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Summerhill 11-01-11.Pmd
The Middle Class in India: An Overview RITA KOTHARI Sai Paranjapeís acclaimed film Katha (1983) shows the Indians. Hailing from small towns (Bunty aur Babli, 2005), protagonist Rajaram Pushottam Joshi living in a chawl or ëoldí middle-class families in Bombay (Rangeela, 1995) in Bombay in India of the 1980s. Dressed in a half-sleeved and Delhi (Oye Lucky! Lucky Oye!, 2008) and (Khosla Ka shirt and slightly shapeless trousers, he missed his first Ghosla, 2006). Raring to redefine themselves, they bus to work almost every single day. The city transport represent the expanding middle class. Shedding what bus required a passenger to muscle his way on board, they do not want (clerical jobs, restrictive circumstances) brutally elbowing aside anyone who got in the way. But and eagerly embracing all that India after liberalisation Rajaram was constrained by his own norms of civility had to offer (money, the English language, brand names, and fairness. So he got left behind at the bus stop, along career opportunities) they stand out by their desire to with an old toothless woman ó two timorous souls who do well.1 would not, or could not summon up the aggression and The class they represent is ëthe darling of the official ruthlessness demanded by metropolitan life. discourse and policy makersíand one that ësets the terms The visual imagery returns to the spectator as Rajaram of reference of Indian societyí (Jaffrelot and Van der Veer, goes through several comic-tragic travails; the mockery 2008 : 19). In the city of Ahmedabad where I live, this he evokes by putting up a Hindi (not English) name-plate class is the addressee for whom the new flyovers are on his door, his ineptness at wooing a girl or an built, and hoardings announcing posh houses with employer, and his overall belief that it was alright to attributes such as ëreal auraí and ëtruly eliteí and ësheer live in middle-class housing. -
LA GACETA N° 160 De La Fecha 24 08 2017
La Uruca, San José, Costa Rica, jueves 24 de agosto del 2017 AÑO CXXXIX Nº 160 60 páginas Estimado usuario: Si necesita consultar alguna Gaceta o Boletín Judicial anterior al año 2005 comuníquese con nuestro Archivo Institucional. 2296-9570 ext. 134 [email protected] www.imprentanacional.go.cr Pág 2 La Gaceta Nº 160 — Jueves 24 de agosto del 2017 Estado dentro del término de cinco días hábiles, contados a partir CONTENIDO de la tercera publicación de este edicto, en el Diario Ofcial La Gaceta.—San José, a las 13:20 horas del 27 de julio del 2017.— Pág Unidad de Registro de Agroquímicos y Equipos de Aplicación.— Nº Ing. Esaú Miranda Vargas, Jefe.—( IN2017159588 ). DOCUMENTOS VARIOS................................................. 2 SERVICIO NACIONAL DE SALUD ANIMAL TRIBUNAL SUPREMO DE ELECCIONES DIRECCION GENERAL Edictos ............................................................................. 40 DIRECTRIZ SENASA-DG-D001-2017 Avisos .............................................................................. 40 Considerando: CONTRATACIÓN ADMINISTRATIVA ....................... 41 I.—Que de conformidad con el inciso e) del artículo 6 de la Ley REGLAMENTOS ............................................................ 42 N° 8495 del 6 de abril del 2006, Ley General del Servicio Nacional de Salud Animal (SENASA), es competencia de dicho Servicio INSTITUCIONES DESCENTRALIZADAS ................ 44 “Dictar las normas técnicas pertinentes, elaborar los manuales RÉGIMEN MUNICIPAL ................................................ 47 de -
A Big Win for the Msd: Mackey Pendergrast Named Superintendent of the Year for the State of New Jersey!
