Ten Years Large Format Digital Aerial Cameras, a Review
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Irix 45Mm F1.4
Explore the magic of medium format photography with the Irix 45mm f/1.4 lens equipped with the native mount for Fujifilm GFX cameras! The Irix Lens brand introduces a standard 45mm wide-angle lens with a dedicated mount that can be used with Fujifilm GFX series cameras equipped with medium format sensors. Digital medium format is a nod to traditional analog photography and a return to the roots that defined the vividness and quality of the image captured in photos. Today, the Irix brand offers creators, who seek iconic image quality combined with mystical vividness, a tool that will allow them to realize their wildest creative visions - the Irix 45mm f / 1.4 G-mount lens. It is an innovative product because as a precursor, it paves the way for standard wide-angle lenses with low aperture, which are able to cope with medium format sensors. The maximum aperture value of f/1.4 and the sensor size of Fujifilm GFX series cameras ensure not only a shallow depth of field, but also smooth transitions between individual focus areas and a high dynamic range. The wide f/1.4 aperture enables you to capture a clear background separation and work in low light conditions, and thanks to the excellent optical performance, which consists of high sharpness, negligible amount of chromatic aberration and great microcontrast - this lens can successfully become the most commonly used accessory that will help you create picturesque shots. The Irix 45mm f / 1.4 GFX is a professional lens designed for FujiFilm GFX cameras. It has a high-quality construction, based on the knowledge of Irix Lens engineers gained during the design and production of full-frame lenses. -
Selecting Cameras for UAV Surveys
ARTICLE A REVIEW OF CAMERAS POPULAR AMONGST AERIAL SURVEYORS Selecting Cameras for UAV Surveys With the boom in the use of consumer-grade cameras on unmanned aerial vehicles (UAVs) for surveying and photogrammetric applications, this article seeks to review a range of different cameras and their critical attributes. Firstly, it establishes the most important considerations when selecting a camera for surveying. Secondly, the authors make a number of recommendations at various price points. While this list is not exhaustive, it is intended to present a line of reasoning that UAV practitioners should consider when selecting a camera for survey purposes. Weight, Velocity and Flight Time for Aerial Imaging Weight is an important consideration for aerial imaging that is often not a limiting factor for terrestrial photography. The growth of newer, higher-spec, low- weight cameras is therefore the focus of this article. In addition, the potential areal coverage of a survey is controlled by flight height, flight duration and UAV velocity – these become more tightly constrained with increased payload. Figure 1, Decrease in flight time with payload for a generic battery-powered multi-rotor UAV at a velocity of 6m/s (Bershadsky, 2016). In order to maximise flexibility in the selection of flight height, duration and velocity, weight must be kept to a minimum. A number of lightweight cameras for UAV use are reviewed below. Imaging parameters Sensor size is one of the key imaging parameters as this, along with focal length of the lens, is the core component in defining the ground sample distance (GSD) – the pixel size in the real world – of a survey configuration. -
FULL PROGRAM A-4 Printable Format
A SPECIAL THANK YOU TO: OUR SPONSORS INSTITUTIONS AND INDIVIDUALS FOR THEIR CONTRIBUTIONS New York Public Library for the Performing Arts New York Public Library, Barbara Goldsmith ConservaIon Lab The James B. Duke House of The InsItute of Fine Arts, New York University The Metropolitan Museum of Art, Department of Photograph ConservaIon Museum of Modern Art, The David Booth ConservaIon Department Laumont Photographics Alison Rossiter, ArIst Adam Fuss, ArIst ORGANIZING COMMITTEES Heather Brown, AIC Photographic Materials Group Secretary/Treasurer TaIana Cole AIC, Photographic Materials Group Program Chair Diana Diaz, ICOM-CC Photographic Materials Working Group Coordinator Jessica Keister, NYC Local Planning Team Coordinator Barbara Lemmen, AIC Photographic