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ADVENTURE JUNKIES GUIDES

QUICK STARTER GUIDE TO OUTDOOR LAST UPDATE - OCTOBER 2017

16 OUTDOOR PHOTOGRAPHY TIPS FOR BEGINNERS PAGE10 & EASY-TO-READ PHOTOGRAPHY BASICS GUIDE PAGE 14

&OUTDOOR AND LENS GEAR GUIDE PAGE 22

- The information contained in this guide is for informational purposes only. Any advice that we give is our opinion based on own own experience. You should always seek the advice of a professional before acting on something that we have published or recommended. Please understand that there are some links contained in this guide that we may benefit from financially. The material in this guide may include information, products or services by third parties. Third Party Materials comprise of the products and opinions expressed by their owners. As such, we do not assume responsibility or liability for any Third Party material or opinions. The publication of such Third Party Materials does not constitute our guarantee of any information, instruction, opinion, products or services contained within the Third Party Material. No part of this publication shall be reproduced, transmitted, or sold in whole or in part in any form, without the prior written consent of the authors. All trademarks and registered trademarks appearing in this guide are the o f their respective owners. By read- ing this guide, you agree that ourselves and our company is not responsible for whatever might hap- pen due the decisions made relating to any information presented in this guide.

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Published by The Adventure Junkies. Photography Magazine Team All from iStock by

Adam-Springer: p 1 Pieter-Pieter: p 19.1 EDITOR: Antonio Cala INFO krissanapongw:_ p 4.1 StuartJenner: p 19.2 EDITOR: Amanda Zeisset INFO Ueuaphoto: p 4.2 Biletskiy_Evgeniy: p 20 Narathip12: p 6 lara_zanarini: p 21.1 WRITER: Christina Harman INFO PhotoBylove: p 7 Andrew_Mayovskyy: p 21.2 oatawa: p 9 ClaudioVentrella: p 22 WRITER: Maider Izeta INFO jacoblund: p 10 marcoscisetti: p 23.1 MykolaIvashchenko: p 11 twinsterphoto: p 23.2 WRITER: Casea Peterson INFO Jarak: p 12 stevanovicigor: p 24 DESIGNER: Danielle Zeisset INFO noomHH: p 13 michaeljung: p 25.1 Izf: p 14 ysbrandcosijn: p 25.2 Smileus: p 15.1 Givaga: p 26 filistimlyanin: p 15.2 wrzesientomek: p 27 den-belitsky: p 16 RyanTangPhoto: p 28 CnOra: p 17.1 Divesh_Mistry: p 29 boule13: p 17.2 jacobeukman: p 31 Talha_shahzad_photogra- phy: p 18 Believe it. Learn it. Live

02 03 WELCOME/ OUTDOOR MESSAGE FROM CONTENTS PHOTOGRAPHY EDITORS:THE Antonio Cala & Amanda ZeissetEDITORS EMAIL: [email protected] Welcome to The Adventure Junkies Get Started Outdoor Photography Quick Starter Guide! 06 Outdoor Photography FAQ 10 Beginner Essentials: 16 Outdoor You’ve probably found your way to this ebook through our website, or maybe a friend Photography Tips For Beginners passed it along to you. Either way, we’re happy you’re here. The Basics We wrote this guide because when we were just starting out with outdoor photography we couldn’t find a single easy to read resource about how to get into the hobby. The techie 14 101 articles from magazines and websites just made us more confused. Also, none of our 16 Composition 101 friends were outdoor photographers so we had to go ask around to find the answers we 18 Focus 101 needed. The process left us feeling lost and overwhelmed, we don’t want that to happen Page 10: Learn the essentials to get the best photo to you. 20 Post Editing Process 101 The Adventure Junkies was created to inspire you and give you the right tools to explore the outdoors. We call it the dream it, learn it, live it process. First, you get inspired by others. Then, you learn the basics of the sport. And finally, you . We do this Photography by providing you with high quality and practical education, and connecting you with a community of like minded adventurers from all over the world. And, because you are 22 101 reading this right now means you’re well on your way to achieving your goal! 24 Landscape Photography Lenses 101 This eBook is a quick starter guide, and the purpose of this guide is to do just that - get you started fast. It is not an outdoor photography manual and we won’t cover every aspect of Wildlife the hobby. It will, however, take you through the basics and give you the tools you need to Photography take the first steps in becoming an outdoor photographer. To all of our subscribers, followers and friends out there, thank you for the gift of your 26 Cameras 101 Page 28: Learn what kind of lens you need to get the best photo of an animal in the wild. support. We only hope that this free guide can begin to repay you for the time you’ve 28 Wildlife Photography Lenses 101 given us. Here’s to you and your many years of outdoor photography adventures to come!

