Other Shooting Options

Total Page:16

File Type:pdf, Size:1020Kb

Other Shooting Options QSnapDigPhoto-02 7/24/06 3:14 PM Page 22 QSnapDigPhoto-02 7/24/06 3:14 PM Page 23 2 Setting Up Your Digital Camera ven point-and-shoot cameras aren’t quite ready to go right out Large numbers of digital cameras are also sold by mail order and of the box. Before you can begin pointing, you’ll usually need over the Internet with very little interaction between you and the ven- to set up your camera, make some initial settings, and prepare dor. It’s very likely that when you open the box and unpack your new E digital camera, you’re on your own, alone with the camera manufac- it for use. If you purchased your digital camera in a full-service retailer, it’s likely that the store personnel helped you set up your cam- turer’s Quick Start poster and not much more in the way of informa- era, explained some of the key controls, and gave you a quick tour of tion. The manual that came with your camera may be fairly helpful, the main features. That’s one of the best reasons for buying from a but it probably offers only the basics without any background that local store that specializes in photography and imaging products, explains why you’re performing the various setup tasks. If you’ve even if the price you pay is a little higher. However, the reality is that bought this book, however, you’re not entirely without setup help. This many digital cameras are bought from “big box” electronics stores chapter provides an overview that you should find helpful when con- and other outlets staffed by sales people rather than photographers, figuring your camera. and all you may receive is a box and a handshake. That’s okay, too, if you need a handshake more than handholding. QSnapDigPhoto-02 7/24/06 3:14 PM Page 24 Quick Snap Guide to Digital Photography Battery Charging and Battery Life All digital cameras use one or AA batteries (alkalines or the case with a few inexpensive charge each day, even when the more batteries, which provide rechargeables), non-rechargeable digital cameras). camera is not being used). So, electrical power for the camera’s lithium cells, or an AC adapter it’s helpful to recharge your bat- various functions. One of these that can be helpful when using The clock battery is usually a teries before attempting to use the will be the main battery, usually a the camera for long periods, such small button cell that’s good for a camera. The process usually rechargeable nickel metal as when you’re shooting time- number of years before it must be takes only an hour or two to reju- hydride (NiMH) or lithium ion (Li- lapse sequences that can last replaced. Unfortunately, this cell venate a fully depleted battery. Ion) power pack that can be hours or days. isn’t always as accessible to the Here are some things to consider: removed from the camera for user, which means you must send N recharging or replacement, or You might not be aware that your the camera to the vendor when Separate charger required. Digital camera batteries are usually which can be charged while it’s digital camera could also have a the clock battery needs replace- second “secret” battery, often ment. If you keep a well-charged recharged outside the camera, still in the camera. The disadvan- using a separate battery charger, called a clock battery because it main battery in your camera, it tage of in-camera charging, of like the charger shown in Figure course, is that you can’t use your powers the memory that retains can protect the clock battery from 2.1. Removing the depleted battery camera while the internal battery various settings, including the discharging, prolonging its useful gives you the opportunity to plug in is being recharged. If you have a time and when the main battery life. Often, you’ll find that a a fresh one and continue shooting choice, a camera with removable has been completely discharged “clock” icon is flashing on your if you like. It’s a better method than that used with cameras that require cells, which can be replaced with or removed. Without this second- new digital camera when you plugging the whole camera into a another set so you can continue ary cell, all the customized set- receive it. That doesn’t mean that shooting, is the best option. tings you’ve made, as well as the the battery is already dead; it sim- current time and date, would be ply signifies that the time and date Your digital camera might also lost every time you changed the need to be set for the first time. operate using standard AAA or main battery (which is actually Your camera’s main battery is sel- dom fully charged when you AVOID BURNOUT receive the camera. It may have Don’t carry a loose spare battery; make sure it’s inside a pouch or container been shipped with a partial that prevents the exposed contacts from touching any conductive surface charge, or it might have lost that might cause the battery to short out. It’s surprising how hot a battery some or all of its juice after leav- can get when all its energy is released unexpectedly through a short circuit. ing the factory (rechargeables Figure 2.1 Many batteries must be often lose about 1 percent of their recharged outside the camera. 