A Guide to Using Polaroid Instant Pack Films

Total Page:16

File Type:pdf, Size:1020Kb

A Guide to Using Polaroid Instant Pack Films A Guide to Using Polaroid Instant Pack Films For people who want fast results Tips, techniques and inside information designed to help you get consistently good results with Polaroid instant pack films What’s inside w Polaroid Pack films — w Tab pulling: How fast? The Inside Story ...and how to get it straight! w Formats & Applications Instant Pack Films w Making sure your prints & w The 3 critical keys to images last a long time quality images w Picture problems and w Avoiding common problem prevention mistakes w Toll-free help and w Storing and handling technical assistance Polaroid films w If it’s hotter or colder than 75oF (24oC)... Polaroid instant pack films — The inside story Please keep this booklet near your camera system. The information in this booklet is designed to help experienced and occasional users of Polaroid pack films get good pictures...solve some common picture-taking errors...perform a few simple, routine, preventive maintenance checks... and get expert assistance when needed. This booklet covers in quick reference form much of the material con- tained in the instructions originally packed with your Polaroid equipment. Please consult those instruc- tions when first learning to use the camera system. Users also should regularly Each pack of Polaroid review the film tip sheet instant film contains all the packed with Polaroid films, elements needed to produce since ongoing improve- instant pictures. Inside, for ments may change technical each picture, there is a film characteristics, especially assembly consisting of a light- time and temperature pro- sensitive negative, a positive cessing guidelines. sheet, a pod containing the developer, and tabs, which are pulled to activate the developing process. The rollers inside the camera or film holder are used to break the pod and spread the developer between the exposed negative and positive sheet. Clean rollers are important in achieving a smooth, consistent spread; they should be inspected and cleaned regularly to assure high quality results. (See page 3.) A similar booklet is available to users of Polaroid Model 545 film holders and 4x5 sheet films. To obtain a copy, call Polaroid Technical Assistance at the toll-free number given on page 2. 1 After an exposure is made, Film Data Sheets & pulling the white tab Technical Assistance all the way out moves the exposed negative from For further information the focal plane behind the about Polaroid pack films, lens to a position facing or for information about the positive sheet. other Polaroid films, Simultaneously, the larger products, and applications, tab of the film assembly call toll free from within is positioned between the the U.S.A. at 800-225-1618, rollers, and sticks out Monday through Friday, of the camera or film holder 8 a.m. to 8 p.m., Eastern where it can be grasped. time. Or, write to: Technical Assistance Polaroid Corporation 201 Burlington Rd. Bedford, MA 01730 For assistance outside the U.S.A., consult your nearest Polaroid office. Film Data Sheets covering most Polaroid films used for business, technical, medical and professional applications are available at no charge on the Web at www.polaroid.com. Pulling the large tab drags the film assembly negative, pod, and positive sheet through the rollers. The pod bursts open and the developer is spread between the positive and negative. It is important to pull the tabs straight and at a steady, moderate speed to ensure the developer is spread evenly. (See page 3.) Development begins immedi- ately, outside the camera or film holder. After the proper development time, the fin- ished picture is peeled away from the negative. (See page 7 for important tips about handling developing pictures.) 2 Formats & Applications The 3 critical keys to quality images There are three Polaroid 4 x 5 1 2 Pack Film formats: 1 5 Image area: 3 /2 x 4 /8 in. Keep the processing Note the temperature... (8.9 x 11.7 cm) rollers in the camera or and time development 1 1 3 /4 x 4 /4 10 pictures per pack film holder clean. accurately. 7 3 Image area: 2 /8 x 3 /4 in. These films are used in Inspect and clean the roller You can take Polaroid (7.3 x 9.5cm) cameras and instruments that surfaces regularly. It is pictures at any temperature. 