Believe it. Learn it. Live it. Antonio & Amanda

04 05 a few key pieces of equipment will provides the most flexibility when help you to get better results. In post processing. This is a good addition to your camera and lens, a choice if you’re hoping to adjust the is another important piece of exposure or white balance when you HOW TO GET STARTED gear. This will help you to stabilize get home. your camera, allowing you to cap- However, the downside to ture tack-sharp images, and do long shooting in RAW is that you have to exposures. edit all of your images a little bit. If OUTDOOR you’re not ready to edit your photos, WHAT TYPE OF you’ll want to hold off on making PHOTOGRAPHY FAQ CAMERA SHOULD I the switch. GET? WHICH SHOOTING AUTHOR: Christina Harman INFO The best camera for the job is the one that you already own. But MODE SHOULD I if you’re in the market for a camera USE? Take a look at any amazing landscape images and chances are, you’ll feel inspired to capture your and considering your options, you’ll SLRs come with a range of differ- own breathtaking creations. But taking beautiful photos involves more than just picking up a camera most likely want to choose either a ent shooting modes. Learning how DSLR or mirrorless camera. to use them will help you to capture and shooting. The best images are the result of hard work, practice and lots of trial and error. If you’re Mirrorless cameras weigh the type of images that you’re after. wondering how to get started in outdoor photography, there are a few things that you should keep in less and are popular for outdoor If you’re shooting fast action or mind that will help you to get the best results possible. photographers who are on-the-go. hoping to gently blur moving water, But, DSLRs have a wider selection of for instance, you can use lenses and are still the go-to camera Priority mode. Shutter Priority allows of choice for many professionals. you to increase the speed at which the photo is taken, or to slow it GENERAL QUESTIONS HOW CAN I LEARN MORE ABOUT MY down and blur the motion. CAMERA? USING YOUR Priority mode, on the “SLRS COME WITH A RANGE OF other hand, allows you to adjust the Take the time to familiarize yourself with your camera. Have a look at the DIFFERENT SHOOTING MODES. CAMERA amount of light entering the lens WHAT SHOULD I KNOW BEFORE I GO? owner’s manual and check out articles online that highlight the different by adjusting the size of the opening LEARNING HOW TO USE THEM WILL Before you head out, it’s a good idea to be as informed as possible. This features that your camera offers. Knowing how to use your camera will prove that the light travels through. This is means reading up on your camera’s features and functions; and having a to be invaluably helpful. DO I NEED TO HELP YOU TO CAPTURE THE TYPE OF good grasp of the basics of composition, lighting and exposure. SHOOT IN RAW? ideal if you’re hoping to use a wide IMAGES THAT YOU'RE AFTER.” This will help to give you a tremendous advantage. You’ll know what tools Shooting in RAW is preferred aperture to blur the background you have at your disposal and will be able to get the results that you’re after. WHAT TYPE OF GEAR DO I NEED? behind your subject, or looking to by many photographers since it CHRISTINA HARMAN While you can get started with just the gear that you have, investing in capture some beautiful . 06 07 if you’re capturing wildlife or other images. For capturing blurred room and Photoshop are popular with many photographers. GET YOUR backgrounds, switch to mode, and use a large aperture, or GEAR smaller f-number, to allow more light into the lens. Positioning your subject Find out what to look for farther away from the background will also help it to blur more easily. OUTDOOR PHOTOGRAPHY when buying a landscape photography camera. PROGRESSION HOW CAN I CAPTURE AMAZING LIGHTING? PAGES Lighting is an outdoor photographer’s secret tool for amazing landscape HOW CAN I IMPROVE MY IMAGES? 22 - 23 images. Finding the right time of day will help you to improve your land- There are plenty of ways for you to improve your photography. First and scapes tremendously. Golden hour – the time of day just after sunrise and foremost, read everything that you can about photography; particularly just before sunset – is a great time for beautiful lighting and can result in when it comes to technique and composition. images that are awash in a golden glow. Learn what your camera is capable of –and use the settings. Finally, prac- tice, practice, practice. Trial and error will show you what you can improve, WHAT SHOULD I KNOW ABOUT and help to cement concepts in your mind. COMPOSITION? Composition is essential for a good . Start by experimenting WHEN SHOULD I UPGRADE MY GEAR? with different angles, see how things look differently from low to the ground, You’ll know when it’s time! Great photography is more about composition as opposed to up higher. than having the latest greatest gear. But once you’ve reached a point where Familiarize yourself with the . With this rule, envision your you’ve exhausted the extent of your current kit’s capabilities, it may be time composition as divided into nine equal parts, with two horizontal and two to think about making an upgrade. vertical lines. Place your main focal point on one of the intersecting points at the lines. WHERE CAN I LEARN MORE ABOUT This is often more visually interesting than having your subject dead cen- ter. In addition to subject placement, keep the background in mind as well. OUTDOOR PHOTOGRAPHY? Ensure that the horizon line is straight; and make sure there are no distracting At Adventure Junkies, we offer a wealth of information on outdoor elements competing for attention. Finally, add depth by including the fore- photography. Be sure to have a look at some our other outdoor photography ground for added interest; helping to set the stage for your image. articles to learn more –start with this section. ♦ HOW CAN I CAPTURE NIGHTTIME PHOTOGRAPHY? Beautiful starry nights, a full moon; there are plenty of exciting nighttime subjects to capture. But it’s important to keep in mind that nighttime photog- raphy can be difficult, and will require a lot of practice to perfect. If you’d like to give it a shot, though, be sure to use a tripod. Switch to HAVE MORE QUESTIONS? “TO CREATE SHARP IMAGES, START BY USING A TRIPOD, OR manual focus, and focus on a good light source; such as a headlamp placed If you still have more outdoor photography questions you would like to get answered, head to The Adventure Junkies Forum and post it there. , TO HELP STEADY THE CAMERA, ESPECIALLY DURING about 15-20 feet away as a target. Point the camera at the stars or moon, and then take a long exposure image. Use mode to set extremely long The suppportive TAJ community is always happy to help each other out. LONGER EXPOSURES. YOU’LL ALSO WANT TO MAKE SURE YOU USE exposures. A NARROW APERTURE, OR BIGGER F-NUMBER, TO KEEP THE ENTIRE OUTDOOR PHOTOGRAPHY FORUM SCENE AS SHARP AS POSSIBLE.” SHOULD I POST-PROCESS? CHRISTINA HARMAN That’s up to you! It’s good to try to perfect your image as much as possible at the time that you take it. But there’s nothing wrong with using post-pro- cessing to enhance the final result. Photo editing software like Adobe Light- DO I NEED TO SHOOT IN MANUAL? COMPOSITION AND Shooting in manual isn’t essential, but it’s the preferred mode of choice by many photographers. Not only will manual give you complete control TECHNIQUE over your exposure settings; but it will also help you to gain a tremendous knowledge of your camera. It will give you a good understanding of what it’s HOW CAN I ENSURE THAT MY capable of. ARE CLEAR AND IN-FOCUS? Most of the time, you’ll want landscape images that are in-focus. To create WHY DO MY PHOTOS HAVE A STRANGE sharp images, start by using a tripod, or monopod, to help steady the camera, TINT? especially during longer exposures. You’ll also want to make sure you use a Yellow or blue tints across your images are caused by incorrect white narrow aperture, or bigger f-number, to keep the entire scene as sharp as balance. While your camera is good at adjusting the