Alcohol Task Force Members Chosen

Total Page:16

File Type:pdf, Size:1020Kb

Alcohol Task Force Members Chosen The Middlebury Campus Vol. 110, No. 6 Thursday, October 20, 2011 Since 1905 Recca elected SGA president in runoff him an unfair edge over the candi- By Kyle Finck dates who refrained from breaking News Editor the rules.” Vin Recca ’12 is this year’s Stu- Associate Dean of Students for dent Government Association (SGA) Residential Life and Student Life Pol- President, defeating Nathan LaBarba icy Doug Adams said he first received ’14 in a run-off election 452 votes to the campaigning violation on Mon- 231 on Oct. 14. day, Oct. 10. “This election demonstrated that “I sent it to the elections coun- students want an experienced leader cil, which is where it’s supposed to that will make the SGA do what it’s go, and the elections council met on supposed to do,” Recca said. “This is a Tuesday to discuss it, and again on mandate on experience.” Wednesday,” he said. “Officially the None of the five presidential elections chair can make the call, but candidates won more than 50 percent since the regulations were so new she of the votes, prompting a run-off be- [Caroline Regan ’12] didn’t want to tween the top two vote getters. make it by herself so they called the Andrew Podrygula, Photos Editor While Recca and Mugo Muto- meeting.” Over thirty members of the College community marched in solidarity with the Occupy Wall Street protest Oct. 13. thori ’12 received top votes in the first Mutothori said his dismissal election — 380 and 212 respectively stemmed from text messages he sent — Mutothori was disqualified for to his friends. Occupy Wall St. hits Middlebury campaigning after polls opened, vio- “I just told people to vote lating Section VI Articles 4 and 5 of through a text message and they By Adam Schaffer with the Occupy Wall Street pro- sions for everyone to follow.” the campaign rules. [SGA] used that as grounds for dis- News Editor tests through conversation and Sparking conversation, not hand- In an Oct. 12 email, the SGA an- qualifying my candidacy,” he said. Students and faculty joined action. ing down an agenda from the top, nounced the first-year senator elec- Mutothori said candidates have together Oct. 13 to march in soli- Last week’s Occupy has been the goal so far. tion winners and Mutothori’s dis- done far worse in the past. darity with the Occupy Wall Street Middlebury events were orga- The conversation at the soli- qualification. “Last year, we all got an email protests in New York. Entering its nized by a group of five students darity march began with a few “Several allegations were made telling us to vote for a certain can- fourth week of protests against — Hanna Mahon ’13.5, Kristina comments by the student orga- to the Elections Council about Mugo didate, and the year before, we all economic inequality and injustice, Johansson ’14, Adam Jones ’13, nizers, emphasizing the general soliciting votes after the designated got Facebook messages to vote for a the Occupy Wall Street movement Grace Wildermuth ’14 and Jessica premise of the protests. campaigning period ended,” said the certain candidate. How come they has spread to over 100 cities in the Munyon ’13 — who traveled to “Right here and right now we Council in a statement. “As a Council weren’t disqualified?” he said. “No- United States and throughout the New York to see the protests first- are using our agency as human we felt that not only was this in direct body stops talking to their friends world. hand. However, they emphasize violation of the rules, but also it gave The march at the College, that the movement belongs to the See Occupy, page 2 See Mutothori, page 2 which was followed by a panel students. discussion of the broader implica- “We’re not trying to be the tions of the movement on Oct. 14, leaders of a movement,” Wilder- Orientation trips’ future is unclear muth said. Johansson added that, stemmed from a loosely organized By Paul Warnke contract the SGA had with the MMC not wanting to set the precedent like the Wall Street protests, they group on Facebook called Occupy Staff Writer has come to an end, putting the exis- that it would become a permanently Middlebury. Though not engag- want this to be a “real grassroots The Student Government As- tence of an orientation trips program funded SGA operation,” said Nathan ing in any long-term occupation, democracy … [without] people sociation (SGA), Middlebury Moun- in jeopardy. LaBarba ’14, the SGA’s liaison to the group seeks to show solidarity behind the scenes making deci- tain Club (MMC) and Old Chapel MMC and SGA conceived of OINK. are reworking the funding for a first- OINK as a transitory operation that Last winter, Anne Runkel ’11, year pre-orientation trips program. provided incoming first years