A joint publication from The Morris School District and The Morris Educational Foundation FALL 2019 FIND OUT WHAT’S HAPPENING IN... DTHE istrict A BIG WIN FOR THE MSD: MACKEY PENDERGRAST NAMED SUPERINTENDENT OF THE YEAR FOR THE STATE OF NEW JERSEY! The New Jersey Association of School Administrators (NJASA) has chosen Mackey Pendergrast, Superintendent of the Morris School District, for New Jersey’s Superintendent of the Year. Mr. Pendergrast will now represent the State as a candidate for the American Association of School Administrators (AASA) National Superintendent of the Year Award, which recognizes the talent, vision, and impact of our nation’s public school leaders. He was named Morris County Superintendent of the Year in June and Region I Superintendent of the Year for North Jersey in September. This distinction comes at the start of Pendergrast’s fifth year as superintendent of the Morris School District and his ninth year overall as a superintendent. He began his public school teaching career as a high school history teacher and varsity basketball coach for the Summit Public Schools and held positions in central office administration for the Westfield Public School District and the West Morris Regional High School District before becoming superintendent of West Morris in 2011. Board of Education President Lisa Pollak and Vice President Nancy Bangiola said they were “absolutely thrilled but hardly surprised” by their superintendent’s recent accolades, including the state’s top honors. more on page 3> MEF and MSD Family Author Experience Kicks Off Love of Reading What do writers and ninjas have in common? District second graders contemplated this question in October during the fall installment of the new Morris Educational Foundation (MEF) and Morris School District (MSD) Family Author Experience. -
Dil Se / from the Heart (1998, Mani Ratnam, India)
A Level Film Studies - Focus Film Factsheet Dil Se / From the Heart (1998, Mani Ratnam, India) Component 2: Global Filmmaking • Sumptuous colour cinematography by Perspectives (AL) Santosh Sivan covers the different regions of the Indian sub-continent evoking the Core Study Areas contrasting geographic and ethnic features. Key Elements of Film Form • After the interval the story moves to New Meaning & Response Delhi with consequent tighter framing. The Contexts of Film • In Dil Se the songs (apart from E Ajnabi) are fantasies bookended by realities. The Rationale for study cinematography signals the change between these two modes. During the dance sequences Dil Se demonstrates the key characteristics frequent use of camera zoom, moving of a mainstream Bollywood film: a two-part camera, change of camera angles echo the structure, big stars, spectacular song and dance rhythmic pattern of the song. At the ending sequences, themes of Indian identity and the of the film the cinematography is much more struggle between love and duty. However, it tied to the conventions of realism. goes against the usual Bollywood narrative in its mixing of a romantic obsessive love story with a Mise-en-Scène serious and thought provoking political thriller. • Lavish mise-en-scène in terms of the costumes as well as the scenery. During the song and dance sequences both change constantly STARTING POINTS - Useful which is one of the features of the Bollywood Sequences and timings/links film. In Satrangi Re Meghna starts off in black, then white, orange, yellow, green, red, Satrangi Re – a song and dance sequence inspired blue, white, purple then white again. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
List of Organisations/Individuals Who Sent Representations to the Commission
