the true Godzilla is soon to begin his rampage once again. This Godzilla is not a hero there to save humanity, but, a constant villain and a threat to all that lives on Earth. That is not to say his only opponents are humans, quite the contrary, the Earth is a lightning rod for strange phenomena. Aliens that can absorb information, genetic or otherwise; prehistoric insects that feed off of energy and grow in power from it, a monster made from the amalgam souls of those who died in the bombings of Hiroshima and Nagasaki. Humanity is under siege from all sides and by forces of unimaginable power. However, humanity is not helpless in this fight. Their advances in science have given them a fighting chance against those who would destroy them. This is the world you enter Jumper. You could be the savior of humanity or their doom. To aid in your efforts Jumper you have been given: +1000 CP. The continuity of this era of Godzilla is convoluted with most of the films being direct sequels to the first film. Due to this you may choose whichever continuity-in the Millennium series- that you please. You will always start a week before the events of the film you’ve chosen. Locations Tokyo, Japan You begin where everything started. The epicenter of most of the goings on when in relation to Kaiju. -
Godzilla: Rulers of Earth Free
FREE GODZILLA: RULERS OF EARTH PDF Matt Frank,Chris Mowry | 124 pages | 31 Dec 2013 | Idea & Design Works | 9781613777497 | English | San Diego, United States Godzilla: Rulers of Earth | Gojipedia, the Godzilla Resource and Wiki It is also the first American Godzilla comic series to be published in Japan, where it was licensed by Phase 6. IDW Publishing had announced their next ongoing which started in June offollowing the conclusion of their current run with Godzilla Destoroyah issue Godzilla: Rulers of Earth Godzilla: Legends 1. This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Trilopod character sheet. Trilopod Alpha concept art by Matt Frank. Trilopod Beta concept art by Matt Frank. Trilopod Beta concept art by Jeff Zornow. Early issue 2 cover, bearing the Godzilla: Ongoing wordmark rather than the Godzilla: Rulers of Earth wordmark. Issue 2 cover, showing Godzilla and Zilla. Issue 3 cover, showing an Aggregate Destoroyah and Steven Woods. Issue 4 cover, showing Destoroyah reaching for Godzilla. Alternate Issue 4 cover, showing GodzillaDestoroyah and Mothra. Issue 5 cover, showing Varan fighting Rodan. Issue 6 cover art by Matt Frank. Issue 6 cover, showing GiganOrgaM. Issue 6 retailer incentive cover, showing GiganOrgaMoguera and Godzilla. Issue 7 retailer incentive cover, showing Jet Jaguar fighting Godzilla. Issue 8 cover art by Matt Frank. Issue 9 cover art by Matt Frank. Issue 9 cover, Godzilla: Rulers of Earth Megalon and King Caesar. Godzilla: Rulers of Earth 10 cover, showing GodzillaSandaand Gaira. Issue 10 retailer incentive cover, showing Sanda and Gaira. Artwork celebrating Valentine's Day by Matt Frank. -
Cyclopaedia 18 – Kaiju Overview Articles
Cyclopaedia 18 – Kaiju By T.R. Knight (InnRoads Ministries * Article Series) Overview Who are the biggest of the Kaijū derives from the Japanese for "strange big? beast" but in more common vernacular these are giant monster stories. Giant monsters Some debate which are the greatest of the attacking cities (especially Tokyo), the Kaiju. The top quartet are easy to choose military defending the city, giant monsters (Gamera, Godzilla, King Kong, and Mothra). fighting each other, and secret societies or The most commonly discussed and with the aliens betting involved. These were all most screen time include… trademarks of the kaiju genre. • Destroyah Gojira (translated as Godzilla in the US) • Gamera receives credit for being the first ever kaiju • Godzilla film. Released in 1954, it is considered the • King Ghidorah first kaiju film but it is not the first giant • King Kong monster movie. King Kong and The Beast • MechaGodzilla from 20,000 Fathoms were hits in the US and • Mothra Japan, so Gojira was the Japanese cinematic • Rodan response to those popular films. Tomoyuki Tanaka of Toho Studios combined the Following are sources of information Hollywood giant monster concept with the pertaining to Kaiju to assist prospective growing fear of atomic weapons in Japan. game masters, game designers, writers, and The movie was a huge success in Japan, storytellers in knowing where to start their spawning the kaiju movie genre. The movie research. was so popular in Japan it was brought to the US as Godzilla, King of Monsters. Articles In the US, the Create Double Feature matinee and Mystery Science Theater 3000 developed Godzilla: why the Japanese original is no a massive following for these kaiju movies joke from Japan. -
Bonus-Stage-Magazine-14
Número 14 – Abril del 2014 por Skullo ...............................................................03 por Skullo.............................. 04 Balloon Kid por Skullo ....................................................... 05 Tiny Toons: Buster Busts Loose! por Skullo ....................... 08 Prehistorik por Alf ............................................................. 11 Metal Gear Solid GBC por Valveider ................................... 14 Tales of Destiny por El Mestre ............................................ 17 Teenage Mutant Ninja Turtles por Skullo.......................... 20 por Skullo ............................................. 23 Game Boy Printer por Skullo .............................................. 24 Pokemon Origins por Skullo ............................................... 28 Barney Calhoun por Skullo ................................................. 31 Somari por NesBeer ............................................................ 33 Godzilla por Skullo .............................................................. 37 Maquetación: Skullo Todas las imágenes y nombres que aparecen en esta revista son propiedad de sus respectivas marcas, y se usan simplemente a modo informativo. Las opiniones mostradas en esta revista pertenecen al redactor de cada artículo. EDITORIAL Bienvenidos al número más largo, más grande y más radiactivo de todos los que hemos hecho, el número 14, también conocido como especial… GOJIRAAAAAAAAAA! Porque sí, tras los especiales de La Familia Addams (número 04) y Jurassic Park (número -
Godzilla: the Idw Era
GODZILLA: THE IDW ERA WRITTEN BY MIKE FORD PRODUCTION BY REBEKAH CAHALIN EDITS BY BOBBY CURNOW CREATIVE CONSULTANT CHRIS MOWRY COVER ARTWORK MATT FRANK FEATURING ARTWORK FROM THESE STORIES: GODZILLA: KINGDOM OF MONSTERS Written by Eric Powell & Tracy Marsh (Issues #1-8), and Jason Ciaramella (Issues #8-12) Artwork by Phil Hester (Issues #1-4) and Victor Santos (Issues #5-12) • Colors by Ronda Pattison Inks by Bruce McCorkindale (Issues #1-4) • Letters by Chris Mowry and Neil Uyetake Series Edits by Carlos Guzman GODZILLA: GANGSTERS & GOLIATHS Written and Lettered by John Layman • Artwork by Alberto Ponticelli • Colors by Jay Fotos Series Edits by Bobby Curnow and Chris Ryall GODZILLA Written by Duane Swierczynski • Artwork by Simon Gane • Additional artwork by Dave Wachter Colors by Ronda Pattison • Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA LEGENDS Writers: Matt Frank, Jeff Prezenkowski, Jon Vankin, Mike Raicht, Chris Mowry, and Bobby Curnow Artists: Matt Frank, Simon Gane, Tony Parker, E.J. Su, and Dean Haspiel Colorists: Josh Perez, Ronda Pattison, Ian Herring, and Priscilla Tramontano Series Letters by Chris Mowry • Series Edits by Bobby Curnow GODZILLA: THE HALF-CENTURY WAR Story and Artwork by James Stokoe Color Assists by Heather Breckel Series Edits by Bobby Curnow GODZILLA: RULERS OF EARTH Written by Chris Mowry • Artwork by Matt Frank Additional Artwork by Jeff Zornow (Issues #5, #9, #13) Colors by Ronda Pattison (Issues #1-2) and Priscilla Tramontano (Issues #3-current) Letters by Shawn Lee • Series Edits by Bobby Curnow Special thanks to Yoshiko Fukuda and everyone at Toho for their invaluable assistance. -
G-Fest Site Map: Upper Level Lower Level
BALLROOM V: BALLROOM IV and III: BALLROOM II: BALLROOM I: TOKUSATSU ROOM DEALERS ROOM LECTURE HALL II LECTURE HALL I CONCOURSE B: CONCOURSE A: AUTOGRAPHS AND G-FANS ESCAL- REGISTRATION HELPING G-FANS ATOR CHICAGO FIRE OVEN FRONT RESTAURANT DESK LOBBY ON THE STAIRS FLY FOOD CADDYSHACK SERVICE RESTAURANT IDEATION TO VISIBILITY BAR BALMORAL LOUNGE: HOTEL BALLROOM: GAMING ROOMS ARCADE & POOL EXIT TO PARKING LOT VIDEOGAMING G-FEST SITE MAP: UPPER LEVEL LOWER LEVEL KENNEDY: HEATHROW GATWICK HANEDA: SYDNEY DA VINCI: LECTURE HALL III DESTROY ALL JOHN G-FEST MINYA’S PLACE MONSTERS 50TH BELLOTTI 25TH KIDS ACTIVITIES ANNIVERSARY ART ANNIV. DISPLAY DISPLAY DISPLAY LOVE A & B: ORLY: DULLES: LA GUARDIA: LOGAN: ARTIST ALLEY