Photography Vocabulary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Digital Photo | Dpmag.Com
dpmag.com ® NIKON D500 Nikon’s New Flagship APS-C DSLR Equipment Checklist UPGRADE The Gear To Replace ISSUE For Maximum Results Upgrade Your Gear, Technique And Vision For Better Photos Camera 2.0: Adjustment Layers A Technology For Nondestructive Wishlist Editing In Photoshop Exceptional Images Deserve an Exceptional Presentation Images by:Sal Cincotta, Max Seigal, Annie Rowland, Hansong Fong, Kitfox Valentin, Nicole Neil Simmons Sepulveda, Valentin, Kitfox Images by:Sal Hansong Fong, Annie Rowland, Cincotta, Max Seigal, Display Your Images in Their Element Choose our Wood Prints to lend a warm, natural feel to your images, MetalPrints infused on aluminum for a vibrant, luminescent look, or Acrylic Prints for a vivid, high-impact display. All options provide exceptional durability and image stability, for a gallery-worthy presentation that will last a lifetime. Available in a wide range of sizes, perfect for anything from small displays to large installations. Learn more at bayphoto.com/wall-displays 25% Get 25% off your fi rst order with Bay Photo Lab! For instructions on how to redeem this special off er, create a free OFF account at bayphoto.com. Your First Order NEW! Easy Web Ordering! o rd om Stunning Prints er.bayphoto.c on Natural Wood, High Defi nition Metal, or Vivid Acrylic Quality. Service. Innovation. We’re here for you! 3 esos WHY PHOTOGRAPHY IS HARDER TODAY, AND MORE 3FUN, THAN IT’S EVER BEEN AT ANY TIME IN HISTORY. HERE ARE A FEW REASONS WHY THAT LITTLE SCREEN NONE OF THIS SOUNDS LIKE FUN. new gear. You can make amazing images with CAN WORK AGAINST YOU WHERE’S THE FUN PART? whatever gear you already have. -
PRODUCT CATALOGUE All Prices Are Inclusive of VAT HOW to ORDER
ISSUE 29 PRODUCT CATALOGUE All prices are inclusive of VAT HOW TO ORDER TELEPHONE - 01789 739200 With your credit card or debit card ready between 8.30am - 5.30pm Monday to Friday. Outside these hours your order will be handled by answerphone. We check our answerphone first thing every weekday morning, so this will not delay your order. WEB Providing the items you order are in stock and the order is received before 2pm, we aim to deliver to you the next WEBSITE: www.theimagingwarehouse.com working day*. Visit our totally secure website for online ordering of the thousands of products we have in stock ready for immedi- FAX - 01789 731569 ate despatch. Check out our latest offers whilst there! Fax your completed order form with your debit or credit card details to this number. Providing the items are in stock and your With over 2,500 products available from stock, a order is faxed before 2pm, we aim to deliver to you the next range of quality used equipment and a team of working day*. technical staff boasting over 75 years of knowl- edge and experience, we are a one-stop shop for all your darkroom needs. Major brands including: POST Ilford, Kodak, Agfa, Fuji, Fotospeed, Rollei, Adox, FREEPOST RSHZ-JGBS-LGKJ (+ standard address) Kentmere, Harman and more. We continue to be Post your completed order form with your cheque, postal order, the world-leading manufacturer of slot-processors and archival debit or credit card details in an envelope using the Freepost washers, offering a full selection of space saving and environ- address. -
USER MANUAL AKASO Brave 6 Plus Action Camera
USER MANUAL AKASO Brave 6 Plus Action Camera V1.2 CONTENTS What's in the Box 1 Your Brave 6 Plus 2 Getting Started 4 Overview of Modes 5 Customizing Your Brave 6 Plus 8 Playing Back Your Content 15 Deleting Your Content 15 Connecting to the AKASO GO app 15 Offloading Your Content 16 Maintaining Your Camera 16 Maximizing Battery Life 17 Battery Storage and Handling 17 External Microphone 18 Remote 18 Mounting Your Camera 20 Contact Us 22 WHAT'S IN THE BOX Waterproof Handle Bar/ Brave 6 Plus Housing Pole Mount Mount 1 Mount 2 Mount 3 Mount 4 Mount 5 Mount 6 Mount 7 Mount 8 Charger 1 Helmet Mounts Battery Protective Backdoor Clip 1 Clip 2 Tethers Lens Cloth USB Cable Quick Start Guide AKASO Brave 6 Plus Action Camera Remote Bandages Quick Start Guide 1 YOUR BRAVE 6 PLUS 3 1 4 5 2 6 7 8 10 9 2 11 1 Shutter/Select Button 7 USB Type-C Port 2 Power/Mode/Exit Button 8 Micro HDMI Port 3 Up/Wifi Button 9 Touch Screen 4 Down Button 10 Battery Door 5 Speaker 11 MicroSD Slot 6 Lens Note: The camera does not record sound when it is in the waterproof case. 3 GETTING STARTED Welcome to your AKASO Brave 6 Plus. To capture videos and photos, you need a microSD card to start recording (sold separately). MICROSD CARDS Please use brand name microSD cards that meet these requirements: • microSD, microSDHC or microSDXC • UHS-III rating only • Capacity up to 64GB (FAT32) Note: 1. -
