An Exploration and Comparison of Old-Age Social Connectedness
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Walking Horse Museum
The Scoop / Page 1 Page 2 / The Scoop The Scoop / Page 3 COVERAGE COVER ADVERTISERS Alabama Charity Horse Show .........25-35 FC .........................................Outta Line Mississippi Charity Horse Show ......10-23 IFC ........................................Maxximize International Performance Show ......41-45 IBC .....General Willie and I’m A Hustler Walking For Education Horse Show 48-54 BC ..............Santana’s Renaissance Man WHOA Pleasure Horse Show ...............65 Yadkinville North Carolina INFORMATION Horse Show ......................................55-61 Front Covers Page ........................... 72 APRIL 15, 2013 News ..........................................38-40 CLASS SHEETS Whos Who .................................62-64 VOLUME 17 ISSUE 5 Fayetteville Blue Ribbon Class Sheet ...24 The Scoop, Inc. 409 Elm Street, P. O. Box 1658, Shelbyville, TN 37162-1658 CANDID PAGES 931-680-5696 • 931-680-2860 (fax) International Performance Show .... 68 www.thescooponline.com Mississippi Charity Horse Show ..... 69 Walking For Education Horse Show ................................70-71 PUBLISHER Yadkinville North Carolina Jacquelyn Elliott Horse Show ...............................66-67 ACCOUNTS RECEIVABLE OUR ADVERTISERS Michelle Schoenvogel A Rendezvous At The Ritz .............................................................. 30 ADVERTISING REPRESENTATIVES Caroline Elliott Bossman’s Dollar ............................................................................ 28 Sally Reiley Cowboy On Parole ......................................................................... -
The Man in Ratcatcher
The Man in Ratcatcher By H. C. Mcneile The Man in Ratcatcher I. THE MAN IN RATCATCHER I "'E ain't much ter look at, Major, but 'e's a 'andy little 'orse." A groom, chewing the inevitable straw, gave a final polish to the saddle, and then stood at the animal's head, waiting for the tall, spare man with the bronzed, weather-beaten face, who was slowly drawing on his gloves in the yard, to mount. Idly the groom wondered if the would-be sportsman knew which side of a horse it was customary to get into the saddle from; in fact one Nimrod recently—a gentleman clothed in spotless pink—had so far excelled himself as to come to rest facing his horse's tail. But what could you expect these times, reflected the groom, when most of the men who could ride in days gone by, would ride no more: and a crowd of galloping tinkers, with rank cigars and ranker manners, had taken their places? When he thought of the men who came now—and the women, too—to Boddington's Livery Stable, renowned for fifty years and with a reputation second to none, and contrasted them with their predecessors, he was wont to spit, mentally and literally. And the quods— Strewth! It was a fair disgrace to turn out such 'orses from Boddington's. Only the crowd wot rode 'em didn't know no better: the 'orses was quite good enough—aye! too good—for the likes o' them. "Let out that throat-lash a couple of holes." The groom looked at the speaker dazedly for a moment; a bloke that knew the name of a single bit of saddlery on a horse's back was a rare customer these days. -
ROSE in BLOOM a Sequel to "Eight Cousins"
