An Analysis of Psychopathic Traits Towards Annie Wilkes in Misery
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Cumulative Michigan Notable Books List
Author(s) Title Publisher Genre Year Abbott, Jim Imperfect Ballantine Books Memoir 2013 Abood, Maureen Rose Water and Orange Blossoms: Fresh & Classic Recipes from My Lebenese Kitchen Running Press Non-fiction 2016 Ahmed, Saladin Abbott Boom Studios Fiction 2019 Airgood, Ellen South of Superior Riverhead Books Fiction 2012 Albom, Mitch Have a Little Faith: A True Story Hyperion Non-fiction 2010 Alexander, Jeff The Muskegon: The Majesty and Tragedy of Michigan's Rarest River Michigan State University Press Non-fiction 2007 Alexander, Jeff Pandora's Locks: The Opening of the Great Lakes-St. Lawrence Seaway Michigan State University Press Non-fiction 2010 Amick, Steve The Lake, the River & the Other Lake: A Novel Pantheon Books Fiction 2006 Amick, Steve Nothing But a Smile: A Novel Pantheon Books Fiction 2010 Anderson, Godfrey J. A Michigan Polar Bear Confronts the Bolsheviks: A War Memoir: the 337th Field Hospital in Northern Russia William B. Eerdmans' Publishing Co. Memoir 2011 Anderson, William M. The Detroit Tigers: A Pictorial Celebration of the Greatest Players and Moments in Tigers' History Dimond Communications Photo-essay 1992 Andrews, Nancy Detroit Free Press Time Frames: Our Lives in 2001, our City at 300, Our Legacy in Pictures Detroit Free Press Photography 2003 Appleford, Annie M is for Mitten: A Michigan Alphabet Book Sleeping Bear Press Children's 2000 Armour, David 100 Years at Mackinac: A Centennial History of the Mackinac Island State Park Commission, 1895-1995 Mackinac Island State Historic Parks History 1996 Arnold, Amy & Conway, Brian Michigan Modern: Designed that Shaped America Gibbs Smith Non-fiction 2017 Arnow, Harriette Louisa Simpson Between the Flowers Michigan State University Press Fiction 2000 Bureau of History, Michigan Historical Commission, Michigan Department of Ashlee, Laura R. -
Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature
DOCUMENT RESUME ED 414 606 CS 216 137 AUTHOR Power, Brenda Miller, Ed.; Wilhelm, Jeffrey D., Ed.; Chandler, Kelly, Ed. TITLE Reading Stephen King: Issues of Censorship, Student Choice, and Popular Literature. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-3905-1 PUB DATE 1997-00-00 NOTE 246p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 39051-0015: $14.95 members, $19.95 nonmembers). PUB TYPE Collected Works - General (020) Opinion Papers (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Censorship; Critical Thinking; *Fiction; Literature Appreciation; *Popular Culture; Public Schools; Reader Response; *Reading Material Selection; Reading Programs; Recreational Reading; Secondary Education; *Student Participation IDENTIFIERS *Contemporary Literature; Horror Fiction; *King (Stephen); Literary Canon; Response to Literature; Trade Books ABSTRACT This collection of essays grew out of the "Reading Stephen King Conference" held at the University of Mainin 1996. Stephen King's books have become a lightning rod for the tensions around issues of including "mass market" popular literature in middle and 1.i.gh school English classes and of who chooses what students read. King's fi'tion is among the most popular of "pop" literature, and among the most controversial. These essays spotlight the ways in which King's work intersects with the themes of the literary canon and its construction and maintenance, censorship in public schools, and the need for adolescent readers to be able to choose books in school reading programs. The essays and their authors are: (1) "Reading Stephen King: An Ethnography of an Event" (Brenda Miller Power); (2) "I Want to Be Typhoid Stevie" (Stephen King); (3) "King and Controversy in Classrooms: A Conversation between Teachers and Students" (Kelly Chandler and others); (4) "Of Cornflakes, Hot Dogs, Cabbages, and King" (Jeffrey D. -
99-Chapter Manuscript-2562-1-10-20200221.Pdf
DOI https://doi.org/10.36059/978-966-397-194-0/1-22 STYLISTIC BASIS OF STEPHEN KING’S HORROR NOVELS Liubov Didukh INTRODUCTION Stephen King is a popular modern writer of horror. Some critics do not approve his writing style, and this is what differentiates him from other popular horror writers. S. King’s writing style is very specific and distinctive. The author uses many figures or measures that are not common to most modern writers and this is what makes him and his works so special. This article is focused on stylistic peculiarities of S. King’s writing style. As Teodoro Gómez wrote in his book about S. King, ‘King was manifoldly christened an American Dickens because of his style, plain and simple in receival’1 [translation mine]. This cannot be argued – his writing style goes down well with most of his readers, although some of the more demanding intellectuals disdain it. Obviously, in the literary community there is controversy on this topic. Some people notice that ‘it is very easy to be upset with horror writer Stephen King, for not only has he turned out his annual, successful terrifier, he has also produced a remarkable nonfiction work in which he discusses the meaning and the appeal of the horror story’2. This is not a popular technique among writers – to give away their secrets about how to write to achieve success. Nonetheless, this is just what S. King does. This is a reason of adoration from one side, but also a reason of animosity from the other. -