1. A.J.K.K.S. Polytechnic, Thoomanaick-empalayam, Erode LIST OF ORGANISATIONS/INDIVIDUALS WHO SENT REPRESENTATIONS TO THE COMMISSION A. ORGANISATIONS (Alphabetical Order) L 2. Aazadi Bachao Andolan, Rajkot 3. Abhiyan – Rural Development Society, Samastipur, Bihar 4. Adarsh Chetna Samiti, Patna 5. Adhivakta Parishad, Prayag, Uttar Pradesh 6. Adhivakta Sangh, Aligarh, U.P. 7. Adhunik Manav Jan Chetna Path Darshak, New Delhi 8. Adibasi Mahasabha, Midnapore 9. Adi-Dravidar Peravai, Tamil Nadu 10. Adirampattinam Rural Development Association, Thanjavur 11. Adivasi Gowari Samaj Sangatak Committee Maharashtra, Nagpur 12. Ajay Memorial Charitable Trust, Bhopal 13. Akanksha Jankalyan Parishad, Navi Mumbai 14. Akhand Bharat Sabha (Hind), Lucknow 15. Akhil Bharat Hindu Mahasabha, New Delhi 16. Akhil Bharatiya Adivasi Vikas Parishad, New Delhi 17. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Basti, Uttar Pradesh 18. Akhil Bharatiya Baba Saheb Dr. Ambedkar Samaj Sudhar Samiti, Mirzapur 19. Akhil Bharatiya Bhil Samaj, Ratlam District, Madhya Pradesh 20. Akhil Bharatiya Bhrastachar Unmulan Avam Samaj Sewak Sangh, Unna, Himachal Pradesh 21. Akhil Bharatiya Dhan Utpadak Kisan Mazdoor Nagrik Bachao Samiti, Godia, Maharashtra 22. Akhil Bharatiya Gwal Sewa Sansthan, Allahabad. 23. Akhil Bharatiya Kayasth Mahasabha, Amroh, U.P. 24. Akhil Bharatiya Ladhi Lohana Sindhi Panchayat, Mandsaur, Madhya Pradesh 25. Akhil Bharatiya Meena Sangh, Jaipur 26. Akhil Bharatiya Pracharya Mahasabha, Baghpat,U.P. 27. Akhil Bharatiya Prajapati (Kumbhkar) Sangh, New Delhi 28. Akhil Bharatiya Rashtrawadi Hindu Manch, Patna 29. Akhil Bharatiya Rashtriya Brahmin Mahasangh, Unnao 30. Akhil Bharatiya Rashtriya Congress Alap Sankyak Prakosht, Lakheri, Rajasthan 31. Akhil Bharatiya Safai Mazdoor Congress, Jhunjhunu, Rajasthan 32. Akhil Bharatiya Safai Mazdoor Congress, Mumbai 33. -
January 22, 2020 Director General, Telecommunications and Internet
Denis Marquis President, Bell Pensioners' Group 1914, rue Cugnet Saint-Bruno de Montarville QC J3V 5H6 Tel.: 450 441-0111 Email: [email protected] January 22, 2020 Director General, Telecommunications and Internet Policy Branch, Innovation, Science and Economic Development Canada, 235 Queen Street, 10th Floor, Ottawa, Ontario K1A 0H5 Sent via e-mail to: [email protected] Subject: Canada Gazette, Part I, December 14, 2019, Volume 153, Number 10, Notice No. TIPB-002-2019 — Petitions to the Governor in Council concerning Telecom Order CRTC 2019-288 Dear Madam: Attached please find a submission by the Bell Pensioners’ Group (BPG) concerning the above- noted matter. Yours truly, Denis Marquis President, Bell Pensioners’ Group www.bellpensionersgroup.ca Attachment c.c: Hon. Navdeep Bains, P.C., M.P., Minister of Innovation, Science and Industry [email protected] Hon. Deb Schulte, P.C., M.P., Minister of Seniors [email protected] Attachment Canada Gazette, Part I, December 14, 2019, Volume 153, Number 10, Notice No. TIPB-002-2019 — Petitions to the Governor in Council concerning Telecom Order CRTC 2019-288 Comments of the Bell Pensioners’ Group In accordance with Gazette Notice No. TIPB-002-2019, the Bell Pensioners’ Group (BPG) is pleased to provide this submission in support of a petition to the Governor in Council by Bell Canada seeking a variation of a decision issued by the Canadian Radio-television and Tele- communications Commission (CRTC) concerning final rates for aggregated wholesale high- speed internet access services. This CRTC decision requires that facilities-based competitors like Bell Canada (Bell) allow use of their state-of-the-art communications networks by resale- based competitors at substantially reduced prices that are, in the case of Bell, below its costs incurred to build those networks. -
Satya 13 Ram Gopal Varma, 1998
THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989. -
Cocktails Beer/Cider