white balance automat- possible. ically most of the time; some situations will call for you to manually adjust it. Finally, find an ideal focal point in your image. In most landscape images, To ensure that your images have natural tones, consider getting a gray card you’ll want to find the . This is the closest point that you and using it to set your white balance. can focus in a scene, while still keeping the background acceptably sharp. HOW CAN I GET BLURRED BACKGROUNDS? A sharp, in-focus subject and beautifully blurred background are ideal 08 09 Here at The Adventure Junkies, the direction of light and work with our goal is to help photography en- it to enhance your images. The best “WHEN COMPOSING YOUR IMAGES, thusiasts capture amazing outdoor option is usually to shoot with the images. Let’s look at a few things sun behind you since this will result KEEP YOUR EYE ON THE HORIZON. that you’ll want to keep in mind to in a well-illuminated landscape. get the most out of your camera, YOU’LL WANT TO ENSURE IT’S and capture some images that you’ll CONSIDER PERFECTLY LEVEL AND NOT DIPPING be proud to call your own. 4 SHOOTING IN RAW You may not be too con- OFF TO THE SIDE.” PACK SMART cerned with post processing when 1 When heading out into the you’re first starting out. But at some great outdoors, make sure point you may want to experiment CHRISTINA HARMAN you pack smart. You’ll want to ensure with editing your images in post. that you bring enough supplies to When you do, you’ll want to shoot keep you going and the right gear in RAW since this will give you the for the images that you’re after. But most flexibility in post processing, if you’re planning to hike to distant allowing you to get the results you’re locations, however, you’ll want to after. keep things light. USE A Bring adequate food and water, as WIDE-ANGLE LENS well as sun protection or a light jack- 5 Wide-angle lenses are et in case of rain. As far as gear goes, extremely popular for creating when hiking, bring only the lenses landscape images. Wide-angles tend that you might need, as well as a few to emphasize the sense of distance key accessories. These include a lens and space into the scene; and cause hood to reduce glare and a polarizer objects that are close to appear and ND filter, if you have them. larger and more imposing. They’re especially ideal for capturing images A wide-angle lens is ideal for that include a lot of foreground. capturing sweeping landscapes and dramatic skies. A , though, is best for photographing USE A wildlife. Finally, a tripod or monopod 6 TELEPHOTO LENS is important for low-light photogra- In some cases, though, phy or long exposures. you’ll want to use a telephoto for BEGINNER your images. Wildlife photography, HEAD OUT AT THE for example, usually requires the BEST TIME OF DAY use of a telephoto. Additionally, you 2 can use a telephoto to help far-away Midday is a notoriously elements such as mountains or the difficult time to shoot landscape moon appear closer. You’ll also want to pay attention to A polarizing filter is a must-have photography due to the harsh the position of the horizon. You can item for outdoor photographers. Po- AUTHOR: Christina Harman INFO ESSENTIALS shadows and blown out highlights. move it lower to include more of an larizers work by only letting light in It’s also difficult for shooting outdoor TRY USING A SLOW interesting sky, or raise it to capture from certain angles. You can rotate portraits since the harsh sun will 7 more of the foreground in your the filter to improve color saturation Look for opportunities to cause your subjects to squint. image. In most cases, you’ll want to or remove unwanted surface glare. use a slow shutter speed to create 16 OUTDOOR PHOTOGRAPHY TIPS FOR BEGINNERS avoid having it dead center in your long exposures. You can gently For most outdoor photography, image since this will cause the photo These filters can also help to cut Are you new to the world of outdoor photography or a budding professional? There’s blur movement –such as rushing early morning and late afternoon are to look like it’s cut in half. through atmospheric haze, making waterfalls, drifting clouds, or rippling much that you can learn from experienced photographers! Keeping tried and true outdoor the ideal hours of the day. Beautiful, distant mountains appear more fields to add a soft, artistic effect to photography tips in mind will help you capture breathtaking images. It will also make diffused lighting, with fewer harsh clear and in-focus. They also help your images. If you’re using slow INCLUDE PLENTY shadows can usually be found to separate the clouds from the sky, outdoor photography an enjoyable and rewarding experience. shutter speeds during the day, you’ll OF FOREGROUND during these hours. This is also the 9 darkening them and making them In most cases, you’ll want best time of day to capture wildlife. most likely need an ND filter to help to include foreground in your land- stand out more. If you do find yourself shooting in filter out some of the light when scape images. Foreground can help bright sun, consider moving into the capturing long-exposures. to set the stage for your composi- ADJUST YOUR shade. tion, and add context to your image. WHITE BALANCE WATCH THE A particularly interesting foreground 11 While your camera is HORIZON WORK WITH 8 can even serve as the main point of good at guessing the white balance, When composing your im- THE LIGHT interest in your photo. it doesn’t get it right all the time. 3 ages, keep your eye on the horizon. Shooting toward the sun is Sometimes you’ll need to adjust You’ll want to ensure it’s perfectly usually a bad idea. This will result in the white balance yourself. If you’re level and not dipping off to the side. USE A washed out images or dark shadows. POLARIZING FILTER shooting in RAW, this won’t be quite If you can, try to pay attention to 10 as serious of an issue as you can 11 always adjust the white balance in quility to a scene. Whether you hap- standard landscape images, outdoor post processing later on. pen upon some water that’s smooth portraits and more. Don’t be afraid enough to capture a reflection, or to try your hand at different types LAST INCLUDE A slow down your shutter speed to of photography, you just might find EDITS gently blur the surface, looking to 12 FOCAL POINT a new niche that you genuinely Learn the basics of the post When composing your incorporate water into your images enjoy. ♦ editing process to enhance your photos images, you’ll want to include a main can help to add something special to focal point. This could be a moun- your landscape shots. PAGES tain, a barn or house in the distance, or even a lone tree in the middle of a LOOK FOR WILDLIFE 20 - 21 field. Having a focal point will help to 15 Outdoor photography is anchor your image, and make for a a great chance to capture more powerful composition. some wildlife images. Wildlife is usu- ally best captured with a telephoto LOOK FOR lens, somewhere between 100mm 13 LEADING LINES and 300mm is ideal. Keep on the lookout for leading lines that will help you to This will allow you to get up close compose your image. This could in- to the animals, without frightening clude a fence, a jagged coastline, or them away. With wildlife photog- winding roads or trails. Leading lines raphy, you’ll usually want to use a “WATER CAN BE A BEAUTIFUL don’t always have to be obvious. small aperture, of around f/16, to Even objects that aren’t linear, such capture sharp and in-focus details. FEATURE IN OUTDOOR as stepping stones, can be used to IMAGES, HELPING TO ADD A lead the eye on through the image, DON’T BE AFRAID and on toward the main point of 16 TO BRANCH OUT TOUCH OF BEAUTY AND interest. Part of the beauty of outdoor photography is the tremen- TRANQUILITY TO A SCENE.” LOOK FOR REFLEC- dous opportunities that it offers. CHRISTINA HARMAN 14 TIONS AND WATER There are so many different types of Water can be a beautiful images that you can capture, from feature in outdoor images, helping reflections and waterfalls to wildlife to add a touch of beauty and tran- images, close-ups and macros, 12 THE BASICS

