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2015 Kaleidoscope
The faculty advisors wish to give special recognition and thanks to these individuals who also gave of their time and energy to make this edition of the Kaleidoscope possible: Lauren Courtney, Jakob Plotts, and Tracy Snowman. Thank you! 2 Kaleidoscope Journal of Art & Literature -Editor- James Grove -Assistant Editors- Brie Coder Alexa Dailey Georgia Meagher Trista Miller Cameron Phillips -Faculty Advisors- Michael Maher Becca Werland -Cover Art- Brandy Wise 3 Alexa Dailey-17, 25 Alyssa Brown-28 Amber Burnett-8 Annalea Forrest-9, 11, 16, 18, 24 Aubrey Foust-6, 14, 20, 31 Brandy Wise-Cover Brie Coder-29 Cecilia Carrillo-12, 18 Edward Johnson-5, 9, 23, 24, 26, 27, 30 Frances G. Tate-32 Georgia Meagher-13 Jacqueline Westin-6,10, 12, 20, 26 Jakob Plotts-3, 5, 8, 21 James Grove-21, 32 Jed Vaughn-11 Lafe Richardson-10, 19 An Artist’s Still Life Paula Cortes-4 Jakob Plotts Sheretta S Miller-7, 15, 22 4 Letter from the Editor Life is filled with a variety of people; some are good and others bad. We have athletes, scholars, theatre progressives, metal heads, and far too many more to write down in the little space I have. The point is that life is filled with different walks of life, and perhaps that’s what I en- joy most about the Kaleidoscope. Within these pages, you, dear reader, will find people who’ve gained and lost, found joy and pain. You’ll find works of the sur- real, and still ones of reality. I give thanks to those who helped piece together the many to present something whole, for that is the heart of the Kaleidoscope. -
Barnes & Noble Education, Inc
Index to Form 10-K Index to FS UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) x ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended May 2, 2020 OR ¨ TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number: 1-37499 BARNES & NOBLE EDUCATION, INC. (Exact Name of Registrant as Specified in Its Charter) Delaware 46-0599018 (State or Other Jurisdiction of Incorporation or Organization) (I.R.S. Employer Identification No.) 120 Mountain View Blvd., Basking Ridge, NJ 07920 (Address of Principal Executive Offices) (Zip Code) Registrant’s Telephone Number, Including Area Code: (908) 991-2665 Securities registered pursuant to Section 12(b) of the Act: Title of Class Trading Symbol Name of Exchange on which registered Common Stock, $0.01 par value per share BNED New York Stock Exchange Securities registered pursuant to Section 12(g) of the Act: None Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes ¨ No x Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Act. Yes ¨ No x Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Legends in a Snowfall
LEGENDS IN A SNOWFALL By Claudia Haas Performance Rights It is an infringement of the federal copyright law to copy or reproduce this script in any manner or to perform this play without royalty payment. All rights are controlled by Eldridge Publishing Co., Inc. Call the publisher for additional scripts and further licensing information. The author’s name must appear on all programs and advertising with the notice: “Produced by special arrangement with Eldridge Publishing Company.” PUBLISHED BY ELDRIDGE PUBLISHING COMPANY www.histage.com © 1999 by Claudia Haas Download your complete script from Eldridge Publishing http://www.histage.com/playdetails.asp?PID=1605 Legends in a Snowfall - 2 - STORY OF THE PLAY Winter tales from around the world come together to celebrate the joys and wonders of this dark and cold season. Ellisandra, a weather spirit who hopes to become Frost Queen, takes Faith, a frazzled mother, on a journey of imagination. They first meet the Snow Maiden, a beautiful woman who can only live during winter, in a legend from Russia. Tempesta, a stormy weather spirit who also seeks the title of Frost Queen, follows with her own Native American tale from Minnesota. It’s about a young poet at odds with a warrior lifestyle and his encounter with a Great White Bear. The tales are threaded together with an Eskimo story about the Northern Lights. The characters are a wonderful mix of humans, spirits, mischievous snowflakes and sparkling northern lights. Suggested music adds a grace note to creating the perfect winter solstice program. This play promises winter enchantment for all. -
00:00:02 Jesse Thorn Host Welcome to the Judge John Hodgman Podcast