24 QSnapDigPhoto-02 7/24/06 3:14 PM Page 25 Setting Up Your Digital Camera power source for recharging, or digital cameras have a Battery Why do some digital cameras nestling the camera into a separate Information screen that shows an have relatively more juice than image transfer/power dock. accurate percentage of power smaller, less fully featured point- remaining, and the number of pho- N Recharge anytime. NiMH or and-shoot digicams? Part of the tos taken with the current charge Li-Ion batteries can be topped off at (this may be a larger number than answer comes from the size fac- any time, regardless of how much the exposures shown on your cam- tor alone: Compact consumer of the charge has been used, with- era’s status display if you’ve digital cameras may have a tiny out danger of suffering from the swapped or reformatted memory “memory effect” that plagued ear- battery, like the one shown in cards). Some high-end cameras lier types of batteries (particularly Figure 2.2, that offers perhaps with “intelligent” batteries also nickel cadmium cells) and gradu- 600 to 700 millampere hours measure how many times a battery ally depleted their capacity. (mAh) of power, compared to the has been recharged, recommend Modern batteries are good for up replacement with a new one when 1,500 to 2,000 mAh (or more) to 1,000 full charge/recharge needed, and track the accuracy of ratings of typical advanced digi- Figure 2.2 Batteries for compact cycles in any combination; for their gauge and call for recalibra- tal camera batteries. digital cameras are usually good for example, if you consistently tion when there is a difference 150-400 shots. recharge when the battery is half Snapshooters tend to use their between the predicted and actual expended, you can reasonably camera’s built-in flash units more, number of shots you should be expect to do that about 2,000 power-hungry LCDs are often getting. shutter release button is partially times before needing to buy a switched on for long periods to depressed. Serious photogra- new one. N Longer life. Some kinds of batter- compose or review images, and phers don’t use flash as often as ies last longer than others, and the N Check remaining power. the camera’s battery may have to number of shots you can get varies snapshooters. When “idling,” a Some cameras offer two ways to handle power-gobbling functions from camera to camera, too. A camera uses very little electricity check the amount of charge particular camera may give you like zooming. remaining. You’ll usually find an at all, yet is able to spring to life just 100-150 shots with a set of icon in the shape of a battery on instantly when the shutter release two alkaline AA batteries, but offer More advanced digital cameras, the back panel LCD (or on the sta- is pushed. Actually taking a pic- 400 or more exposures with a in contrast, may be more efficient tus LCD on top of the camera in the ture does cause a spike in battery compatible rechargeable pack. A in their use of power. Their LCDs case of more advanced cameras). consumption, but the amount of similarly sized camera from The icon will gradually lose inter- may switch off after a minute or another vendor might provide current drawn isn’t all that great. nal segments as the battery is two, and remain off until you’re twice as many shots with each type The flash, LCD, and sensor that depleted, until an “empty” battery ready to take another picture or of battery. Advanced digital cam- must remain active to supply an icon represents a fully discharged during picture review or menu eras with their hefty battery packs cell. There may be a battery warn- image to the LCD are the most can sometimes take 1,000 or more access. Autofocus and autoexpo- ing light inside your viewfinder, prominent power hogs in your images on a single charge, and sure functions consume power, too.
Recommended publications
  • USER MANUAL AKASO Brave 6 Plus Action Camera
    USER MANUAL AKASO Brave 6 Plus Action Camera V1.2 CONTENTS What's in the Box 1 Your Brave 6 Plus 2 Getting Started 4 Overview of Modes 5 Customizing Your Brave 6 Plus 8 Playing Back Your Content 15 Deleting Your Content 15 Connecting to the AKASO GO app 15 Offloading Your Content 16 Maintaining Your Camera 16 Maximizing Battery Life 17 Battery Storage and Handling 17 External Microphone 18 Remote 18 Mounting Your Camera 20 Contact Us 22 WHAT'S IN THE BOX Waterproof Handle Bar/ Brave 6 Plus Housing Pole Mount Mount 1 Mount 2 Mount 3 Mount 4 Mount 5 Mount 6 Mount 7 Mount 8 Charger 1 Helmet Mounts Battery Protective Backdoor Clip 1 Clip 2 Tethers Lens Cloth USB Cable Quick Start Guide AKASO Brave 6 Plus Action Camera Remote Bandages Quick Start Guide 1 YOUR BRAVE 6 PLUS 3 1 4 5 2 6 7 8 10 9 2 11 1 Shutter/Select Button 7 USB Type-C Port 2 Power/Mode/Exit Button 8 Micro HDMI Port 3 Up/Wifi Button 9 Touch Screen 4 Down Button 10 Battery Door 5 Speaker 11 MicroSD Slot 6 Lens Note: The camera does not record sound when it is in the waterproof case. 3 GETTING STARTED Welcome to your AKASO Brave 6 Plus. To capture videos and photos, you need a microSD card to start recording (sold separately). MICROSD CARDS Please use brand name microSD cards that meet these requirements: • microSD, microSDHC or microSDXC • UHS-III rating only • Capacity up to 64GB (FAT32) Note: 1.