EXPOSUREAUTHOR: Maider Izeta INFO 101

Understanding exposure is essential to learn how the amount of light getting into your camera’s sensor directly affects the quality of your images. While this may sound daunting when you’re starting out as a photographer, grasping the main concepts will eventually help you gain control over your camera and its settings, get out of auto mode and master the art of photography.

or burned (overexposed). Mean- affect your photo is essential to take crease your camera’s settings to ISO versa. Meaning, the bigger the digit surroundings. Depending on the ELEMENTS OF “SHOOTING WITH A SLOWER SHUTTER EXPOSURE while, not letting enough light into your photography skills to the next 400. There will be less light coming (f22), the smaller the aperture. amount of light you have available, the sensor will cause it to be too level. in to your camera sensor, so having a When shooting in dimmer light, select the right ISO. SPEED MIGHT ALSO MEAN GETTING The word photography comes dark (underexposed). higher ISO will help compensate for open the aperture to allow more Then, study your subject. Is it a from the Greek terms photos (light) With this in mind, we can say that ISO the lack of light in your environment. light to get into your camera sensor. landscape, cityscape or a portrait? SOME MOTION BLUR IN YOUR PHOTOS. and graphé (to draw), which would photography is the art of learning ISO indicates the camera’s You will hardly see any grain Based on that, select the right f-stop literally translate as “to draw with how much light you need to let sensitivity to light. Back in the day, in your pictures as camera sensors SHUTTER SPEED for your aperture. As a rule of thumb, THAT’S WHY IT WILL BE IMPORTANT FOR light.” in your camera to have a properly when we shot with film cameras, ISO have become very sophisticated in We have discussed the sensitivity close your aperture for landscapes YOU TO CARRY A TRIPOD.” When you capture a moment, exposed photo. But, how do you primarily focused on the film’s sensi- recent years. to light and amount of light we’re so that everything is evenly focused. MAIDER IZETA whether it be a landscape or a por- accomplish that? tivity to light. Remember when you’d letting into our camera’s sensor, but Open it when shooting portraits, so trait, you’re allowing light into your There are three elements that go to Rite Aid and ask for an ISO 200 ISO 800+: DIM LIGHT OR IN- there’s a third element to take into that the background looks blurry. camera’s sensor. Exposure refers to directly affect how light enters and 24-exposure roll of film? DOOR PHOTOGRAPHY consideration when talking about Lastly, select the right shutter the amount of light you actually let interacts with your camera: ISO, Now, allows If the light is dim, either because exposure. This is the shutter speed. speed. Figure out whether you want in your camera. aperture and shutter speed. These us to no longer need rolls of film to you’re shooting after the sun has set A camera shutter is a “curtain” to freeze the moment or capture the If you allow too much light in, are known as the exposure triangle. take a picture. So, the sensor just in the horizon or because you’re in- that opens and closes to allow light motion. When shooting landscapes, the photograph will be washed out Understanding how these variables regulates the sensitivity of your doors, you will need to increase your in your camera sensor. Shutter speed especially when you have a river or camera to available light. camera’s ISO to 800 or more. refers to the amount of time we’re waterfall in your frame, it might be The lower the ISO number, the There may be some noise leaving that curtain open. a good idea to have a slower shutter less sensitive it will be to light. High- appearing in your photographs at Depending on the speed of the speed to give the flowing water a er ISO numbers are generally used this point. shutter, you will either freeze the silky effect. in darker situations to compensate moment or capture it by creating a If you’re out in the wildlife, you for the lack of available light. But, APERTURE motion blur. may want to select a faster shutter a higher ISO number also means The second element in the expo- The speed of the shutter opening speed to freeze that gazelle running producing a grainier photograph. sure triangle is the aperture. Simply and closing is measured in fractions in the African savannas. What ISO number should you put, this controls how much light of a second (1/125) and up to several While these three concepts may shoot your photographs with? you’re letting in the camera’s sensor. seconds (2″-30″). The more time be a little difficult to understand That will depend on where you’re The aperture also affects your you leave the curtain open, the and digest initially, practicing with shooting and the type of photo- or how much of your more light you will be letting in your the settings will eventually help graph you’re taking. image is focused compared to the sensor. everything “click” in your mind and subject you’re photographing. However, shooting with a slower make sense. ISO 100: SUNNY DAYS & OUT- If you’re taking a macro shot of shutter speed might also mean As the saying goes, practice DOORS an insect and want to have every- getting some motion blur in your makes perfect. So, go outdoors and If you’re shooting a landscape thing else blurred out, you will need photos. That’s why it will be import- start practicing with your camera’s outdoors and it’s a bright-sunny day, to open the aperture as much as ant for you to carry a tripod. ISO, aperture and shutter speed then set your camera’s ISO to the possible. As a photographer, you will settings. ♦ standard 100. You will not see any This is where it gets a little need to take these three variables noise in your shots when you keep bit tricky though as the camera’s (ISO, aperture and shutter speed) this setting. aperture is measured in f-stops. Most into consideration to get a properly lenses will have a range of f-stops exposed photograph. ISO 400: OVERCAST DAYS that can go from f1.4 to f22. Think about the type of picture For overcast days when you’re The smaller the digit (f2.8), the you want to take and look at your shooting outdoors, it is best to in- larger the aperture will be and vice 14 15 LOOK FOR by looking for structural details, like fences or arches to include as frames SYMMETRY for your images. Similar to balance, you’ll also want to look for opportunities to create symmetry in your images as INCLUDE SOME well. One of the best ways to do this FOREGROUND is looking out for reflections that Including foreground can help to set you can include in your composi- the stage for your compositions, pro- tions. For example, a bold mountain viding some much-needed context reflected in a smooth lake can be a to the image. It can also be used to great opportunity to create a pleas- add depth to a scene, helping it to ing and symmetrical image. appear more lifelike and real. If you’re hoping to capture im- INCLUDE ages that feature lots of prominent foreground, your best option is to LEADING LINES use a wide-angle lens. Wide-angles Leading lines are a helpful tool cause objects in the foreground to that can be used to direct attention appear wider and larger, and are to the photo or the main point of ideal for times when you’re trying to interest. You can look to include capture images where the fore- obvious leading lines such as rivers, ground takes center stage. roads, or fences in your landscape images, as well as more subtle ones such as the tops of a moun- APPLY SOME tain range, a jagged coastline or COLOR THEORY fallen trees. Lines don’t have to be If you want to take your com- perfectly straight or linear; anything positions up a notch, look out for also make pleasing color combina- streaming down from the sky can that directs the eye on through the eye-catching color schemes. One tions. make for some exciting photos. Take photo will work. strategy is to look for complemen- care, though, when photographing tary –colors that are located WATCH THE during full midday sun –this type of FRAME YOUR IMAGE directly opposite from each other on light can be difficult to work with. a color wheel. Adding a “frame within a frame” HORIZON Use an ND filter, or a faster shutter Complementary colors include When composing your land- in an image is a technique that can speed to reduce the amount of light groupings such as blue and orange, scapes, watch the horizon. You’ll be used to enhance your composi- that