Lisey's Story
LISEY’S STORY ABOUT THE BOOK IN BRIEF: Lisey Landon is the woman behind bestselling novelist Scott Landon - not that the world knows it. For twenty- five years she has been the light to his dark, and as his wife, she was the only one who saw the truth behind the public face of the famous author - that he was a haunted man whose bestselling novels were based on a terrifying reality. Now Scott is dead, Lisey wants to concentrate on the memories of the man she loved. But the fans and academics have a different idea, determined to pull his dark secrets into the light. IN DETAIL: King has written about writers several times before, but this is the first time he has switched focus to the writer’s wife. This allows him to explore career-long interests in a fascinating new way. As with Jack Torrance in The Shining, it’s not entirely clear whether writing is a ‘healthy’ process for Scott Landon, but it’s undoubtedly a necessary one, allowing him to deal with his disturbing life and unusual way of looking at the world. Scott Landon is a successful author (he’s won the Pulitzer and the National Book Award), and as in Misery he has problems with obsessive fans. This causes trouble in his life (when a fan shoots him), and after his death, as an academic is so desperate to get his hands on Landon’s unpublished work that he takes to threatening Lisey. But Lisey can take of herself. The novel goes on to explores Lisey’s life after Scott’s death, but it is also details the twenty-five years of their relationship, and the family secrets that have bonded the couple together. -
Special Rapporteur on Extreme Poverty and Human Rights
Statement on Visit to the United Kingdom, by Professor Philip Alston, United Nations Special Rapporteur on extreme poverty and human rights London, 16 November 2018 Introduction The UK is the world’s fifth largest economy, it contains many areas of immense wealth, its capital is a leading centre of global finance, its entrepreneurs are innovative and agile, and despite the current political turmoil, it has a system of government that rightly remains the envy of much of the world. It thus seems patently unjust and contrary to British values that so many people are living in poverty. This is obvious to anyone who opens their eyes to see the immense growth in foodbanks and the queues waiting outside them, the people sleeping rough in the streets, the growth of homelessness, the sense of deep despair that leads even the Government to appoint a Minister for suicide prevention and civil society to report in depth on unheard of levels of loneliness and isolation. And local authorities, especially in England, which perform vital roles in providing a real social safety net have been gutted by a series of government policies. Libraries have closed in record numbers, community and youth centers have been shrunk and underfunded, public spaces and buildings including parks and recreation centers have been sold off. While the labour and housing markets provide the crucial backdrop, the focus of this report is on the contribution made by social security and related policies. The results? 14 million people, a fifth of the population, live in poverty. Four million of these are more than 50% below the poverty line,1 and 1.5 million are destitute, unable to afford basic essentials.2 The widely respected Institute for Fiscal Studies predicts a 7% rise in child poverty between 2015 and 2022, and various sources predict child poverty rates of as high as 40%.3 For almost one in every two children to be poor in twenty-first century Britain is not just a disgrace, but a social calamity and an economic disaster, all rolled into one. -
Univerzita Palackého V Olomouci Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA KATEDRA ANGLISTIKY A AMERIKANISTIKY Veronika Glaserová The Importance and Meaning of the Character of the Writer in Stephen King’s Works Diplomová práce Vedoucí práce: PhDr. Matthew Sweney, Ph.D. Olomouc 2014 Olomouc 2014 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala samostatně pod odborným dohledem vedoucího práce a uvedla jsem předepsaným způsobem všechny použité podklady a literaturu. V Olomouci dne Podpis: Poděkování Děkuji vedoucímu práce za odborné vedení práce, poskytování rad a materiálových podkladů k práci. Contents Introduction ....................................................................................................................... 6 1. Genres of Stephen King’s Works ................................................................................. 8 1.1. Fiction .................................................................................................................... 8 1.1.1. Mainstream fiction ........................................................................................... 9 1.1.2. Horror fiction ................................................................................................. 10 1.1.3. Science fiction ............................................................................................... 12 1.1.4. Fantasy ........................................................................................................... 14 1.1.5. Crime fiction ................................................................................................. -