Photographic Equipment Guidelines the Farm Lodge Lake Clark National Park, Alaska
Photographic Equipment Guidelines The Farm Lodge Lake Clark National Park, Alaska by Jim Barr Professional Nature, Adventure Travel, and Outdoor Sports Photographer President, American Society of Media Photographers, Alaska Chapter Photography Guide, The Farm Lodge, Lake Clark National Park Introduction. Here are some general and specific equipment suggestions for photo tour participants. These start and build from “ground zero”, so just blend this information with the equipment that you already have. Equipment is important, but...the old cliché “cameras don’t take pictures, people do” really is true. So don’t put too much emphasis on the equipment. We’ll help you get the most out of what you have. On the other hand, a bear’s face would need to be within two or three feet of the lens for a frame- filling National Geographic quality close-up with a small point-and-shoot or cell phone camera. Not healthy for the photographer (or the bear), and not too likely to happen. The right tools do help. Keep size, weight, and portability in mind. You’ll be traveling to Port Alsworth on a small plane, and deeper into the bush each day on an even smaller one. Space is limited. We’ll also be doing some walking. Bears will require a mile or so of light hiking each way. On landscape days we may hike further and sometimes over rougher terrain, but you can leave heavy wildlife gear at the lodge or in the airplane. We do have options that limit the walking necessary, but there will always be some. -
HASSELBLAD INTRODUCES the H6D-400C MS, a 400 MEGA PIXEL
Press information – for immediate release Gothenburg, Sweden 16 Jan 2018 HASSELBLAD INTRODUCES THE H6D-400c MS, A 400 MEGA PIXEL MULTI-SHOT CAMERA Building on a vast experience of developing exceptional, high-quality single and multi-shot cameras, Hasselblad once again has raised the bar for image quality captured with medium format system. Multi-Shot capture has become an industry standard in the field of art reproduction and cultural heritage for the documentation of paintings, sculptures, and artwork. As the only professional medium format system to feature multi-shot technology, Hasselblad continues to be the leading choice for institutions, organizations, and museums worldwide to record historic treasures in the highest image quality possible. With over 10 years of digital imaging expertise, the latest Multi-Shot digital camera combines the H6D’s unrivalled ease of use with a completely new frontier of image quality and detail. This new camera encompasses all of the technological functions of Hasselblad’s H6D single shot camera, and adds to that the resolution and colour fidelity advancements that only Multi-Shot photography can bring to image capture. With an effective resolution of 400MP via 6 shot image capture, or 100MP resolution in either 4 shot Multi-Shot capture or single shot mode, the Multi-Shot capture requires the sensor and its mount to be moved at a high-precision of 1 or ½ a pixel at a time via a piezo unit. To capture Multi-Shot images the camera must be tethered to a PC or MAC. In 400MP Multi-Shot mode, 6 images are captured, the first 4 involve moving the sensor by one pixel at a time to achieve real colour data (GRGB- see 4 shot diagrams below), this cycle then returns the sensor to its starting point. -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
A Field Guide to Bulkhead Connectors for Aquatica Digital Camera Housing: a Field Guide to Aquatica’S Strobe Connectors
A field guide to bulkhead connectors for Aquatica digital camera housing: A Field Guide to Aquatica’s strobe connectors This comprehensive guide is to help Aquatica users in selecting the proper strobe connectors for their housing it is divided in sec- tions addressing the various generation and brand for which we have manufactured housing for over the years. Please make sure to visit our website www.aquatica.ca for updated version of this document. Section 1: The classic Nikon type. These are found in the following legacy Aquatica housings for these cameras; Fuji S2 Pro Fuji S5 (same as Nikon D200) Nikon D2x Nikon D3 / D3x (not the D3s version) Nikon D40 / D40x / D60 Nikon D70 /D70s Nikon D80 Nikon D100 Nikon D200 Nikon D300 (not the D300s) Section 2: The newer Nikon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Nikon D3s (not the older D3/D3x version) Nikon D90 Nikon D300s Nikon D700 Section 3: The Classic Canon type. These are found in the following legacy Aquatica housings for these cameras; Canon 1Ds Mk III & 1D Mk IV Canon 5D (not 5D Mk II) Canon 30D Canon 40D / 50D Canon Digital Rebel / 300D Section 4: The newer Canon type. These modular connectors have an internal switchboard and separate hot shoe and are found in the following new generation Aquatica housings for these cameras; Canon 5D Mk II (not the original 5D) Canon 7D Canon Digital Rebel T2i / 550D Section 5: The optical type. -
