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Lso Concerts at the Barbican

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Lso Concerts at the Barbican LSO CONCERTS AT THE BARBICAN Public booking opens on Friday 11 December at lso.co.uk Thursday 7 January 3.30 & 6.30pm Thursday 28 January 3.30 & 6.30pm Barbican Barbican Joan Tower Fanfare for the Uncommon Woman: Berg Violin Concerto Part I Schubert Symphony No 9, ‘The Great’ Beethoven Piano Concerto No 4 Barber Symphony in One Movement Sir Simon Rattle conductor Leonidas Kavakos violin Marin Alsop conductor Eric Lu piano Performance supported by the National Bank of Greece to celebrate the 200th Anniversary of Greek Independence, within the context of the Sunday 31 January 2pm & 4.30pm ‘Bicentennial Initiative 1821–2021’ with the Barbican participation of the leading foundations of Greece. Introduce your family to classical music and the Thursday 14 January 3.30 & 6.30pm instruments of the orchestra in this concert, Barbican inspired by the popular children’s book Leon and the Place Between by Angela McAllister and illustrated by Grahame Baker-Smith. Schumann Piano Concerto Schubert Symphony No 9, ‘The Great’ Elim Chan conductor Paul Rissmann presenter Sir Simon Rattle conductor Mitsuko Uchida piano For families with children aged 7 to 12 Thursday 21 January 3.30 & 6.30pm Thursday 11 February 3.30 & 6.30pm Barbican Barbican Bennett Partita for Orchestra Bacewicz Music for Strings, Trumpet & Percussion Gershwin Lullaby Strauss Oboe Concerto Dutilleux Le loup Schreker Chamber Symphony John Wilson conductor Duncan Ward conductor Juliana Koch oboe Thursday 18 February 3.30 & 6.30pm Thursday 11 March 3.30 & 6.30pm Barbican Barbican Bartók Dance Suite Charlie Piper Flēotan* Ligeti Romanian Concerto Betsy Jolas Well Met Suite Haydn Symphony No 104, ‘London’ Francisco Coll Violin Concerto† Ayanna Witter-Johnson Fairtrade?* François-Xavier Roth conductor François-Xavier Roth conductor Patricia Kopatchinskaja violin Monday 1 March 7pm LSO Futures is generously supported by Lady Barbican Hamlyn and The Helen Hamlyn Trust. *Commissioned through the Panufnik Composers Scheme, generously supported by Lady Hamlyn and The Helen Hamlyn Trust. Three finalists compete for the chance to win £15,000 and the opportunity to become Assistant †Co-commissioned by the LSO, Orchestre Conductor with the LSO. Philharmonique de Luxembourg & Philharmonie Luxembourg, Seattle Symphony, the NTR Verdi Nabucco – Overture ZaterdagMatinee, Radio 4’s concert series in the Brahms Variations on a Theme by Haydn Concertgebouw and Bamberger Symphoniker, Dvořák Slavonic Dances Op 72 with the support of the Ernst von Siemens Music Foundation. Jury Lennox Mackenzie chair Ivor Bolton Vassily Sinaisky Thursday 18 March 3.30 & 6.30pm Kirill Karabits Barbican Sian Edwards James MacMillan David Alberman Haydn Symphony No 86 Brahms Serenade No 2 Strauss Le bourgeois gentilhomme – Suite Saturday 6 March 3.30 & 6.30pm Barbican Sir Simon Rattle conductor Sunday 21 March 3.30 & 6.30pm Sibelius Symphony No 6 Barbican Adès In Seven Days Thomas Adès conductor Kirill Gerstein piano Ravel Le tombeau de Couperin Barber Knoxville: Summer of 1915 Harrison Song of Quetzalcoatl Varèse Offrandes Ravel Ma mère l'Oye – ballet Sir Simon Rattle conductor Barbara Hannigan soprano CONCERTS AT LSO ST LUKE’S Sunday 10 January 6.30pm Friday 29 January 1pm LSO St Luke’s LSO St Luke’s Dvořák Serenade for Wind Instruments Ginastera Variaciones concertantes Schumann Märchenbilder Gerhard Dances from ‘Don Quixote’ Elgar Piano Quintet Dvořák American Suite Nash Ensemble Sir Simon Rattle conductor Recorded for future broadcast on BBC Radio 3 Tickets on sale from Tuesday 5 January. Visit lso.co.uk for full details. Friday 5 February 1pm LSO St Luke’s Friday 15 January 1pm LSO St Luke’s Elgar Chanson de Matin; Chanson de Nuit Kreisler Liebesfreud; Liebeslied Elgar Violin Sonata Wagner arr Liszt Liebestod from ‘Tristan and Schumann Piano Quartet Isolde’ Schumann Piano Quintet Nash Ensemble Nash Ensemble Recorded for future broadcast on BBC Radio 3 Recorded for future broadcast on BBC Radio 3 Friday 22 January 1pm LSO St Luke’s Friday 12 February 12.30pm LSO St Luke’s Elgar Concert Allegro for Solo Piano Schumann Märchenerzählungen Enjoy a free, 45-minute informal concert at LSO St Elgar Sospiri Luke’s, with introductions from presenter Rachel Wagner Wesendonck Lieder Leach. Christine Rice mezzo soprano Rachel Leach presenter Brett Dean viola Tickets free, but must be booked in advance. Nash Ensemble Booking opens one week before each concert at lso.co.uk. Recorded for future broadcast on BBC Radio 3 Saturday 13 February 7pm Monday 8 March 2pm & 6.30pm LSO St Luke’s LSO St Luke’s Hear new works by early-career composers on In this free public workshop, witness a pivotal Phase I of LSO Discovery’s Soundhub scheme, point in the process of writing a new