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Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Stock up on Homespun Dvds for the Holidays!
PRESENTS Happy Traum of Homespun shares the joy of music in the holiday season. ACCORDION BEGINNING BLUEGRASS BANJO LEARN TO PLAY taught by Pete Wernick STOCK UP ON CAJUN ACCORDION Pete (Dr. Banjo) Wernick will have taught by Dirk Powell HOMESPUN you picking right from the start of DVD 1: Powell teaches how to hold this DVD. By the time you finish, the instrument, use the bellows, DVDS FOR you’ll be accompanying songs, find the notes, and play “double” playing solos, and will have THE HOLIDAYS! (octaves). Includes detailed instruc- learned basic chords, slides, tion for playing some popular Cajun hammer-ons and pull-offs, right- dance tunes. 75 MIN • INCLUDES Now that DVD players are mainstream hand “rolls” in the three-finger bluegrass style and lots more. LYRICS • NOVICE LEVEL More than a dozen easy bluegrass songs are taught. in homes across the country, DVDs DVD 2: Covers topics such as ornamentation, syncopation, 100 MIN • INCLUDES TAB • NOVICE LEVEL phrasing, anticipating the bellows changes, creating rhythmic effects 00641606 DVD .....................................................$29.95 from Homespun will make great gifts and other techniques. 60 MIN • EARLY INTERMEDIATE LEVEL 00641849 2-DVD Set ............................................$49.95 for instrumentalists everywhere this HOW TO PLAY THE 00641844 DVD One Only .....................................$29.95 5-STRING BANJO holiday season! 00641845 DVD Two Only .....................................$29.95 taught by Pete Seeger with special guest appearance by Doc Watson TEX-MEX ACCORDION Covering all styles of music from America’s most beloved banjo taught by Flaco Jiménez picker teaches his playing bluegrass, jazz and country to folk, blues and Tim Alexander, techniques and more than a dozen with Max Baca, bajo sexto and rock, Homespun’s love of music and songs. -
Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance. -
BROADSIDE Hoots Will Be Held Sunday, Jan
1F53 THE NATIONAL TOPICAL SONG l·1A.GAZINE DECEHBER 20, 1964 PRICE -- 50¢ BY @ 1964 PETER Hopi Busic LA FARGE New York jin - "l<t 'fir 'b in +hl!.. +wo- bit CMait-- in' ~( 1:0. '1.Ic.Jc-er just -to +h, .... 1c. +h~t- SY1akes wen.. 0.1 - w--oyr:;. 'Gut the..y Ai~lr r~rtic:.·Il\'" tbout 'the @] fv' r'l t;fhf- o~ of" thU"rl ~S&'cI nell f"1 :r: Tk 1)~~rJ them too at 0. ..f!o.r)- Coy ~lJ. en- Chorl.lS beArd the. (at- ..... le.. e>olllce loud bfld de..3r c.irdJ Dy dib -.q\al1~S ;he.. rattle. - ~nbtes C"l)il f\ : I j , j ~ 0 I jg~ J~ I Cl I .-I .. fJ r~t- +-Ie....- sl'lak~• R. r6t -t\e. sna.ke. noise he-II ~~e ~---- 2. I'Ve heard it too alley's side Where the pushers deal and the addicts glide Heroin's quiet, it enchants the boys But I've heard its anthem and the rattlesnake's noise ~iJ.Jf II Then there's the uptown doctor with his needle clean ra±- He_ st'\a.ke. He's always nice and never mean He gives them dope by another name But I heard the rattlesnake just the same. (Chorus) 3. There's the city official 'way down low Keepin' his pockets full of dough If you want help don't ask his aid There's a rattlesnake sitting in his shade " There's a politician 'way up h!gh ! Too far to hear the people cry ,I Passin' bills for the wealthy men He won't explain but the rattlesnake can. -
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • a Legend Ireland Tour…
Happy Traum……….…………………….….Page 2 Sun, July 11, at Fishing Creek Salem UMC • A legend Ireland Tour….......….......…..........….4 of American roots music joins us for a guitar workshop Folk Festival Scenes…………..…....8-9 and concert, with a blues jam in between. Emerging Artist Showcase………....6 Looking Ahead……………….…….…...12 Andy’s Wild Amphibian Show….........……..Page 3 Member Recognition.….................15 Wed, Jul 14 • Tadpoles, a five-gallon pickle jar and silly parental questions are just a few elements of Andy Offutt Irwin’s zany live-streamed program for all ages. Resource List Liars Contest……………....……….………...Page 3 Subscribe to eNews Wed, Jul 14 • Eight tellers of tall tales vie for this year’s Sponsor an Event Liars Contest title in a live-streamed competition emceed by storyteller extraordinaire Andy Offutt Irwin. “Bringing It Home”……….……...