10 pictures per pack accept the Polaroid Model recommended that you check But, processing time and These films are used in many 550 film holder, including the rollers each time you load the temperature of the film most professional view a pack of film, and before at the time of processing different Polaroid handheld one cameras, such as ProPack cameras, scanning electron each picture-taking session. affect picture quality. Ideally, microscopes, the Polaroid Polaroid films should be and 600SE. They are also Cleaning the rollers is easy. MP 4 and CU-5 Photo- processed at about 70-75oF used with Polaroid Use a soft, non-abrasive two Miniportrait cameras for graphic Systems, and (21-24oC). If the temperature Polaroid Miniportrait cloth, moistened with water is much higher or lower, making instant passport and if necessary. other document photos; the cameras, and many other you may need to adjust pro- Polaroid MP 4, CU-5 and OEM systems. Dry the rollers thoroughly cessing times and/or exposure DS-34 Photographic before use. Do not use settings for best results. Systems; the Polaroid alcohol or other cleaning flu- Make it a habit to check the Palette System; and Polaroid ids, and never scrape the tip sheet packed with ID Systems. They also are Square-format rollers with a hard object or Polaroid films for the latest 1 3 time/temperature processing used in cameras and instru- (3 /4 x 3 /8 in.) with your fingernails. ments manufactured Image area: 2 3/ x 2 7/ in. information. 4 8 Also clean the tab slot on or modified by OEMs to (7 x 7.3 cm) the camera or film holder. accept the Polaroid Model 10 pictures per pack 3 405 film holder or other Use a damp cloth or cotton swab to clean the area. 3 1/ x 4 1/ camera backs. These films are used in Pull the film tabs straight 4 4 Polaroid square format pack Your instruction book Always pull both film tabs film cameras and OEM contains details on locating straight out of the camera photographic systems and cleaning the rollers in or film holder. Since the designed to accept a square- your Polaroid equipment. film should be pulled parallel format camera back. If you need further informa- to the camera back, avoid tion, please call us toll-free camera positions that make at 800-225-1618. tab pulling awkward. If you are using a removable film holder, insert the dark slide, then remove the holder and place it on a flat surface for tab pulling, whenever possible. Pull at a steady, moderate speed. Saying the word Polaroid is a good way to time the speed of the pull. three 1 1 3 /4 x 4 /4 4 x 5 Square-format 3 Avoiding common mistakes Heres a brief list of w Check the camera exposure reminders to help you avoid settings. frustrating moments and unsatisfactory results. If you set the camera for color film (ISO 80/20o), but are w Dont pull the black safety using high speed black and cover out of a film pack white film (ISO3000/36o), before loading the pack into your pictures will be overex- the camera or film holder. posed (too light). If you do, at least one expo- sure will be lost. If you set the camera for high speed black and white film But if you do... (ISO3000/36o), but are using color film (ISO 80/20o), your ...load the film anyway and pictures will be underexposed pull the film tabs for the first (too dark). picture. It will be a totally white image, but the rest of w Pull the film tabs straight the pack should be fine. and in the proper sequence. w If you are using a removable Pull the white tab after film holder, remember making the exposure, then to pull the holders dark side the other tab. Never pull before making an exposure... a white tab before taking the picture. ...and push it back after making the exposure before w If you pull a white tab and removing the holder no other tab appears, dont for off-camera processing. pull another white tab. (See page 9.) w If your camera has a lens cap, dont forget to w Never wave developing remove it! film back and forth in an attempt to keep it warm w If your system has an or cool; this could adversely electronic shutter powered affect image quality. by batteries, be sure the Be careful not to bend or batteries are fresh and squeeze developing film. installed correctly. Dead batteries mean the shutter Questions? Problems? wont work, no exposure Call us, toll-free: will be made, and youll 800-225-1618 end up with a totally black Many common picture- picture (see page 10). taking problems are discussed on pages 8 - 10. But...if you can’t find a solution to a problem you are experiencing, or if you have a question, or need information, please call us. Chances are we can help. The call is toll-free, and we can be reached Monday through Friday, 8 a.m. to 8 p.m., Eastern time. 800-225-1618 4 Storing and handling Polaroid films If it’s hotter or colder than 70-75oF (21-24oC)... Note the film Storage recommenda- Read the “Caution” notice You can take Polaroid expiration date tions & cautions pictures at any temperature, w Please note the Caution but when processing Polaroid Always use Polaroid film w Store Polaroid film in a Notice printed on films, you should be aware before the expiration cool, dry place.