reaches the sensor. THE BASICS or red and green. These colors work want to make sure it’s straight before tions, adding context to your shots. well together, and often can result you take your shot. In most cases, When creating landscape images, in contrasting and vibrant images. you’ll also want to avoid placing the SIMPLIFY look to create frames out of natural Finally, when presented with an Analogous colors, hues that are horizon directly in the middle of the elements –by shooting through especially exciting scene, you may located next to each other on the image – this could cause the image foliage, branches, or overhangs; and feel tempted to try to fit everything COMPOSITION 101 wheel, such as blue and green, can to look like it’s been cut in half. AUTHOR: Christina Harman INFO in. But doing so can often result in Instead, try to move the horizon up slightly to include more foreground, an image that’s cluttered and busy. or down if you have an especially Before taking your image, ask your- interesting sky that you’re hoping to self, “What’s interesting about that Understanding exposure is essential to learn how the amount of light getting into your camera’s sensor capture. image; what’s the main point that directly affects the quality of your images. While this may sound daunting when you’re starting out as a I’m hoping to capture?” Then, see if your image could be photographer, grasping the main concepts will eventually help you gain control over your camera and LOOK FOR BEAUTIFUL better served by simplifying your its settings, get out of auto mode and master the art of photography. LIGHTING composition a bit. Removing unnec- The right lighting can truly make essary and distracting details can a photo! You might not have control help you to tighten up your image, over the weather or lighting condi- resulting in a much more powerful into a grid, with three lines going down, and three lines across. POINT tions, but you can time some trips so photograph. ♦ This rule calls for the main focal point to be placed over one of the inter- Strong compositions usually feature a solid focal point. With landscape that you can arrive on-location at an secting points on the grid. images, this is often the vanishing point or disappearing point at the horizon. ideal time. Other times, though, the main focal point could be something that’s a The best lighting is often found bit closer. When creating your shots, try to find a main point of interest, be ADD BALANCE in the early morning or evening –the it a tree, a fence, a boulder or some interesting wildlife – and compose your Balance is another important guideline. Before releasing the shutter, time of day that’s known as Golden image in a way that directs attention towards this point. check to ensure that your composition is well-balanced. This means that if Hour. During this time of day, every- you have some elements positioned off to one side of the frame; you’ll usual- thing is awash in a beautiful golden CONSIDER THE RULE OF THIRDS ly want to try to include some other objects on the other side of the image as hue; ideal for photography. well, to help add visual balance. There’s a reason the rule of thirds is a popular guideline that’s often used You’ll also want to look for dra- in landscape photography –it’s a good guideline for creating images that are matic lighting that’s often found just interesting and dynamic. To use this rule, imagine that your image is divided after a storm –dark clouds and light 16 17 While the traditional way of focal distance is too large to focus calculating hyperfocal distance on. Instead, use a narrow aperture involved focusing on the subject to keep the depth of field as wide as and then using the lens’ depth of possible, and focus approximately field scale or a tape measurer along one-third of the way into the frame. THE BASICS with depth of field tables to find the Avoid focusing to infinity – the fore- nearest acceptably sharp point is. ground will become blurred. Today, the loss of depth of field scales on most lenses makes it 8. difficult to apply this technique pre- Focus stacking is a technique that involves taking different images, FOCUSAUTHOR: Christina Harman INFO 101 cisely. However, there are a number of techniques that you can use to with different focal distances – and find the hyperfocal distance. then combining those images later on in post processing to create one In photography, focus is closely connected to sharpness and refers to how much of an image is in focus. USE AN APP composite image. This technique Calculate the hyperfocal point is often used in landscape photog- While most photographers aim to have the entire image as sharp as possible, especially in landscape in your compositions by taking ad- raphy, but it’s also useful for , you’ll want to selectively blur some of the composition in some cases to draw attention vantage of useful apps such as Field photography as well. to one specific area. Tools or DoF. To capture images for focus stacking, you’ll want to use a tripod USE THE PRINCIPLE to steady the camera and ensure In a pinch, you can apply the Using Live View will make manual focusing much easier since it will allow that you capture the same scene 8 WAYS TO ADJUST YOUR FOCUS principle that depth of field extends you to enlarge the image on the screen, so you can see the exact point that each time. Next, take your first shot While many outdoor compositions call for clear and pin-sharp images, in approximately twice as far behind you’re focusing on. with the closest area of the scene in some cases, you’ll want to selectively focus on just one area of a scene. Fortu- the point of focus as it does in front. focus. nately, most modern digital cameras today offer a number of different ways 2. AUTO FOCUS POINT SELECTION This means that you should focus Then, refocus a bit further into for you to obtain sharp images or to selectively blur out different elements in With automatic focus point selection, you’ll have two options for selecting approximately one-third of the way the scene and take a second shot. a composition to ensure that the focus is where you want it to be. the autofocus point. You use the automatic autofocus selection point option into the scene. Repeat until you’ve taken a shot With this in mind, let’s look at some of the most common and let the camera decide, or set the autofocus point yourself. with the further point in the scene focusing techniques and see how you can select the best focus point for your FOCUS ON THE FARTHEST in focus. Later on, you can merge image. 3. SINGLE-SHOT AUTOFOCUS OBJECT FIRST the images in post processing, using Another option if you’re stuck Single shot autofocus mode will set your camera to focus when the shut- 4. CONTINUOUS AUTOFOCUS any image editing program that 1. MANUAL FOCUS With continuous autofocus, the camera will focus on the selected subject is to focus on the farthest object ter release is halfway down. This allows you to keep the focus on the subject supports layers. ♦ While almost all modern cameras will adjust the lens automatically, there as long as the shutter release button is half-pressed. This is a good option in a scene. Then, adjust your focal until the shot is taken. This mode is especially useful for landscapes and other are some situations while you’ll want to use manual focus instead. Manual fo- when photographing moving subjects or taking fast-action shots since it distance a bit closer, and retake the static subjects. cus is an especially good option for macro photography since cameras often allows you to continuously adjust the focus as the subject moves. image. Adjust your focal distance struggle to lock onto very close subjects. as close as you can, while still 5. FOCUS AND RECOMPOSE maintaining relative sharpness in the Most digital cameras will offer a collection of autofocus points for you to distance. choose from, allowing you to select the one that’s directly over your subject. But in some cases, there may not be an AF point where you need it. In these FOREGO THE HYPERFOCAL cases, you’ll want to try focusing and recomposing. DISTANCE To use this technique, set your camera to single AF mode. Then, move the With telephoto lenses, the hyper- camera so that the AF point is on the subject or area that you’re focusing on and press the shutter halfway down to focus the lens. With the shutter still pressed halfway, recompose your image and release the shutter to take your shot. This is an especially useful technique in low light when focusing is often more challenging.