……........Page 5 Executive Director Jess Hayden Wed, Aug 11 • Three local practitioners of traditional folk 378 Old York Road art — Narda LeCadre, Julie Smith and Rachita Nambiar — New Cumberland, PA 17070 explore “Beautiful Gestures: Making Meaning by Hand” in [email protected] a virtual conversation with folklorist Amy Skillman. (717) 319-8409 Solo Jazz Dance Class……........................…Page 6 More information at Fri, Aug 13, Mt. Gretna Hall of Philosophy Building • www.sfmsfolk.org Let world-champion swing dancer Carla Crowen help get you in the mood to boogie to the music of Tuba Skinny. Tuba Skinny………………........................…Page 7 Fri, Aug 13, at Mt. Gretna Playhouse • This electrifying ensemble has captivated audiences around the world with its vibrant early jazz and traditional New Orleans sound. Nora Brown……………... Page 10 Sat, Aug 14, at Mt. -
Still on the Road 1971 Recording Sessions
STILL ON THE ROAD 1971 RECORDING SESSIONS JANUARY 6 New York City, New York 1st A. J. Weberman Telephone Conversation 9 New York City, New York 2nd A. J. Weberman Telephone Conversation MARCH 16-19 New York City, New York 1st Greatest Hits recording session AUGUST 1 New York City, New York Bangla Desh Concerts SEPTEMBER 24 New York City, New York 2nd Greatest Hits recording session OCTOBER 5 New York City, New York David Bromberg recording session 30 New York City, New York Allen Ginsberg TV program 31 New York City, New York Jamming with Ginsberg and Amram NOVEMBER 4 New York City, New York George Jackson recording session 9-17, 20 New York City, New York Allen Ginsberg recording sessions Still On The Road: Bob Dylan performances and recording sessions 1971 1885 A. J. Weberman Telephone Conversation New York City, New York 6 January 1971 Notes. Telephone conversation between Bob Dylan and A. J. Weberman. Full conversation printed in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. Unauthorized Releases (The release is unauthorized and is not associated with or approved by Bob Dylan or his current recording label) Released in the UK on THE CLASSIC INTERVIEWS VOLUME 2: THE WEBERMAN TAPES, Chrome Dreams CIS 2005, 1 August 2004. Mono telephone recording, 2 minutes. Session info updated 28 May 2012. Still On The Road: Bob Dylan performances and recording sessions 1971 1890 A. J. Weberman Telephone Conversation New York City, New York 9 January 1971 Notes Telephone conversation between Bob Dylan and A. J. Weberman . Full conversation printed in East Village Other, 19 January 1971 and reprinted in The Fiddler Now Upspoke, Volume 1, Desolation Row Promotions, page 137. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Bound for Glory Bob Dylan 1962
BOUND FOR GLORY BOB DYLAN 1962 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, RELEASES, TAPES & BOOKS. © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Bound For Glory — Bob Dylan 1962 page 2 CONTENTS: 1 INTRODUCTION..................................................................................................................... 3 2 YEAR AT A GLANCE ............................................................................................................. 3 3 CALENDAR .............................................................................................................................. 3 4 RECORDINGS ......................................................................................................................... 7 5 SONGS 1962 .............................................................................................................................. 7 6 SOURCES .................................................................................................................................. 9 7 SUGGESTED READINGS .................................................................................................... 10 7.1 GENERAL BACKGROUND .................................................................................................... 10 7.2 ARTICLE COMPILATIONS ................................................................................................... -
Print Version (Pdf)
Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges. -
Broadside #113