ROSE IN BLOOM A Sequel to "Eight Cousins" By Louisa May Alcott Preface As authors may be supposed to know better than anyone else what they intended to do when writing a book, I beg leave to say that there is no moral to this story. Rose is not designed for a model girl, and the Sequel was simply written in fulfillment of a promise, hoping to afford some amusement, and perhaps here and there a helpful hint, to other roses getting ready to bloom. L. M. Alcott September 1876 Contents Preface Chapter 1 COMING HOME Chapter 2 OLD FRIENDS WITH NEW FACES Chapter 3 MISS CAMPBELL Chapter 4 THORNS AMONG THE ROSES Chapter 5 PRINCE CHARMING Chapter 6 POLISHING MAC Chapter 7 PHEBE Chapter 8 BREAKERS AHEAD Chapter 9 NEW YEAR'S CALLS Chapter 10 THE SAD AND SOBER PART Chapter 11 SMALL TEMPTATIONS Chapter 12 AT KITTY'S BALL Chapter 13 BOTH SIDES Chapter 14 AUNT CLARA'S PLAN Chapter 15 ALAS FOR CHARLIE! Chapter 16 GOOD WORKS Chapter 17 AMONG THE HAYCOCKS Chapter 18 WHICH WAS IT? Chapter 19 BEHIND THE FOUNTAIN Chapter 20 WHAT MAC DID Chapter 21 HOW PHEBE EARNED HER WELCOME Chapter 22 SHORT AND SWEET Chapter 1 COMING HOME Three young men stood together on a wharf one bright October day awaiting the arrival of an ocean steamer with an impatience which found a vent in lively skirmishes with a small lad, who pervaded the premises like a will-o'-the-wisp and afforded much amusement to the other groups assembled there. "They are the Campbells, waiting for their cousin, who has been abroad several years with her uncle, the doctor," whispered one lady to another as the handsomest of the young men touched his hat to her as he passed, lugging the boy, whom he had just rescued from a little expedition down among the piles. -
Boys and Girls by Alice Munro
Boys and Girls by Alice Munro My father was a fox farmer. That is, he raised silver foxes, in pens; and in the fall and early winter, when their fur was prime, he killed them and skinned them and sold their pelts to the Hudson's Bay Company or the Montreal Fur Traders. These companies supplied us with heroic calendars to hang, one on each side of the kitchen door. Against a background of cold blue sky and black pine forests and treacherous northern rivers, plumed adventures planted the flags of England and or of France; magnificent savages bent their backs to the portage. For several weeks before Christmas, my father worked after supper in the cellar of our house. The cellar was whitewashed, and lit by a hundred-watt bulb over the worktable. My brother Laird and I sat on the top step and watched. My father removed the pelt inside-out from the body of the fox, which looked surprisingly small, mean, and rat-like, deprived of its arrogant weight of fur. The naked, slippery bodies were collected in a sack and buried in the dump. One time the hired man, Henry Bailey, had taken a swipe at me with this sack, saying, "Christmas present!" My mother thought that was not funny. In fact she disliked the whole pelting operation--that was what the killing, skinning, and preparation of the furs was called – and wished it did not have to take place in the house. There was the smell. After the pelt had been stretched inside-out on a long board my father scraped away delicately, removing the little clotted webs of blood vessels, the bubbles of fat; the smell of blood and animal fat, with the strong primitive odour of the fox itself, penetrated all parts of the house. -
Black Beauty
Black Beauty The Autobiography of a Horse by Anna Sewell To my dear and honored Mother, whose life, no less than her pen, has been devoted to the welfare of others, this little book is affectionately dedicated. Contents Part I Chapter 01 My Early Home 02 The Hunt 03 My Breaking In 04 Birtwick Park 05 A Fair Start 06 Liberty 07 Ginger 08 Ginger's Story Continued 09 Merrylegs 10 A Talk in the Orchard 11 Plain Speaking 12 A Stormy Day 13 The Devil's Trade Mark 14 James Howard 15 The Old Hostler 16 The Fire 17 John Manly's Talk 18 Going for the Doctor 19 Only Ignorance 20 Joe Green 21 The Parting Part II 22 Earlshall 23 A Strike for Liberty 24 The Lady Anne, or a Runaway Horse 25 Reuben Smith 26 How it Ended 27 Ruined and Going Downhill 28 A Job Horse and His Drivers 29 Cockneys 30 A Thief 31 A Humbug Part III 32 A Horse Fair 33 A London Cab Horse 34 An Old War Horse 35 Jerry Barker 36 The Sunday Cab 37 The Golden Rule 38 Dolly and a Real Gentleman 39 Seedy Sam 40 Poor Ginger 41 The Butcher 42 The Election 43 A Friend in Need 44 Old Captain and His Successor 45 Jerry's New Year Part IV 46 Jakes and the Lady 47 Hard Times 48 Farmer Thoroughgood and His Grandson Willie 49 My Last Home Black Beauty Part I 01 My Early Home The first place that I can well remember was a large pleasant meadow with a pond of clear water in it. -