6. BACK BUTTON FOCUSING While most cameras allow you to focus by pressing the shutter halfway down, some cameras include an AF button that you can use instead. This is useful since it saves you from having to keep the shutter halfway pressed and eliminates the risk of accidentally taking a shot. If your camera has it, using the back-button focusing technique is espe- cially useful when photographing moving subjects or if you’re waiting until the lighting is just right. With this technique, you can focus on the subject or area that you’d like to have sharp without locking in the exposure settings, and then release the shutter when you want to take the image.

7. HYPERFOCAL DISTANCE FOCUSING Hyperfocal distance focusing is extremely useful for landscape photogra- phy or any other situation that requires a wide depth of field. This technique allows you to keep most of the scene sharp and in-focus. 18 19 THE BASICS POST EDITING

PROCESSAUTHOR: Christina Harman INFO

When it comes to creating great outdoor images, ensuring that you’re familiar with your camera and all of its features is vital for getting the most out of your gear. In the same way, learning about the post editing process is another important step for photographers today. Post processing software is a valuable tool that every photographer has at their disposal. While understanding the different features and options, sliders and buttons in your post processing software can be overwhelming. With a bit of practice, you’ll soon be adept at refining your images in post processing and creating polished and jaw-dropping images that are in line with your creative vision.

LEVEL when composing your images, recompose your images, so to speak. ily happen when you’re shooting in ADJUST NOISE EXPORT FOR post processing allows you to easily For example, by cropping, you can difficult lighting conditions, or when “ADJUSTING THE SATURATION SLIDER TO One of the first things that you’ll While it’s best to capture your correct this mistake. reframe your image so it’s in line using an ND filter. PRINT OR WEB want to do in post processing is to images with a low ISO setting, some- ONE SIDE OF THE SPECTRUM WILL FULLY with the rule of thirds. Keep in mind that shooting in It’s time to save your images for check that your images that feature times low light conditions require RAW is a vital step for getting the web or for print. When exporting, SATURATE AN IMAGE’S COLORS, a straight horizon. This means ensur- CROP the use of higher ISO settings. Unfor- you’ll want to determine which for- Another easy yet effective edit best results in post-processing since ing that the horizon line is straight, REMOVE tunately, though, higher ISO settings mat to save them in, and whether to RESULTING IN MORE VIBRANT COLORS.” to perform in post processing is this will allow you the most flexibility and not dipping off to the side. UNWANTED DETAILS also result in more image grain. The save them as low resolution or high cropping. This is often done to help when adjusting your white balance CHRISTINA HARMAN While tilting images can be done Another great feature of post best way to remove this is to either resolution. In most cases, saving eliminate unwanted details, allowing later on. intentionally for an artistic effect, in processing is the ability to remove crop your image, or apply noise your images as JPEGs is the best you to zoom in on an area of your most cases, you’ll want straight hori- unwanted details. For instance, if reduction in post processing to keep option, since this format is the one image that you’d like to draw into zon lines; especially when it comes the background contains distract- ADJUST THE everything sharp and clean. that’s most universally accepted. focus. to landscape photography. If you ing elements; such as unwanted CONTRAST An image of 150 DPI or 300 DPI Cropping can also be used to forgot to double check your horizon people, trees, or other things that You can also adjust the contrast, ADD A VIGNETTE (dots per inch) is usually considered aren’t helping to enhance your final or the difference between the light involves making parts ideal for prints. A common resolu- composition, you can remove them. and dark parts of your composition of the image darker or lighter. This tion for an inkjet printer is usually Using the blemish correction or in post processing. Moving your commonly refers to making adjust- 240 PPI, while 72 PPI ( per inch) image healing tools, you can easily contrast slider is a simple way to ments to the border of an image, is more suitable for the web. Re- correct most small flaws. improve the visual impact of an im- but can also be used to selectively member to ensure that your images age, making the dark and light areas lighten or darken specific areas of are the right size if you’re exporting ADJUST THE more pronounced. a composition. Adding a subtle them for print. EXPOSURE vignette with your local adjustment ADJUST slider is a great way to help draw SHARPEN Next, you’ll want to consider the eye to the subject or main focal Finally, sharpening your image adjusting the exposure of the image SATURATION point in a composition. or the brightness. This allows you If you adjust the temperature can make the details more defined. to add more light in, if your image and contrast, you probably won’t It’s a good idea to save this step for is too dark, or reduce light –if it’s need to adjust the saturation at ADD SOME BLUR last when post processing. This is too bright. Just keep in mind that all. But in some cases, you may An image that features a sharp because, in order to use the sharpen adjusting the brightness will usually want to use this tool. Adjusting object against a blurry background tool most effectively, you’ll want to adjust the contrast as well. the saturation slider to one side of can help to draw attention to the sharpen your image after you’ve the spectrum will fully saturate an main point of interest. You can cre- downsized it to its output resolution. ADJUST THE image’s colors, resulting in more ate this effect in post processing by You’ll also want to avoid sharp- vibrant colors. adding some selective blur to your ening the entire composition since TEMPERATURE Moving the slider the other images. While there are a number this can add noise to out-of-focus Another adjustment that you can direction will result in a black and of different ways to introduce blur points. Instead, a better option is to make in post processing is adjusting white image with no color at all. Use in post processing, just remember sharpen the sections of the image the temperature or white balance in this tool carefully, since too much to keep it subtle for a more natural that are already in-focus. ♦ your image. Often, images contain saturation can create unrealistic effect. an unwanted colorcast. This can eas- images with an over-processed look. 20 21 at a fraction of the cost of most feature when it comes to landscape formance DSLR. Having a price DSLRs or mirrorless cameras, these cameras. Being out in the field often range in mind before you begin your cameras offer a great entry-level involves working in harsh weather search will help you to narrow down option for landscape photography. conditions, and you’ll want to find a your fields a bit sooner. ♦ camera that can hold up well even LANDSCAPE PHOTOGRAPHY WEIGHT after extensive use. CLICK THE LINK BELOW FOR OUR REVIEWS Weight may not seem like a big AND PRICES ON DIFFERENT LANDSCAPE deal, but when you’re carrying a ADDITIONAL PHOTOGRAPHY CAMERAS: https://www.theadventurejunkies.com/ camera and your gear around all day, FEATURES best-landscape-camera/ the weight can quickly add up. If Which camera features are you’re planning to do a lot of hiking important to you? One feature that’s to remote locations you may want to essential to many photographers CAMERASAUTHOR: Christina Harman INFO 101 consider sticking with a lightweight today is live view; which allows camera, such as a point-and-shoot you to preview composition, focus, or a mirrorless to save the toll on and exposure on the camera’s LCD When it comes to landscape photography, having the right camera is the first step towards capturing your back. screen. Many cameras today also those amazing images that you’re after. But choosing the best landscape camera can be difficult! With offer built-in Wi-Fi capabilities, allow- MEGAPIXELS ing you to share your images as soon so many options available and different features to choose from, how can you ensure that you’ll find a The term megapixel refers to one as you take them. camera that will best fit your needs? million pixels, and is an easier way Others offer the ability to shoot to refer to the number of pixels in in RAW, which will give you the most an image. A higher megapixel count flexibility during post processing. will allow you to print larger images Another feature that you may want tronic viewfinders as well as focus peaking; making focusing much easier. TYPE OF CAMERA but keep in mind that there’s more to consider is video – many cameras First, you’ll want to decide what type of camera you’re after. While DSLRs DSLR to image quality than megapixels. now offer 4k video recording, allow- have long been the camera of choice for most serious photographers, mirror- The camera’s