Real-Time Burst Photo Selection Using a Light-Head Adversarial Network
Real-time Burst Photo Selection Using a Light-Head Adversarial Network Baoyuan Wang, Noranart Vesdapunt, Utkarsh Sinha, Lei Zhang Microsoft Research Abstract. We present an automatic moment capture system that runs in real-time on mobile cameras. The system is designed to run in the viewfinder mode and capture a burst sequence of frames before and after the shutter is pressed. For each frame, the system predicts in real-time a \goodness" score, based on which the best moment in the burst can be selected immediately after the shutter is released, without any user interference. To solve the problem, we develop a highly efficient deep neural network ranking model, which implicitly learns a \latent relative attribute" space to capture subtle visual differences within a sequence of burst images. Then the overall goodness is computed as a linear aggre- gation of the goodnesses of all the latent attributes. The latent relative attributes and the aggregation function can be seamlessly integrated in one fully convolutional network and trained in an end-to-end fashion. To obtain a compact model which can run on mobile devices in real-time, we have explored and evaluated a wide range of network design choices, tak- ing into account the constraints of model size, computational cost, and accuracy. Extensive studies show that the best frame predicted by our model hit users' top-1 (out of 11 on average) choice for 64:1% cases and top-3 choices for 86:2% cases. Moreover, the model(only 0.47M Bytes) can run in real time on mobile devices, e.g. -
[1C Darkroom Equipment Processing Equipment Ph-406
Ir TM 11-405 [1C DARKROOM EQUIPMENT PROCESSING EQUIPMENT PH-406 May 12, 1943 Generated on 2015-10-08 20:23 GMT / http://hdl.handle.net/2027/uc1.b3243829 Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google TM 11-405 Cl TECHNICAL MANUAL PHOTOGRAPHIC DARKROOM EQUIPMENT PROCESSING EQUIPMENT PH-406 CHANGES) (J^J> DEPARTMENT OF THE ARMY J No. 1 J WASHINGTON 25, D. C., 14 October 1948 TM 11-405, 12 May 1943, is changed as follows: 1. Purpose * * * Processing Equipment PH—406 from these negatives. Note (Added). Processing Equipment PH-406 procured on Order No. 11426- Phila-47-77 is identical to the equipment described in this manual, except as noted. 2. Components The components of Processing Equipment PH-406 are — * * * * * * * 1 Timer PH-126, automatic, electric; 1 Timer PH-426-A on Order No. 11426-Phila-47-77. *******2 11 14 3 Trays PH-161-A, stainless steel, by inches; Trays PH-161-A on Order No. 11426-PhiIa-47-77. 2 Trays PH-164-A, stainless steel, 14 by 17 inches; 1 Tray PH-164-A on Order No. 11426-Phila-47-77. *******12 Plates PH-152 or PH-152-A, ferrotype. *******1 1 Siphon PH-244; Siphon PH-244-A on Order No. 11426- Phila-47-77. * * * * v,T*fv" iT1-'5'*^ * . ^y.*! - v/^ 1 Accessory Group consisting of-— 2 Tongs PH-373-A, print, 8 inches; 2 tweezers, photo graphic, print, plastic, ?6 inches, on Order No. 11426- Phila-47-77. '--J \V/- ***** *f.-\ ,- * 3. Printer The projection printer * * * two enlarging lenses. -
Ground-Based Photographic Monitoring
United States Department of Agriculture Ground-Based Forest Service Pacific Northwest Research Station Photographic General Technical Report PNW-GTR-503 Monitoring May 2001 Frederick C. Hall Author Frederick C. Hall is senior plant ecologist, U.S. Department of Agriculture, Forest Service, Pacific Northwest Region, Natural Resources, P.O. Box 3623, Portland, Oregon 97208-3623. Paper prepared in cooperation with the Pacific Northwest Region. Abstract Hall, Frederick C. 2001 Ground-based photographic monitoring. Gen. Tech. Rep. PNW-GTR-503. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station. 