Cocktails Cocktail of The Month Don’t Mocha Me Doorly’s XO, Mozart Chocolate Cream, Coffee, Vanilla 12 Of Gorse Doorly’s 3yr, Foraged Gorse Syrup, Citrus 9 Two Worlds Chilli Chase GB Gin Liqueur, Apple juice, Lemon juice, Soda 9 Track 2 Tapatio Blanco, Garden Rhubarb Syrup, Olorosso Sherry 10 The Andy’s Mint infused Pisco, Raspberry, Belsazar Rosè vermouth 10 Yuz-ee Me Rolling Yuzu Sake, Garden Infused Vodka, Lime, Mint, & Soda 10 A Knight’s Tale Doorly’s XO, Angus’ Beer Syrup, Orange & Rosemary Bitters 12 Bring the Beet in Chase Vodka, Homegrown Beetroot syrup, Apple Juice, Lemon Tonic 12 Reverse Standoff White Vermouth Blend, Casamigos Anejo, Orange Bitters 12 Non-Alcoholic Collin’s No-llins Seedlip Garden, Citric, Rhubarb & Ginger, Soda 6 Forager`s Fizz Seedlip Spice, Elderflower, Citric, Non-Alcoholic Sparkling Wine 6 Beer/Cider Hop House 13 330ml Fresh, Hoppy Lager 5% 5.75 Pilsner Andwell 330ml Bright, Light Pilsner 4.8% 5.50 Small Beer Lager 350ml Light, Low ABV Lager 2.1% 5.50 Hedge Hop 500ml Rich Golden Ale 4.9% 6.75 Valley Pale 500ml Hoppy Pale Ale 3.6% 6.50 Hampshire Rose 500ml Fresh, Golden Bitter 4.2% 6.25 Pure Gold 500ml Light Golden Ale 4.8% 6.50 Russian Winter 500ml Stout with rich chocolate aromas 5.3% 6.50 The PIG Session Beer 330ml Hoppy Forward Session Beer 4.0% 5.50 Unity Pale Ale 440ml Crispy, Fresh, Citrus and Tropical Notes 5.0% 6.75 New Forest Cider 330ml Dry, Lightly Sparkling 6% 5.75 Burrow Hill Cider 500ml Medium Dry 6% 6.5 1 Sparkling Wines (150ml) Hambledon Classic Cuvee Sparkling Wine Light, zesty, refreshing 12.5 Hambledon Rose Sparkling Wine Crispy, fresh, fruity 15 Bollinger Special Cuvee Champagne Full, rich, complex 18 . -
Bombay Novels
Bombay Novels: Some Insights in Spatial Criticism Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri With a Foreword by Amrit Gangar Bombay Novels: Some Insights in Spatial Criticism By Mamta Mantri This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Mamta Mantri All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2390-X ISBN (13): 978-1-5275-2390-6 For Vinay and Rajesh TABLE OFCONTENTS Acknowledgements ......................................................................... ix Foreword ......................................................................................... xi Introduction ................................................................................. xxvi Chapter One ...................................................................................... 1 The Contours of a City What is a City? The City in Western Philosophy and Polity The City in Western Literature The City in India Chapter Two ................................................................................... 30 Locating the City in Spatial Criticism The History of Spatial Criticism Space and Time Space, -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
CIN13 - Programmeml235x320:Mise En Page 1 07/10/13 10:41 Page1 CIN13 - Programmeml235x320:Mise En Page 1 07/10/13 10:41 Page2
CIN13 - ProgrammeMl235x320:Mise en page 1 07/10/13 10:41 Page1 CIN13 - ProgrammeMl235x320:Mise en page 1 07/10/13 10:41 Page2 MIDI LIBRE Le quotidien régional Midi Libre est l'un des plus anciens partenaires du Festival du cinéma méditerranéen et c'est aussi l'un des plus actifs. Chaque année la rédaction du journal s'implique largement en consacrant des chroniques spéciales au festival. Le Prix du public Midi Libre permet aux spectateurs d'unir leurs voix en votant pour récompenser le réalisateur qui, à leurs yeux, a présenté le meilleur film. Ce prix est l'un des plus convoités et incontestablement le plus interactif. Ces relations privilégiées ont donné naissance à la publication quotidienne de Flash festival qui est réalisé pendant le festival. Midi Libre en assure la fabrication, l'impression et la distribution. Une alliance qui dure dans le temps et se renforce chaque année. Bien évidemment toute l'actualité du festival, c'est dans Midi Libre. www.midilibre.com PURE IMPRESSION pure impression™, est une imprimerie familiale basée à Montpellier spécialisée dans le tirage rapide de brochures, livres, flyers, dépliants, plaquettes, affiches... Tous les documents qu'elle réalise sont certifiés et fabriqués dans le plus grand respect de l'environnement. Pour la quatrième année consécutive pure impression™ soutient et accompagne le Cinemed. Ensemble, ils privilégient des alternatives vertes et responsables afin de favoriser une impression durable. Ce catalogue a mobilisé 1,5 tonne de papier certifié FSC (60 % de papier recyclé - 40 % fibres vierges certifiées) et a été imprimé avec des encres à base végétale.