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Creation Myths a Thesis Presented to the Faculty of the College of Fine

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Creation Myths a Thesis Presented to the Faculty of the College of Fine Creation Myths A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Music Thomas W. Holmes June 2009 © 2009 Thomas W. Holmes. All Rights Reserved. 2 This thesis titled Creation Myths by THOMAS W. HOLMES has been approved for the School of Music and the College of Fine Arts by Mark W. Phillips Professor of Music Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT HOLMES, THOMAS W., M.M., June 2009, Composition Creation Myths (53 pp.) Director of Thesis: Mark W. Phillips Creation Myths is based on the concept of continuous creation and destruction. The melodies and motives rise and fall in a continuous process of renewal – as one section is destroyed or obscured, another has already begun to take its place. Moving from a delicate ‘music box’ texture of vibraphone, marimba, glockenspiel and celesta to violent impacts of up to four simultaneous brake drums, Creation Myths evokes a wide range of emotions. Approved: _____________________________________________________________ Mark W. Phillips Professor of Music Creation Myths For Wind Ensemble Thomas Holmes © 2009 This is a transposed score - instruments are as written in parts, not sounding. Duration: 12’ Creation Myths is based on the concept of continuous creation and destruction. The melodies and motives rise and fall in a continuous process of renewal – as one section is destroyed or obscured, another has already begun to take its place. Moving from a delicate ‘music box’ texture of vibraphone, marimba, glockenspiel, and celesta to violent impacts of up to four simultaneous brake drums, Creation Myths evokes a wide range of emotions. Instrumentation: 3 Flutes 2 Oboes 3 Bb Clarinets Bb Bass Clarinet 2 Bassoons Contrabassoon 2 Alto Saxophones Tenor Saxophone Baritone Saxophone 4 French Horns 3 Bb Trumpets 2 Trombones Bass Trombone Euphonium Tuba String Bass Piano/Celesta 5 Percussion Percussion 1: Vibraphone, Brake Drum, Bass Drum Percussion 2: Marimba, Tenor Drum, Brake Drum, Thunder Sheet Percussion 3: Marimba, Triangle, Brake Drum Percussion 4: Glockenspiel, Timpani, Brake Drum Percussion 5: Crotales, Snare Drum, Gong Notes: Percussion 1-4 will require separate brake drums. Percussion 2 and 3 will occasionally play simultaneously on the same marimba. Ideally, the ensemble will contain 6 flute players and 6 clarinet players. Other winds may be doubled as desired. Creation Myths Thomas Holmes q=76 Flute 1 ! " ! # # # # # Flute 2 " ! # # # # # Flute 3 " ! # # # # # Oboe 1 + 2 $ % &% % $ %&% % %&% ! # %&% % %&% %&% ( ) %&% % %&% % &% ( * ) " ! %&% % % p %&% % % p mp p' pp' 6 - Clarinet in Bb 1 ! % ,% % % % % &% % . 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