Creative Inventive Design and Research
NASA Technical Memorandum 104607 Creative Inventive Design and Research James J. Kerley JUNE 1994 (NASA-TM-IOkbO7) CREATIVE N94-33719 INVENTIVE DESIGN AND RESEARCH (NASA. Goddard Space Flight Center) 162 p Unclas G3/31 0012658 NASA Technical Memorandum 104607 Creative Inventive Design and Research James J. Kerley NASA Goddard Space Flight Center Greenbelt, Maryland National Aeronautics and Space Administration Goddard Space Flight Center Greenbelt, Maryland 20771 1994 This publication is available from the NASA Center for AeroSpace Information, 800 Elkridge Landing Road, Linthicum Heights, MD 21090-2934, (301) 621-0390. CONTENTS Section 1.0 INTRODUCTION .................... i-i 2.0 THE STATE OF THE ART--INNOVATION TODAY ....... 2-1 2.1 Commentaries about Modern Innovative Education ................... 2-1 2.2 Psychology, Medical Studies, and Their Relation 2-6 to Creative Thought ............ 2.3 The Natural Process of Thinking, Induction, and Deduction ................. 2-9 3.0 THE RELATIONSHIPS BETWEEN CLINICAL PSYCHOLOGY AND THE PHILOSOPHY OF ENGINEERING ............ 3-1 3.1 Hemispheric Studies in Psychology and Medicine .................... 3-1 3.2 Abstraction .................. 3-7 3-9 3.3 Percepts and Concepts ............. 3.4 Wallace's Discussion of the Powers of the Intellect and Body .............. 3-11 4.0 APPLICATION OF THEORY ................ 4-1 4-1 4.1 Arithmetic - .................. 4.2 Parametric Equations .............. 4-1 4-4 4.3 Geometry ..... •............... 5-1 5.0 INDUCTIVE--DEDUCTIVE LOGIC ............. 5.1 Problems to Solve in Deductive and Inductive 5-1 Thinking .................... 6-1 6.0 HEURISTICS ..................... 6.1 Problem Solving by the Method of Heuristics . 6-1 7.0 A PRELIMINARY STEP TO RETRODUCTION--A 12-YEAR-OLD BOY BUILDS A SHOP ................. -
Interview with J. Harold Wayland
J. HAROLD WAYLAND (1901 - 2000) INTERVIEWED BY JOHN L. GREENBERG AND ANN PETERS December 9 and 30, 1983 January 16, 1984 January 3, 5, and 7, 1985 J. Harold Wayland, 1979 ARCHIVES CALIFORNIA INSTITUTE OF TECHNOLOGY Pasadena, California Subject area Engineering and applied science Abstract An interview in six sessions, December 1983–January 1985, with J. Harold Wayland, professor emeritus of engineering science in the Division of Engineering and Applied Science. Dr. Wayland received a BS in physics and mathematics from the University of Idaho, 1931, and became a graduate student at Caltech in 1933, earning his PhD in 1937. After graduation he taught at the University of Redlands while working at Caltech as a research fellow with H. Bateman until 1941. Joins Naval Ordnance Laboratory as head of the magnetic model section for degaussing ships; War Research Fellow at Caltech 1944-45; heads Navy’s Underwater Ordnance Division. In 1949, joins Caltech’s faculty as associate professor of applied mechanics, becoming professor of engineering science in 1963; emeritus in 1979. He describes his early education and graduate work at Caltech under R. A. Millikan; courses with W. R. Smythe, F. Zwicky, M. Ward, and W. V. Houston; http://resolver.caltech.edu/CaltechOH:OH_Wayland_J teaching mathematics; research with O. Beeck. Fellowship, Niels Bohr Institute, Copenhagen; work with G. Placzek and M. Knisely; interest in rheology. On return, teaches physics at the University of Redlands meanwhile working with Bateman. Recalls his work at the Naval Ordnance Laboratory and torpedo development for the Navy. Discusses streaming birefringence; microcirculation and its application to various fields; Japan’s contribution; evolution of Caltech’s engineering division and the Institute as a whole; his invention of the precision animal table and intravital microscope. -