the senior class senator, submitted a bill Alcohol task force Since the College cut Middlebury opportunity to explore Vermont’s to the administration proposing the Outdoor Orientation (MOO) and its natural beauty while giving the ad- formation of a new mandatory trip successor, MiddView, from its budget ministration time to devise a new program embedded in orientation. in 2008, the Middlebury Mountain orientation program. Dean of the College and Chief members chosen Club (MMC), with funding from the In its essence, OINK was a Diversity Officer Shirley Collado rec- SGA, assumed the management of “band-aid solution,” said Joanie ognized the importance of orienta- lege community, Collado described its own student-run orientation trips Thompson ’14, senator and Speaker tion trips, and noted that the admin- By Kara Shurmantine of the Senate. Editor-in-Chief the task force as “a working and program, Outdoor Introduction for action-oriented group” and enu- New Kids (OINK). But the three-year “SGA stepped in to fund OINK In a campus-wide email sent See Mandatory, page 3 merated the questions to which she Monday, Oct. 17, Dean of the Col- expects it to devote its energies, such lege and Chief Diversity Officer as “review[ing] the quality and va- Shirley Collado announced the riety of social options on campus, names of appointees to the recently assess[ing] the positive and negative formed Task Force on Alcohol and role that alcohol plays in the student Social Life. social experience” and proposing Dean of Students Katy Smith- policies and presenting new ideas Abbott and Bob Ritter, head coach to address student, faculty and staff of varsity football and assistant concerns. coach of varsity men’s lacrosse, will Student appointees expressed co-chair the committee, which is their enthusiasm for working on comprised of seven students, three the task force and for bringing their faculty and three staff members. own unique perspective to bear on “We wanted to be thoughtful its mission. about how we could get students “I’m excited to be a part of the from all walks of life on the task [task force], and I’m looking for- force,” said Collado. “I think we have ward to the first meeting,” Becca a good assortment of people who Shaw ’12, a varsity field hockey bring with them different expecta- and ice hockey player and a Super tions of the social life at Middlebury.” Block member, wrote in an email. The task force represents the “I am eager to represent two athletic culmination of a yearlong effort teams, the social houses and the rest Sopheak Chheng on the part of the administration of the students.” StudentS deScend on Middlebury in queSt for Snitch to address the role alcohol plays in Josh Taylor ’12 tackles snitch Chris Johnson ’12 to end the game during the first annual Middlebury student life. In her email to the Col- See Task force, page 4 Classic on Sunday, Oct. 16, on Battell Beach. Read more about snitches, quaffles and injuries on page 3. The flavors of Vermont Asking Tony Poetry at Mead Read about Tony and the Vermont Get the scoop on Vermont’s ice Former poet laureate Billy Collins Children’s Hospital Miracle Network, cream celebs, Ben and Jerry, gives a reading to the College, page 14. page 6. page 17. this week this 2 20 October 2011 campusnews Occupy Middlebury stirs debate Continued from page 1 He was echoed by Nick Smaller ’14 Oct. 14 panel discussion on Occupy Wall who was filming. Street, arguing that the movement should beings to challenge the system that contin- “There’s almost just a feel of doing it specifically work with and strengthen the ues to fail people worldwide, moment after because they feel like they need something student-led Advisory Committee on So- moment, and day after day,” Munyon said to protest against,” he said. cially Responsible Investing (ACSRI), to the crowd. Other students focused on the move- which has some — though minimal — in- beyond Mahon followed, reminding the partic- ment’s lack of tangible goals, and ques- fluence on how the endowment is invested. ipants that this protest was not something tioned why the protesters were not imme- Of the $4 million committed to these new, but rather the “investments that generate long-term so- the bubble continuing of a tra- There’s almost a feeling cial, environmental, and economic value,” by Melanie Haas dition of civic action Vice President for Finance and Treasurer Staff Columnist at the College that of doing it just because Patrick Norton wrote in an email, $2.4 mil- has included such lion has been invested. Despite the disapproval from the Euro- they feel like they need actions as protests Organizers were open to the idea of pean Union, Russia and the United States, a against apartheid in partnering with ACSRI, though resisted Kiev courtroom sentenced Yulia V.