Materials Group Chair Saori Kawasumi Lewis, AIC Photographic Materials Group Secretary/Treasurer Ruth Seyler, AIC MeeIngs & Advocacy Director Barbara Brown, ICOM-CC Photographic Materials Working Group Assistant Coordinator Susie Clark, ICOM-CC Photographic Materials Working Group Assistant Coordinator Lee Ann Daffner, NYC Local Planning Team EsIbaliz Guzman, ICOM-CC Photographic Materials Working Group Assistant Coordinator Marc Harnly, ICOM-CC Photographic Materials Working Group Assistant Coordinator Greg Hill, ICOM-CC Photographic Materials Working Group Assistant Coordinator MarIn Jürgens, ICOM-CC Photographic Materials Working Group Assistant Coordinator Natasha Kung, NYC Local Planning Team Krista Lough, NYC Local Planning Team Mark Strange, ICOM-CC Photographic Materials Working Group Assistant Coordinator Elsa Thyss, NYC Local Planning Team TABLE OF CONTENTS Program of Talks in Summary . 1 Speakers, Authors, & Abstracts Wednesday, Feb. 20th . 3 Thursday, Feb. 21st . 13 Friday, Feb. 22nd . 24 Session Chairs . 30 Workshops . 30 Tours Tuesday, Feb. 19th . 32 Wednesday and Thursday, Feb. 20th and 21st . -
May2018-Highlight-Article.Pdf
234 May 2018 PHOTOGRAMMETRIC ENGINEERING & REMOTE SENSING May 2018 Layout.indd 234 4/16/2018 12:05:54 PM ntroduction Since 2000, development and use of digital photogram- metric cameras for aerial survey has gained significant momentum. Many different cameras and systems de- signed for aerial photogrammetry were developed and presented to the market. After 15 years of intensive development, only a few of these products are in wide Productivity use in today’s mapping market. One of the prominent Isystems being provided is the medium format frame Analysis for camera from Phase One Industrial. With the development of CCD and CMOS technology, medium format cameras have come a long way from 40-60 Mpix to 80-100 Mpix cameras. Additionally, high Medium quality metric lenses with a wide range of focal lengths were developed and implemented. This enabled an ef- fective utilization of medium format cameras in many different small and medium sized urban and rural Format mapping projects, corridor mapping, oblique projects, and monitoring of areal and linear infrastructure. This article presents recent development in the ap- Mapping proach to flight planning and aerial survey productiv- ity analysis, firstly presented in Raizman (2012). The Raizman (2012) article referred only to large format Cameras cameras, whereas this article will compare large for- mat cameras vs. medium format cameras, which are getting more and more popular in aerial survey. This Yuri Raizman approach is based on some pre-defined common char- acteristics of the required mapping products. It en- Phase One Industrial ables an equivalent comparison between cameras with different parameters – focal length, sensor form and Denmark size, and pixel size. -
Hasselblad Expands Reach of Medium Format Imaging for Even More
Press information – for immediate release Gothenburg, Sweden 19 June 2019 HASSELBLAD EXPANDS REACH OF MEDIUM FORMAT IMAGING FOR EVEN MORE CREATIVE VERSATILITY Introducing the X1D II 50C, XCD 35-75 zoom lens, Phocus Mobile 2, and revealing details of the upcoming CFV II 50C digital back and 907X camera body Following the revolutionary introduction of the world’s first mirrorless medium format digital camera, the X1D-50c, Hasselblad introduces new additions to its product portfolio that bring the joy of medium format photography to image makers with the capabilities to support their creative endeavours. This includes the evolved X1D II 50C camera, the eagerly awaited XCD 3,5-4,5/35-75 Zoom Lens and Phocus Mobile 2. In addition, Hasselblad reveals the development details of the upcoming CFV II 50C digital back and 907X camera body. Hasselblad’s newest offerings yet again expand the potential of medium format pho- tography with modularity and flexibility, all while offering the brand’s renowned, stunning image quality. X1D II 50C – AN EVOLVED MEDIUM FORMAT PHOTOGRAPHY EXPERIENCE In the pursuit to continue the journey of taking medium format outside of the studio, Hasselblad is pleased to announce the next installment of the X System – the X1D II 50C Mirrorless Medium Format Digital Camera. Dedicated to optimising the X System for a wider audience of creatives, Hasselblad has listened to user feedback and improved upon the first generation with enhanced electronics for a quicker and more intuitive medium format experience. Continuing in the legacy of being the most portable and lightweight digital medium format camera, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame DSLRs in a beautifully designed, compact package. -