sensor, ISO sen- ing you to create amazing videos in Finally, the classic DSLR is still a popular choice for many professional less cameras are quickly catching on. sitivity and the lens that’s used on addition to your images. landscape photographers. DSLRs generally have a longer battery life than Point-and-shoot models are also a viable option for many beginning the camera will all have a bigger mirrorless cameras, better optical viewfinders, and a wider selection of lenses photographers, especially for those who appreciate the portability of these impact on the resulting image than as well. BUDGET cameras. Here’s a look at all three options: the number of megapixels alone, so Finally, you’ll want to keep your POINT-AND-SHOOT be sure to keep these in mind when budget in mind when searching for MIRRORLESS While some photographers may scoff at the idea of a point-and-shoot, weighing up your options. the best landscape camera. Prices Weighing less than most DSLRs, mirrorless cameras are a popular option don’t rule these cameras out too quickly. Technology has advanced consider- range anywhere from $150 for a ba- for many on-the-go landscape photographers today. These cameras have ably in recent years and today’s point-and-shoots offer a number of features sic point-and-shoot on up to almost come a long way over the years, and today’s models offer features like elec- DURABILITY and can be used to create high-quality images. Easy to use, lightweight and Durability is another important $3,000 for a full-featured high-per- 22 23 CROP FACTOR A good lens will stand the test of PRIME LENSES time and last for much longer. Prime What type of camera will you be Prime lenses or fixed lenses have and zoom lenses are often more using? Do you have a camera with a fixed such as 50mm. affordable, while a good wide-angle a cropped (APS-C) sensor or a full- These lenses are usually more afford- lens is usually more costly. At the frame sensor? able and often more compact and end of the day, it comes down to the Cameras with cropped sensors LANDSCAPE PHOTOGRAPHY lightweight. They also offer wider style of photography that you’ll be usually result in a more zoomed- , allowing you to create doing and how much you can afford in look, while a camera with a images with a shallow depth of field to invest in your gear. ♦ full-frame sensor will allow you to or work during low-light conditions. go wider. You’ll also want to make sure you purchase a lens that is APERTURE compatible with the type of camera CLICK THIS LINK FOR OUR REVIEWS AND LENSESAUTHOR: Christina Harman INFO 101 PRICES ON DIFFERENT LANDSCAPE When it comes to landscape you have. PHOTOGRAPHY LENSES: images, most of the time you’ll want https://www.theadventurejunkies.com/ to shoot with a narrow aperture to best-landscape-lenses/ ensure that most of the image is WEIGHT AND SIZE Weight and size are important sharp and in-focus. But in some cas- As every photographer knows, the best landscape lenses can make all the difference! But considerations if you’re planning to es, you may want to use a lens that not all lenses are created equal. Choosing the right glass starts by pinpointing exactly carry your gear with you for extend- has a wide maximum aperture. ed periods of time. If you spend a lot what you’re going to be using it for and identifying the lens that will best fit your needs. You’ll need a wider aperture to of time hiking to scenic locations, capture images with a shallow depth rather than driving, keep weight in of field. It’s also helpful if you’re pho- mind when making your decision. tographing in low-light conditions. Often, telephotos tend to be the have a higher number and a narrower field of view. PRIMARY PURPOSE biggest and heaviest options. There are three main types of lenses that will cover most of your needs Are you planning on photographing wide, sweeping landscapes? Or are LENS when doing landscape photography. you looking to capture wildlife, distant mountain ranges or even the moon? CONSTRUCTION BUDGET From speed and fast focusing options to long focal lengths that will allow WIDE-ANGLE LENSES How well is the lens built? Robust Finally, the cost of the lens is you to optimize the size of the elements in the foreground and background, Wide-angle lenses are best for shooting wide, open landscapes. These professional model lenses often fea- another factor to take into consid- the type of landscape photography you do will dictate the features you need lenses have a focal length that is smaller than average, allowing you to fit ture metal housing. Consumer-grade eration. Lenses can be pricey, but in in a lens. more of a scene into your frame. lenses are usually made with plastic most cases, it’s a good idea to invest construction. more in your lens collection than FOCAL LENGTH TELEPHOTO LENSES Keep in mind the durability of your camera body. This is because One challenge when choosing a landscape lens is finding one with an op- Telephoto lenses are long lenses that allow you to capture objects that are the lens when considering a pur- you’re more likely to upgrade your timal focal length. All focal lengths are measured in millimeters (mm). While farther away. These lenses are ideal for wildlife photography and for drawing chase. This will also usually impact camera as manufacturers add new wide-angles have a low number with a wide field of view, longer lenses will distant elements closer. the weight and the price. features every few years. 24 25 points than other camera bodies is more frames per second will greatly be durable enough to withstand the absolutely fine as long as the pro- increase your chances of capturing elements. cessor makes up for it with increased the perfect shot. The size and weight of your power. Not only is increased frames per camera are also pretty important It’s wise to keep in mind that second vital, but the speed of which because a tripod won’t always be the lenses you buy will also impact your camera can store those shots available or possible in some situa- the overall performance of your AF is as well. Using to your tions. When the time comes for you system. Your camera body might be camera’s full potential means pro- to hold your breath and keep your capable of a certain number of focus viding your camera with the fastest camera steady while waiting for that points or have a performance motor. memory card you can afford. instant of action for the perfect shot, However, your lens could poten- The faster the memory card, you don’t want to ruin it all because tially change these factors due to the more images per burst you can of camera shake. its own limitations. As always, you get. Your camera will be able to Your arms will fatigue fast with should expect to pay more for a lens perform at its full speed as well. Of a camera and lens. Know your own with superior performance. course, shooting in JPEG over RAW limitations and consider them in In line with most technological will help reduce the buffer time, but your decision. You want something advances today, anything on the purchasing the fastest-rated card for that is an extension of you in order higher-end of the buying spectrum your camera is a must when it comes for you to shoot with confidence and or even newer models will offer im- to wildlife photography. reliability. ♦ proved AF performance by default. But, that doesn’t mean there aren’t ISO EQUIVALENCE CLICK THIS LINK FOR OUR REVIEWS AND lower priced cameras out there with PRICES ON DIFFERENT If you already have some experi- WILDLIFE PHOTOGRAPHY CAMERAS: adequate AF systems for shooting ence with wildlife photography, then https://www.theadventurejunkies.com/best- prime wildlife shots. it’s no surprise that your prime time camera-for-wildlife-photography/ Newer cameras will almost al- to shoot is during the golden hours. ways boast an AF system with better This would be during the low-light performance than older models hours of dawn and dusk when most even if the latter ones actually have animals are active and on the move. more AF points than the former. Low-light requires higher ISOs. However, higher ISOs mean reduced FRAMES PER SEC- image quality. So naturally, finding OND a camera with a larger sensor will It’s no surprise that speed also allow for higher ISO equivalents due WILDLIFE PHOTOGRAPHY plays a large factor in successful to the increased sensitivity of the wildlife photography. You can’t sensor. direct the animal how to stand or As you consider your options what direction to face for the best when selecting a camera for wildlife lighting. photography, make a wide ISO range You also surely can’t convince one of your considerations. Even them to stand still for any amount of though the higher ISO means grain- CAMERASAUTHOR: Casea Peterson INFO 101 ier, low-quality images, much of the time. As a result, the camera’s speed or frames per second is an important noise can be removed during post consideration for anyone looking production and it’s better to have a to find the best camera for wildlife sub-par shot than none at all. Picking the correct gear for outdoor photography can be an overwhelming process if photography. you don’t know what you’re looking for in a camera or in a lens for that matter. Our aim Imagine you’re all set up in the QUALITY & SIZE here at The Adventure Junkies is to