Recommended publications
  • Independence Day: Resurgence
    INDEPENDENCE DAY: RESURGENCE (2016) ● Rated PG ­ 13 for sequences of sci ­ fi action and destruction, and for some language ● $165,000,000 budget ● 2 hrs ● Directed by Roland Emmerich ​ ​ ● Produced by Lynn Harris, Matti Leshem, Douglas C. Merrifield ​ ​ ​ ​ ​ ● The film was produced by Columbia Pictures, Sony Pictures QUICK THOUGHTS ● Phil Svitek ● Marisa Serafini ● Demetri Panos ● Sara Stretton DEVELOPMENT ● The possibility of a sequel to Independence Day had long been discussed, and the film's ​ ​ producer and writer, Dean Devlin, once stated that the world's reaction to the September ​ ​ ​ 11 attacks influenced him to strongly consider making a sequel to the film ​ ● Soon after the success of the first film, 20th Century Fox paid Dean Devlin a large sum ​ ​ of money to write a script for a sequel. However, after completing the script, Devlin didn't turn in the script and instead gave the money back to the studio, as he felt the story didn't live up to the first film. It was only approximately 15 years later, that Devlin met up with Roland Emmerich to try again, having felt that they had "cracked" a story for a ​ ​ sequel ● Devlin began writing an outline for a script with Emmerich, but in May 2004, Emmerich said he and Devlin had attempted to "figure out a way how to continue the story", but that this ultimately did not work, and the pair abandoned the idea ● In October 2009, Emmerich said he once again had plans for a sequel, and had since considered the idea of making two sequels to form a trilogy ● On June 24, 2011, Devlin confirmed that he and Emmerich had found an idea for the sequels and had written a treatment for it ● In October 2011, however, discussions for Will Smith returning were halted, due to Fox's ​ ​ refusal to provide the $50 million salary demanded by Smith for the two sequels ● Emmerich, however, made assurances that the films would be shot back­to­back, ​ ​ regardless of Smith's involvement ○ Resurgence filmmakers were reported to be preparing versions of the film both ​ with and without Will Smith.
    [Show full text]
  • Midway Production Notes
    MIDWAY PRODUCTION NOTES https://www.lionsgatepublicity.com/theatrical/midway For more information, please contact: Meghann Burns Lionsgate 2700 Colorado Avenue Santa Monica, CA 90404 P: 310-255-3999 E: [email protected] MIDWAY LIONSGATE ENTERTAINMENT Official Site: Publicity Materials: http://www.lionsgatepublicity.com/theatrical/midway/ Facebook: @MidwayMovie Twitter: @MidwayMovie Instagram: @MidwayMovie Hashtag: #MidwayMovie Genre: Action, Drama Rating: PG-13 For sequences of war violence and related images, language and smoking. U.S. Release Date: November 8, 2019 Running Time: 138 minutes Cast: Ed Skrein, Patrick Wilson, Luke Evans, Aaron Eckhart, Nick Jonas, Etsushi Toyokawa, Tadanobu Asano, Luke Kleintank, Jun Kunimura, Darren Criss, Keean Johnson, Alexander Ludwig, with Mandy Moore, Dennis Quaid and Woody Harrelson Directed by: Roland Emmerich Written by: Wes Tooke Produced by: Harald Kloser Credits not contractual SYNOPSIS: MIDWAY centers on the Battle of Midway, a clash between the American fleet and the Imperial Japanese Navy which marked a pivotal turning point in the Pacific Theater during WWII. The film, based on the real-life events of this heroic feat, tells the story of the leaders and sailors who used their instincts, fortitude and bravery to overcome the odds. ONE-LINE: The story of the Battle of Midway, told through the experiences of the WWII leaders and sailors who fought it. 2 MIDWAY “You could ask, how could I fly against these odds, knowing that I probably wasn’t going to come back. Those men were my brothers. I would have flown with them straight into hell. - Dick Best MIDWAY centers on the Battle of Midway, a clash between the American fleet and Imperial Japanese Navy, which marked a turning point in the Pacific Theater during World War II.