    [Show full text]
  • Real-Time Burst Photo Selection Using a Light-Head Adversarial Network
    Real-time Burst Photo Selection Using a Light-Head Adversarial Network Baoyuan Wang, Noranart Vesdapunt, Utkarsh Sinha, Lei Zhang Microsoft Research Abstract. We present an automatic moment capture system that runs in real-time on mobile cameras. The system is designed to run in the viewfinder mode and capture a burst sequence of frames before and after the shutter is pressed. For each frame, the system predicts in real-time a \goodness" score, based on which the best moment in the burst can be selected immediately after the shutter is released, without any user interference. To solve the problem, we develop a highly efficient deep neural network ranking model, which implicitly learns a \latent relative attribute" space to capture subtle visual differences within a sequence of burst images. Then the overall goodness is computed as a linear aggre- gation of the goodnesses of all the latent attributes. The latent relative attributes and the aggregation function can be seamlessly integrated in one fully convolutional network and trained in an end-to-end fashion. To obtain a compact model which can run on mobile devices in real-time, we have explored and evaluated a wide range of network design choices, tak- ing into account the constraints of model size, computational cost, and accuracy. Extensive studies show that the best frame predicted by our model hit users' top-1 (out of 11 on average) choice for 64:1% cases and top-3 choices for 86:2% cases. Moreover, the model(only 0.47M Bytes) can run in real time on mobile devices, e.g.
    [Show full text]
  • Intro to Digital Photography.Pdf
    ABSTRACT Learn and master the basic features of your camera to gain better control of your photos. Individualized chapters on each of the cameras basic functions as well as cheat sheets you can download and print for use while shooting. Neuberger, Lawrence INTRO TO DGMA 3303 Digital Photography DIGITAL PHOTOGRAPHY Mastering the Basics Table of Contents Camera Controls ............................................................................................................................. 7 Camera Controls ......................................................................................................................... 7 Image Sensor .............................................................................................................................. 8 Camera Lens .............................................................................................................................. 8 Camera Modes ............................................................................................................................ 9 Built-in Flash ............................................................................................................................. 11 Viewing System ........................................................................................................................ 11 Image File Formats ....................................................................................................................... 13 File Compression ......................................................................................................................
    [Show full text]
  • Impact with Smartphone Photography
    A Smartphone for Serious Photography? DSLR technically superior … but photo quality depends on technical skill, creative vision Smartphone cameras can produce remarkable pictures … always at ready … After all … The Best Camera is the One You Have With You Impact With Smartphone Photography 1 2 Smartphone Camera Handling To further avoid camera shake, release shutter with volume buttons …or use Apple headphones Cradle phone with both hands in “C” shape … keeps fingers away from lens … reduces camera shake 3 4 Keep Your Lens Clean Phone spends lot of time in pocket Master your or purse …grimy lens = poor image camera’s interface quality Explore …experiment with every control… Clean often with microfiber cloth … (breathe on lens to add moisture — every shooting mode no liquids) in built-in camera app Make small circles with soft pressure Set Phone Down With Camera Facing Up 5 6 Key Features: iPhone Standard Camera App AE/AF Lock Auto Burst Touch and hold finger on “Point and shoot”… automatic Take 10 photos in one second … screen … AE/AF Lock and focus and exposure perfect to capture action sun indicators appear Manual Focus High Dynamic Range (HDR) Tap a spot on screen to set focus Combines 3 different exposures to create one image with detail in both Exposure Adjust Exposure Adjust highlights and shadows Slide sun indicator up or Swipe up or down to make image down to make image brighter or darker lighter or darker Grid Grid Horizontal and vertical lines divide Helps keep horizons level, architectural lines Lock Focus & Exp (AE Lock) screen
    [Show full text]
  • An Analysis and Implementation of the HDR+ Burst Denoising Method