The Resurgence of Large-Format Photography
THE RESURGENCE OF LARGE-FORMAT PHOTOGRAPHY Shutter Release, September 2006 Rustic large-format cameras frequently feature as picturesque props in television commercials and men’s fashion magazines. The quaint imagery sustains a nostalgic view of large-format photography that has nevertheless improved of late. The borderline eccentrics trotting out creaky wooden cameras with cracked leather bellows now tend to be nattily dressed, and include women. Depicting large format as a relic may have reflected reality 15 or 20 years ago, following a half-century of decline. Happily, times have changed. Large format is on the rebound. The past decade has seen a remarkable resurgence of large-format photography. Improvements in technology, materials and film, together with the introduction of digital backs of up to 39MP resolution, have made the ponderous into an instrument of finesse. Sinar (Switzerland) Large-format cameras, commonly called view cameras, allow photographers great creative potential in composition, perspective and focus. The cameras remain large by virtue of the film area, and are entirely manual and slow to set up and operate, but such is the appeal of large-format photography to those who have the calling. In principle, each photograph is treated as if a portrait, to be carefully planned and executed. Large Format and What It Offers Literally defined by the size of the negative or transparency, large format is photography using single sheets of film, most commonly 4x5 inches. Larger models take film sheets of 5x7, 8x10 and even 20x24 inches. Imagine a contact print the size of a huge enlargement! One benefit of large format, though by no means the primary benefit, is the size of the film. -
Large Format Digital Cameras for Aerial Survey of Geospatial Information
Large Format Digital Cameras for Aerial Survey of Geospatial Information Ralf Wolfgang SCHROTH, Germany Key words: large format frame camera, radiometry, geometry, workflow SUMMARY The Hansa Luftbild Group decided in summer 2005 to purchase the Digital Mapping Camera (DMC) of Z/I Imaging (Intergraph) and is operating this system since February 2006. Up to November 2006 there was about 250 hours of aerial survey flights flown and about 25.000 images processed. Additional experiences exist with other large format cameras. This paper will first give some information about the technical and financial processes of evaluation of the digital large format camera for aerial surveys. In the second part, the configuration of the system as it was chosen by Hansa Luftbild will be explained. The emphasis will be laid on the installation of the system in different kind of survey planes. The handling of the amount of data and the image post-processing are challenging tasks which demand a strict workflow and an integration into the complete project management workflow. Solutions for intermediate quality checks have been established and some are still under preparation. Finally, experiences about geometric and radiometric quality and calibration procedures can be demonstrated in the real production environment. RÉSUMÉ Le Groupe Hansa Luftbild a décidé à l’été 2005 d’acheter une caméra numérique DMC de Z/I Imaging (Intergraph) et utilise ce système depuis février 2006. Jusqu’à novembre 2006, 250 heures de vol ont été effectuées et environ 25 000 images ont été traitées. Des expériences additionnelles ont aussi été effectuées avec d’autres caméras à grand format. -
Large Format View Camera a Creative Tool with Limitless Potential