Recommended publications
  • Photo History Newsletters • Vol
    THE AMALGAMATED PHOTO HISTORY NEWSLETTERS • VOL. 2-2 2021 We hope that the Covid pandemic soon passes away so we can get back to normal with regular meetings and events. In the interim here are addi- tional newsletters to keeping you read- ing. Please enjoy. Ken Metcalf of the Graflex Journal has another interesting issue which should entertain you well. Another fine newsletter comes from The Western Canada Photographic Historical Association in British Colum- bia with some fine reading content. Permissions granted: Graflex Journal– Ken Melcalf The Western Canada Photographic Historical Association– Tom Parkinsion SHARING INFORMATION ABOUT GRAFLEX AND THEIR CAMERAS ISSUE 3 2020 FEATURES some leather that was a good match. Thickness was right, color was good, and the pebble grain was close National Graflex Gets a New Coat by Paul S. Lewis……..….....….....….1 enough. So, I had them send me a large sheet; 12x17. Camera Group - Roger Beck………….…….………...….…..…………....2 Having a good supply would allow for some mistakes Viewing Wild Animals at Night by William V. Ward …….…...…………..4 and assure me that there would be enough length and Hold It! Part 1 by Ken Metcalf.……………….…………….…………….....5 width to cover the missing panels with one complete Graflex Patents by Joel Havens….…..………………...…………….…...12 piece. The source I used was Cameraleather ([email protected]). I did just check with them to be sure similar material is available. The report is that although the material is available, supply is limited. So, with material and camera in hand, the next step Ed: Mr. Lewis is a Graflex Journal subscriber and author was to get the new cover panels cut out and attached.
    [Show full text]
  • Film Camera That Is Recommended by Photographers
    Film Camera That Is Recommended By Photographers Filibusterous and natural-born Ollie fences while sputtering Mic homes her inspirers deformedly and flume anteriorly. Unexpurgated and untilled Ulysses rejigs his cannonball shaming whittles evenings. Karel lords self-confidently. Gear for you need repairing and that film camera is photographers use our links or a quest for themselves in even with Film still recommend anker as selections and by almost immediately if you. Want to simulate sunrise or sponsored content like walking into a punch in active facebook through any idea to that camera directly to use film? This error could family be caused by uploads being disabled within your php. If your phone cameras take away in film photographers. Informational statements regarding terms of film camera that is recommended by photographers? These things from the cost of equipment, recommend anker as true software gizmos are. For the size of film for street photography life is a mobile photography again later models are the film camera that is photographers stick to. Bag check fees can add staff quickly through long international flights, and the trek on entire body from carrying around heavy gear could make some break down trip. Depending on your goals, this concern make digitizing your analog shots and submitting them my stock photography worthwhile. If array passed by making instant film? Squashing ever more pixels on end a sensor makes for technical problems and, in come case, it may not finally the point. This sounds of the rolls royce of london in a film camera that is by a wide range not make photographs around food, you agree to.
    [Show full text]
  • I. Basic Operation (Preparation)
    10 lcon indicators used in this manual BASIC OPERATION (PREPARATION) BASIC OPERATION Operation direction Attention Lamp blinking I. BASIC OPERATION (PREPARATION) Attaching the Camera Strap 11 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. Use a coin or similar object to slide the clasp 3. To remove the strap, repeat step 1. in the direction of the arrow. 2. Put the clasp onto the strap lug of the cam- • Adjust the length of the strap with the buckle. era with the arrow indication facing out, and • After fitting the strap and adjusting the length, pull slide the lock plate back to the original posi- the strap hard to confirm that the strap has tion. securely attached to the camera. • There is a pocket on the strap so you can store a small accessory. 12 Loading the Batteries 123 BASIC OPERATION (PREPARATION) BASIC OPERATION 1. To remove the battery holder, lift the battery 3. To secure the battery holder, turn the battery holder release knob and turn it in the direc- holder release knob in the direction of the tion of the arrow. arrow. 2. Load six 1.5V AA-size batteries in the battery holder in accordance with the diagram located in the battery holder. 13 • This camera requires battery power for operation. Always use six 1.5V AA size batteries. • The ISO film speed and number of exposed frames are unchanged if the batteries are replaced. (PREPARATION) BASIC OPERATION • Keep spare batteries on hand when shooting out doors or while traveling. • Use of the optional Remote Battery Pack 645 is recommended when the camera is used in extremely low temperatures.