    Published in Image Processing On Line on 2021–05–25. Submitted on 2021–03–01, accepted on 2021–05–05. ISSN 2105–1232 c 2021 IPOL & the authors CC–BY–NC–SA This article is available online with supplementary materials, software, datasets and online demo at https://doi.org/10.5201/ipol.2021.336 2015/06/16 v0.5.1 IPOL article class An Analysis and Implementation of the HDR+ Burst Denoising Method Antoine Monod1,2, Julie Delon1, Thomas Veit2 1 MAP5, Universit´ede Paris, France ({antoine.monod, julie.delon}@u-paris.fr) 2 GoPro Technology, France ([email protected]) Abstract HDR+ is an image processing pipeline presented by Google in 2016. At its core lies a denoising algorithm that uses a burst of raw images to produce a single higher quality image. Since it is designed as a versatile solution for smartphone cameras, it does not necessarily aim for the maximization of standard denoising metrics, but rather for the production of natural, visually pleasing images. In this article, we specifically discuss and analyze the HDR+ burst denoising algorithm architecture and the impact of its various parameters. With this publication, we provide an open source Python implementation of the algorithm, along with an interactive demo. Source Code The Python implementation of HDR+ has been peer-reviewed and accepted by IPOL. The source code, its documentation, and the online demo are available from the web page of this article1. Compilation and usage instructions are included in the README.txt file of the archive. The code is also available on GitHub2. Keywords: burst denoising; computational photography; motion estimation; temporal filter- ing; high dynamic range; image signal processor 1 Introduction Image noise is a common issue in digital photography, and that issue is even more prominent in smaller sensors used in devices like smartphones or action cameras.
    [Show full text]
  • Nikon D5100: from Snapshots to Great Shots
    Nikon D5100: From Snapshots to Great Shots Rob Sylvan Nikon D5100: From Snapshots to Great Shots Rob Sylvan Peachpit Press 1249 Eighth Street Berkeley, CA 94710 510/524-2178 510/524-2221 (fax) Find us on the Web at www.peachpit.com To report errors, please send a note to [email protected] Peachpit Press is a division of Pearson Education Copyright © 2012 by Peachpit Press Senior Acquisitions Editor: Nikki McDonald Associate Editor: Valerie Witte Production Editor: Lisa Brazieal Copyeditor: Scout Festa Proofreader: Patricia Pane Composition: WolfsonDesign Indexer: Valerie Haynes Perry Cover Image: Rob Sylvan Cover Design: Aren Straiger Back Cover Author Photo: Rob Sylvan Notice of Rights All rights reserved. No part of this book may be reproduced or transmitted in any form by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. For information on getting permission for reprints and excerpts, contact permissions@ peachpit.com. Notice of Liability The information in this book is distributed on an “As Is” basis, without warranty. While every precaution has been taken in the preparation of the book, neither the author nor Peachpit shall have any liability to any person or entity with respect to any loss or damage caused or alleged to be caused directly or indirectly by the instructions contained in this book or by the computer software and hardware products described in it. Trademarks All Nikon products are trademarks or registered trademarks of Nikon and/or Nikon Corporation. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks.
    [Show full text]
  • Computational Photography Research at Stanford
    Computational photography research at Stanford January 2012 Marc Levoy Computer Science Department Stanford University Outline ! Light field photography ! FCam and the Stanford Frankencamera ! User interfaces for computational photography ! Ongoing projects • FrankenSLR • burst-mode photography • languages and architectures for programmable cameras • computational videography and cinematography • multi-bucket pixels 2 ! Marc Levoy Light field photography using a handheld plenoptic camera Ren Ng, Marc Levoy, Mathieu Brédif, Gene Duval, Mark Horowitz and Pat Hanrahan (Proc. SIGGRAPH 2005 and TR 2005-02) Light field photography [Ng SIGGRAPH 2005] ! Marc Levoy Prototype camera Contax medium format camera Kodak 16-megapixel sensor Adaptive Optics microlens array 125µ square-sided microlenses 4000 ! 4000 pixels ÷ 292 ! 292 lenses = 14 ! 14 pixels per lens Digital refocusing ! ! ! 2010 Marc Levoy Example of digital refocusing ! 2010 Marc Levoy Refocusing portraits ! 2010 Marc Levoy Light field photography (Flash demo) ! 2010 Marc Levoy Commercialization • trades off (excess) spatial resolution for ability to refocus and adjust the perspective • sensor pixels should be made even smaller, subject to the diffraction limit, for example: 36mm ! 24mm ÷ 2.5µ pixels = 266 Mpix 20K ! 13K pixels 4000 ! 2666 pixels ! 20 ! 20 rays per pixel or 2000 ! 1500 pixels ! 3 ! 3 rays per pixel = 27 Mpix ! Marc Levoy Camera 2.0 Marc Levoy Computer Science Department Stanford University The Stanford Frankencameras Frankencamera F2 Nokia N900 “F” ! facilitate research in experimental computational photography ! for students in computational photography courses worldwide ! proving ground for plugins and apps for future cameras 14 ! 2010 Marc Levoy CS 448A - Computational Photography 15 ! 2010 Marc Levoy CS 448 projects M. Culbreth, A. Davis!! ! ! A phone-to-phone 4D light field fax machine J.