March 30, 2010 (XX:11) Stanley Kubrick, the SHINING (1980, 146 Min)
March 30, 2010 (XX:11) Stanley Kubrick, THE SHINING (1980, 146 min) Directed by Jules Dassin Directed by Stanley Kubrick Based on the novel by Stephen King Original Music by Wendy Carlos and Rachel Elkind Cinematography by John Alcott Steadycam operator…Garrett Brown Jack Nicholson...Jack Torrance Shelley Duvall...Wendy Torrance Danny Lloyd...Danny Torrance Scatman Crothers...Dick Hallorann Barry Nelson...Stuart Ullman Joe Turkel...Lloyd the Bartender Lia Beldam…young woman in bath Billie Gibson…old woman in bath Anne Jackson…doctor STANLEY KUBRICK (26 July 1928, New York City, New York, USA—7 March 1999, Harpenden, Hertfordshire, England, UK, natural causes) directed 16, wrote 12, produced 11 and shot 5 films: Eyes Wide Shut (1999), Full Metal Jacket (1987), The Shining Lyndon (1976); Nominated Oscar: Best Writing, Screenplay Based (1980), Barry Lyndon (1975), A Clockwork Orange (1971), 2001: A on Material from Another Medium- Full Metal Jacket (1988). Space Odyssey (1968), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), Lolita (1962), Spartacus STEPHEN KING (21 September 1947, Portland, Maine) is a hugely (1960), Paths of Glory (1957), The Killing (1956), Killer's Kiss prolific writer of fiction. Some of his books are Salem's Lot (1974), (1955), The Seafarers (1953), Fear and Desire (1953), Day of the Black House (2001), Carrie (1974), Christine (1983), The Dark Fight (1951), Flying Padre: An RKO-Pathe Screenliner (1951). Half (1989), The Dark Tower (2003), Dark Tower: The Song of Won Oscar: Best Effects, Special Visual Effects- 2001: A Space Susannah (2003), The Dark Tower: The Drawing of the Three Odyssey (1969); Nominated Oscar: Best Writing, Screenplay Based (2003), The Dark Tower: The Gunslinger (2003), The Dark Tower: on Material from Another Medium- Dr. -
Duality and Reflections in Stephen King's Writers Alexis Hitchcock
ABSTRACT A Dark Mirror: Duality and Reflections in Stephen King's Writers Alexis Hitchcock Director: Dr. Lynne Hinojosa, Ph.D. Stephen King is well known for popular horror fiction but has recently been addressed more thoroughly by literary critics. While most studies focus on horror themes and the relationships between various characters, this thesis explores the importance of the author characters in three works by Stephen King: Misery, The Dark Half, and The Shining. The introduction gives a background of Stephen King as an author of popular horror fiction and discusses two themes that are connected to his author characters: doppelgängers and duality, and the idea of the death of the author. The death of the author is the idea that an author's biography should not affect the interpretation of a text. Implicit in this idea is the notion that the separation of an author from his work makes the text more literary and serious. The second chapter on Misery explores the relationship between the author and the readership or fans and discusses Stephen King’s divide caused by his split between his talent as an author of popular fiction and a desire to be a writer of literary fiction. The third chapter concerning The Dark Half explores Stephen King’s use of the pseudonym Richard Bachman and the splitting this created within himself and the main character of his novel. The last chapter includes discussion of The Shining and the author character’s split in personality caused by alcohol and supernatural sources. Studying the author characters and their doppelgängers reveals the unique stance King takes on the “death of the author” idea and shows how he represents the splitting of the self within his works. -
Stephen King the Stephen King the Stephen King Checklist Checklist Checklist the Dark Tower the Stand the Dark Tower the Stand the Dark Tower the Stand 1
The Stephen King The Stephen King The Stephen King Checklist Checklist Checklist The Dark Tower The Stand The Dark Tower The Stand The Dark Tower The Stand 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 1. The Gunslinger The Dead Zone 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter 2. The Drawing of the Firestarter Three The Mist Three The Mist Three The Mist 3. The Waste Lands Cujo 3. The Waste Lands Cujo 3. The Waste Lands Cujo 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 4. Wizard and Glass Pet Sematary 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 5. Wolves of the Calla Christine 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 6. Song of Susannah Cycle of the Werewolf 7. The Dark Tower It 7. The Dark Tower It 7. The Dark Tower It 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon 8. The Wind Through the The Eyes of the Dragon Keyhole The Tommyknockers Keyhole The Tommyknockers Keyhole The Tommyknockers Misery Misery Misery Talisman The Dark Half Talisman The Dark Half Talisman The Dark Half (with Peter Straub) Needful Things (with Peter Straub) Needful Things (with Peter Straub) Needful Things 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 1. The Talisman Dolores Claiborne 2. Black House Gerald's Game 2. Black House Gerald's Game 2. Black House Gerald's Game Insomnia Insomnia Insomnia The Green Mile Rose Madder The Green Mile Rose Madder The Green Mile Rose Madder 1. -