MONSTER KEIZO MURASE ART DISPLAY STOR- MASSAGE DISPLAY AGE M O R E ESCAL- A ATOR MIDWAY: R G-FEST FILM FESTIVAL T ROOM KITTY HAWK: I MODEL INSTRUCTION OFFICES S AND DISPLAY T A L L STAIRS E Y G-FEST XXV PROGRAM, JULY 13 - 15, 2018 7 FRIDAY, JULY 13, 2018 SESSIONS SESSIONS SESSIONS GAMING FILM MODEL ARTISTS MECHA-G TOKUSATSU DEALERS OTHER FESTIVAL THREAD ALLEY ARCADE SESSIONS ROOM BALLROOM 1 BALLROOM 2 KENNEDY IDEATION MIDWAY KITTY HAWK LOVE A&B BALMORAL BALLROOM 5 BLRM 3 & 4 9:00 AFTER THE BOOM 50th REGISTRA- Anniversary TION (all day) OPENS 10:00 GENERAL MINYA’S Display KAIJU FILMS, GAMING PLACE Room open DOJO STYLE OPENS AT for drop-off, Alaena Gavins then viewing 10:00 AM in 11:00 HEATHROW & G-FEST KAIJU DESTROY COSTUMING GATWICK. ORIENTATION ASSAULT ALL PANEL Coloring and SESSION: TOURNEY DRAGONS Sean crafts for young J.D. -
MEET the BAND: Ham Bagby
5.16.14 2D FRIDAY , MAY 16 , 2014 | WWW.TUSK205.COM 2D Log on @ INSIDESECTION D editor’s note 205.com o I fi nally decided to like Godzilla when he attacked Megalon by leaping feet fi rst, hang- CONTACT US ing in the air for literally three full seconds, bloated tailpiece scarring the ground, stunt- ed face staring meaninglessly up at studio lights, until his Payless-slippers booties impact S IN EVERY ISSUE Address with a poof onto Megalon’s guy-in-a-rubber-suit suit. 315 28th Ave. Godzilla seems to be taking a nap as he soars, and who can blame him? Who knows how TUSK TUNES 4 Tuscaloosa, AL 35401 long it took bored Toho techies to successfully tow his wire harness, prone and thoroughly FOR RENT 6 or P.O. Box 20587 not ready to kung-fu fi ght, across that blasted desertscape? MOVIES 7 Tuscaloosa, AL 35402-0587 This crushed so many laws of physics that Albert Einstein came back to life enraged and COVER STORY 8 50 feet tall, took one look, shook his furry head, and slowly walked off to drown in the Pa- CALENDAR 12 Hours CROSSWORD 14 Mon.-Fri., 8 a.m.-5 p.m. cifi c. Or Did He? SUDOKU 14 VIDEO GAMES 15 By phone Whenever folks want to deride Hollywood for silliness, I remind them that while Steve Mc- 205-345-0505 Queen was quick-freezing “The Blob” — Or Did He? — in Tokyo the response to the popular- ity of T-Rex-like Gojira was a great honking raging turtle. -
Trash Bowl Alabama “…Fuck”
Trash Bowl Alabama “…fuck” Written and Edited by: Brandon Jones, Brody Marshall, Mark Simmons, Jeremy Cummings, Morgan Potts, and Liz Turner. NOTE TO MODERATOR: ALL TOSSUPS AND BONUSES ARE PAIRED AND, IF ANY TOSSUP GOES DEAD, ITS BONUS SHOULD ALSO BE SKIPPED. Packet 5 1. One person questions whether u (“ooo”) can bleed while having this condition and another with a nomal (“NO-mul”) circle questions how this condition is caused. It is also questioned whether the action that caused this condition can be classified as dangerops (“danger AHPS”) and whether it can hurt the top of someone else’s head. Someone in Marriage & Divorce questions if a 20-foot water slide can be (*) downed with this condition and someone else creepily asks if a nine-year-old can have this condition. One man questions whether starch masks are indicatiVe of someone preViously haVing this condition. Following many similar questions about this condition, one user asks, “Can you burn a Luigi board?” For 10 points, name this condition, the subject of a J.T. Sexkik video, which is misspelled by many would-be parents. ANSWER: Pregnant [the following is just for the memes, accept anything that sounds at all like “pregnant” or alternate word forms; also accept pragnent, pargant, gregnant, pegnate, pegrent, pregegnant, pregonate, prengan, prregnant, pregante, pergert, pegnate, pragnet, pergenat, prangnet, pragnan, pregnart, bregant, pregarnt, pregat, fregnant, pargnet, peegnant, pergnut, pgrenant, praganant, prangent, prefnat, pregananant, pregernet, prengt, prognant, or pretnet] <Internet Culture> [BJ] 1. Some things just aren’t what they claim to be, and a disproportionate number of those things seem to come from China. -
Godzilla's Body: Reviving Memories …