    [Show full text]
  • Uscirà in Italia Moonfall, Kolossal Fantascientifico Diretto Da Roland
    CLIENTE LUCISANO TESTATA IlMessaggero.it DATA 20 MAGGIO MEDIA GROUP 2019 Uscirà in Italia Moonfall, kolossal fantascientifico diretto da Roland Emmerich, regista tedesco noto per aver firmato blockbuster di successo in tutto il mondo come Independence Day, Stargate, Godzilla, The Day After Tomorrow e 2012. Lucisano Media Group da Cannes annuncia di avere acquisito i diritti per l’Italia. “Moonfall” è un progetto da 150 milioni di dollari - il budget più alto tra i film in vendita al mercato del Festival di Cannes 2019 - e si muoverà sulla scia di “Independence Day” e “2012”, come ha dichiarato lo stesso regista, rivelando che il film racconterà la missione impossibile di un manipolo di eroi chiamati a salvare l’umanità quando la luna uscendo dalla propria orbita minaccerà di distruggere la terra. Una nuova spettacolare epopea fantascientifica speziata di umorismo e arguzia che, come ha sottolineato Emmerich, nasce dal fascino che la Luna - «l’oggetto più strano che esista» - esercita su di lui. Il film sarà prodotto dalla Centropolis Entertainment di Roland ed Ute Emmerich, i cui film ad oggi hanno incassato più di 4 miliardi di dollari nel mondo, ed è stato scritto e sviluppato dallo stesso Emmerich con Harald Kloser e da Spenser Cohen. «L’acquisizione di Moonfall rappresenta un ulteriore passo verso la crescita delle attività di distribuzione del Gruppo, a cui avevamo dato un impulso importante già lo scorso anno, qui a Cannes, rilevando i diritti di “Midway”, un altro kolossal firmato da Roland Emmerich in uscita nei prossimi mesi, da cui ci aspettiamo grandi soddisfazioni», ha commentato Federica Lucisano, Amministratore Delegato di Lucisano Media Group.
    [Show full text]
  • Lucisano Media Group Acquisisce a Cannes I Diritti Di “Moonfall”, Il
    COMUNICATO STAMPA Lucisano Media Group acquisisce a Cannes i diritti di “Moonfall”, il nuovo kolossal di Roland Emmerich Con un budget di 150 milioni di dollari – il più alto tra quelli delle opere in vendita al Festival 2019 – il film racconta di un gruppo di eroi che cercheranno di impedire lo schianto della luna sulla Terra Roma, 20 maggio 2019 – Lucisano Media Group S.p.A. (AIM: LMG), società quotata su Aim a capo del noto gruppo attivo nel settore audiovisivo, annuncia di avere acquisito i diritti per l’Italia di “Moonfall”, kolossal fantascientifico diretto da Roland Emmerich, regista tedesco noto per aver firmato blockbuster di successo in tutto il mondo come “Independence Day”, “Stargate”, “Godzilla”, “The Day After Tomorrow” e “2012”. “Moonfall” è un progetto da 150 milioni di dollari - il budget più alto tra i film in vendita al mercato del Festival di Cannes 2019 – e si muoverà sulla scia di “Independence Day” e “2012”, come ha dichiarato lo stesso regista, rivelando che il film racconterà la missione impossibile di un manipolo di eroi chiamati a salvare l’umanità quando la luna uscendo dalla propria orbita minaccerà di distruggere la terra. Una nuova spettacolare epopea fantascientifica speziata di umorismo e arguzia che, come ha sottolineato Emmerich, nasce dal fascino che la Luna - “l’oggetto più strano che esista” - esercita su di lui. Il film sarà prodotto dalla Centropolis Entertainment di Roland ed Ute Emmerich, i cui film ad oggi hanno incassato più di 4 miliardi di dollari nel mondo, ed è stato scritto e sviluppato dallo stesso Emmerich con Harald Kloser (“2012,” “White House Down,” “Independence Day: Resurgence”) e da Spenser Cohen.