remove all that pressure and provide you with a field and ready to capture shots of When choosing a camera for helpful guide for you to pick the best camera for wildlife photography and that will also bald eagles that live on a lake. You wildlife photography, it’s vital you see an eagle tuck into a dive toward also consider the less technical fit your needs as a photographer. the water. You focus your camera aspects of the camera body itself. and begin to shoot at your camera’s Speed and sensitivity are very im- max burst with the eagle only sec- portant when it comes to catching onds from impact. the perfect shot. But what about all The task is much less daunting once you know AUTO FOCUS The eagle stretches out its wings, that down time in the pouring rain slowing its free fall, and grazes the or gusts of sand and dust? Auto Focus (AF) is one of the most important considerations when it what you’re looking for in a camera and what your surface with its talons, emerging Your camera will be exposed comes to buying a camera for wildlife photography. When it comes to shoot- expectations of it are. Although there are many with its catch within their grip. to all the same elements you’re ex- ing wildlife, the AF system will help you capture sharper photos and improve Capturing a bird of prey in such posed to, so you want to ensure that powerful functions available on today’s cameras your overall accuracy when taking the shot. an act is very rewarding for any it is weather sealed and resistant to from both the high and low ends of the pricing Having more AF points or a multi-point AF is beneficial because more photographer. the tough conditions of the wild. information from cross-type points is being relayed to the AF processor. This spectrum, there are specific functions that should So, you can imagine how disap- The same consideration should go then drastically improves the accuracy of focus during the shot. pointing it is to later find that the for the lens you buy along with your be focused on when purchasing the best camera The capability of the processor is vital as well when considering a camera prime shot was lost between two camera body. As long as both are for wildlife photography. for wildlife photography. Generally speaking, buying a camera with fewer AF frames. Having a camera capable of intended for outdoor use, they will 26 27 Most creatures come to life vital consideration for any handheld during what is called the golden wildlife lens. and hour, either the hour following sun- vibration reduction will allow you rise or the hour right before sunset. to shoot an impressive four stops The warm light is soft and ideal for slower of a shutter speed than a lens wildlife photography conditions. without this feature. However, shooting during this hour Many different shooting also means you’ll often be shooting conditions will benefit from image in low light conditions and a max ap- stabilization and vibration reduction, erture a perfect way to combat such you can be in a moving vehicle or a challenge if your subject is within a rocking boat or have a subject that is shallow depth of field. slow moving or at a standstill, either scenario will benefit from image VARIABLE MAX APERTURE stabilization or vibration reduction If you are using an extreme and produce a sharper, high-quality telephoto lens for your wildlife image. photography then you’re going to notice two things right away, weight WEATHER and cost. The more reach you want from your lens, the more it’s going RESISTANCE to weigh and the more it’s going to Mud, rain, dust, hail… all of it is cost. Luckily, a lens with a variable out of your control when you’re in max aperture will allow it to change the field, and none of it is good for with the focal length making the your camera equipment. If you’re not lens more compact, lightweight, and a fair-weather photographer, then cost efficient. make durability and weather-sealing a top priority when choosing your wildlife lens. AF SPEED & USM In fact, many professionals, like Accurate and fast AF is a desir- those over at FStoppers, advise able feature for most scenarios but looking into gear insurance for your • Will you have a great distance to If you’re considering using a it’s a requirement when shooting camera and equipment to avoid any travel on foot to reach you teleconverter, or tele-extender, to fast moving objects like spawning major loss in investment. You should subject? increase your focal length, then salmon or a sprinting cheetah. A also consider purchasing a LensCoat, • Are you shooting from a there are a few important points you faster lens will allow you to use a a protective neoprene covering for WILDLIFE PHOTOGRAPHY moving vehicle or unstable should keep in mind. A teleconverter faster shutter speed in a wide range your lens reducing inevitable bumps platform? can increase your lens’ focal length of lighting scenarios, however the and dings while also adding a layer • Is the wildlife you’re shooting by 1.4x or 2x, but as a result they de- faster the speed of the lens the of protection from the elements. ♦ flighty or are they comfortable crease the amount of light reaching heavier your setup is going to be. with approaching people? your sensor. You can adjust for this When shooting in the field it’s CLICK THIS LINK FOR OUR REVIEWS • These questions will help you limitation with longer shutter speeds vital to consider how often you will AND PRICES ON DIFFERENT narrow down the most and by cranking up your ISO. WILDLIFE PHOTOGRAPHY LENSES: LENSESAUTHOR: Casea Peterson INFO 101 be moving or hiking, the gear you https://www.theadventurejunkies. important features for your Unfortunately, the use of a plan to bring, the amount of shots specific style of wildlife teleconverter will also impact your com/best-lens-for-wildlife-photog- you can take before resting your raphy/ photography. AF performance and slow your arms, or if using a tripod will even Wildlife photography is no walk in the park—it is a constant balancing act between timing, patience, lens down. According to Outdoor been possible at all. and preparation. Many external influences come into play when capturing wildlife with a camera, from FOCAL LENGTH Photography, many lenses will When shooting wildlife, many completely loose their autofocusing A lens with a long focal length is photographers appreciate a quieter weather conditions to natural lighting and proximity, so being prepared with the best lens for wildlife capability when combined with one of the most popular, and vital, lens when shooting wildlife so the a teleconverter that slows you to photography is one of the most crucial elements of the craft. lenses for wildlife photographers. focus of the lens doesn’t alert or around ƒ/5.6. They take it a step The longer focal length can help you scare off their subject. Silent Wave further by pointing out that many capture distant subjects (over 100 motors make for extremely quiet lenses combined with converters yards) without losing them in the and fast lenses that offer the ability will cause the image quality to suffer Our aim here at The Adventure Junkies is to edu- BEST USE background. to manually override AF without due to the addition of elements to cate our readers on the features of a lens that make Are you planning on snapping intense macro shots of colorful tree frogs Such lenses can range from having to switch focus modes so you the original optical system. it successful in the field and ideal for various types in the Amazon Rainforest, or are you looking to close the gap between you 300mm to 800mm and are often never miss that action shot because of wildlife photography. and that bull elk bugling one ridge over? From speed and fast focusing, to compatible with extenders to help your lens won’t focus properly. long focal lengths that easily fill the shot with your subject, the type of wild- boost your reach–and reach is APERTURE IMAGE STABILIZATION & life you plan to capture will help dictate which features you need. The type of essential for most wildlife photogra- When equipped with the correct glass, there is wildlife you shoot will also dictate common photography scenarios you’ll find VIBRATION REDUCTION phy. However, super long telephoto MAX APERTURE very little you cannot capture. Whether it’s a nuzzle yourself in, making it easier to determine your need for either prime or zoom The bigger your lens, the heavier lenses can lead to depth of field Having a large aperture adds lenses. it is to handle making it hard to between lioness and cub or powerful downstroke issues among other challenges. incredible versatility to any lens and Some good questions to ask yourself to identify your shooting needs are: stabilize quickly without the use of of an eagle’s wing, successfully capturing that PhotographyLife offers solutions to is often the deciding factor when • What focal length do you anticipate needing? a tripod. Enhanced image stabili- moment is dependent on the lens you have in your such scenarios when working with picking a lens with longer focal • What weight can you easily maintain in various handheld situations? zation, or vibration reduction, is a hand and knowing how to use it. extremely long focal lengths. lengths. 28 29 THANKS FOR READING

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