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USA TODAY Life Section D Tuesday, November 22, 2005 Cover Story
USA TODAY Life Section D Tuesday, November 22, 2005 Cover Story: http://www.usatoday.com/life/people/2005-11-21-huffman_x.htm Felicity Huffman is sitting pretty: Emmy-winning Housewives star ignites Oscar talk for transsexual role By William Keck, USA TODAY By Dan MacMedan, USA TODAY Has it all: An actress for more than twenty years, Felicity Huffman has an Emmy for her role on hit Desperate Housewives, a critically lauded role in the film Transamerica, a famous husband (William H. Macy) and two daughters. 2 WEST HOLLYWOOD Felicity Huffman is on a wild ride. Her ABC show, Desperate Housewives, became hot, hot, hot last season and hasn't lost much steam. She won the Emmy in September over two of her Housewives co-stars. And now she is getting not just critical praise, but also Oscar talk, for her performance in the upcoming film Transamerica, in which she plays Sabrina "Bree" Osbourne, a pre- operative man-to-woman transsexual. After more than 20 years as an actress, this happily married, 42-year-old mother of two is today's "it" girl. "It couldn't happen to a nicer gal," says Housewives creator Marc Cherry. "Felicity is one of those success stories that was waiting to happen." Huffman has enjoyed the kindness of critics before, particularly for her role on Sports Night, an ABC sitcom in the late '90s. And Cherry points out that her stock in Hollywood has been high. "She has always had the respect of this entire industry," he says. But that's nothing like having a hit show and a movie with awards potential, albeit a modestly budgeted, art house-style film. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Raised Wrong Educated Worse
DIBQUFS!2!! XIZ!BSF!UIFZ!TP!CBE@! § 1 ~ Products of a Flawed Socialization Process What is wrong with so many Black boys? Who is raising them to be so disrespectful? Why do they have such little regard for school and the entire educational process? Why are they so damn bad? These are the pressing questions that teachers, school staff members, parents, concerned family, and community members all across America are constantly asking. Some ask themselves, others ask their designated leaders, yet very few people are satisfied with the vague, one-sided answers that they have been getting. After reading this book, you should better understand the an- swers to these popular questions. It stands true for young Black males, just as it does for all human beings, that absolutely none of us act the way that we act out of a vacuum or simply because that’s the way that we always wanted to act. We are all social- ized first by our guardians and surrounding family mem- bers, later by school and our peers, and at all times by both our local communities and the greater society through powerful institutions such as the church, the government, the media, the entertainment industry, and civic/community organizations. Socialization is the process over time through which a child is instructed and encouraged how to act, as well as how not to act. Many factors play into whether or not an individual will accept or reject the behavioral ten- dencies that he has been trained to follow by his parents, 5 school, local community, and greater society. -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
The Capitol Dome
THE CAPITOL DOME The Capitol in the Movies John Quincy Adams and Speakers of the House Irish Artists in the Capitol Complex Westward the Course of Empire Takes Its Way A MAGAZINE OF HISTORY PUBLISHED BY THE UNITED STATES CAPITOL HISTORICAL SOCIETYVOLUME 55, NUMBER 22018 From the Editor’s Desk Like the lantern shining within the Tholos Dr. Paula Murphy, like Peart, studies atop the Dome whenever either or both America from the British Isles. Her research chambers of Congress are in session, this into Irish and Irish-American contributions issue of The Capitol Dome sheds light in all to the Capitol complex confirms an import- directions. Two of the four articles deal pri- ant artistic legacy while revealing some sur- marily with art, one focuses on politics, and prising contributions from important but one is a fascinating exposé of how the two unsung artists. Her research on this side of can overlap. “the Pond” was supported by a USCHS In the first article, Michael Canning Capitol Fellowship. reveals how the Capitol, far from being only Another Capitol Fellow alumnus, John a palette for other artist’s creations, has been Busch, makes an ingenious case-study of an artist (actor) in its own right. Whether as the historical impact of steam navigation. a walk-on in a cameo role (as in Quiz Show), Throughout the nineteenth century, steam- or a featured performer sharing the marquee boats shared top billing with locomotives as (as in Mr. Smith Goes to Washington), the the most celebrated and recognizable motif of Capitol, Library of Congress, and other sites technological progress. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
The Animated Roots of Wildlife Films: Animals, People
THE ANIMATED ROOTS OF WILDLIFE FILMS: ANIMALS, PEOPLE, ANIMATION AND THE ORIGIN OF WALT DISNEY’S TRUE-LIFE ADVENTURES by Robert Cruz Jr. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Science and Natural History Filmmaking MONTANA STATE UNIVERSITY Bozeman, Montana April 2012 ©COPYRIGHT by Robert Cruz Jr. 2012 All Rights Reserved ii APPROVAL of a thesis submitted by Robert Cruz Jr. This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citation, bibliographic style, and consistency and is ready for submission to The Graduate School. Dennis Aig Approved for the School of Film and Photography Robert Arnold Approved for The Graduate School Dr. Carl A. Fox iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it available to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Robert Cruz Jr. April 2012 iv TABLE OF CONTENTS 1. INTRODUCTORY QUOTES .....................................................................................1 -