00:00:00 Sound Effect Transition [Three gavel bangs.] 00:00:02 Jesse Thorn Host Welcome to the Judge John Hodgman podcast. I'm Bailiff Jesse Thorn. This week: "Neverlandmark Case." Jessie files suit against her husband Ryan. During a past relationship, Ryan's ex-girlfriend made him a Peter Pan–themed painting, and he still has it. Jessie wants to get rid of the painting, but Ryan can't bring himself to do it. Who's right? Who's wrong? Only one can decide. 00:00:26 Sound Effect Sound Effect [As Jesse speaks below: Door opens, chairs scrape on the floor, footsteps.] 00:00:27 Jesse Host Please rise as Judge John Hodgman enters the courtroom and presents an obscure cultural reference. 00:00:32 Sound Effect Sound Effect [Door shuts.] 00:00:33 John Host We all know Peter Pan. Peter Pan is the story of a young woman Hodgman who gets ensnared in a relationship with an adulterous narcissist, a guy who literally commands his partner to be his mother, but it's okay, 'cause the young woman thinks her love can fix him! But the narcissist cannot be fixed! And he eventually leaves Wendy for a younger woman, who happens to be Wendy's own daughter! Bailiff Jesse Thorn, swear them in. 00:00:59 Jesse Host Jesse, Ryan, please rise and raise your right hands. 00:01:00 Sound Effect Sound Effect [Chairs scrape.] 00:01:02 Jesse Host Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God or whatever? 00:01:07 Jessie Guest I do. -
Fall Conference
NAIBA Fall Conference October 6 - October 8, 2018 Baltimore, MD CONTENTS NAIBA Board of Directors 1 NOTES Letters from NAIBA’s Presidents 2 REGISTRATION HOURS Benefits of NAIBA Membership 4 Schedule At A Glance 6 Constellation Foyer Detailed Conference Schedule 8 Saturday, October 6, Noon – 7:00pm Sunday, October 7, 7:30am – 7:00pm Exhibition Hall Map 23 Monday, October 8, 7:30am – 1:00pm Conference Exhibitors 24 Thank You to All Our Sponsors 34 Were You There? 37 EXHIBIT HALL HOURS Publishers Marketplace Sunday, October 7, 2:00pm – 6:00pm ON BEING PHOTOGRAPHED Participating in the NAIBA Fall Conference and entering any of its events indicates your agreement to be filmed or photographed for NAIBA’s purposes. NO CARTS /naiba During show hours, no hand carts or other similar wheeled naibabooksellers devices are allowed on the exhibit floor. @NAIBAbook #naiba CAN WE TALK? The NAIBA Board Members are happy to stop and discuss retail and association business with you. Board members will be wearing ribbons on their badges to help you spot them. Your input is vital to NAIBA’s continued growth and purpose. NAIBA BOARD OF DIRECTORS Todd Dickinson Trish Brown Karen Torres (Outgoing President) One More Page Hachette Book Group Aaron’s Books 2200 N. Westmoreland Street 1290 6th Ave. 35 East Main Street Arlington, VA 22213 New York, NY 10104 Lititz, PA 17543 Ph: 703-861-8326 212-364-1556 Ph: 717-627-1990 [email protected] [email protected] [email protected] Jenny Clines Stephanie Valdez Bill Reilly (Incoming Board member) (Outgoing Board member) (Incoming President) Politics & Prose 143 Seventh Ave. -
MEDIA PLANNER 2021 Publishersweekly.Com
Get In. Stand Out. MEDIA PLANNER 2021 PublishersWeekly.com CHILDREN’S STARRED REVIEWS ANNUAL 84,000,000 Web Ad Impressions Yearly 32,000,000 We Web Page Views Yearly 14,500,000 Wrote Opened Emails Yearly the 14,000,000 Unique Visitors Yearly BOOK 1,150,000 on Social Followers 1,000,000 Publishing Print Copies Publishers Weekly The Most Powerful Brand in the Business With nearly 150 years of history as a pioneer & leader, PW today is a global publication providing unparalleled reach to an ardent audience of industry professionals and devoted consumers around the globe. 9,000 Yearly Reviews 51 24/7 Breaking News Issues Influential Announcements Special School & Library Coverage 15 U.S. & International Trade Show Coverage Special Supplements Exclusive Author Interviews 68K Retail News & Bestsellers Lists Original Research & Industry-Wide Print & Digital Readers Surveys Audience 2%—Agents & Rights Professionals 1% 2%—Public Wholesalers/ Relations/Media Distributors 25% Librarians 44% Book Buyers & Booksellers 25% 1.15M Publishers Followers PW Show Daily The World Within Reach The consummate guide to all leading international trade shows, Show Dailies are unique opportunities to optimize your investment and stand out in a crowded marketplace. Distributed on-site throughout each venue, Show Dailies are the most potent tool for increasing visibility, driving traffic and boosting sales on the spot. And awareness extends far beyond a single event with supplements circulated to PW’s loyal print and digital readership of 68K, ensuring you never get lost in the crowd. Bologna MARCH 26, 2018 VISIT PW AT HALL 26 B38 Big, Bold Moves London Book Fair The Bologna Children’s Book Fair is updating its facilities and reaching out to new audiences, including, for the March 10–12 first time, booksellers BY ED NAWOTKA This year’s Bologna Children’s Book Fair has a different look for the 1,300 exhibitors and other industry members expected for the 2018 event. -
Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P
Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-15-2015 Self-Publishing and Collection Development: Opportunities and Challenges for Libraries Robert P. Holley Wayne State University Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Cataloging and Metadata Commons, and the Collection Development and Management Commons Recommended Citation Holley, Robert P., Self-Publishing and Collection Development: Opportunities and Challenges for Libraries. (2015). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Self-Publishing and Collection Development Opportunities and Challenges for Libraries Charleston Insights in Library, Archival, and Information Sciences Editorial Board Shin Freedman Tom Gilson Matthew Ismail Jack Montgomery Ann Okerson Joyce M. Ray Katina Strauch Carol Tenopir Anthony Watkinson Self-Publishing and Collection Development Opportunities and Challenges for Libraries Edited by Robert P. Holley Charleston Insights in Library, Archival, and Information Sciences Purdue University Press West Lafayette, Indiana Copyright 2015 by Purdue University. All rights reserved. Cataloging-in-Publication data on file at the Library of Congress. Contents Foreword i Mitchell Davis (BiblioLabs) Introduction 1 Robert P. Holley (Wayne State University) 1 E-Book Self-Publishing and the Los Gatos Library: A Case Study 5 Henry Bankhead (Los Gatos Library) 2 Supporting Self-Publishing and Local Authors: From Challenge to Opportunity 21 Melissa DeWild and Morgan Jarema (Kent District Library) 3 Do Large Academic Libraries Purchase Self-Published Books to Add to Their Collections? 27 Kay Ann Cassell (Rutgers University) 4 Why Academic Libraries Should Consider Acquiring Self-Published Books 37 Robert P. -
A Blueprint for Book Publishing Transformation: Seven Essential Processes to Re-Invent Publishing by David R
GILBANE GROUP G A DIVISION OF OUTSELL, INC. October 1st 2010 A Blueprint for Book Publishing Transformation: Seven Essential Processes to Re-Invent Publishing by David R. Guenette, Bill Trippe, and Karen Golden Outsell’s Gilbane Group: Research Report Table of Contents Page # Acknowledgements . 6 A Blueprint User’s Guide..................................................................... 7 Executive Summary . 9 Digital Comes to Book Publishing............................................................ 10 The State of Book Publishing Today . 11 E-book Market Sizing..................................................................... 14 Trade Book Publishing: How the Kindle Drove E-book Publishing . 18 Educational Publishing: Solutions Have to Address Both Market and Cost Problems ...............24 Agility, Flexibility, and XML Help STM Publishers Meet Demands . .26 Many Challenges, Many Opportunities......................................................28 Book Publishing’s Seven Essential Publishing Processes . 31 Mapping Processes to Specific Systems . 31 Planning Processes and Systems ........................................................... 32 Editorial and Production Processes and Systems . .48 Rights and Royalties Processes and Systems ................................................. 57 Manufacturing Processes and Systems......................................................59 Marketing and Promotion Processes and Systems ............................................69 Sales and Licensing Processes and Systems................................................. -
Download One of These Templates, Click the Help Tab from the Taskbar Near the Top of Your Screen and Select “Cover
The Guide to Independent Publishing REVISED EDITION By Brendan Clark Text © 2018 by Ingram Content Group All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission of the publisher. Library of Congress Control Number: 2018931997 ISBN: 9781513261478 (paperback) ISBN: 9781513261485 (hardbound) ISBN: 9781513261492 (e-book) Indexed by Sam Arnold-Boyd Published by Graphic Arts Books An imprint of GraphicArtsBooks.com Proudly distributed by Ingram Publisher Services GRAPHIC ARTS BOOKS Publishing Director: Jennifer Newens Marketing Manager: Angela Zbornik Editor: Olivia Ngai Design & Production: Rachel Lopez Metzger CONTENTS Introduction .............................................................. 5 Preproduction ........................................................... 9 Binding Formats ...................................................... 19 Account Setup .......................................................... 29 Title Upload .............................................................. 39 Orders and Reports .................................................83 Marketing ................................................................. 91 Glossary .................................................................. 103 Index ........................................................................113 INTRODUCTION Publishing: Traditional vs Independent To -