    [Show full text]
  • Perfection V500 Photo
    Epson Perfection V500 Photo Scanner Parts Optional Automatic Document Feeder The Automatic Document Feeder (B12B813391) allows you to Scanner cover automatically load multiple-page documents into your scanner. See the on-screen User’s Guide for instructions on installing and using the optional Automatic Document Feeder (ADF). Scan to PDF button Automatic Document Feeder Scan to Power switch E-mail button Copy button Start button Paper support Holds up the paper that is loaded in the ADF. Document mat Transparency unit Carriage transportation lock Spare paper path guide Document table The paper path guide directs documents smoothly onto the scanner's document table. A spare paper path guide is included. If the surface of the paper path guide gets dirty, you can clean it or replace it with the spare guide. Scanner OPTION port transportation lock USB interface DC inlet connector ADF Document Mat Place this mat over a document if you need to scan it from the document table when the ADF is installed. Cover cable (Transportation unit) 7/07 Epson Perfection V500 Photo - 1 Epson Perfection V500 Photo Electrical Scanner Specifications Note: Check the label on the AC adapter or on the back of the scanner for General voltage information. Scanner type Flatbed color Scanner Photoelectric device Color CCD line sensor Rated voltage DC 24 V Effective pixels 54,400 × 74,880 pixels at 6400 dpi* Rated current 1.3 A Scanning area may be restricted if Power consumption 16.0 W (17.5 W with ADF) operating resolution setting is large. 7.5 (6.5 W with ADF) ready
    [Show full text]
  • Manual Sinar P2 / C2 / F2 / F1-EN (PDF)
    lnstructionManual The cameras Operatingcontrols of the SINAR iT p2andc2 1 Coarse-focusclamping lever 2 Finefocusing drive with depth of field scale 3 Micrometer drive for vertical (rise and fall) shift 4 Micrometer drive for lateral(cross) shift 5 Micrometerdrive for horizontal-axistilts 6 Micrometer drive for vertical-axisswings 7 lmageplane mark 8 Coarse-tilt (horizontal axis) clamping lever; movementused for verticalalignment of stan- dards with camerainclined up or down, alsofor coarse tilting to reservefull micrometertilt (5) rangefor sharpnessdistribution control. Fig.1 Contents The cameras 2 The planeof sharpnessand depthof field 11 - Controls 2 - Zerosettings Fufiher accessories 12 3 - - Mountingthe camera SINARCOLOR CONTROLfitters 12 4 - - The spirit levels Exposure meters 12 4 - - The base rail 4 AutomaticSINAR film holder - Changingcomponents 4 and shuttercoupling 12 - Film - The bellows 5 holders 13 - Camera backs s Final points 14 - Switchingformats p2 on the STNAR andc2 6 - Maintenance 14 - Switchingformats g on the SINARf2 andtl - Cleaning 14 - The convertible g camera - Adjusting the drives 14 - The bellowshood 9 - Cleaninglenses, filters and mirrors 14 - Viewingaids 9 - Warranty 14 - Transport l0 - Furtherinstruction manuals 14 The view camera movements 10 Remark: The camerac2 is no longerpart of the SINARsales programme, but can stiltrbe combined by the individualSINAR components. Operatingcontrols of the S|NARt2andtl 1 Coarse-focusclamping knob 2 Finefocussing drive with depthof fieldscale 3 Clampingwheel for verticalshift 4 Clampinglever for lateralshift 5 Clampinglever for swing (verticalaxis) 6 Clampinglever for tilt (horizontalaxis) 7 Angle-meteringscale for tilt and swingangles 8 lmageplane mark Zero setting points of the cameras CAMERAMODELS REAR(IMAGE) STANDARD FRONT(LENS) STANDARD NOTES SINARo2 With regularor special gxi|2 - 4x5 / White l White White dot for standardbearer 5x7 /13x18 Green i dots White lateralshift on With F/S back j or.