GODZILLA'S BODY: REVIVING MEMORIES … UDC 316.723(520) GODZILLA'S BODY: REVIVING MEMORIES THROUGH COLLECTIVE FLESH Ana Dosen Singidunum University, Belgrade, Serbia Abstract: Through Merleau-Ponty’s philosophy of the Today, in a year celebrating the 60th anniversary body, this paper explores the one of the most of the original Godzilla by Ishiro Honda, famous recognizable characters of Japanese pop culture – Japanese pop culture symbol re-emerges from the Godzilla. Born in specific historical conditions of the silver screen in its second Hollywood blockbuster film postwar Japan, Godzilla stands as a cinematic behemoth which has been countlessly (re)generated ever since, version. Over the last six decades, Godzilla appeared in both domestically and internationally. In Godzilla total of 30 films, positioning itself as the most narrative, Merleau-Ponty’s statement that „I am my prominent monster character in the world of cinema. Body“ can be extended to „we are other’s Body“ by Through three Japanese eras of Godzilla series – transcending Japanese collective entity into its Showa (1954-1975), Hesei (1984-1995) and Shinsei monstrous embodiment. Positioning Godzilla’s body as a (1999-2004) and two American films, Godzilla’s site of remembrance, a walking monument, the identity shifts from terrifying invading force meant to memories of nuclear attack and fallen soldiers in South Seas battle become alive. Variety of those memories in reflect on a national trauma, morphing to a benevolent flesh is followed by abundant Godzilla filmography protector of Japan from foreign intruders, and then which can be understood by Deleuze’s argument „that into a global phenomenon preying on the western each multiplicity is already composed of heterogeneous audience. -
Téléchargement Des Règlestéléchargement Des Règles
Godzilla manual FR3 v2020.indd 1 09/07/2020 15:32 INTRODUCTION Godzilla Total War est un jeu facile à apprendre, rapide à installer et très amusant à jouer. Choisissez un des 12 Kaijus (monstres géants) du film Final Wars avec lequel combattre en utilisant ses attaques, ses cartes spéciales ou bien sa Force innée et ainsi démontrez que vous êtes le plus fort de tous les monstres. RÉSUMÉ Durant une partie de Godzilla Total War, chaque joueur incarne un Kaiju et joue des cartes de sa main pour effectuer des attaques et frapper les autres Kaijus. Pour cela, chaque joueur doit jouer une carte d’une valeur supérieure ou égale à la carte du joueur précédent, ou bien une carte d’action spéciale pour éviter les dégâts. À chaque fois qu’un joueur ne peut pas contrer une carte, il reçoit des dégâts et place une de ses cartes numérotées à côté de son Kaiju. Lorsqu’un Kaiju prend des dégâts, son adversaire peut augmenter la puissance du coup avec des immeubles et des dégâts supplémentaires. Si un Kaiju tombe à 0 points de vie, il devient enragé et le joueur retourne sa carte. À partir de ce moment-là, le joueur incarne la version enragée de son Kaiju (côté rouge). Le joueur qui a porté le coup gagne des points de victoire. Le premier joueur à atteindre le nombre requis de points devient le « Roi des monstres » ! 2 Godzilla manual FR3 v2020.indd 2 09/07/2020 15:33 COMPOSANTS 4 12 CARTES DE KAIJU 3 Il y a 12 Kaijus différents dans le jeu. -
By Goji-Anon
By Goji-anon The year is 1999, the turn of the mellennia. One year ago a monster believed to be Godzilla attacked New York City, although Japanese analysts have doubts. These doubts are justified, as the true Godzilla is soon to begin his rampage once again. This Godzilla is not a hero there to save humanity, but, a constant villain and a threat to all that lives on Earth. That is not to say his only opponents are humans, quite the contrary, the Earth is a lightning rod for strange phenomena. Aliens that can absorb information, genetic or otherwise; prehistoric insects that feed off of energy and grow in power from it, a monster made from the amalgam souls of those who died in the bombings of Hiroshima and Nagasaki. Humanity is under siege from all sides and by forces of unimaginable power. However, humanity is not helpless in this fight. Their advances in science have given them a fighting chance against those who would destroy them. This is the world you enter Jumper. You could be the savior of humanity or their doom. To aid in your efforts Jumper you have been given: +1000 CP. The continuity of this era of Godzilla is convoluted with most of the films being direct sequels to the first film. Due to this you may choose whichever continuity-in the Millennium series- that you please. You will always start a week before the events of the film you’ve chosen. Locations Tokyo, Japan You begin where everything started. The epicenter of most of the goings on when in relation to Kaiju.