    [Show full text]
  • Winter 2020 Mixed Genre
    Winter, 2020 All Prices Good through 5/31/20 Music Classical see pages 3 - 21 Beethoven: Symphonies Blomstedt/Staatskapelle Dresden 5 CDs BLC 96040 $16.98 Special Section pages 6 - 7 Jazz see pages 28 - 33 Harry Connick, Jr. A Celebration of Cole Porter page 31 Stage & Screen see pages 22 - 27 Cats Highlights from the Motion Picture Soundtrack page 25 Partnered with: Roots Folk Music Country Music see pages 40 - 43 Peter, Paul and Mary At Newport, 1963-65 [DVD Video] VT / KY / TN - see page 2 HBDirect Mixed-Genre Catalog HBDirect is pleased to present our fourth Mixed-Genre catalog - an alternative and compliment to our long standing Classics & Jazz Catalog. This Mixed-Genre catalog offers our music-loving customers Winter 2020 an enticing selection of classical and jazz recordings, as well as everything from the roots of Americana to world music, blues, film scores and military band selections as well as DVDs, Blu-rays and audio books. ‘Silence’ - Christoph Sietzen, marimba; Academy of Ancient Music A number of new and infrequently appearing genres and products are offered in this Winter 2020 Christoph Sietzen has been noted for his technical mastery as well as his power- catalog. On pages 22 and 23, look for a selection of Naxos audio books with titles ranging from the familiar ful stage presence. With an Opus Klassik “Young Artist of the Year” award under to the unknown. Following the introduction of Blues in the Autumn 2020 Mixed-Genre catalog we’ve his belt, he presents his new album from Sony Classical, Silence.
    [Show full text]
  • Reframing the Disaster Genre in a Post-9/11 World
    Wesleyan University The Honors College Reframing the Disaster Genre in a Post-9/11 World by Matthew James Connolly Class of 2009 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Film Studies Middletown, Connecticut April, 2009 1 Acknowledgments To begin with, thank you to Scott Higgins. Your ―History of World Cinema‖ class made me want to become a Film Studies major. Your ―Cinema of Adventure and Action‖ course led me to the notion of writing a thesis on disaster cinema. And your intelligence, humor, patience, and unfaltering support as a thesis advisor has made the end product infinitely better and the journey all the more rewarding. Thank you to the Film Studies department: especially to Lisa Dombrowski for her perceptive, balanced, and always illuminating teaching; and to Jeanine Basinger, whose seemingly boundless understanding of film and her passion for sharing it with others has forever changed the way I think about movies. Thank you to all of the brilliant and inspiring professors I have had the pleasure and honor of learning from over my four years at Wesleyan, especially William Stowe, Sally Bachner, Henry Abelove, Claudia Tatinge Nascimentio, Mary-Jane Rubenstein and Renee Romano. Thank you to all of my beautiful and brilliant friends who have supported me throughout this entire process. I want to especially thank my housemates Sara Hoffman and Laurenellen McCann, who have sat and talked and laughed and cried and ate and drank with me from start to finish.
