Vol. 51/ 4 (1988)
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Brokeback and Outback
[CINEMA] ROKEBACK AND OUTBACK BRIAN MCFARLANE WELCOMES THE LATEST COMEBACK OF THE WESTERN IN TWO DISPARATE GUISES FROM time to time someone pronounces 'The Western is dead.' Most often, the only appropriate reply is 'Long live the Western!' for in the cinema's history of more than a century no genre has shown greater longevity or resilience. If it was not present at the birth of the movies, it was there shortly after the midwife left and, every time it has seemed headed for the doldrums, for instance in the late 1930s or the 1960s, someone—such as John Ford with Stagecoach (1939) or Sergio Leone and, later, Clint Eastwood—comes along and rescues it for art as well as box office. Western film historian and scholar Edward Buscombe, writing in The BFI Companion to the Western in 1988, not a prolific period for the Western, wrote: 'So far the genre has always managed to renew itself ... The Western may surprise us yet.' And so it is currently doing on our screens in two major inflections of the genre: the Australian/UK co-production, John Hillcoat's The Proposition, set in [65] BRIAN MCFARLANE outback Australia in the 1880s; and the US film, Ang Lee's Brokeback Mountain, set largely in Wyoming in 1963, lurching forwards to the 1980s. It was ever a char acteristic of the Western, and a truism of writing about it, that it reflected more about its time of production than of the period in which it was set, that it was a matter of America dreaming about its agrarian past. -
Moab Area Movie Locations Auto Tours – Discovermoab.Com - 8/21/01 Page 1
Moab Area Movie Locations Auto Tours – discovermoab.com - 8/21/01 Page 1 Moab Area Movie Locations Auto Tours Discovermoab.com Internet Brochure Series Moab Area Travel Council The Moab area has been a filming location since 1949. Enjoy this guide as a glimpse of Moab's movie past as you tour some of the most spectacular scenery in the world. All movie locations are accessible with a two-wheel drive vehicle. Locations are marked with numbered posts except for locations at Dead Horse Point State Park and Canyonlands and Arches National Parks. Movie locations on private lands are included with the landowner’s permission. Please respect the land and location sites by staying on existing roads. MOVIE LOCATIONS FEATURED IN THIS GUIDE Movie Description Map ID 1949 Wagon Master - Argosy Pictures The story of the Hole-in-the-Rock pioneers who Director: John Ford hire Johnson and Carey as wagonmasters to lead 2-F, 2-G, 2-I, Starring: Ben Johnson, Joanne Dru, Harry Carey, Jr., them to the San Juan River country 2-J, 2-K Ward Bond. 1950 Rio Grande - Republic Reunion of a family 15 years after the Civil War. Directors: John Ford & Merian C. Cooper Ridding the Fort from Indian threats involves 2-B, 2-C, 2- Starring: John Wayne, Maureen O'Hara, Ben Johnson, fighting with Indians and recovery of cavalry L Harry Carey, Jr. children from a Mexican Pueblo. 1953 Taza, Son of Cochise - Universal International 3-E Starring: Rock Hudson, Barbara Rush 1958 Warlock - 20th Century Fox The city of Warlock is terrorized by a group of Starring: Richard Widmark, Henry Fonda, Anthony cowboys. -
Made in America: Exploring the Hollywood Western Red River (1948) – Introductory Lecture
MADE IN AMERICA: EXPLORING THE HOLLYWOOD WESTERN RED RIVER (1948) – INTRODUCTORY LECTURE TRANSCRIPT Introductory Lecture: Red River (1948) Welcome to the Western. I’m glad you can be here today. Red River (1948) is a 1948 Western film produced by Howard Hawks and starring John Wayne and Montgomery Clift. The film’s supporting cast features Walter Brennan, Joanne Dru, Colleen Gray, Harry Carey, John Ireland, Hank Worden, Noah Beery, Jr., Harry Carey Jr., and Paul Fix. The screenplay was based on Borden Chase’s original story which was first serialized in The Saturday Evening Post in 1946 as “Blazing Guns on the Chisholm Trail.” The movie’s ending differs from that of the original story. In Chase’s Saturday Evening Post’s story, Cherry Valance shoots Tom Dunson dead in Abilene and Matt takes his body back to Texas to be buried on the ranch. Red River cost an estimated $3 million to make it did very well at the box office. In 1948, it grossed $5 and a half million domestically and worldwide it made over $9 million. It was a very, very popular movie. The film is also an art movie. It was nominated for Academy Awards for Best Film Editing by Christian Nyby and Best Writing Motion Picture Story by Borden Chase. John Ford was so impressed with John Wayne’s performance in Red River that he is reported to have said I didn’t know the big son of a bitch could act. In June 2008, the American Film Institute listed Red River as the fifth best film in the Western genre. -
