Margaret Atwood the Testaments Booker Prize
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EQL Paper 20200315
EQL -- an extremely easy to learn knowledge graph query language, achieving high-speed and precise search Han Liu Shantao Liu Beijing Lemon Flower Technology Co., Ltd. 2020.3.15 Abstract: EQL , also named as Extremely Simple Query Language , can be widely used in the fields of knowledge graph, precise search, strong artificial intelligence, database, smart speaker, patent search and other fields. EQL adopts the principle of minimalism in design and pursues simplicity and easy to learn so that everyone can master it quickly. In the underlying implementation, through the use of technologies such as NLP and knowledge graph in artificial intelligence , as well as technologies in the field of big data and search engine, EQL ensure high- speed and precise information search, thereby helping users better tap into the wealth contained in data assets. EQL language and λ calculus are interconvertible, that reveals the mathematical nature of EQL language,and lays a solid foundation for rigor and logical integrity of EQL language. In essence, any declarative statement is equivalent to a spo fact statement. The mathematical abstract form of the spo fact statement is s: p: o (q1: v1, q2: v2 ..... qn: vn), s:p:o is subject:predicate:object, or entity : attribute : attribute value. (q1: v1, q2: v2 ..... qn: vn) are called modifiers to express more details, n is 0 or a natural number; any question statement is equivalent to one or more spo question statements, the basic form of each spo question statement is to replace any symbol of the spo fact statements with the ?x, for example, s: p:?x (q1: v1, q2: v2), or s: p: o (q1:?x, q2: v2, q3: v3). -
Introducing the 2020 Scotiabank Giller Prize Jury
1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Subscribe Past Issues Translate RS View this email in your browser Introducing the 2020 Scotiabank Giller Prize Jury January 13, 2020 (Toronto, Ontario) – Elana Rabinovitch, Executive Director of the Scotiabank Giller Prize, today announced the five-member jury panel for the 2020 Scotiabank Giller Prize. This year marks the 27th anniversary of the Prize. The 2020 jury members are: Canadian authors David Chariandy, Eden Robinson and Mark Sakamoto (jury chair), British critic and Editor of the Culture segment of the Guardian, Claire Armitstead, and Canadian/British author and journalist, Tom Rachman. Some background on the 2020 jury: https://mailchi.mp/50144b114b18/introducing-the-2020-scotiabank-giller-prize-jury?e=a8793904cc 1/7 1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Subscribe Past Issues Translate RS Claire Armitstead is Associate Editor, Culture, at the Guardian, where she has previously acted as arts editor, literary editor and head of books. She presents the weekly Guardian books podcast and is a regular commentator on radio, and at live events across the UK and internationally. She is a trustee of English PEN. David Chariandy is a writer and critic. His first novel, Soucouyant, was nominated for 11 literary prizes, including the Governor General’s Award and the Scotiabank https://mailchi.mp/50144b114b18/introducing-the-2020-scotiabank-giller-prize-jury?e=a8793904cc 2/7 1/13/2020 Introducing the 2020 Scotiabank Giller Prize Jury Brother Subscribe GillerPast Prize. His Issues second novel, , was nominated for fourteen prizes, winningTranslate RS the Rogers Writers’ Trust Fiction Prize, the Ethel Wilson Fiction Prize, and the Toronto Book Award. -
Download Moving House: Stories, Paweðłâ•I Huelle, Harcourt Brace & Co., 1995