orchestral developed in collaboration with LSO musicians. piece. The LSO performs and discusses works by the latest cohort of Panufnik composers, under Featuring music by: the guidance of composers Colin Matthews and Clare Elton Christian Mason, and conductor François-Xavier Ryan Latimer Roth. Ruaidhrí Mannion Anselm McDonnell François-Xavier Roth conductor LSO Soundhub is generously supported by Susie The Panufnik Composers Scheme is generously Thomson and the Garrick Charitable Trust supported by Lady Hamlyn and The Helen Hamlyn Trust. Ticket information to be announced on 25 January. Friday 19 February 12.30pm Please visit lso.co.uk/panufnikworkshops for the LSO St Luke’s latest updates. Friday 12 March 1pm Rachel Leach presenter LSO St Luke’s Friday 26 February 12.30pm LSO St Luke’s Simon Höfele trumpet Recorded for future broadcast on BBC Radio 3 Rachel Leach presenter Friday 19 March 12.30pm LSO St Luke’s Rachel Leach presenter Friday 26 March 1pm LSO St Luke’s Stravinsky Suite italienne Chopin Cello Sonata Laura van der Heijden cello Petr Limonov piano Recorded for future broadcast on BBC Radio 3 .
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  • Elgar, Cello Concerto in E Minor
    Cello Concerto in E minor, Op. 85 i. Adagio; Moderato ii. Lento; Allegro molto iii. Adagio iv. Allegro; Moderato; Allegro, ma non troppo; Poco più lento; Adagio Edward Elgar enjoys a curious reputation in his own country. To many, he is the composer of overtly nationalistic music such as Pomp and Circumstance, the musical incarnation of Edwardian imperialism. Although early works such as the Enigma Variations and Imperial March garnered him praise and fame, it is his later works from 1918-1919 that are much more autobiographical in content – none more so than the Cello Concerto in E minor. The Concerto was mostly composed between 1918 and 1919 at Brinkwells, a cottage in the Sussex woods where he wrote three other chamber works – the Violin Sonata, String Quartet and Piano Quintet. Like these other Brinkwells compositions, the Cello Concerto is a deeply introspective work which reveals much about the composer’s state of mind: an aging artist concerned about his waning popularity, his wife’s failing health, and reflecting on the horrors of the First World War. Despite a grossly under-rehearsed première at the Queen’s Hall on 27 October 1919, it has since been established as perhaps the finest cello concerto in the repertoire, alongside Dvořák’s, and the only work of Elgar’s to enjoy regular performances outside the English-speaking world. The Cello Concerto is an emotionally draining work not only for the players but also the listener, its overwhelming mood one of melancholy and autumnal world-weariness. The first movement opens with a declamatory, grandiose statement by the soloist leading, in almost improvisatory style, into a lilting melody; there is a wistfully lyrical middle section before the opening melody returns.
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  • BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
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  • Music Written for Piano and Violin
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  • 28Apr2004p2.Pdf
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  • Guidance Notes
    Sound Bites Video Five Music to sing along with How to use these Brought to you by: Diane Clark (flute), Louise Braithwaite notes with our (oboe), Sally Harrop (clarinet), Oliver Galletta (bassoon), Sound Bites videos: the boys and Mrs Debbie Madden, Director of Music, of King Edward VI School, Stratford-upon-Avon. These notes will provide a brief background to each piece and a Our Choice of Pieces: suggested conversation starter to Those Magnificent Men in their Sailor’s Hornpipe use if you wish after you have Flying Machines Handel’s Largo heard the piece. If our music sparks Chanson de Matin Ode to Joy a memory or conversation, why not Bare Necessities Oh I do like to be beside the pause the video at this point to Do-Re-Mi seaside continue your sharing, or continue What shall we do with the onto the next piece, pausing when Drunken Sailor? you feel the time is right to do so. Greensleeves Those Magnificent Men in their Flying Machines arranged by Ted Watson Or, How I Flew from London to Paris in 25 Hours 11 Minutes is a 1965 period comedy film set in the year 1910. The film focuses on the excitement of the early days of aviation. Have you flown in an aeroplane? ? I have flown to Germany, Italy and France, where have you flown to? Our next piece is rather gentler. Relax and listen or join in with some gentle movements. www.orchestraoftheswan.org Charity number 1068570 • Orchestra of the Swan is a member of the ABO Chanson de Matin Edward Elgar Or Morning Song was composed by Elgar for violin and piano and published in 1899.
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