Horse Show 160609-52.Usaeresult2
40th Annual Region XI Championship Show USEF Results for Show #843 Jul 6 2016 AHA #: 1613353 Class#: 1 Region 11 Arabian Gelding Halter, AAOTH, 2 yr & over Breed: A Horses Shown: 3 Judge: Cathy Murphy-Economy Result Back# Horse Name Owner Information Handler Information 1 344 Fabian Trf Hgt: Chelsea M Reiter Chelsea M Reiter Reg#: AHR644321 Gndr: G 15115 42nd St S 15115 42nd St S Foal: Feb 1 2009 Color: BA Afton MN 55001 Afton MN 55001 Eden C X Rd Fabreanna (651)436-1793 (651)436-1793 Horse ID#: USEF #4065796 USEF #4065796 AHA #703247 AHA #703247 2 340 H SARTORIUS H Hgt: Terri Gellin Terri Gellin Reg#: AHR654069 Gndr: G E 10855 Eulrich Rd E 10855 Eulrich Rd Foal: Apr 4 2011 Color: GR Clintonville WI 54929 Clintonville WI 54929 Audacious Ps X Sashaa Lht (715)823-2165 (715)823-2165 Horse ID#: USEF #238124 USEF #238124 AHA #553579 AHA #553579 3 199 Pogroms Thunder Hgt: Sheila L Burwash Sheila L Burwash Reg#: AHR665509 Gndr: S 485 N 1500 E 485 N 1500 E Foal: Jun 11 2014 Color: BA Paxton IL 60957 Paxton IL 60957 Pogrom X Echos Tstyle (217)202-4220 (217)202-4220 Horse ID#: USEF #215722 USEF #215722 AHA #516275 AHA #516275 Class#: 1A Arabian Geldings, AOTH 2 yr & over Breed: A Horses Shown: 1 Judge: Cathy Murphy-Economy Result Back# Horse Name Owner Information Handler Information 1 199 Pogroms Thunder Hgt: Sheila L Burwash Sheila L Burwash Reg#: AHR665509 Gndr: S 485 N 1500 E 485 N 1500 E Foal: Jun 11 2014 Color: BA Paxton IL 60957 Paxton IL 60957 Pogrom X Echos Tstyle (217)202-4220 (217)202-4220 Horse ID#: USEF #215722 USEF #215722 AHA #516275 -
Anthropomorphic Imagery of Animals (Dragons and Horses) in the Works of Michael Ende and C.S
Degree on English Studies 2016-2017 Anthropomorphic Imagery of Animals (Dragons and Horses) in the Works of Michael Ende and C.S. Lewis. Ágata C. Teixeira Salgado Supervisor: Cristina Jarillot Rodal Department of English and German Philology Abstract For several centuries, anthropomorphism has been a common feature used in fantastic literature; our interest in giving animals and objects human traits – clothing them, making them talk – has influenced the arts. Hence, animals have been typically used to perpetuate morals and humour the readers. Moreover, anthropomorphism’s role in children’s literature has made possible to call for its readers’ attention to grown-up matters allowing them to maintain a certain distance and explore the concerns at hand without getting too involved. Bearing that in mind, the purpose of this study is to explore the role of two kinds of anthropomorphic animals, fantastic and real, to see how these animals intervene in the quest and learnings of the heroes and to understand what lessons they might convey to the readers. In order to do so, the following dissertation will contrast and examine two dragons and two horses from three novels; Artax and Falkor from The Neverending Story by Michael Ende and Bree and Eustace from C.S. Lewis’ collection The Chronicles of Narnia: The Horse and His Boy and The Voyage of the Dawn Treader. Subsequently, the scrutiny of the relationship between animals and heroes – observing how it develops and affects either the quest, the hero or both - will show that dragons and horses equally serve their masters/friends, function as a guiding voice of reason and encouragement and are incredibly loyal. -
Intermedial Autobiography Since Roland Barthes A