    [Show full text]
  • Computational Photography & Cinematography
    Computational photography & cinematography (for a lecture specifically devoted to the Stanford Frankencamera, see http://graphics.stanford.edu/talks/camera20-public-may10-150dpi.pdf) Marc Levoy Computer Science Department Stanford University The future of digital photography ! the megapixel wars are over (and it’s about time) ! computational photography is the next battleground in the camera industry (it’s already starting) 2 ! Marc Levoy Premise: available computing power in cameras is rising faster than megapixels 12 70 9 52.5 6 35 megapixels 3 17.5 billions of pixels / second of pixels billions 0 0 2005 2006 2007 2008 2009 2010 Avg megapixels in new cameras, CAGR = 1.2 NVIDIA GTX texture fill rate, CAGR = 1.8 (CAGR for Moore’s law = 1.5) ! this “headroom” permits more computation per pixel, 3 or more frames per second, or less custom hardware ! Marc Levoy The future of digital photography ! the megapixel wars are over (long overdue) ! computational photography is the next battleground in the camera industry (it’s already starting) ! how will these features appear to consumers? • standard and invisible • standard and visible (and disable-able) • aftermarket plugins and apps for your camera 4 ! Marc Levoy The future of digital photography ! the megapixel wars are over (long overdue) ! computational photography is the next battleground in the camera industry (it’s already starting) ! how will these features appear to consumers? • standard and invisible • standard and visible (and disable-able) • aftermarket plugins and apps for your camera
    [Show full text]
  • User's Manual
    DIGITAL CAMERA User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. En Printed in Thailand En 6MB01311-01 Trademark Information • Microsoft and Windows Vista are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. • Macintosh, Mac OS, and QuickTime are trademarks of Apple Inc. • Adobe and Acrobat are registered trademarks of Adobe Systems Inc. • The SD logo is a trademark of the SD Card Association. • The SDHC logo is a trademark. • PictBridge is a trademark. • All other trade names mentioned in this manual or the other documentation provided with your Nikon product are trademarks or registered trademarks of their respective holders. Introduction First Steps Basic Photography a, b, c, and d Modes Changing Shooting Settings More on Playback Connecting to a Computer, Printer, or TV Menu Guide Optional Accessories Maximizing the Life of the Camera Technical Notes i For Your Safety To prevent damage to your Nikon product or injury to yourself or to others, read the following safety precautions in their entirety before using this equipment. Keep these safety instructions where all those who use the product will read them. The consequences that could result from failure to observe the precautions listed in this section are indicated by the following symbol: This icon marks warnings. To prevent possible injury, read all warnings before using this Nikon product. WARNINGS Keep the sun out of the frame Do not place the strap around the neck of Keep the sun well out of the frame when an infant or child shooting backlit subjects.