Candyman Lacks Hitchcockian Zip Not Because of Any Lack of Talent, Is More Guts Than Glory Gregory J
OCTOBER 27, 1992 PACIE7 Consenting Adults Candyman lacks Hitchcockian zip Not because of any lack of talent, is more guts than glory Gregory J. Cosden mind you, because all of the actors Retriever Staff Writer turn in fine performances—given Third, we have the antagonist. the considerable limits of the script. There are just too many similar- Recently, Hollywood has flooded Kevin Kline and Mary Elizabeth Gregg Scott Ginsberg the silver screen with a wave of Retriever Editorial Staff ities here to Jason Voorhees and Mastrantonio play the parts of the Freddy Kruger to actually rate the Hitchcockian thrillers. Last year dull Parkers, Richard and Pricilla. I kept telling myself that I'd character on his own merit. Like there was The Hand That Rocks They are the ultimate suburban never outgrow those slasher, Sir Freddy, the Candyman the Cradle and Silence of the yuppies. They have a good mar- horror-type movies. (played by Tony Todd) is graced Lambs. This year we've had Single riage, a beautiful and musically Perhaps I was wrong. with some decent one-liners to White Female, Unlawful Entry, and gifted daughter, a lovely house in You must believe that I went lighten this bore of a film. Let's now Consenting Adults. the suburbs—they even drive a into Candyman with an open be honest. Anyone who says that While some of them have been BMW for good measure. Only mind. After all, Clive Barker had "Your death will be a tale to successful (Lambs, Cradle), others problem is there's no zip in their brought us the Hellraiser series, frighten children, to make lovers have not. -
Following Is a List of All 2019 Festival Jurors and Their Respective Categories
Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards. -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
Cable Networks Dominate Emmys
TAIPEI TIMES P A G E 1 6 TUESDAY, SEPTEMBER 23, 2008 ith so much of prime-time rated Fox drama that was also a network television being nominee for best drama series, W taken over by so-called said the disparities in audience reality shows, it is no wonder rightly had little bearing on awards that the big winners at the 60th like the Emmys. Primetime Emmys — an awards “There are awards for that; show that mainly celebrates they’re called ratings,” Shore said. acting and writing — would hail “There are really good shows on from cable rather than from the cable, and even if only 10 people are broadcast networks. watching them, if they’re good they HBO, the perennial Emmy should be recognized. The shows powerhouse, took home the most they’ve selected are excellent.” golden statuettes on Sunday, Perhaps the biggest change winning 26 Emmys, including this year was in the assignment awards for its made-for-television of hosting duties. Traditionally, movie Recount, its mini-series the job has gone to a comedian John Adams, its comedy series who has some connection to the Entourage and its drama series network televising the Emmys In Treatment. ceremony, as Conan O’Brien did AMC, the cable channel formerly two years ago on NBC. known as American Movie Classics, In addition to showcasing one won three awards, two of them of the network’s big stars, the for its first-year scripted series, precedent usually had the added of Mad Men, which won best drama advantage of managing to keep the series, and one for Breaking Bad, audience entertained through what which, with only seven episodes, can be a tedious evening. -
Coleman Metts, C.A.S
COLEMAN METTS, C.A.S. Production Sound Mixer Member, IATSE 695 Coleman Metts has worked as a Production Sound Mixer for twenty years. His diverse experience has had him working in difficult and unique situations including in the open ocean on a paddle board for director and star Helen Hunt. Coleman’s early work includes the cult classic feature Donnie Darko starring then up and coming talents Jake and Maggie Gyllenhaal. With an easy-going style, Coleman prides himself on recording the best sound possible and loathes the concept of “fixing it in post.” Going back and forth between features and television, Coleman is an active member in the Cinema Audio Society and is Los Angeles based. Television (selected credits); Production Director/Producer/Company/Network I FEEL BAD (Season 1) Julie Anne Robinson / Amy Poehler / 3 Arts / NBC LOPEZ (Season 2) Various / Michael Rotenberg / 3 Arts / TV Land COMEDY GET DOWN (Full Season) Various / Michael Rotenberg / Comedy Central AWKWARD (All five seasons) Various / Lauren Iungerich / MTV ZACH STONE IS GONNA BE FAMOUS (Full season) Various / Bo Burnham / 3 Arts / MTV HARD TIMES OF RJ BERGER (Full season) Various / Seth Grahame-Smith / MTV DOLLHOUSE (Both seasons, 24 eps) Various / Joss Whedon / 20th Fox TV / Fox MOONLIGHT (Full season, 12 eps) Various / Ron Koslow / Silver Productions / CBS HAPPYLAND (Lone season) Various / Ben Epstein, Craig Zadan / MTV Second Unit Television Mixing includes multiple episodes of: Code Black, Agents of S.H.I.E.L.D., Ray Donovan, Agent Carter, Grey’s Anatomy, Bones and