    [Show full text]
  • EPSON SCANNING TIPS and TROUBLESHOOTING GUIDE Epson Perfection 3170 Scanner
    EPSON SCANNING TIPS AND TROUBLESHOOTING GUIDE Epson Perfection 3170 Scanner SELECT A SUITABLE RESOLUTION The best scanning resolution depends on the purpose of the scan. When you specify a high resolution, the number of pixels increases and the scanned image becomes finer in texture. However, increasing the resolution causes the file size to increase. For example, an 8.5 x 11-inch original scanned at 300 dpi can produce a 24MB file. The same original scanned at 72 dpi creates only a 1.3MB file. Large files take longer to process and print, so select the lowest possible resolution that produces acceptable quality. Specify a suitable resolution according to your scanning purpose. Recommended resolutions for scanning print material: PURPOSE RESOLUTION Web pages 96 dpi Sending E-mail 96 to 150 dpi Printing 300 dpi Saving as a PDF file 300 dpi Sending Fax 200 dpi OCR (Optical Character Recognition) 300 dpi Use Target Size to specify the output size of the scanned image. If you are enlarging your image, you must increase the resolution (dpi) proportionally to maintain the resolution of your original. Try scanning slides at 1200 dpi or higher. If you reduce the size of the image on a page, it does not decrease its file size. SCAN SETTINGS For photos: For film: For slides: Specify Adjustment settings, if necessary, such as dust removal for slides and film. PLACING FILM OR SLIDES ON SCANNER You can scan 35mm slides, 35mm film or negative strips, and Medium Format transparencies on the Epson 3170 using the appropriate film holders which come with the scanner.
    [Show full text]
  • Photography Lab Cookbook
    Photography Lab Cookbook Table of Contents. 1. Photo lab SOP 2. Photo lab Manuals 3. Film Processes E-6 Processing Procedure E-6 Chemical Mixing instruction Black and White Chemistry Development 4. Paper Processing Black and White Paper Development Porta-Mixer Black and White Core & Close-up Photo Distribution 5. Close-up Photography Introduction Talk with Scientist Close up photography Close up spreadsheet master Close-up request sheet 6. Silk Screening Procedure 7. Silk Screen Flyers (see separate files) Logos due T-shirts due Name on shirt Light Ink Dark Ink Iron Shirts 8. Photographic Examples (see separate files) Group Photo Tech Photo Mug Shots Cookbook– Photo Lab 1 PHOTO LAB STANDARD OPERATING PROCEDURE (SOP) PORTCALL (on coming) Onboard ship: • Find off going Marine Lab Specialist’s, Photo Lab and begin X-over. X-over • Read lab reports from previous leg. • Discuss with off going marine specialist any changes in equipment status, software or procedures. • Check supply levels in photo lab and hold refer. You are responsible for this inventory. Estimate amount of film, paper and chemistry needed for each particular type of leg. If you do not feel you have enough supplies necessary (after checking oncoming shipments), notify LO to purchase film/paper/chemistry in port. • You are responsible for knowing the status of ALL equipment in your lab by the end of the x- over. If you need additional days to complete your x-over, notify the LO ASAP so that arrangements can be made. Other: • Assist with loading/unloading freight and other tasks as directed by LO/ALO.
    [Show full text]
  • Calumet's Digital Guide to View Camera Movements
    Calumet’sCalumet’s DigitalDigital GuideGuide ToTo ViewView CameraCamera MovementsMovements Copyright 2002 by Calumet Photographic Duplication is prohibited under law Calumet Photographic Chicago IL. Copies may be obtained by contacting Richard Newman @ [email protected] What you can expect to find inside 9 Types of view cameras 9 Necessary accessories 9 An overview of view camera lens requirements 9 Basic view camera movements 9 The Scheimpflug Rule 9 View camera movements demonstrated 9 Creative options There are two Basic types of View Cameras • Standard “Rail” type view camera advantages: 9 Maximum flexibility for final image control 9 Largest selection of accessories • Field or press camera advantages: 9 Portability while maintaining final image control 9 Weight Useful and necessary Accessories 9 An off camera meter, either an ambient or spot meter. 9 A loupe to focus the image on the ground glass. 9 A cable release to activate the shutter on the lens. 9 Film holders for traditional 4x5 film holder image capture. 9 A Polaroid back for traditional test exposures, to check focus or final art. VIEW CAMERA LENSES ARE DIVIDED INTO THREE GROUPS, WIDE ANGLE, NORMAL AND TELEPHOTO WIDE ANGLES LENSES WOULD BE FROM 38MM-120MM FOCAL LENGTHS FROM 135-240 WOULD BE CONSIDERED NORMAL TELEPHOTOS COULD RANGE FROM 270MM-720MM FOR PRACTICAL PURPOSES THE FOCAL LENGTHS DISCUSSED ARE FOR 4X5” FORMAT Image circle- The black lines are the lens with no tilt and the red lines show the change in lens coverage with the lens tilted. If you look at the film plane, you can see that the tilted lens does not cover the film plane, the image circle of the lens is too small with a tilt applied to the camera.