340 p. Land management professionals (foresters, wildlife biologists, range managers, and land managers such as ranchers and forest land owners) often have need to evaluate their management activities. Photographic monitoring is a fast, simple, and effective way to determine if changes made to an area have been successful. Ground-based photo monitoring means using photographs taken at a specific site to monitor conditions or change. It may be divided into two systems: (1) comparison photos, whereby a photograph is used to compare a known condition with field conditions to estimate some parameter of the field condition; and (2) repeat photo- graphs, whereby several pictures are taken of the same tract of ground over time to detect change. Comparison systems deal with fuel loading, herbage utilization, and public reaction to scenery. Repeat photography is discussed in relation to land- scape, remote, and site-specific systems. Critical attributes of repeat photography are (1) maps to find the sampling location and of the photo monitoring layout; (2) documentation of the monitoring system to include purpose, camera and film, w e a t h e r, season, sampling technique, and equipment; and (3) precise replication of photographs. -
US Army Photography Course Laboratory Procedures SS0509
SUBCOURSE EDITION SS0509 8 LABORATORY PROCEDURES US ARMY STILL PHOTOGRAPHIC SPECIALIST MOS 84B SKILL LEVEL 1 AUTHORSHIP RESPONSIBILITY: SSG Dennis L. Foster 560th Signal Battalion Visual Information/Calibration Training Development Division Lowry AFB, Colorado LABORATORY PROCEDURES SUBCOURSE NO. SS0509-8 (Developmental Date: 30 June 1988) US Army Signal Center and Fort Gordon Fort Gordon, Georgia Five Credit Hours GENERAL The laboratory procedures subcourse is designed to teach tasks related to work in a photographic laboratory. Information is provided on the types and uses of chemistry, procedures for processing negatives and prints, and for mixing and storing chemicals, procedures for producing contact and projection prints, and photographic quality control. This subcourse is divided into three lessons with each lesson corresponding to a terminal learning objective as indicated below. Lesson 1: PREPARATION OF PHOTOGRAPHIC CHEMISTRY TASK: Determine the types and uses of chemistry, for both black and white and color, the procedures for processing negatives and prints, the procedures for mixing and storing chemicals. CONDITIONS: Given information and diagrams on the types of chemistry and procedures for mixing and storage. STANDARDS: Demonstrate competency of the task skills and knowledge by correctly responding to at least 75% of the multiple-choice test covering preparation of photographic chemistry. (This objective supports SM tasks 113-578-3022, Mix Photographic Chemistry; 113-578-3023, Process Black and White Film Manually; 113-578-3024, Dry Negatives in Photographic Film Drier; 113-578-3026, Process Black and White Photographic Paper). i Lesson 2: PRODUCE A PHOTOGRAPHIC PRINT TASK: Perform the procedures for producing an acceptable contact and projection print. -
To Boldly Go: a Starters Guide to Hand Made and D-I-Y Films to Boldly Go: a Starters Guide to Hand Made and D-I-Y Films
To Boldly Go: a starters guide to hand made and d-i-y films To Boldly Go: a starters guide to hand made and d-i-y films What is most exciting about this type of filmmaking is not knowing exactly what will result. One then needs the lyrical, musical and cinematic taste to sculpt the result into a film which best demonstrates, exploits and celebrates the results of the experiments. If you stick with good ingredients you will in- evitably have happy results. Then again, not all experiments work but what you learn there can often be employed in a new direction or experiment to actually work. It’s also very important to have fun in and a love of the process. (Jeff Scher) It’s fun to handle film as a celluloid canvas rather than as a fragile This is a booklet for both those eager to begin in hand made film and carrier of images only to be handled by lab technicians. those who already started but are keen to know more. It signifies a hope You can experiment and create the most beautiful images ever. Helen Hill (1970 - 2007) and commitment to making sure these techniques, tricks and handy tips remain openly available to all who might need them. Let’s not keep any Recipes for Disaster: a handcrafted film cookbooklet secrets! These (chemical) receipts, printing processes, after dev. Effects, http://www.angoleiro.com/cine texts/recipes for disaster hill.pdf emulsion extras and celluloid experiments should be absolutely public. Let’s make hand-made d-i-y films! Let’s make a lot! Images and texts have been gathered, harvested, illegally used, replenished and inspired by a plethora of found sources including those of David Leis- ter, Greg Pope, Dirk De Bruyn, Maia Cybelle Carpenter, Frank Bruinsma, Steve Sanguedolce, Rebecca Moran, Jurgen Reble, Ben Russell, Jeff Scher and many many others.