William James's and Carl Jung's Ideas on the Unconscious Mind As Applied to Stegner
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2015 "How Do I Know What I Think Till I See What I Say?" William James's and Carl Jung's Ideas on the Unconscious Mind As Applied to Stegner Diana J. Floegel College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the Literature in English, North America Commons Recommended Citation Floegel, Diana J., ""How Do I Know What I Think Till I See What I Say?" William James's and Carl Jung's Ideas on the Unconscious Mind As Applied to Stegner" (2015). Undergraduate Honors Theses. Paper 118. https://scholarworks.wm.edu/honorstheses/118 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. 2 “How Do I Know What I Think Till I See What I Say?” William James’s and Carl Jung’s Ideas on the Unconscious Mind as Applied to Stegner Introducing Stegner He was a man who cultivated the qualities of kindness, consideration, and generosity. So many of our writers and poets of [the twentieth] century have, directly or indirectly (by showing their absence), written about the critical need for love, empathy, and kindness in our society, but it is truly remarkable to find a writer whose life and work were so closely joined in their expression. -
Why Popular Culture Matters
THE POPULAR CULTURE STUDIES JOURNAL MIDWEST PCA/ACA VOLUME 7 | NUMBER 1 | 2019 WHY POPULAR CULTURE MATTERS EDITED BY: CARRIELYnn D. REINHARD POPULAR CULTURE STUDIES JOURNAL VOLUME 7 NUMBER 1 2019 Editor CARRIELYNN D. REINHARD Dominican University Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor CHRISTOPHER J. OLSON University of Wisconsin-Milwaukee Graphics Editor ETHAN CHITTY Purdue University Please visit the PCSJ at: http://mpcaaca.org/the-popular- culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2019 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO PAUL BOOTH West Virginia University DePaul University KATIE WILSON ANTHONY ADAH University of Louisville Minnesota State University, Moorhead GARY BURNS BRIAN COGAN Northern Illinois University Molloy College ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University CARLOS D. MORRISON KIT MEDJESKY Alabama State University University of Findlay SALVADOR MURGUIA ANGELA NELSON Akita International University Bowling Green State University CARYN NEUMANN ALLISON R. LEVIN Miami University Webster University JENNIFER FARRELL Milwaukee School of Engineering ii TABLE OF CONTENTS Introduction: Why Popular Culture Matters ........................ 1 CARRIELYNN D. REINHARD Special Entry: Multimedia Presentation of “Why Popular Culture Matters” ............................................ 4 CARRIELYNN D. REINHARD Editorial: I’m So Bored with the Canon: Removing the Qualifier “Popular” from Our Cultures .......................... 6 SCOTT M. -
Volume3-4 Master.Pmd
Nomad A Collection of Undergraduate Essays Written for Courses in the Program in Comparative Literature Volume 3, 2003–2004 Volume 4, 2005 Program in Comparative Literature University of Oregon EDITOR TOM DOLACK, COMPARATIVE LITERATURE UNDERGRADUATE EDITORS DAVID KENNY ANTHONY LUCERO EDITORIAL CONSULTANT ROGER ADKINS, COMPARATIVE LITERATURE EDITORIAL CONSULTANTS AMANDA BIRD, COMPARATIVE LITERATURE KATY BRUNDAN, COMPARATIVE LITERATURE RACHEL HANAN, DEPARTMENT OF ENGLISH SERENITY JOO, COMPARATIVE LITERATURE URSULA LINDQVIST, COMPARATIVE LITERATURE MARIA OLIVARES, ROMANCE LANGUAGES KATHRYN OLSEN, COMPARATIVE LITERATURE BLAIR ORFALL, COMPARATIVE LITERATURE ROBIN PAPPAS, COMPARATIVE LITERATURE CHRIS PICICCI, ROMANCE LANGUAGES ERIN ROKITA, COMPARATIVE LITERATURE ROSE SEIFERT, COMPARATIVE LITERATURE LAURA SELPH, COMPARATIVE LITERATURE EMILY TAYLOR, COMPARATIVE LITERATURE ELENA VILLA, COMPARATIVE LITERATURE KRISTI WALLACE, COMPARATIVE LITERATURE ANDREA WALTHER, ROMANCE LANGUAGES HONGMEI YU, COMPARATIVE LITERATURE COVER DESIGN ERIC PAYETTE, MULTIMEDIA DESIGN © 2005 University of Oregon Program in Comparative Literature All Rights Reserved Contents: Volume 3 Editor’s Introduction vi Spiritual Homelessness and Hope for the Renewed Epic: 8 Lukács and Tolstoy JENA KNUDSEN Epistolary Chastity 18 KRISTA JOHNSON The Stranger Figure in Etel Adnan’s Sitt Marie Rose 29 and Kerstin Ekman’s Blackwater ALI ABDURAHMAN ALMOASSIB MARMADUKE Animalization & Infantilization: 37 Colonialist Tropes in Outpost in Morocco and In Morocco MAGALI RABASA Radical Femininity: