BBC Management Review 2010/11
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2 the Story of Wales
Week/Wythnos 9 February/Chwefror 25 - March/Mawrth 2, 2012 Pages/Tudalennau: 2 The Story of Wales: The Makings of Wales 3 The Story of Wales: Power Struggles 3 Welsh Towns 4 Helicopter Rescue 5 BBC National Orchestra of Wales 6 Six Nations: England v Wales 7 Scrum V Live: Ospreys v Warriors 8 Pobol y Cwm Places of interest/Llefydd o ddiddordeb: Bangor 2 Brecon 3 Caerleon 2 Caernarfon 4 Cardiff 5 Gower 2 Llandwrog 4 Llyn 4 Newport 4 Pontypridd 4 Snowdon 4 Swansea 6 Follow us on Twitter to keep up with all the latest news from BBC Cymru Wales - @BBCWalesPress Pictures are available at www.bbcpictures.com/Lluniau ar gael yn www.bbcpictures.com NOTE TO EDITORS: All details correct at time of going to press, but programmes are liable to change. Please check with BBC Cymru Wales Communications before publishing. NODYN I OLYGYDDION: Mae’r manylion hyn yn gywir wrth fynd i’r wasg, ond mae rhaglenni yn gallu newid. Cyn cyhoeddi gwybodaeth, cysylltwch â’r Adran Gyfathrebu. THE STORY OF WALES: THE MAKINGS OF WALES Monday, February 27, BBC One Wales, 9pm www.bbc.co.uk/storyofwales Broadcaster Huw Edwards presents The Story of Wales, one of BBC Cymru Wales’s most ambitious series ever - epic in its scale, and covering 30,000 years of the Welsh nation’s history from the ice age to the information age. The Story of Wales is packed with heroes and triumphs, grand dreams and great endeavours. From a land of story-tellers, this is the story of the land itself and the people who’ve shaped it. -
Review of Regional TV Production and Programming Guidance Consultation
Review of Regional TV Production and Programming Guidance Consultation CONSULTATION: Publication Date: 19 December 2018 Closing Date for Responses: 27 February 2019 Contents Section 1. Overview 1 2. Background 7 3. The changing TV production landscape 14 4. Appraisal of the current regime and the Guidance 29 5. Review proposals 46 Annex A1. Responding to this consultation 65 A2. Ofcom’s consultation principles 68 A3. Consultation coversheet 69 A4. Consultation questions 70 Review of Regional TV Production and Programming Guidance 1. Overview Ofcom is reviewing the Regional Production and Programming Guidance (‘the Guidance’) 1 and associated reporting and compliance regime to ensure that the regulatory framework is effective in a rapidly evolving production landscape. Nations and regions’ production is a crucial part of the UK television production sector, accounting for almost half of public service broadcaster (‘PSB’) qualifying programme hours2 in 2017. TV production outside of London helps to disperse and stimulate investment and job opportunities in the sector, throughout the UK. This has resulted in the employment of a broad range of talent with a diversity of editorial perspectives, to create a wide variety of programmes for the enjoyment of UK viewers. This can also assist in strengthening regional production centres for the long term and supporting broader creative and cultural economies across the UK. To help promote nations and regions’ TV production, Ofcom has imposed quotas on the PSBs3 to ensure that a suitable proportion of their network programmes are made in the UK outside of the M25 (‘regional productions’). The BBC and Channel 3 services also have quotas to broadcast localised programmes, including regional news, across different areas of the UK (‘regional programming’), and a suitable proportion of these should be made in the local area. -
Hollie Withers Art Director/Art Department
Mob: 07727 871706 www.holliewithers.com Curriculum Vitae Hollie Withers Art Director/Art Department Education and Qualifications Glamorgan University, School of Technology Graduation June 2008 Set Design for Film and Television BA (hons) Degree 2:1 Sussex Downs College: Lewes Campus AVCE and A level June 2005 Art & Design A/A 06/2005 Edexcel Media Studies C 06/2004 AQA Park College Eastbourne AS levels June 2003 Fine Art B 06/2003 AQA Media Studies C 06/2003 OCR World Development D 06/2003 WJEC St. Richards Catholic College GCSE levels June 2002 Design & Tech:Graphic Products A* 06/2002 Edexcel Art: Graphics A 06/2002 AQA Art: Fine Art A 06/2001 AQA English Literature A 06/2002 AQA English Language B 06/2002 AQA Science B B/B 06/2002 OCR Mathematics C 06/2002 AQA Geography B 06/2002 AQA Religious Studies B 06/2002 AQA French B 06/2002 Edexcel Independent Studies Theory of Music Grd.5 Pass 06/2001 ABRSM Jazz saxophone Grd.5 Merit 03/2001 GSMD Clarinet Grd.3 Merit 06/1999 TRINITY Practical Skills Tech drawing – AutoCAD/hand drawn, Photoshop, Graphics, Photography, Model Making, Sewing, Prop Making and Buying, Basic Set Construction, Scenic Painting. Related Achievements/Training 2010 Second Place Cardiff PhotoMarathon, Self Portrait Work. 2008 Graduate Outstanding Achievement Award for TV and Film Set Design. 2010 BBC Manual Handling. 2010 Skill Set Health and Safety Training for film production. 2008 BBC Health and Safety Training. Full driving licence held since 2003. No Points. Employment History Position Programme Film Company Reference 2010 Buyer Promo Art Director Knife Edge. -
A Cardiff News Special Edition /Cardiffunialumni #Cugrad2014 Introduction the Year That Was…
#CUGrad2014 JULY 2013 Volume 19 No. 9 A Cardiff News special edition /cardiffunialumni #CUGrad2014 Introduction The year that was… “In this special edition of Cardiff News Professor Patricia Price is the University’s Pro we celebrate our graduating students: Vice-Chancellor for Student Experience and The Class of 2014… Academic Standards. Here, she takes a whistle stop tour of some of the highlights of the last year. As Pro Vice-Chancellor for Student Experience and Academic “Standards I get to witness the daily achievements of you: our graduating students. From individual stories of academic excellence to the tales of outstanding personal and sporting achievement, I am privileged to see it all first-hand. Take for example two of the graduates Professor Patricia Price featured in this edition. Their experiences of student life could not be more different. Tom Lemon graduates this From a wider University point of the launch of our new Welsh Language has piloted a new scheme to put hundreds week as a Doctor; he’s spent the last few view, one issue dominated the year: Scheme. We’ve also made it easier to of essential course readings online, as months picking-up award after award for Institutional Review. get the information students need to well as work to extend opening hours. his academic efforts. gain an international experience – with This review was not just about assuring the opening of a dedicated Global Finally, one thing that continues Meanwhile Jessica Reynolds’ story is one the public of the quality of our provision; Opportunity Centre, providing a shop to amaze me is just how much our of overcoming not one, but two painful it provides an opportunity for our front setting at the heart of our Cathays students contribute and give back to the life-long conditions whilst juggling the students to say for themselves whether campus. -
BBC Wales, Management Review, 2009/10
WALES MANAGEMENT REVIEW 2009/10 a INTRODUCTION FROM DIRECTOR, BBC CYMRU WALES IN A YEAR WHEN DIGITAL SWITCHOVER SWEPT ACROSS THE COUNTRY, THE ROLE OF WALES’ nATIONAL BROADCASTER HAS NEVER BEEN CLEARER. Some said that digital switchover would change everything. By beaming countless additional channels into every home across Wales, some warned it would accelerate the fragmentation of viewing, weakening the social and civic ties that bind us together. And yet take a look at what actually happened. In 2009/10, almost a million viewers – the highest figures for at least five years – tuned into BBC Cymru Wales programming each and every week. On top of this success, our network output continued to attract worldwide attention, including Torchwood’s stunning debut on BBC One and BBC Two’s captivating Last Chance to See. That success is of course a tribute to the skills and resilience of our talented production teams – both in-house and across the independent sector – and many of their achievements are rightly “ THIS YEAR’S SUCCESS IS A POWERFUL REMINDER OF captured in this review. OUR AUDIENCE’S DEMAND FOR HIGH QUALITY AND Our success this year is a powerful reminder that in an age of apparent digital plenty – with all its countless distractions – our audience’s demand for high quality and distinctive national programming DISTINCTIVE NATIONAL PROGRAMMING.” is as strong and robust as ever. MENNA RICHARDS, It is, needless to say, a challenge and responsibility we relish. DIRECTOR, BBC CYMRU WALES Menna Richards COVER IMAGE Director, BBC Cymru Wales Presenter Eddie Butler tells the story of a 5th or early 6th century carved sandstone, part of a trail of historical objects inspired by our History of the World project, and which can be seen at the National Museum Wales in Cardiff. -
House of Commons Welsh Affairs Committee
House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales. -
The Pit and the Pendulum: a Cooperative Future for Work in The
Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page i POLITICS AND SOCIETY IN WALES The Pit and the Pendulum Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page ii POLITICS AND SOCIETY IN WALES SERIES Series editor: Ralph Fevre Previous volumes in the series: Paul Chaney, Tom Hall and Andrew Pithouse (eds), New Governance – New Democracy? Post-Devolution Wales Neil Selwyn and Stephen Gorard, The Information Age: Technology, Learning and Exclusion in Wales Graham Day, Making Sense of Wales: A Sociological Perspective Richard Rawlings, Delineating Wales: Constitutional, Legal and Administrative Aspects of National Devolution The Politics and Society in Wales Series examines issues of politics and government, and particularly the effects of devolution on policy-making and implementation, and the way in which Wales is governed as the National Assembly gains in maturity. It will also increase our knowledge and understanding of Welsh society and analyse the most important aspects of social and economic change in Wales. Where necessary, studies in the series will incorporate strong comparative elements which will allow a more fully informed appraisal of the condition of Wales. Pit and the Pendulum Prelims.qxd 02/03/04 13:34 Page iii POLITICS AND SOCIETY IN WALES The Pit and the Pendulum A COOPERATIVE FUTURE FOR WORK IN THE WELSH VALLEYS By MOLLY SCOTT CATO Published on behalf of the Social Science Committee of the Board of Celtic Studies of the University of Wales UNIVERSITY OF WALES PRESS CARDIFF 2004 Pit and the Pendulum Prelims.qxd 04/03/04 16:01 Page iv © Molly Scott Cato, 2004 British Library Cataloguing-in-Publication Data. -
BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff
Sound Apprentice - Drama Company: BBC Cymru Wales Apprenticeship Role: Sound Apprentice Location: Roath Lock Studios, Cardiff About the Organisation BBC Cymru Wales is the nation's broadcaster, providing a wide range of English and Welsh language content for audiences across Wales on television, radio and on our websites Roath Lock, is the BBC's state of the art centre of excellence for Drama, a place brimming with new energy and talent. When the first productions moved into Roath Lock in September 2011, they fulfilled a BBC commitment to create a centre of excellence for Drama in Cardiff. Located in Porth Teigr, Cardiff Bay, the 170,000 square foot facility, including nine studios and equivalent in length to three football pitches, is now the permanent, purpose-built home of four flagship BBC dramas - Casualty, Pobol y Cwm, Doctor Who - as well as new productions in the future. Job Description Sound Assistants are a member of the Production Sound Crew and provide general back up and support to the Production Sound Mixer and the Boom Operator. They are responsible for checking all stock, microphones and batteries and making sure that the sound department runs as smoothly as possible. Although the work is physically demanding, the hours are long and are sometimes performed on location in extreme terrain and/or severe weather the work can be very rewarding. Sound Assistants usually begin work early arriving on set half at least an hour before call time, with the rest of the Sound Crew. They help to unload the sound van, and working with the Boom Operator, check that all equipment is prepared and fully operational. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
How True Is the Queen's Gambit?
ARTS November 13 | 2020 How true is The Queen’s Gambit? The UK women’s chess champion on the hit Netflix show Anya Taylor-Joy as Beth Harmon 2 1GT Friday November 13 2020 | the times times2 Caitlin 6 4 DOWN UP Moran Demi Lovato Quote of It’s hard being a former Disney child the Weekk star. Eventually you have to grow Celebrity Watch up, despite the whole world loving And in New!! and remembering you as a cute magazine child, and the route to adulthood the Love for many former child stars is Island star paved with peril. All too often the Priscilla way that young female stars show Anyabu they are “all grown up” is by Going revealed her Sexy: a couple of fruity pop videos; preferred breakfast, 10 a photoshoot in PVC or lingerie. which possibly 8 “I have lost the power of qualifies as “the most adorableness, but I have gained the unpleasant breakfast yet invented DOWN UP power of hotness!” is the message. by humankind”. Mary Dougie from Unfortunately, the next stage in “Breakfast is usually a bagel with this trajectory is usually “gaining cheese spread, then an egg with grated Wollstonecraft McFly the power of being in your cheese on top served with ketchup,” This week the long- There are those who say that men mid-thirties and putting on 2st”, she said, madly admitting with that awaited statue of can’t be feminists and that they cannot a power that sadly still goes “usually” that this is something that Mary Wollstonecraft help with the Struggle. -
Written Evidence Submitted by the BBC DCMS Select Committee Inquiry Into the Impact of Covid-19 on the DCMS Sectors
Written evidence submitted by the BBC DCMS Select Committee Inquiry into the Impact of Covid-19 on the DCMS Sectors Executive Summary 1. Covid-19 has had a substantial impact on the BBC’s ability to produce programmes and services. Following advice from the WHO, public health organisations and the Government, the BBC closed the production of many programmes and services across its TV and radio output. The cancellation of key broadcasting events, ceasing of productions, and changes to schedules will continue to have an impact on what audiences see and hear across the BBC across the coming months. 2. Like other organisations continuing to operate during this crisis, the BBC has faced operational challenges. We’ve experienced reduced levels of staffing and the huge increase in demand for the BBC’s internal network as over 15,000 colleagues work from home. For those unable to work from home, safety is paramount and we’ve followed Government advice. 3. The BBC Board took the decision to delay changes to the over-75s licence fee from 1 June to 1 August during an unprecedented time. The decision is to be kept under review. 4. In response to Covid-19, the BBC took swift action at the start of the pandemic to repurpose our services and programmes for the benefit of all audiences ensuring we kept the nation informed, educated and entertained. 5. The BBC enhanced our core role to bring trusted news and information to audiences in the UK and around the world in a fast-moving situation, and to counter confusion and misinformation.