    [Show full text]
  • REDISCOVER the WORLD of ANALOG PHOTOGRAPHY Rollei Cinestill Revolog Cinestill Rollei
    CHOICES We carry the world’S LARGEST SELECTION of black & white and color film in almost every format that you can imagine! Take a sneak peek at some cool choices inside or check out our huge selection online. Check it out! www.FreestylePhoto.Biz Rollei CineStill Revolog PRSRT STD U.S. POSTAGE PAID PHOTO & IMAGING SUPPLIES FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 800.292.6137 FreestylePhoto.Biz REDISCOVER THE WORLD OF WORLD THE REDISCOVER ANALOG PHOTOGRAPHY ANALOG NEW AGAIN! NEW 800.292.6137 PHOTO & IMAGING & PHOTO | FreestylePhoto.Biz SUPPLIES © Trevor Masid Trevor © What a unique time period to be a photographer ! Everyone is taking pictures. We document every event, and even non-events, T? in an instant. Our cell phones have more photographs taken with them than WHA calls made. The amount of photography produced is the greatest it has ever … From a Paintcan been in any time period. Social media has opened up an entire new world with LegacyPro Paintcan and a whole new generation of photographers. Pinhole Camera (page 7) THE JOURNEY IS ANALOG! So, what are we doing producing an Analog Catalog? … With a box with Ars Imago Lab Box (page 22) Thanks to all of the above, the interest in photography has increased as a whole. So why not go back to our roots! Living in this online world has not only created a new generation interested in experimentation, but also a renewed passion for the arts in its many facets…old and new! This has led to a boom in new and one-of-a-kind film stocks, a resurgence in all formats, and a desire for alternative processes and hand-made images.
    [Show full text]
  • Dimage Scan Speed Installer
    Thank you for purchasing the Minolta Dimâge Scan Speed. The Dimâge Scan Speed is a dual format film scanner capable of scanning 35mm and, with the optional AD-10 APS Adapter, Advanced Photo System film. This manual has been designed to help you understand the operation of your scanner. Please read this manual thoroughly to realize all the benefits of your scanner. The instructions in this manual assume you have a working knowledge of the operating system for your computer (Macintosh OS, Windows 95, Windows 98, or Windows NT) and its conventions. Familiarity with the mouse and standard operating system menus and commands is necessary before operating the driver software for the Dimâge Scan Speed. This manual does not instruct in the: • basic use of personal computers. • use of Windows 95, Windows 98, Windows NT, or Macintosh OS. • use of Adobe Photoshop, Paint Shop Pro, or Corel Draw. The examples in this manual use Windows 95. The appearance of some screens may differ from the examples when using Windows 98, Windows NT, or the Macintosh operating system. Microsoft, Windows®, Windows 95®, Windows 98®, and Windows NT® are registered trademarks of the Microsoft Corporation. Macintosh™, Apple®, and Power Macintosh® are registered trademarks of Apple Computer, Inc. Adobe® and Photoshop™ are registered trademarks of Adobe Systems Incorporated. Corel Draw™ is a trademark of the Corel Corporation. Paint Shop Pro is the copyright of Met’s Corporation. Other corporate and product names are the trademarks and registered trademarks of their respective companies. • Changes or modifications not approved by the party responsible for compliance could void the user’s authority to operate the equipment.