Monday 25 July 2016, London. Ahead of Kirk Douglas' 100Th Birthday This
Monday 25 July 2016, London. Ahead of Kirk Douglas’ 100th birthday this December, BFI Southbank pay tribute to this major Hollywood star with a season of 20 of his greatest films, running from 1 September – 4 October 2016. Over the course of his sixty year career, Douglas became known for playing iconic action heroes, and worked with the some of the greatest Hollywood directors of the 1940s and 1950s including Billy Wilder, Howard Hawks, Vincente Minnelli and Stanley Kubrick. Films being screened during the season will include musical drama Young Man with a Horn (Michael Curtiz, 1949) alongside Lauren Bacall and Doris Day, Stanley Kubrick’s epic Spartacus (1960), Champion (Mark Robson, 1949) for which he received the first of three Oscar® nominations for Best Actor, and the sci- fi family favourite 20,000 Leagues Under the Sea (Richard Fleischer, 1954). The season will kick off with a special discussion event Kirk Douglas: The Movies, The Muscles, The Dimple; this event will see a panel of film scholars examine Douglas’ performances and star persona, and explore his particular brand of Hollywood masculinity. Also included in the season will be a screening of Seven Days in May (John Frankenheimer, 1964) which Douglas starred in opposite Ava Gardner; the screening will be introduced by English Heritage who will unveil a new blue plaque in honour of Ava Gardner at her former Knightsbridge home later this year. Born Issur Danielovich into a poor immigrant family in New York State, Kirk Douglas began his path to acting success on a special scholarship at the American Academy of Dramatic Arts in New York City, where he met Betty Joan Perske (later to become better known as Lauren Bacall), who would play an important role in helping to launch his film career. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
Torrance Press
Sunday, August 20, 1961 THE PRESS Pag* A.7 TELEVISION LOG FOR THE WEEK SUNDAY MONDAY TUESDAY WEDNESDAY FRIDAY AUGUST 21 SATURDAY AUGUST 20 AUGUST 22 AUGUST 23 AUGUST 25 AUGUST 26 12:00 ( 7) Union Report 12:00 ( 2) News 12:00 ( 2) News 12:00 ( 2) News 12:00 < 2) News ( 4) Jan Murray 12:00 ( 2) Outside In ( 9) Movie (C) ( 4) Jan Murray (C) ( 4) Jan Murray (C) ( 4) Jan Murray ( 9) Movie (11) Dan Smoot ( 5> Little Doggie Roundup ( 5) Doggie Roundup ( 5) Doggie Roundup ( 5) Doggie Roundup (13) Oral Roberts ( 7) Camouflage ( 7) Camouflage ( 7) Camouflage ( 7) Camouflage 12:30 ( 2) Once Over Lightly (11) Lunch Brigade (11) Sheriff John (11) Sheriff John ( 4) Highway Holiday 12:20 (11) Dodger Dugout (11) Sheriff John 12:05 ( 2) Burns and Alien 12:05 ( 2) Burns and A'len 12:05 ( 2) Burns and Alien 12:05 ( 2) Burns and Alien (13) Hispanorama 12:30 ( 2) Life of Riley 12:30 ( 2) As World Turns 12:30 < 2) As World Turns 12:30 ( 2) As World Turns 12:30 ( 2> As World Turns 1:00 ( 2) Musical Theater ( 5) Commercial Feature ( 4) Loretta Young ( 4) Loretta Young ( 4) Loretta Young ( 4) Loretla Young ( 4) Movie ( 7) Big Story ( 5) Continental ( 5) Continental ( 5) Continental ( 5) Continental ( 5) Movie (13) GospH of Christ ( 7) Number Please ( 7) Number Please ( 7) Number Please "The Big Wheel" ( 7) Number Please Mickey Rooney 1:00 ( 2) Face the Facts 1:00 (2) Face the Facts 1:00 ( 2) Face the Facts 1:00 ( 2) Face the Facts 12:55 (11) Dodger Baseball ( 4) Young Dr. -
Film Collection
Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith. -
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files