Moving house: stories, PaweЕ‚ Huelle, Harcourt Brace & Co., 1995, 0151627312, 9780151627318, 248 pages. Stories deal with angels, devils, family disagreements, a hidden village, and a grandfather building his own submarine. DOWNLOAD HERE Moving house a novel, Katharine Moore, 1986, Business & Economics, 154 pages. You Can't Get Lost in Cape Town , ZoГ« Wicomb, 1987, Fiction, 214 pages. The South African novel of identity that "deserves a wide audience on a par with Nadine Gordimer.". The Dangerous Joy of Dr. Sex and Other True Stories , Pagan Kennedy, 2008, Literary Collections, 247 pages. Presents a collection of literary writings that feature eccentrics and visionaries intent on transforming the world according to their peculiar ambitions.. House of day, house of night , Olga Tokarczuk, Antonia Lloyd-Jones, Feb 12, 2003, Fiction, 293 pages. Richly imagined, weaving in anecdote with recipes and gossip, "House of Day, House of Night" is an epic of a small place. In Nowa Ruda, a small town in Silesia, Poland, the .... Pierwsza miЕ‚oЕ›Д‡ i inne opowiadania, PaweЕ‚ Huelle, 1996, , 251 pages. Pornografia/ Pornography , Witold Gombrowicz, 2009, Fiction, 225 pages. During the German occupation of Poland, two men who have abandoned Warsaw for the countryside occupy themselves by trying to force a tryst between two teenagers on a local farm .... The Darkest Clearing , Brian Railsback, Apr 1, 2004, Fiction, 327 pages. Equal parts intimate character study and page-turning thriller, this novel explores the extremes of both genres, combining a fascinating story with timely reflections on 21st .... Mercedes-Benz from Letters to Hrabal, PaweЕ‚ Huelle, 2005, History, 154 pages. -
Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Jepson School of Leadership Studies articles, book Jepson School of Leadership Studies chapters and other publications 2010 Dis-Manteling More Peter Iver Kaufman University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/jepson-faculty-publications Part of the European History Commons, History of Christianity Commons, and the Political History Commons Recommended Citation Kaufman, Peter Iver. "Dis-Manteling More." Moreana 47, no. 179/180 (2010): 165-193. This Article is brought to you for free and open access by the Jepson School of Leadership Studies at UR Scholarship Repository. It has been accepted for inclusion in Jepson School of Leadership Studies articles, book chapters and other publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Peter Iver KAUFMAN Moreana Vol.47, 179-180 165-193 DIS-MANTELING MORE Peter Iver Kaufman University of Richmond, Virginia Hilary Mantel’s Wolf Hall, winner of the prestigious 2009 Booker-Man award for fiction, re-presents the 1520s and early 1530s from Thomas Cromwell’s perspective. Mantel mistakenly underscores Cromwell’s confessional neutrality and imagines his kindness as well as Thomas More’s alleged cruelty. The book recycles old and threadbare accusations that More himself answered. “Dis-Manteling” collects evidence for the accuracy of More’s answers and supplies alternative explanations for events and for More’s attitudes that Mantel packs into her accusations. Wolf Hall is admirably readable, although prejudicial. Perhaps it is fair for fiction to distort so ascertainably, yet I should think that historians will want to have a dissent on the record. -
The Wolfe Institute the Ethyle R
The Wolfe Institute The Ethyle R. Wolfe Institute for the Humanities, in cooperation with the English Department and the MFA Intergenre Reading Series, presents Madeleine Thien and Cedar Sigo Madeleine Thien was born in Vancouver. She is the author of four books, including Do Not Say We Have Nothing, winner of the Scotiabank Giller Prize, the Governor-General’s Literary Award for Fiction, and an Edward Stanford Prize; and shortlisted for the Man Booker Prize, the Baileys Women’s Prize for Fiction, and The Folio Prize. The novel was named a New York Times Critics’ Top Book of 2016 and longlisted for a Carnegie Medal. Madeleine’s books have been translated into twenty- five languages and her essays have appeared in The Guardian, the Globe & Mail, Brick, Maclean’s, The New York Times, Al Jazeera and elsewhere. With Catherine Leroux, she was the guest editor of Granta magazine’s first issue devoted to new Canadian writing, published in 2017. The youngest