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How Many of These 50 Spiritual Movies Have You Seen? Did Any of Your Favorites Make the List?
50 Spiritual Movies Fresh Reviews | Exotic Spiritual Movies | Mystery Movie? Healing Movies | Sports Movies| Free Success Ebooks Spiritual Cinema | Transformational Books How Many of These 50 Spiritual Movies Have You Seen? Did Any of Your Favorites Make The List? This Book is Brought to You Courtesy of: new age spirituality Please visit: new age spirituality Warm welcome to 50 spiritual movies. Not only will you find some of the best spiritual cinema reviewed here but interspersed throughout you'll also find links to some of the best charities around. (In order to use the links make sure you are connected to the internet.) The charities chosen have been independently reviewed and found to have the highest percentage of donations going to the recipients. If you can't donate to one of these top charities then by passing this ebook on to others you will still be making a big difference as others who receive it may be able to give generously. And, of course, hopefully both you and those you pass this book on to will find and enjoy some wonderful inspirational and motivational movies. As a result, not only do you have full rights to give this ebook away but it likely will be a great blessing for a number of people if you do! Just think, contained within are not only motivational and inspirational movies that should have a positive impact on those you give it to − but if they or anyone else that they distribute it to are able to make a donation to any of the worthy charities featured within then you are spreading ripples of positivity and charity. -
The New Iranian Film: Central Themes Within a Framework of Values in Third Phase Post-Revolutionary Iranian Film By: Nicole E
The New Iranian Film: Central Themes within a Framework of Values in Third Phase Post-Revolutionary Iranian Film by: Nicole E. Cathcart zolm be’l-saviyeh adl ast (Oppression equally applied is justice) Persian proverb We have art so that we do not perish from truth. Nietzsche Much attention has been paid to the history and theory of European and American cinema as it has evolved over the last century, but there is comparatively little scholarship of films from the Middle East, an area that has been long misunderstood by the Western world. However, in recent years, the blossoming film industry of Iran and its many awards have begun to awaken the world to a brilliant new film tradition. Since the 1979 Iranian Revolution, a new generation of filmmakers has emerged, and through a variety of subjects, they provide an authentic perspective of modern Iranian culture. The post- Revolutionary film tradition of Iran has gained respect and admiration globally for its subtle exploration of social issues while avoiding superficiality. International film festivals have awarded Iranian films in recent years for their simple, yet profound messages. In the 20th and 21st century, this relatively new medium of film has become the most accessible art form to populations around the world, and it has become the most vivid way to experience another country’s culture. The history of film in Iran since the Revolution is that of an evolving relationship—both the filmmaker’s and the Revolutionary generation’s relationship to the government. Understanding the relationship between film and politics is the first step in understanding the films themselves. -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
Majid Majidí El Cine De La Naturaleza Original: La Alquimia De La Imagen En Majid Majidí
Arte·y·políticas·de·identidad © Copyright 2010: Servicio de Publicaciones de la Universidad de Murcia. Murcia (España) 2010, vol. 3 (diciembre) ISSN edición impresa: 1889-979X. ISSN edición web (http://revistas.um.es/api): 1989-8452 113-128 Entrevista Majid Majidí El cine de la naturaleza original: la alquimia de la imagen en Majid Majidí Pablo Beneito* Con motivo del nuevo festival de cine creado por los responsables del Centro Cultural Puertas de Castilla de Murcia en el año 2010, el IBAFF (Ibn Arabi Film Festival), con el lema ‘Viaje y creación’, tuve ocasión de conocer en persona al versátil director, productor, guionista y actor iraní Majid Majidí (Teherán, 1959) que acudió a la convocatoria para recoger el premio de