Hollywood Westerns Available on DVD-R, Mpeg2 & Mpeg4 Digital Files. Abilene Town 1946 Randolph Scott, Ann Dvorak American Empire 1942 Richard Dix, Leo Carillo, Preston Foster. The Big Trees 1952, color Kirk Douglas, Edgar Buchanan. Buckskin Frontier 1943 Richard Dix, Jane Wyatt. Bushwhackers 1952 John Ireland, Wayne Morris, Dorothy Malone. Cry Blood Apache 1970, color Jody McCrea, Joel McCrea. Daniel Boone, Trail Blazer 1957, color Bruce Bennett, Lon Chaney Jr. Deadly Companions 1961, color Maureen O’Hara, Brian Keith, Steve Cochran. Desperate Mission 1969, color Ricardo Montalban, Slim Pickens. Fighting Caravans 1931 Gary Cooper, Lili Damita. Fighting Westerner 1935 Randolph Scott, Ann Sheridan. Four Rode Out 1970, color Sue Lyon, Pernell Roberts. Gatling Gun 1971, color Guy Stockwell, Woody Strode Hanged Man 1974, color Steve Forrest, Dean Jagger. High Lonesome 1950, color John Drew Barrymore. Joshua 1976, color Fred Williamson, Cal Bartlett. Kansas Pacific 1953, color Sterling Hayden, Eve Miller, Barton MacLane. Kid Vengeance 1977, color Lee Van Cleef, Jim Brown. Man From Texas 1948 James Craig, Lynn Bari. Mohawk 1956, color Scott Brady, Rita Gam My Outlaw Brother 1951 Mickey Rooney, Wanda Hendrix. One-Eyed Jacks 1961, color Marlon Brando, Karl Malden. The Outlaw 1943 Jane Russell, Jack Buetel, Thomas Mitchell. Over the Hill Gang 1969, color Walter Brennan, Edgar Buchanan, A. Devine. Over the Hill Gang Rides Again 1970, color Fred Astaire, Walter Brennan, Buchanan. Powderkeg 1971, color Rod Taylor, Dennis Cole. Proud and the Damned 1972, color Chuck Connors, Cesar Romero. Proud Rebel 1958, color Alan Ladd, Olivia de Havilland. Rage at Dawn 1955, color Randolph Scott, Forrest Tucker. -
Red River by Michael Schlesinger
Red River By Michael Schlesinger Ask anyone with even a passing knowledge of film who the greatest direc- tor of westerns is, and almost invariably the reply will be John Ford. Second great- est? Now it gets tricky. Modernists will say Leone or Peckinpah, auteurists Anthony Mann or Budd Boetticher, B-western dev- otees Joseph Lewis or William Witney. But more often than not, the answer will be Howard Hawks. The power of reputation! In his entire 45- year directing career, Hawks only com- pleted four (five if you count “The Big Sky;” I don’t). But their impact continues to define him as one of the category’s lead- ing artists—and “Red River” was as bold a genre debut as one could imagine. Much of this was serendipity: The Golden Age of the Western was just beginning, John Wayne at 39 was entering his peak years as a star and actor, and a young fella making his screen debut turned out to be Montgomery Clift. The stars were in align- ment, but the path was still filled with rat- tlesnakes. Hawks, never comfortable as a cog in The Machine, decided to produce it himself, shooting mostly in Arizona with thousands of cattle to recreate the historic first drive This ad for the film appeared in the October 1948 issue of Screenland. from Texas to Abilene via what became Courtesy Media History Digital Library known as the Chisholm Trail. It cost him an insane $2,840,000; even with the Duke in the lead, it was a fearsome gamble. -
Arizona Filmography
7/20/2004 Arizona Filmography Arizona Film Office 2003 Feature Mona Lisa Smile Columbia Tri-Star / Revolution Films Director Mike Newell Arizona Locations: Parker (Hwy 60 & 72 near Vicksburg) Producer Starring: Julia Roberts, Dirsten Dunst, Julia Stiles Exec. Telefeature Hard Ground LLP (Larry Levinson Productions) Director Frank Dobbs Arizona Locations: Lake Havasu City Producer Starring: Burt Reynolds, Bruce Dern Producer Randy Pope, Lincoln Lageson Exec. Larry Levinson 2002 Feature Charlie's Angels II Columbia Pictures Director Arizona Locations: Page (Glen Canyon Dam, Glen Canyon Bridge) Producer Exec. Confessions Of A Dangerous Mind Mad Chase Productions Studio: Miramax Director George Clooney Arizona Locations: Tucson, Nogales Arizona, Nogales Sonora Mexico Producer Sudzin Starring: George Clooney, Drew Barrymore, Sam Rockwell, Julia Roberts, Brad Pitt Producer Andre Lazar, Steven Reuther, Jeffrey Exec. George Clooney, Stephen Evans (I), Angus Finney Destiny Destiny Productions Studio: Independent Director