UNIVERSITY OF CALIFORNIA Los Angeles Between Erasure and Exposure: Intermedial Autobiography Since Roland Barthes A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in French and Francophone Studies by Lauren Elizabeth Van Arsdall 2015 © Copyright by Lauren Elizabeth Van Arsdall 2015 ABSTRACT OF THE DISSERTATION Between Erasure and Exposure: Intermedial Autobiography Since Roland Barthes by Lauren Elizabeth Van Arsdall Doctor of Philosophy in French and Francophone Studies University of California, Los Angeles, 2015 Professor Malina Stefanovska, Chair In my dissertation, I investigate the trend toward intermedial representations of the self in contemporary French personal writing of an autobiographical type. The theoretical framework of my dissertation is based on notions of referentiality presented in La chambre claire, and in essays contemporaneous to Roland Barthes’s by Jean-Luc Nancy, Jacques Derrida, Pierre Bourdieu, and Jean Baudrillard. As I demonstrate, they are in dialogue with it, all the while exploring the boundaries of self-representation in relation to illness and death. At the outset, an analysis of the discourses of photography in France from the 1980s to the early 2000s informs my discussion of representations of an expected death in works by Alix Cléo Roubaud, Jacques Roubaud, Annie Ernaux, and Hervé Guibert. I argue that the legacy of a Barthesian conceptualization of the photograph obliges writers to rethink their stance towards representing the self. Through gestures of erasure and exposure, they create an intermedial aesthetic coupling writing, photography, and film to explore anew certain taboos concerning self and death. Intermediality opens up the notions of referentiality presented in Roland Barthes’s La chambre ii claire: note sure la photographie— the making of traces through writing, memories, and recording the body. -
Jane Eyre Play
JJAANNEE EEYYRREE Based on the novel by Charlotte Brontë Adapted for the stage by Mark Jowett (c) 2009 Mark Jowett 1 CHARACTERS Actor A Actor B Actor C Jane Eyre Mrs Fairfax Mr Rochester Grace Poole Voice of male servant Bertha Gypsy fortune teller (turning out to be Rochester) Silhouette in church (c) 2009 Mark Jowett 2 Prologue Creepy music, dry ice, eerie cackling, figures running around, a mad figure running loose, then others restraining her until she subsides… Images on screen of countryside rolling past and the sound of a horse and carriage on a journey… JANE appears, at first silhouetted by the images, becoming increasingly lit as images of the journey fade behind her… JANE Were I to tell you of my entire childhood, the writing of it would fill a hundred pages. I will spare you my unhappy infant years, unloved by the wife of my late uncle and I will not dwell on my school days, which were harsh. But imagine, dear audience, that I have survived these times, and have now decided to begin a journey, to take my first steps in life as a young adult. I have just advertised myself as a governess in the newspaper – and to my joy, I have received a reply. Imagine me now, on my journey to my new employer, who remains, for a short while still, completely unknown to me. The trotting of hooves lulls me into a slumber and I dream of what my future may bring me… Fade to black. The hooves get louder at first; then fade out – to be replaced by the sound of a crackling fire. -
Fall 2005 Kerlan Collection Newsletter
“Frank Merriwell in Gorilla Land” Tip Top Library 1(28), October 24, 1896 [Public Domain] Full text of story follows cover image. Provided by the Hess Collection, University of Minnesota Libraries http://special.lib.umn.edu/clrc/hess/index.phtml NOTICE Warning Concerning Copyright Restrictions The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgement, fulfillment of the order would involve violation of copyright law. Cover from the October 24, 1896 Tip Top Weekly Frank Merriwell in Gorilla Land; OR, The Search for the Missing Link Tip Top Library 1(28), October 24, 1896 By the Author of "FRANK MERRIWELL" CHAPTER I. LOVE'S YOUNG DREAM The schooner Saucy Susan, Justin Bellwood, master, lay at anchor in the Fernand Vas River, near the west coast of Africa. The Saucy Susan was a trader, loaded with cloth, beads, powder, bullets, old muskets, brass and iron kettles, and such other articles as the natives of the country were most likely to prize.