    [Show full text]
  • Sfarsitul Lumii in Viziunea Lui Roland Emmerich @
    Sfarsitul lumii in viziunea lui Roland Emmerich Filmul care tine afisul la Cinematograful "Arta" intre 27 noiembrie si 3 decembrie are un titlul care nu spune de fapt nimic, dar e incitant, pentru ca te pune in situatia de a dori sa-i afli semnificatia: "2012". Acest 2012 marcheaza, in calendarul maias, dupa unele interpretari, sfarsitul celui de-al saselea ciclu de existenta a lumii, ultimul, 21 decembrie 2012, este ziua cand va actiona zeul creatiei si al razboiului, ziua unor cutremuratoare catastrofe la nivel global si a inceputului unei noi si marete transformari spirituale. Tema Apocalipsei nu e noua, ea se regaseste in miturile tuturor marilor civilizatii ale Terrei, dar profetia vechilor maiasi a facut valva in ultimii ani, dupa ce ea a fost coroborata cu alte prevestiri de acest gen, precum cele ale lui Nostradamus. Cel care a vazut in profetia maiasa a sfarsitului lumii un posibil reper pentru realizarea unui film a fost austriacul Harald Kloser, scriitor, producator de filme si compozitor, unul dintre apropiatii cunoscutului regizor Roland Emmerich, si acesta un european, un german pe care Hollywoodul l-a adoptat si l-a propulsat pe scara succesului profesional si financiar. Kloser si Emmerich au scris impreuna o poveste credibila din punct de vedere uman, filozofic si politic despre un dezastru care loveste intreaga omenire, iar Roland Emmerich, aflat la a treia creatie cu tema "catastrofica" (dupa "Independence Day" si "The Day After Tomorrow") s-a intrecut pe sine in privinta punerii in cadru a acestei povesti, in cel mai grandios proiect al sau de pana acum.
    [Show full text]
  • Respon Siswa-Siswi Madrasah Aliyah Negeri 4 Model Jakarta Terhadap Film “2012”
    RESPON SISWA-SISWI MADRASAH ALIYAH NEGERI 4 MODEL JAKARTA TERHADAP FILM “2012” Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi Jurusan Komunikasi dan Penyiaran Islam untuk memenuhi persyaratan memperoleh gelar Sarjana Komunikasi Islam ( S.Kom.I ) Oleh: ISTIANA NIM: 206051104344 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UIN SYARIF HIDAYATULLAH JAKARTA 1431 H / 2010 M 1 2 RESPON SISWA-SISWI MADRASAH ALIYAH NEGERI 4 MODEL JAKARTA TERHADAP FILM 2012 Skripsi Diajukan kepada Fakultas Ilmu Dakwah dan Ilmu Komunikasi Untuk Memenuhi Persyaratan Memperoleh Gelar Sarjana Komunikasi Islam(S. Kom. I) Oleh: ISTIANA NIM: 206051104344 Di bawah Bimbingan Drs. Jumroni, M. Si NIP: 19630515 199203 1 006 JURUSAN KOMUNIKASI DAN PENYIARAN ISLAM FAKULTAS ILMU DAKWAH DAN ILMU KOMUNIKASI UNIVERSITAS ISLAM NEGERI SYARIF HIDAYATULLAH JAKARTA 1431 H / 2010 M 3 LEMBAR PERNYATAAN Dengan ini saya menyatakan bahwa: 1. Skripsi ini merupakan hasil karya asli saya, yang diajukan untuk memenuhi salah satu persayaratan untuk memperoleh gelar Strata Satu (S.1) di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 2. Semua sumber yang digunakan dalam penulisan ini telah saya cantumkan sesuai dengan ketentuan yang berlaku di Universitas Islam Negeri (UIN) Syarif Hidayatullah Jakarta. 3. Jika dikemudian hari terbukti bahwa karya ini bukan hasil karya asli saya atau merupakan tiruan hasil karya orang lain, maka saya bersedia menerima sanksi yang berlaku di UIN Syarif Hidayatullah Jakarta. Jakarta, 30 Oktober 2010 Istiana 4 LEMBAR PENGESAHAN Skripsi yang berjudul RESPON SISWA-SISWI MAN 4 MODEL JAKARTA TERHADAP FILM 2012 . Telah diujikan dalam sidang munaqasyah Fakultas Ilmu Dakwah dan Ilmu Komunikasi UIN Syarif Hidayatullah Jakarta pada tanggal 22 Desember 2010.