daughter of Malaysian-Chinese immigrants to Canada, she lives in Montreal and New York. Cedar Sigo was raised on the Suquamish Reservation in the Pacific Northwest and studied at The Jack Kerouac School of Disembodied Poetics at the Naropa Institute. He is the editor of There You Are: Interviews, Journals, and Ephemera on Joanne Kyger (2017), and author of eight books and pamphlets of poetry, including Royals (Wave Books, 2017), Language Arts (Wave Books, 2014), Stranger in Town (City Lights, 2010), Expensive Magic (House Press, 2008), and two editions of Selected Writings (Ugly Duckling Presse, 2003 and 2005). Wednesday, April 25, 2018 6 to 7:30 p.m. -
CONTEMPORARY LITERATURE in ENGLISH (Post-1999)
CONTEMPORARY LITERATURE IN ENGLISH (post-1999) BOOKS AVAILABLE FROM THE SCHOOL LIBRARY or Ms. Hrušková NOVELS Adiga, Aravind The White Tiger (2008) Atwood, Margaret The Testaments (2019) Barnes, Julian The Sense of an Ending (2011) Love, etc. (2000) Barry, Sebastian Days Without End (2016) Beatty, Paul Sellout (2015) Boyne, John The Boy in the Striped Pyjamas (2006) Bushnell, Candace Trading Up (2003) Chbosky, Stephen The Perks of Being a Wallflower (1999) Coetzee, J. M. Disgrace (1999) Collins, Suzanne The Hunger Games (2008) Catching Fire (2009) Mockingjay (2010) Cunningham, Michael The Hours (1998) By Nightfall (2010) Davis, Brooke Lost & Found (2014) DeLillo, Don Cosmopolis (2003) Desai, Anita Fasting, Feasting (1999) Dicks ( see Green), Matthew Memoirs of an Imaginary Friend (2012) Doerr, Anthony All the Light We Cannot See (2015) Donoghue, Emma Room (2010) Dunthorne, Joe Submarine (2008) Evaristo, Bernardine Girl, Woman, Other (2019) Faber, Michel Under the Skin (2000) Flanagan, Richard The Narrow Road to the Deep North (2013) Forman, Gayle Where She Went (2011) Frayn, Michael Spies (2002) Genova, Lisa Still Alice (2007) Gordimer, Nadine The Pickup (2001) Green, John The Fault in Our Stars (2012) Green/Dicks, Matthew Memoirs of an Imaginary Friend (2012) Grossman, David A Horse Walks into a Bar (2016) Haddon, Mark A Curious Incident of the Dog in the Night-time (2003) Harris, Joanne Chocolat (1999) Hilderbrand, Elin Barefoot (2007) Hoffman, Alice The Third Angel (2008) Hornby, Nick How to Be Good (2001) Hosseini, Khaled The Kite-Runner -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
HILARY MANTEL's WOLF HALL Tudor İngiltere'sinin
Sosyal Bilimler Enstitüsü Dergisi Enstitüsü Bilimler Sosyal AN “OCCULT” HISTORY OF TUDOR ENGLAND: HILARY MANTEL’S WOLF HALL Tudor İngiltere’sinin “Esrarengiz” Tarihi: Hılary Mantel’in Wolf Hall Romanı Yrd. Doç. Kubilay GEÇİKLİ Özet Hilary Mantel’ın sansasyonel romanı Wolf Hall tarihsel roman türüne kazandırdığı farklı yaklaşımla dikkat çeken bir eserdir. Yazar Mantel romanında tarih ve tarihsel roman yazımıyla ilgili çağdaş algılayışlardan hem etkilenmiş hem de etkilenmemiş bir görüntü çizmektedir. Postmodern tarihsel romanın tarihsel gerçekliği sorgulama ve sorunsallaştırma girişimlerine kuşkuyla yaklaşan Mantel, romanındaki tarih anlatısının gerçeğe olabildiğince yaklaşması için çaba sarf etmiştir. Böylelikle okur anlatılan dönemde 77 gerçekten yaşamış gibi hissetme imtiyazına kavuşmuştur. Romanın ironik ve satirik üslubu ve mizahı trajik olanla ustaca birleştirmesi özde öznel olan bir türü nesnelliğe yaklaştırmıştır. Roman İngiliz tarihinin en görkemli ama aynı zamanda en tartışmalı devirlerinden biri olan Tudor döneminin gizemini çözme noktasında başarılı bir girişim olarak dikkat çekmektedir. Anahtar Kelimeler: Tarih, tarihsel roman, Wolf Hall, Hilary Mantel, Tudor Dönemi Abstract Hilary Mantel’s sensational Wolf Hall is remarkable for the different perspective it has brought to the writing of historical fiction. Mantel seems to be both affected and not affected by the contemporary trends in the perceptions of history and historical novel writing. Sceptical of the attempts in postmodernist historical fiction to question and/or problematize the historical reality, Mantel wants to make the history she narrates in her novel seem as real as possible. With Mantel’s peculiar narrative style, the reader has the privilege of having the sense of living in the periods the novel describes. Yrd. Doç. Dr., Atatürk Üniversitesi, Edebiyat Fakültesi, İngiliz Kültürü ve Edebiyatı Anabilim Dalı Öğretim Üyesi. -