aquella primera edición inaugurando así el ciclo dedicado a su obra cinematográfica, cuyo completísimo programa puede fácilmente consultarse en la red. En estas páginas no voy a abordar ni la biografía del cineasta, ni el estudio de su producción, por la cual ha recibido en torno a medio centenar de premios internacionales. Lo que me propongo presentar aquí, con carácter básicamente documental, es el resultado del encuentro que mantuvimos y grabamos tras la entrega del mencionado galardón. Como mera introducción a esa entrevista, siguen algunos comentarios y reflexiones personales sobre torno el autor, su obra y su contexto. He tenido la oportunidad de visitar Irán en varias ocasiones y pude así conocer y vivir algunas de sus muchas maravillas, como la de escuchar a los cantores de poesía que se reúnen en círculos de auténticos cabales bajo los arcos del puente safaví de Ispahán dando vida a los poemas de Hafez, Rumi o tantos otros, pero por aquel entonces, aunque ya conocía las creaciones de los prolíficos Abbas Kiarostami (1940) o Mohsen Makhmalbaf (1957), entre otros directores iraníes con los que guarda Majidí cierta afinidad de espíritu y tendencias, aún no había descubierto el cine de Majid Majidí [léase Mayid Mayidí] que pronto habría de convertirse en uno de mis cineastas predilectos. -
Selection of Iranian Films 2020
In the Name of God PUBLISHER Farabi Cinema Foundation No. 59, Sie Tir Ave., Tehran 11358, Iran Management: Tel: +98 21 66708545 / 66705454 Fax: +98 21 66720750 [email protected] International Affairs: Tel: +98 21 66747826 / 66736840 Fax: +98 21 66728758 [email protected] / [email protected] http://en.fcf.ir Editor in Chief: Raed Faridzadeh Teamwork by: Mahsa Fariba, Samareh Khodarahmi, Elnaz Khoshdel, Mona Saheb, Tandis Tabatabaei. Graphics, Layout & Print: Alireza Kiaei A SELECTION OF IRANIAN FILMS 2020 CONTENTS Films 6 General Information 126 Awards 136 Statistics 148 Films Film Title P.N Film Title P.N A BALLAD FOR THE WHITE COW 6 NO PLACE FOR ANGELS 64 ABADAN 1160 8 PLUNDER 66 AMPHIBIOUS 10 PUFF PUFF PASS 68 ATABAI 12 RELY ON THE WIND 70 BANDAR BAND 14 RESET 72 BECAME BLOOD 16 RIOT DAY 74 BONE MARROW 18 THE NIGHT 76 BORN OF THE EARTH 20 THE BLACK CAT 78 CARELESS CRIME 22 THE BLUE GIRL 80 CINEMA SHAHRE GHESEH 24 THE ENEMIES 82 CROWS 26 THE FOURTH ROUND 84 DAY ZERO 28 THE GOOD, THE BAD,THE INDECENT 2 86 DROWN 30 THE GREAT LEAP 88 DROWNING IN HOLY WATER 32 THE INHERITANCE 90 EAR RINGED FISH 34 THE LADY 92 EXCELLENCY 36 THE MARRIAGE PROJECT 94 EXODUS 38 THE RAIN FALLS WHERE IT WILL 96 FATHERS 40 THE REVERSED PATH 98 FILICIDE 42 THE SKIN 100 FORSAKEN HOMES 44 THE SLAUGHTERHOUSE 102 I’M HERE 46 THE STORY OF FORUGH’S GIRL 104 I’M SCARED 48 THE SUN 106 IT’S WINTER 50 THE UNDERCOVER 108 KEEP QUIET SNAIL 52 THE WASTELAND 110 KILLER SPIDER 54 TITI 112 LIFE AMONG WAR FLAGS 56 TOOMAN 114 LUNAR ECLIPSE 58 WALKING WITH THE WIND 116 NARROW RED LINE 60 WALNUT TREE 118 NO CHOICE 62 A BALLAD FOR THE WHITE COW (Ghasideye Gaveh Sefid) Directed by: Behtash Sanaeeha Synopsis: Written by: Behtash Sanaeeha, Maryam Mina’s husband has just been executed Moghadam, Mehrdad Kouroshnia for murder. -
The Collegian Special Collections and Archives
University of Texas Rio Grande Valley ScholarWorks @ UTRGV The Collegian Special Collections and Archives Spring 3-5-2012 The Collegian (2012-03-05) Rene Cardona Jr. Follow this and additional works at: https://scholarworks.utrgv.edu/collegian Recommended Citation The Collegian (BLIBR-0075). UTRGV Digital Library, The University of Texas – Rio Grande Valley This Book is brought to you for free and open access by the Special Collections and Archives at ScholarWorks @ UTRGV. It has been accepted for inclusion in The Collegian by an authorized administrator of ScholarWorks @ UTRGV. For more information, please contact [email protected], [email protected]. THE ANNOUNCEMENTS Page 2 | POLITICS Page 5 | NOTICIAS EN ESPAÑOL Página 13 HER- COLLEGIAN UTBCOLLEGIAN.COM STORY Vol. 64, Issue 23 Monday, March 5, 2012 > WOMEN'S HISTORY MONTH >>The struggle, the culmination to this point in time: What women do and have done. >>Wonder Women PAGE 7 VOTE >> One in five Valley residents votes. If you don't know the candidates, that's no excuse. Congressional candidates presented their views on campus last week. PAGE 5 OPINION “2012 is a pivotal year for America and its people. Democracy or plutocracy? It’s time to south padre island convention and visitors bureau choose.” >>CARTOON: Feet to the fire! PAGE 4 Accreditation reiteration Status intact until 2015, iPAD 4 U TSC transition team tells board of trustees >> Well, if you go to MISD. The McAllen Independent School By Joe Molina District has begun its distribution of the tablets to its 25,000 students. THE COLLEGIAN PAGE 12 Talk of the inevitable UTB/TSC partnership ChRISTOPhER PEÑA/collegian ON THE WEB split hasn’t failed to create UT-Brownsville President Juliet V. -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD
Id Title Year Format Cert 20802 Tenet 2020 DVD 12 20796 Bit 2019 DVD 15 20795 Those Who Wish Me Dead 2021 DVD 15 20794 The Father 2020 DVD 12 20793 A Quiet Place Part 2 2020 DVD 15 20792 Cruella 2021 DVD 12 20791 Luca 2021 DVD U 20790 Five Feet Apart 2019 DVD 12 20789 Sound of Metal 2019 BR 15 20788 Promising Young Woman 2020 DVD 15 20787 The Mountain Between Us 2017 DVD 12 20786 The Bleeder 2016 DVD 15 20785 The United States Vs Billie Holiday 2021 DVD 15 20784 Nomadland 2020 DVD 12 20783 Minari 2020 DVD 12 20782 Judas and the Black Messiah 2021 DVD 15 20781 Ammonite 2020 DVD 15 20780 Godzilla Vs Kong 2021 DVD 12 20779 Imperium 2016 DVD 15 20778 To Olivia 2021 DVD 12 20777 Zack Snyder's Justice League 2021 DVD 15 20776 Raya and the Last Dragon 2021 DVD PG 20775 Barb and Star Go to Vista Del Mar 2021 DVD 15 20774 Chaos Walking 2021 DVD 12 20773 Treacle Jr 2010 DVD 15 20772 The Swordsman 2020 DVD 15 20771 The New Mutants 2020 DVD 15 20770 Come Away 2020 DVD PG 20769 Willy's Wonderland 2021 DVD 15 20768 Stray 2020 DVD 18 20767 County Lines 2019 BR 15 20767 County Lines 2019 DVD 15 20766 Wonder Woman 1984 2020 DVD 12 20765 Blackwood 2014 DVD 15 20764 Synchronic 2019 DVD 15 20763 Soul 2020 DVD PG 20762 Pixie 2020 DVD 15 20761 Zeroville 2019 DVD 15 20760 Bill and Ted Face the Music 2020 DVD PG 20759 Possessor 2020 DVD 18 20758 The Wolf of Snow Hollow 2020 DVD 15 20757 Relic 2020 DVD 15 20756 Collective 2019 DVD 15 20755 Saint Maud 2019 DVD 15 20754 Hitman Redemption 2018 DVD 15 20753 The Aftermath 2019 DVD 15 20752 Rolling Thunder Revue 2019 -
PH Love Simon Final.Pdf
1 FOX 2000 PICTURES präsentiert EINE TEMPLE HILL Produktion NICK ROBINSON JOSH DUHAMEL und JENNIFER GARNER Executive Music Producer JACK ANTONOFF Music Supervisor SEASON KENT Musik ROB SIMONSEN Kostümdesign ERIC DAMAN Co-Produzent CHRIS McEWEN Schnitt HARRY JIERJIAN Bühnenbild AARON OSBORNE Director of Photography JOHN GULESERIAN Executive Producer TIMOTHY M. BOURNE 2 Produzenten WYCK GODFREY MARTY BOWEN POUYA SHAHBAZIAN ISAAC KLAUSNER Basierend auf dem Roman “Simon vs. the Homo Sapiens Agenda” von BECKY ALBERTALLI Drehbuch ELIZABETH BERGER & ISAAC APTAKER Regie GREG BERLANTI Filmlänge: 110 Minuten Kinostart: 28. Juni 2018 3 SYNOPSIS Jeder verdient eine großartige Liebesgeschichte. Für den siebzehnjährigen Simon Spier ist es allerdings etwas komplizierter: er muss seiner Familie und seinen Freunden erst noch erklären, dass er schwul ist. Und er muss auch noch herausfinden, wer der anonyme Mitschüler ist, in den er sich online verliebt hat. Die Lösung beider Probleme nimmt einen urkomischen aber auch beunruhigenden Verlauf und verändert Simons Leben vollkommen. Regisseur Greg Berlanti (Ausführender Produzent u.a. bei „Everwood”, „The Flash” und „Riverdale”) inszenierte LOVE, SIMON nach einem Drehbuch von Elizabeth Berger und Isaac Aptaker. Es basiert auf Becky Albertallis vielgelobten Roman und erzählt eine ebenso komische wie aufrichtige Geschichte übers Erwachsenwerden und von der aufregenden Erfahrung zu sich selbst zu finden und sich zu verlieben. DAS BUCH LOVE, SIMON ist eine Adaption von Becky Albertallis Jugendbuch „Nur drei Worte – Love, Simon”. Nach seinem Erscheinen im Januar 2012 gewann das Buch den William C. Morris Award für das Beste Jugendbuch-Debüt des Jahres und wurde in die Long-List für den National Book Award aufgenommen. Albertalli hätte sich nie träumen lassen, dass ihr Buch veröffentlicht wird, geschweige denn, dass es sich zu einem preisgekrönten Bestseller entwickelt und nun von einem der großen Filmstudios verfilmt wird: „Ich arbeitete als Psychologin, als ich das Buch schrieb”, erzählt sie. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Video-Windows-Grosse
THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3