    [Show full text]
  • Catàleg 2010
    Cinema a la fresca ESTIU 2010 Mòbil:607 086 086 Telèfon: 972 877 774 Fax: 972 877 741 E-mail: [email protected] www.videocinema.net ÍNDEX: Grans estrenes per aquest estiu 2010 .......................................................................3 Cinema en Català...........................................................................................................4 Sinopsis de les pel·lícules:.........................................................................................5 o 2012.....................................................................................................................6 o AL LIMITE............................................................................................................6 o ALICIA EN EL PAIS DE LAS MARAVILLAS........................................................7 o ANGELES Y DEMONIOS ....................................................................................7 o AÑO UNO..............................................................................................................8 o ARTHUR I LA VENJANÇA D’EN MALTAZARD ..................................................8 o AVATAR ..............................................................................................................9 o CAÇADORS DE DRACS.......................................................................................9 o COM ENSINISTRAR EL TEU DRAC...................................................................10 o EXPEDIENTE 39 .................................................................................................10
    [Show full text]
  • 'Anonymous,' by Roland Emmerich
    ‘Anonymous,’ by Roland Emmerich - Review - NYTimes.com 6/25/12 1:24 PM HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Help Search All NYTimes.com Movies WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS Search Movies, People and Showtimes by ZIP Code More in Movies » In Theaters Coming Soon Critics' Picks On DVD Tickets & Showtimes Trailers ArtsBeat MOVIE REVIEW Log in to see what your friends Log In With Facebook Anonymous (2011) are sharing on nytimes.com. Privacy Policy | What’s This? What’s Popular Now Apple Stores’ Mohamed Morsi Army, Long on of Muslim Loyalty but Short Brotherhood on Pay Declared as Egypt’s President Tickets & Showtimes Enter your ZIP code or city to view tickets and showtimes in your area. City, State or ZIP More Theaters Near You » Columbia Pictures Rhys Ifans stars in “Anonymous,” directed by Roland Emmerich. How Could a Commoner Write Such Great Plays? By A. O. SCOTT Published: October 27, 2011 “Anonymous,” a costume spectacle directed by Roland Emmerich, RECOMMEND from a script by John Orloff, is a vulgar prank on the English literary TWITTER tradition, a travesty of British history and a brutal insult to the human LINKEDIN imagination. Apart from that, it’s not bad. SIGN IN TO E- MAIL First things first. The film’s premise is More About This Movie PRINT TicketWatch: Theater Offers by E-Mail that the plays and poems commonly Overview REPRINTS Sign up for ticket offers from Broadway shows and other attributed to William Shakespeare are advertisers.