Hilary Mantel Papers
http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
The Goldsmiths Prize and Its Conceptualization of Experimental Literature
The Goldsmiths Prize and Its Conceptualization 35 of Experimental Literature The Goldsmiths Prize and Its Conceptualization of Experimental Literature Wojciech Drąg University of Wrocław Abstract: In the aftermath of a critical debate regarding the Man Booker Prize’s adoption of ‘readability’ as the main criterion of literary value, Goldsmiths College established a new literary prize. The Goldsmiths Prize was launched in 2013 as a celebration of ‘fiction that breaks the mould or extends the possibil- ities of the novel form.’ Throughout its six editions, the prize has been awarded to such writers as Ali Smith, Nicola Barker and Eimear McBride, and has at- tracted a lot of media attention. Annually, its jury have written press features praising the shortlisted books, while invited novelists have given lectures on the condition of the novel. Thanks to its quickly won popularity, the Goldsmiths Prize has become the main institution promoting – and conceptualizing – ‘ex- perimental’ fiction in Britain. This article aims to examine all the promotional material accompanying each edition – including jury statements, press releases and commissioned articles in the New Statesman – in order to analyze how the prize defines experimentalism. Keywords: Goldsmiths Prize, literary prizes, experimental literature, avant-gar- de, contemporary British fiction Literary experimentalism is a notion both notoriously difficult to define and generally disliked by those to whose work it is often applied. B.S. Johnson famously stated that ‘to most reviewers [it] is almost always a synonym for “unsuccessful”’ (1973, 19). Among other acclaimed avant-garde authors who defied the label were Raymond Federmann and Ronald Sukenick (Bray, Gib- bon, and McHale 2012, 2-3). -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Book Review - Margaret Atwood, the Testaments (New York: Doubleday, 2019)
Bridgewater Review Volume 39 Issue 1 Article 13 4-2020 Book Review - Margaret Atwood, The Testaments (New York: Doubleday, 2019) Halina Adams Bridgewater State University Follow this and additional works at: https://vc.bridgew.edu/br_rev Recommended Citation Adams, Halina (2020). Book Review - Margaret Atwood, The Testaments (New York: Doubleday, 2019). Bridgewater Review, 39(1), 36-37. Available at: https://vc.bridgew.edu/br_rev/vol39/iss1/13 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. BOOK REVIEWS Margaret Atwood, The Testaments (New York: Aunt Lydia, and new characters Agnes Doubleday, 2019). Jemima and Daisy. This text attempts to redeem Aunt Lydia by revealing her Halina Adams back story: her life before Gilead, how she was converted to the Aunts, and ne image in Margaret Atwood’s The her current mission to undermine the regime. Atwood includes an epigraph Testaments (2019) stands out to me—not only from George Eliot’s Daniel Deronda pre- as a commentary on our age of “alternative sumably to explain the humanization O of this previously repulsive character: facts,” but also as a gloss on how we might read “Every woman is supposed to have this follow up to her popular and highly regarded the same set of motives, or else to be a The Handmaid’s Tale (1985). The image appears in a monster.” Yet, Aunt Lydia’s metamor- conversation between two Aunts-in-training, called phosis from arch believer to revolu- tionary seems a bit like retconning “Supplicants.” Discussing the motto of the Aunt at the expense of her deliciously evil school, one of the Supplicants notes that Latin was characterization in the original novel.