    [Show full text]
  • IXUS 1000 HS Canon.Com.Au
    IXUS 1000 HS Digital Compact Camera The First Super Zoom IXUS camera with 10x Powerful Introducing the new IXUS 1000 HS, the first IXUS with an amazing 10x Optical Zoom allowing you to get closer to the action. The IXUS 1000 HS is a slim, compact camera also featuring FULL High Definition Movie Recording and a 10.0 Megapixel High-Sensitivity CMOS Sensor. Key Features Precision image quality Huge 10x Optical Zoom Genuine Canon 10x Optical Zoom Get closer to the action with a 10x Optical Zoom in a compact camera 10.0 MP High Sensitivity CMOS Optical Image Stabilizer DiG!C 4 Processor FULL High Definition Movies (1920x1080) Intelligent Auto (28 scenes detected) Shoot FULL High Definition movies with Intelligent Intelligent Flash Exposure Auto and view easily on TV with an optional HDMI Motion Detection Technology cable Servo AF Quality images ISO 3200 10.0 megapixels with High Sensitivity CMOS for better noise reduction delivering outstanding Perfect portraits of family & friends quality images in low light Smart Shutter (Face Detection Self-timer, Smile Shutter, Wink Self Timer) Intelligent Auto Face Detection New Auto mode with Scene Detection, Face Face Detection Self-timer Detection, Motion Detection and Noise Reduction Red-eye Correction makes it even easier to get the perfect shot Blink Detection Intelligent Flash Exposure Automatically detects flash requirements and Digital photography and video made easy adjusts the flash output, shutter speed, aperture 3.0” Wide LCD screen and ISO speed to best suit the photo being
    [Show full text]
  • Magic Lantern V2.3 – User's Guide
    Magic Lantern v2.3 Stable ports: Canon 5D Mark II, 550D, 60D, 600D, 50D and 500D Ports in progress: Canon 5D Mark III, Canon 5D (classic), Canon 1100D/T3 User’s Guide www.magiclantern.fm September 12, 2012 Magic Lantern is an open (GPL) framework for developing enhancements to the amazing Canon 5D Mark II and 550D/T2i digital SLRs. Magic Lantern is being developed by a small team, helped by a very enthusiastic and respectful user community. Active developers: Alex – main developer Arm.Indy – author of crypto tools and most new ports G3gg0 – reverse engineering guru Coutts – porting ML to 5D classic Nanomad – porting ML to 1100D/T3 Miyake, 1%, Scrax – 600D developers SztupY – author of ML USB controller and others Past developers (come back guys!): Trammell Hudson – original author and former leader of Magic Lantern project AJ – developed the AJ version of Magic Lantern for 5D Mark II Code contributions piersg, nandoide, stefano, trho, deti, tapani, phil, RoaldFre, Colin Peart, cpc, msi, robotsound, maclema, adijiwa, kyselejsyrecek, mk11174, Raymond Lo, Rob Kramer, Tobias Doerffel, Paul Nolan, Martin M, and the list is growing :) Card tools by Pel, Zeno, lichtjaar Website Team Redkite Bart, Nanomad, Michael Zöller, Malcolm Debono, CameraRick, Fran- cis Danforth, Scrax, 1% Magic Lantern logo by elJoseph Thanks to all the users who provided feedback, reported bugs, and supported the Magic Lantern project by donations! Also, thanks to CHDK team and all the supporters of the old 5D2 Magic Lantern! Magic Lantern is being developed by independent film makers in our spare time and at risk to our beloved cameras.
    [Show full text]
  • User's Manual
    Born in Hawaii – Built for the World EDGE X Waterproof HD Video Sports Camera User’s Manual 0 Table of Contents: Preface…………………………………………… ………………. 2 System requirements for 1080P HD video ……………………3 Getting to know your camera …………………………………..4 Getting Started …………………………… …… …… …… …… …5 Us i ng EDGE X …………………………… ……………………….7 Basic Operations of EDGE X camera………………………….8 Camera Settings …………………………… …… …… …… …….9 V i d e o M e n u …………………………… ………………………….9 P h o t o M e n u …………………………… …………………………12 WiFi Menu…………………………… …………………………...12 System Menu……………………………………………………..14 Image Quality Menu ……………………………………………..15 View Photos or Playback Videos………………………………16 Deleting Files ……………………………………………………..17 Specifications …………………………… ……………………….18 1 PREFACE Thank you for purchasing the Intova EDGE X waterproof sports camera! The rugged, durable and waterproof EDGE X will help you capture high quality video and photos in many different venues and environments. Visit www.intova.net to view the wide range of mount and system options available. Enjoy!! Main features: Video Resolution: 1080p@60fps, 1080p@48fps, 1080p@30fps, 1080p@24fps 1200p@60fps, 1200p@48fps, 1200p@30fps, 1200p@24fps 960p@60fps, 960p@48fps, 960p@30fps, 960p@24fps, 720p@120fps, 720p@60fps, 720p@48fps, 720p@30fps, 720p@24fps, (WVGA) 848x480p@240fps,848x480p@120fps,848x480p@60fps, 848x480p@48fps, 848x480p@30fps, 848x480p@24fps VGAp@240fps, VGAp@120fps, VGA Full (60fps), VGAp@48fps, VGA (30 fps), VGAp@24fps Photo Resolution: 12MP, 10MP, 8MP and 5MP Rubber armored housing Waterproof to 200 feet
    [Show full text]