    [Show full text]
  • 12 Years a Slave (Steve Mcqueen, 2013): Redefining the Contours of the Classic Biopic? Anne-Marie Paquet-Deyris
    Transatlantica Revue d’études américaines. American Studies Journal 1 | 2018 Slavery on Screen / American Women Writers Abroad: 1849-1976 Electronic version URL: http://journals.openedition.org/transatlantica/11425 DOI: 10.4000/transatlantica.11425 ISSN: 1765-2766 Publisher AFEA Electronic reference Transatlantica, 1 | 2018, “Slavery on Screen / American Women Writers Abroad: 1849-1976” [Online], Online since 27 August 2018, connection on 29 April 2021. URL: http://journals.openedition.org/ transatlantica/11425; DOI: https://doi.org/10.4000/transatlantica.11425 This text was automatically generated on 29 April 2021. Transatlantica – Revue d'études américaines est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 TABLE OF CONTENTS L’esclavage à l’écran / Slavery on Screen Dirigé par Michaël Roy et Philip Kaisary / Edited by Michaël Roy and Philip Kaisary Introduction« A hole in the canon of cinema » ? L’esclavage nord-américain à l’écran Michaël Roy From Uncle Tom to Nat Turner: An Overview of Slavery in American Film, 1903-2016 Melvyn Stokes « Spirit of the dead, rise up! […] and claim your story ». Représentation de l’esclavage et esthétique de la résistance dans Sankofa (Haile Gerima, 1993) Claire Dutriaux Confronting Race Head-on in 12 Years a Slave (Steve McQueen, 2013): Redefining the Contours of the Classic Biopic? Anne-Marie Paquet-Deyris “Queen of the fields”: Slavery’s Graphic Violence and the Black Female Body in 12 Years a Slave (Steve McQueen, 2013) Hélène Charlery The Birth of a Nation (Nate Parker, 2016): The Tale of Nat Turner’s Rebellion Delphine Letort American Women Writers Abroad: 1849-1976 Edited by Stéphanie Durrans American Women Writers Abroad: Myth and Reality Stéphanie Durrans In, Out, and Beyond: Dislocation, Contamination and the Redemptive Power of Womanhood in California, In-doors and Out by Eliza W.
    [Show full text]
  • ADULT FICTIONAL FILMS on DVD | UPDATED APRIL 2015 TITLE YEAR (500) Days of Summer (Motion Picture)
    CASE MEMORIAL LIBRARY | ADULT FICTIONAL FILMS ON DVD | UPDATED APRIL 2015 TITLE YEAR (500) days of summer (Motion picture);"(500) days of Summer [videorecording] / Fox Searchlight Pictures presents a Watermark production2009 produced by Jessica Tuchinsky 10,000 BC [videorecording] / produced by Michael Wimer, Roland Emmerich, Mark Gordon written by Roland Emmerich, Harold Kloser directed2008 by Roland Emmerich. 100 years of the New York Yankees [videorecording]. 2003 12 angry men [videorecording] / MGM/UA Orion-Nova production produced by Henry Fonda and Reginald Rose directed by Sidney Lumet2001 story and screenplay, Reginald Rose. 12 rounds (Motion picture : 2009);"12 rounds [videorecording] / produced by Mark Gordon ... [et al.] written by Daniel Kunka directed by2009 Renny Harlin." 12 years a slave [videorecording] / Regency Enterprises and River Road Entertainment present a River Road, Plan B and New Regency production2013 in association with Film4, a film by Steve McQueen. 127 hours [videorecording] / produced by Danny Boyle, Christian Colson, John Smithson screenplay by Danny Boyle, Simon Beaufoy directed2011 by Danny Boyle. 13 conversations about one thing [videorecording] / directed by Jill Sprecher. 2001 13 going on 30 [videorecording] / Revolution Studios presents a Roth/Arnold production a Gina Matthews production. 2004 16 blocks [videorecording] / Warner Bros. in association with Alcon Entertainment and Millennium Films presents an Emmett/Furla Films and2006 Cheyenne Enterprises production for Equity Pictures Medienfonds GmbH & Co. KG III & Nu Image Entertainment GmbH produced by Randall Emmett, Avi Lerner, Arnold Rifkin, John Thompson, Jim Van Wyck, Bruce Willis written by Richard Wenk directed by Richard Donner. 17 again [videorecording] / New Line Cinema presents an Offspring Entertainment production produced by Adam Shankman, Jennifer Gibgot2009 written by Jason Filardi directed by Burr Steers.
    [Show full text]