iUiam f. Buckley Jr. ~~{'%~~.A LOOK AT THE. GO' WELFAltk Let's quit horslngaroQnd:'111eplii"liDellt dtmiren..o; of-the wetfal'el'oUs, as distin-ct ff()m~ the lmnui· . capped and the hfllpless and· the temporarily tmfnrtnnate, are moral criminals and shouhU,. treated as Ie.gal erill~in.h, too. If va:rents of a ohM born out of wedl(le It ar~ ooalJJ~ dr unwilling to t'ill'i: tor thl' ehlld, the 1)'a!'f!f1tl' !\'-hould:-b~ 3al!i.'d and the e..l1iJd flh(luld toe put ill ,tn irt,<rtlttltio~l. FOI'th4i' .. ..... .. .. .... .. ~ _ _.<:~:-Thi$wbig: second baJ;;tard, the parcnt..., silouid he i?tcrillzt'!l, mgly swank Raymond & Nassir Salon in New (Ed.Note - Next: Barbed wire and barracks .. York is proud of its J;-alkers: Joan 8aez and Will the Buckley Corporation get the con Judy Collins and screen daz:der jiB St. John . tract for the gas ovens? ) go there for hairstyling needs when in town.' ··T'hesubfectof tlielrWSCjl$'; sion was a $53.000 house in l\fARYSVILLE. Calif:, May the· that was· 31 - Nobody muon missed by vandals in an. the faceless men who '~.I" of racial animQsity. f~~ Lower D. And , W~nesday night, much ml)UrQiJ them than JO,. jllen and teen- ,. ,. J~ Ixlys, \rltl\ axes and n theirbatxe4 up .. smashed '(;"'; of tlftl' dill from ~··Ibft·· ,....... ,,~,.~. 16 WilldoW5~ of pea~Jt orchards in . frallle,s .. .o~tskirts,~rJ·u~ City It took' a 101:- Or 'themdead Sofhedrlfter!l c~mefrOm aU the co~try, from Con ·;rexas. -
"So Long, It's Been Good to Know You" a Remembrance of Festival Director Ralph Rinzler
~~~~ 8 - ·t"§, · .. ~.JLJ.J.... ~ .... "So Long, It's Been Good to Know You" A Remembrance of Festival Director Ralph Rinzler RICHARD KURIN Our friend Ralph did not feel above anyone. He quickly became a symbol of the Smithsonian helped people to learn to enjoy their differ under Secretary S. Dillon Ripley1 energizing ences. "Be aware of your time and your place, II the Mall. It showed that the folks from back he said to every one of us. "Learn to love the beau home had something to say in the center of 1 ty that is closest to you. II So I thank the Lord for the nation S capital. The Festival challenged sending us a friend who could teach us to appre America1s national cultural insecurity. ciate the skills of basket weavers, potters, and Neither European high art nor commercial bricklayers - of hod carriers and the mud mix pop entertainment represented the essence of ers. I am deeply indebted to Ralph Rinzler. He did American culture. Through the Festival1 the not leave me where he found me. Smithsonian gave recognition and respect to - Arthel 11 Doc" Watson the traditions/ wisdom1 songs1 and arts of the American people themselves. The mammoth Lay down, Ralph Rinzler, lay down and take 1976 Festival became the centerpiece of the your rest. American Bicentennial and a living reminder of the strength and energy of a truly wondrous o sang a Bahamian chorus on the and diverse cultural heritage - a legacy not to National Mall at a wake held for Ralph be ignored or squandered. -
Revival & Survi
=#146 THE NATIONAL TOPICAL SONG MAGAZINE NOVEMBER 1983 REVIVAL & SURVI\;J\L 1-'1-'1-'1-'1-'1-'1-' OO-lOJC)lV:>I-'Oc.oOO The Return -_J'iil'''''''-''C, . >tJ~/f:h: of t,551!( '\ r, I' '--, Ii Lenny,: Broadside Anderson,.. n Joanna ;, Cazden, NEW YORK, Nov. 1 (UPI)- Broadside, the Bob National Topical Song Magazine, published for 20 Dylan years by veteran folksinger Sis Cunningham and her husband, Gordon Friesen (with the help of Kristina innumerable volunteers and hangers-on), is back, Lems with 20 pages of songs, poems, articles, reviews, Holly irreverency and bacchanalia every month. Near Launched by Sis and Gordon in 1962, Broad Tom side played an inOuential and important role in Paxton 'ffie "folk revival" of the 1960s. Among its frequent contributors were such writers as Julius Lester, Phil Ochs, Tom Paxton, Malvina Reyn olds, Bob Dylan and Pete Seeger. Although many of the contributors were unknown at the time outside of a small circle of friends, their songs were published because of the inherent good qualities of the music. Broadside was a vital element in the development of these artists, providing them with an outlet for their music and with a forum for the exchange of ideas. In recent years the publication had declined to an annual. However, with the cooperation and approval of Sis and Gordon, the magazine is being resuscitated. The announcement that Broadside was returning-as a 20-page month ly-was greeted with great enthusiasm by those who were familiar with its past, and subscriptions and words of support have been received from such diverse corners and Brooklyn, Tokyo, Co penhagen, San Mateo, Far Rockaway, Monsey and Greenwich Village.