Section3b LargeFormat – View Arca Swiss . 158-169 Horseman . .170-179 Linhof . 180-197 Sinar . .198-217 Toyo . 218-228 ARCA SWISS DISCOVERY 4x5 SYSTEM Arca Swiss cameras are more than the sum of their parts. Each and every model gives you an entry into the Arca system, allowing you access to the most complete line of professional accessories available. Designed by working photographers, this modular system allows you to add components as needed, giving you the freedom to purchase what you need when you need it. In addition, Arca Swiss cameras are ergonomically designed, allowing the photog- VIEW CAMERAS rapher to control perspective and depth-of-field accurately. And Arca has devised a fail-safe (and foolproof) system for Arca Swiss attaching the lensboard bellows and camera back. Discovery The affordable Arca Discovery is an economical introduction to the Arca Swiss system. In spite of its 158 low cost, the light-weight Discovery shares many of the unique features that Arca cameras are renowned for (plus a few of its own). The Discovery is also compatible with most Arca system accessories, such as rails, viewers, hoods, masks, rollfilm holders and more. FEATURES ■ Precision micro gear ■ Made of lightweight Arca Swiss 4x5 Discovery Camera (0210445) focusing metal alloys Consists of: 30cm monorail (041130), monorail attachment piece 3/8˝, Function Carrier Front ■ Superfluous refocusing ■ Precision Swiss construction (Discovery), Function Carrier Back (Discovery), after parallel displacements Format Frame Front (Discovery), Format Frame ■ Includes Rucksack case Back (Discovery), standard 38cm bellows ■ Yaw-free movements (72040), film and groundglass holder 4x5, 1 3 ■ Built-in ⁄4 and ⁄8 fresnel lens and Arca Swiss nylon backpack. -
HALS Photography Guidelines Define the Photographic Products Acceptable for Inclusion in the HABS/HAER/HALS Collections Within the Library of Congress
Historic American Landscapes Survey Guidelines for Photography Prepared for U.S. Department of the Interior National Park Service Historic American Buildings Survey/ Historic American Engineering Record/ Historic American Landscapes Survey Prepared by Tom Lamb, January 2004 HABS/HAER/HALS Staff (editing & revision, July 2005) 1 INTRODUCTION 1.0 ROLE OF THE PHOTOGRAPHER 1.1 Photographic Procedures 1.1.1 Composition 1.1.2 Lighting 1.1.3 Focus 1.1.4 Exposure 1.1.5 Perspective 1.2 Photographic Copies 1.3 Photography of Measured Drawings 1.4 Property Owners and/or Responsible Agencies 1.5 HALS Photographic Process 1.6 Methodology of Landscape Photography 1.7 Field Journal 1.8 Photographic Key 1.9 Identification 1.10 Captions 1.11 Site 1.12 Other Types of Photography often included in HALS 1.12.1 Historic Photography 1.12.2 Repeat and Matched. 1.12.3 Copy Work 1.12.4 Measured Drawings 1.12.5 Aerial Photography 1.12.6 Historic Aerials 2.0 PHOTOGRAPHING THE LANDSCAPE 2.1 Elements of site context that should be considered for photography 2.1.1 Geographic location 2.1.2 Setting 2.1.3 Natural Systems Context 2.1.4 Cultural/Political Context 2.2 Physical conditions on a site may be influenced by elements of time 2.2.1 Era/Period/Date of Landscape 2.2.2 Design Context or Period Influences 2.2.3 Parallel Historic Events 2.2.4 Parallel Current Events 2.3 The historic continuum/evolution of a site may include: 2.3.1 Chronology of Physical Layers 2.3.2 Periods of Landscape Evolution 2.3.3 Landscape Style 2.3.4 Periods of Construction 2.3.5 Land Use/Land 2.3.6 Settlement. -
LARGE FORMAT LENSES LARGE FORMAT LENSES 24 Hour Fax: 800-947-7008 Any Movement.) Limeter, Forminimum Imagecircle Required Without Cific Filmsize
Section4 LargeFormatLenses Introduction . 230-232 Nikon . 233-235 Rodenstock . 236-239 Schneider . 240-243 Heliopan Center Filters . 242 Wisner . 244 LARGE FORMAT LENSES INTRODUCTION All large format camera lenses are designed to be used with all photographic films. Image Circle The size of the circular image that lenses project is called the image circle. It is large enough to surround, or cover, the frame of the final image on the film. If you take a lens intended for 35mm film and use it with a larger-sized film, its covering power will not be exten- sive enough. As a result, vignetting, which is the dark- ening of the image’s corners, will occur. In a situation in which the covering power is extremely inadequate, a LARGE FORMAT LENSES LARGE FORMAT darkened circle appears around the image. Conversely, using a lens from a large-format camera on a smaller Angulon series. Almost every lens in this group has an camera works, because there is more than enough cov- angle