Katherine Makinney Arizona Locations: Phoenix, Flagstaff Producer Tom Tangen, Mitch Teemley Starring: Jerri Manthey, Stephanie Feury, Todd Cahoon, Tom Tangen, Nancy Stafford Producer Dominic Cianciolo, Michael C. Edwards, Exec. 1 Saguaro Ranch Summer Westpark Productions Director Joey Travolta Arizona Locations: Prescott (Courthouse, Hwy.), Phoenix (Saguaro Lake Guest Ranch) Producer Exec. The Brothel Mt. Parnassus Pictures/Emerging Pictures Studio: Independent Director Amy Waddell Arizona Locations: Jerome, Sedona, Cottonwood Producer Starring: Serena Scott-Thomas, Grace Zabriskie, Whip Hubley, Bruce Payne Producer Amy Waddell, Wade Danielson Exec. The Incredible Hulk Universal Pictures Director Arizona Locations: Page (Lake Powell) Producer Exec. The Reckoning VIG Global Capital, Inc. Director Dustin Rikert Arizona Locations: Tucson (Old Tucson) Producer Starring: Gary Busey Producer Renee Roland Exec. -
Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
Film Terms Glossary Cinematic Terms Definition and Explanation Example (if applicable) a screen direction rule that camera operators must follow - Camera placement an imaginary line on one side of the axis of action is made must adhere to the (e.g., between two principal actors in a scene), and the 180 degree rule 180 degree rule camera must not cross over that line - otherwise, there is a distressing visual discontinuity and disorientation; similar to the axis of action (an imaginary line that separates the camera from the action before it) that should not be crossed Example: at 24 fps, 4 refers to the standard frame rate or film speed - the number projected frames take 1/6 of frames or images that are projected or displayed per second to view second; in the silent era before a standard was set, many 24 frames per second films were projected at 16 or 18 frames per second, but that rate proved to be too slow when attempting to record optical film sound tracks; aka 24fps or 24p Examples: the first major 3D feature film was Bwana Devil (1953) [the first a film that has a three-dimensional, stereoscopic form or was Power of Love (1922)], House of Wax appearance, giving the life-like illusion of depth; often (1953), Cat Women of the Moon (1953), the achieved by viewers donning special red/blue (or green) or MGM musicalKiss Me Kate polarized lens glasses; when 3-D images are made (1953), Warner's Hondo (1953), House of 3-D interactive so that users feel involved with the scene, the Wax (1953), a version of Hitchcock's Dial M experience is -
Through the Disciplines with Spartacus 15
through the disciplines with spartacus the uses of a hero in history and the media richard g. lillard One evening in late 1846 young Walt Whitman, sitting in a crowded Manhattan thea ter, watched Edwin Forrest play the role of Spartacus in Robert Montgomery Bird's The Gladiator. Next day he wrote in the Brooklyn Eagle: "This play is as full of 'Abolitionism' as an egg is of meat. Running o'er with sentiments of liberty—with eloquent disclaimers of the right of the Romans to hold human beings in bondage—it is a play . calculated to make the hearts of the masses swell responsively to all those nobler manlier aspirations in behalf of mortal freedom!"1 Like the audience for which he spoke, Whitman was a child of the Spirit of 76, of frontier and rural self-reliance, of Jacksonian democracy and of romantic confidence in individualism and humanitarian crusading. He was responding to the clear political implications of a popular play. It was one of the lasting successes for Forrest, who from 1831 on gave it hundreds of times, and for Tommaso Salvini, John McCullough and other actors. Forrest filled "the inflated soliloquies" and gave "the savage cry" threatening to make Rome howl, and McCullough had "splendid poise 15 and demeanor, fine intelligence, gentleness of spirit beneath a rugged exterior ... ; the grand repose of essential manlihood. ."2 In 1853 The Gladiator was performed for the thousandth time. No other play in Eng lish had been given so many times during the author's lifetime. As late as 1918, according to Clement Foust, thousands of elderly Americans remembered the excitement of the play.