    [Show full text]
  • “Waxing the Blues” Cyanotype Photos and Photo Encaustic with Anna
    1st Annual Creative Like Minded Hand Open House Tinting Week 1 with Varied Artist 2015 July 5-10 Jane Goffe * Ray Nelson -June 1st; 2nd Digital Negs/Kallitype Cyanotype 2015 * Jane Goff - June 3rd- hand tinting demo And it’s June1-5 * Carol Heer -June 4th- discussion/demo Many Forms Lumens with * Carol Heer -June 5th –discussion/demo 2015 Laura Blacklow Lumens July 12-17 1st Annual “Waxing the Blues” Like Minded Cyanotype Photos Week 1 Open House And Week 2 Photo Encaustic 2015 2015 Varied Artist Week 8 7 6 with July 19-24 * Ray Nelson June 8th-Digital Anna Tomczak Negs/Kallitype 2015 2015 * Cynthia Huber June 9th& 10th Daguerreotype June 8-12 Chemigrams demo/discussion A Contemporary Approach * Michelle Pritzl June 11th & 12th Bromoil with demo/discussion 2015 Jerry Spagnoli 2-7August Trapper Peak Power of Pyro Wine Tasting Film with Processing Keith Smith ith 2015 w 2015 2015 June 12 Steve Sherman 1 Night only August 9-14 Gumoil BTZ’S- Printing Beyond The Zone with System Michelle Pritzl 2014 ith 2015 2015 w Allan King June 14-19 August 16-21 Re Discovering Ether Dreams Wet Plate Collodion with 2015 2015 Gustavo Castilla June 21-26 The Gum Platinum Print Treat yourself to a fabulous opportunity! & Making Workshop Details and Pricing Info on the Digital Negs website Using QTR www.workshopsinmt.com 2015 2015 with Choose the workshop icon or please call Kerik Kouklis 800-922-5255 June 28 –July 3 Week 5 4 3 1 Night 2 Week 11 Wee k 10 9 June 14 - 19, 2015 Gumoil Printing With Michelle Pritzl Gumoil is a labor intensive process that takes several days to hand craft a print.
    [Show full text]
  • Winter 2004-5
    INDEX B+W filters . .4 Billingham . .77 Body adaptors . .10 Crumpler . .76–77 FILTERS / LENSES Canon filters . .10 Domke . .74, 78 Canon lenses . .11 Kata . .75, 105 Canon lenshoods . .14 Lowepro . .73-80 Cokin filters . .5–7 Peli . .74–75 Cosina lenses . .11 Bellows units . .42 Silvestri . .75 CAMERA ACCESSORIES Filter storage . .10 Close-up lenses . .41 Zing . .72 Hoya filters . .2-3 Copy tables & stand . .44–45 Kenko converters . .13 Extension tubes . .42 Lee filters . .8–9 Macro brackets . .43 Lenshoods . .14 Macro flash . .45 CAMERA SUPPORTS Minolta filters . .10 Novoflex macro . .41–44 Nikon filters . .10 Nikon lenshoods . .14 Nikon lenses . .12 Sigma lenses . .12 Canon flash . .50 Albums and mounts . .90-92 CLOSE-UP & MACRO Tamron lenses . .13 Flash accessories, general . .46 Braun projectors . .81 Voigtlander lenses . .13 Flash X-tender . .46 Guillotines . .89 Metz . .47–49 Leica projectors . .82 Minolta flash . .50 Light boxes, viewers . .84 Nikon flash . .51 Magnifiers . .83 Pentax flash . .51 Photo holders etc . .88 CAMERA FLASH Beattie screens . .15 PocketWizard . .58 Portfolios . .89 Bean bag . .22 Quantum batteries . .57 Print finishing . .88 Bronica accessories . .20 Vivitar . .47 Rollei projectors . .82 Cable and air releases . .22 Sigma . .48 Slide copier . .83 Canon accessories . .16–17 Sto-fen Omnibounce . .46 Slide and neg filing . .86–87 Cleaning and maintenance . .23 STUDIO LIGHTING Stroboframe . .52-53 Slide projection accessories . .82 Flarebuster . .22 Sunpak . .47 Slide magazines . .86 Lens and body caps . .15 Wein slaves . .58 Slide mounters and storage . .85 Lens cases . .15 Mamiya accessories . .20 Minolta accessories . .17 BAGS Nikon accessories . .18–19 Op/tech straps .
    [Show full text]