Open Gencarelli Alicia Peterpan.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH “TO LIVE WOULD BE AN AWFULLY BIG ADVENTURE”: MASCULINITY IN J.M. BARRIE’S PETER PAN AND ITS CINEMATIC ADAPTATIONS ALICIA GENCARELLI SUMMER 2017 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: Garrett Sullivan Liberal Arts Research Professor of English Thesis Supervisor Marcy North English Honors Advisor Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This thesis discusses the representation of masculinity in J.M. Barrie’s novel, Peter Pan, as well as in two of its cinematic adaptations: Disney’s Peter Pan and P.J. Hogan’s Peter Pan. In particular, I consider the question: What exactly keeps Peter from growing up and becoming a man? Furthermore, I examine the cultural ideals of masculinity contemporary to each work, and consider how they affected the work’s illustration of masculinity. Then, drawing upon adaptation theory, I argue that with each adaptation comes a slightly variant image of masculinity, producing new meanings within the overall narrative of Peter Pan. This discovery provides insight into the continued relevance of Peter Pan in Western society, and subsequently, how a Victorian children’s adventure fiction is adapted to reflect contemporary ideologies and values. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................... iii Introduction -
Motifs of Passage Into Worlds Imaginary and Fantastic
Motifs of Passage into Worlds Imaginary and Fantastic F. Gordon Greene Sacramento, CA ABSTRACT: In this paper I match phenomena associated with the passage into otherworlds as reported during out-of-body and near-death experiences, with imagery associated with the passage into otherworlds as depicted in classic modern fantasies and fairy tales. Both sources include sensations of consciousness separating from the body, floating and flying, passage through fluidic spaces or dark tunnels toward bright lights, and emergence into super natural worlds inhabited by souls of the deceased and by higher spiritual beings; and both describe comparable psychophysical initiatory factors. I intro duce a metaphysically neutral depth psychology to explain these parallels, examine two metaphysically opposed extensions to this depth psychology, and consider several implications of a transcendental perspective. Introduction The prospect of a fantastic journey leading into realms of super natural wonder has always fired the human imagination and probably always will. Such a journey may involve a voyage to remote islands or continents hidden in uncharted seas, a trek off the edge of the Earth's flat surface, a descent into the gloomy underworld below, an ascent into the starry heavens above, or a passage through a magical portal into dimensions unseen. Whatever the pathway, the possibility of such a fantastic journey speaks irresistibly to some deep facet of human nature, this is a facet possessed of a longing that must be appeased, if not fulfilled, in the realm of human imagination, if not in that of some extra mundane reality. Mr. Greene is a free-lance writer whose principal interests have been parapsychology, religion, and metaphysics. -
SINGING SYLLABUS Qualification Specifications for Graded Exams 2018–2022
BRITTEN GERSHWIN POULENC SINGING FAURÉ SYLLABUS QUILTER THIMAN Qualification specifications for graded exams 2018–2022 MENKEN PURCELL SKEMPTON BOULANGER MENDELSSOHN BERNSTEIN CRAWLEY SCHUBERT SONDHEIM WARLOCK ROREM DRING BART ROE KEEP UP TO DATE Please check trinitycollege.com/singing to make sure you are using the current version of the syllabus and for the latest information about our Singing exams. DIGITAL ASSESSMENT: DIGITAL GRADES AND DIPLOMAS To provide even more choice and flexibility in how Trinity’s regulated qualifications can be achieved, digital assessment is available for all our classical, jazz and Rock & Pop graded exams, as well as for ATCL and LTCL music performance diplomas. This enables candidates to record their exam at a place and time of their choice and then submit the video recording via our online platform to be assessed by our expert examiners. The exams have the same academic rigour as our face-to-face exams, and candidates gain full recognition for their achievements, with the same certificate and UCAS points awarded as for the face-to-face exams. Find out more at trinitycollege.com/dgd SINGING SYLLABUS Qualification specifications for graded exams 2018–2022 Charity number England & Wales: 1014792 Charity number Scotland: SC049143 Patron: HRH The Duke of Kent KG trinitycollege.com Copyright © 2017 Trinity College London Published by Trinity College London Online edition, June 2021 1 Header Left Contents 3 / Welcome 4 / Introduction to Trinity’s graded music exams 7 / Learning outcomes and assessment criteria 8 / About the exam 10 / Exam guidance: Songs 12 / Exam guidance: Technical work 13 / Exam guidance: Supporting tests 19 / Exam guidance: Marking 24 / Initial 27 / Grade 1 31 / Grade 2 35 / Grade 3 40 / Grade 4 45 / Grade 5 51 / Grade 6 60 / Grade 7 68 / Grade 8 78 / Policies 79 / Publishers 80 / Trinity publications 80 / Join us online… Trinity accepts entries for its exams on the condition that candidates conform to the requirements of the appropriate syllabus.