of coverage of either 100° or 105° and focal erage. (This is what happened when you visualize a lengths ranging from 65mm to 210mm. All of these lenses are considered wide-angle, and each focal length 230 90mm lens covering both 4x5˝ and 35mm film). Photographers who use 35mm or medium-format is designed for a specific format. The 65mm lens is lenses are not very concerned with covering power, intended for use with 4x5˝ film; the 210mm lens, with because they almost always shoot with lenses designed 8x10˝ film. These lens-and-film format combinations specifically for their cameras, or at least the same cam- provide wide angles of view of approximately 86° and era format. -
Photographic Treasures 19Th Century Rare Book & Photograph Shop
Photographic Treasures 19th Century Rare Book & Photograph Shop Curated by Jacob Loewentheil 19th Century Rare Book & Photograph Shop Important Books, Manuscripts, and Photographs CATALOGUE 179 PAGE ITEM PRICE IN U.S. DOLLARS 4 Watkins, Carleton. 40 Mammoth Plate Photographs of the American West POR 10 Brady, Mathew. Whole Plate Daguerreotype Portrait of John Calhoun 650,000 12 Brady, Mathew. Large Format Camera from Mathew Brady’s Studio 250,000 16 Brady, Mathew. Portrait of General Ulysses S. Grant, Signed and Inscribed by Brady 52,000 18 Langenheim, William and Frederick. American Calotype of Water Tower 11,000 20 Frith, Fiske, Barker, Pollock, and others. American Travel Album 9,500 22 Collection of Photographs Depicting 7,500 The Oldest Military Installation in the Continental United States 24 Fleischmann, Trude. Signed and Inscribed Portrait of Albert Einstein 13,500 26 Sternberger, Marcel. Albert Einstein Unframed 1,250 Framed 1,650 27 Sternberger, Marcel. Frida Kahlo Unframed 1,250 Framed 1,650 28 Stacy, Charles. Coney Island Panorama 4,500 30 Armstrong, Neil. Buzz Aldrin on the Moon, signed by the Apollo 11 Crew 28,000 32 Mayall, John. Portrait of John Romeyn Brodhead 11,000 34 Panoramic Photograph of Cairo 8,500 36 Curtis, Edward S. Dog Woman (plate 668), 35,000 Original Glass Interpositive from The North American Indian 36 Curtis, Edward S. A Cree Girl (plate 622), 35,000 Original Glass Interpositive from The North American Indian 40 Early 19th Century Silk Map of Beijing 200,000 446 Kent Avenue PH-A, Brooklyn, New York 11249 USA 10400 Stevenson Road, Suite 100, Stevenson, Maryland 21153 USA phone: 410-602-3002 | fax: 410-602-3006 | [email protected] | www.19thshop.com 19th Century Rare Book & Photograph Shop Important Books, Manuscripts, and Photographs CATALOGUE 179 am pleased to present my first photographic catalogue, produced under the auspices of the 19th Century Rare Book & Photograph Shop. -
Nikon-Large-Format-Lenses.Pdf
www.mr-alvandi.com 2 www.mr-alvandi.com 65mm f/4S 75 mm f/4.5S Series SW The SW-series lenses feature wide covering power and a wide image circle. Maximum apertures of f/4 and f/4.5 assure fast and pin-point focusing and bright images, corner Nikkor-SW 65mm f/4S Nikkor-SW 75mm f/4.5S Focal length 65mm Focal length 75mm to corner. Covering power can be Maximum aperture ratio 1:4 Maximum aperture ratio 1:4.5 extended to 105° ~ 106° by Minimum aperture f/45 Minimum aperture f/45 Lens construction 7 elements in 4 groups Lens construction 7 elements in 4 groups stopping the lens down. SW series Covering power (f/4) 80° Covering power (f/4.5) 80° lenses deliver high contrast and Covering power (f/16) 105° Covering power (f/16) 106° Image circle (f/4) ø110mm Image circle (f/4.5) ø126mm resolution, reduced flare and Image circle (f/16) ø170mm (4" x 5") Image circle (f/16) ø200mm (120mm x 165mm) excellent color rendition, thanks to Shutter No. 0 (Copal® *) Shutter No. 0 (Copal® *) Shutter speed 1 ~ 1/500 s, T, B Shutter speed 1 ~ 1/500 s, T, B Nikon Super Integrated Coating Sync socket X-contact Sync socket X-contact and strict control of aberrations. Front mount size Å ø70mm Front mount size Å ø70mm Attachment size ı ø67mm x 0.75mm (P) Attachment size ı ø67mm x 0.75mm (P) SW-series lenses with a maximum Rear mount size Ç ø54mm Rear mount size Ç ø60mm Î Î aperture of f/8 are compact and Flange attachment size ø32.5mm x 0.5mm (P) Flange attachment size ø32.5mm x 0.5mm (P) Flange focal distance ‰ 70.8mm Flange focal distance ‰ 81.3mm well compensated for distortion.