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120X120 LP Philo of Light UK.Indd www.louispoulsen.com Louis Poulsen Lighting A/S. 09.2007. We make reservations for printing errors and changes implemented as a result of technological development and regulatory philosophy of light requirements from authorities. Item no.: 5701025185. Find energy-effi cient lightsource alternatives on www.louispoulsen.com Light is worth reflecting on Light means life, and good lighting appeals to our senses and makes us feel comfortable. Take your time when you are investing in new lighting facilities. Light should be bought with care. At Louis Poulsen we work with a lighting philosophy encompassing function, comfort and ambience. We combine professional lighting technology with aesthetic designs to create optimum and comfortable lighting. We make demands on ourselves – read more about these demands here. 3 Light should seem natural Daylight is considered to be the best and most genuine light. We use daylight to experience the world. Artifi cial lighting can only compensate for daylight, but we can achieve a good resemblance. Designers can derive inspiration from nature to complete their idiom. In her Collage series, Louise Campbell was inspired by how light refracts in tree foliage. The elliptical patterns simulate nature’s unique patterns. Collage fi xtures are like small light spots in our homes, where we can cocoon, while the world passes by. 5 Collage Louise Campbell found inspiration in nature’s own light source when she created Collage. The idea arose out of the image of sun rays finding their way through tree foliage, leaving a shimmering trace of light and shadow. The three shades of differing, cut patterns form the delicate effect, where light and shadow comes to life, constantly changing. The Collage series includes both a pendant and a floor lamp. Design: Louise Campbell. Collage Pendant & Floor. Light source: 100W A60 Frosted E27. Material: Laser cut acrylic in standard colour Snow White (white) or custom colours Hotlips (pink), Juicy Orange (orange), Lemon Yellow (yellow) and Smoke Screen (smoke-tinted). Base in die cast concrete. Dimensions: Pendant: Diameter 600mm, height 360mm. Floor: Diameter 600mm, height 1660mm. 6 Collage Floor Collage Pendant 7 Louise Campbell (b. 1970) graduated from the industrial design line of the Danish School of Art and Design in 1995. Since then, she has made a name for herself as one of Denmark’s best and most sparkling young designers. Louise Campbell has exhibited in Denmark and other countries, including Japan, Italy and Britain, and has received a number of awards and grants, including the Finn Juhl Architecture Prize and the Danish State Art Foundation’s three-year work grant. 8 Campbell 275 Campbell 210 Campbell Campbell 210/275 is the first result of the partnership between the young designer Louise Campbell and Louis Poulsen. The Campbell pendant attracted attention throughout the world, in March 2005 receiving the prestigious gold iF Product Design Award. Design: Louise Campbell. Campbell 210/275. Light source: Ø 210: 40W Refl ector R50 E14, Ø 275: 75W Refl ector R80 E27. Material: Mouth-blown clear glass with sandblasted stripes. Dimensions: Ø 210: Dia meter 210mm, height 284mm, Ø 275: Diameter 275mm, height 371mm. 9 Light should delight the eye Light should help us fi nd our way. It is a practical device, but should at the same time be decorative and pure. Fixtures should delight the eye – whether lit or unlit. Arne Jacobsen’s design is highly praised among the world’s architects because of it’s precise idiom. It is simple, beautiful and extremely minimalist. 11 AJ Floor, Table & Wall Arne Jacobsen created the lighting fix- tures for the Radisson SAS Royal Hotel in Copenhagen – one of the first design hotels in the world. AJ was not only the architect of the building; he also designed all fixtures and fittings, e.g. furniture, cutlery, textiles and lighting fixtures. All these products have become modern classics. The AJ series focuses light where it is needed and the shades provide efficient shading. Design: Arne Jacobsen. AJ Floor. Light source: 60W A60 Frosted E27. Material: Black, white or graphite grey steel. Dimensions: Depth 325mm, height 1300mm. AJ Table. Light source: 60W A60 Frosted E27. Material: Black, white or graphite grey steel. Dimensions: Depth 350mm, height 560mm. AJ Wall. Light source: 40W D45 Frosted E14. Material: Black, white or graphite grey steel. Dimensions: Depth 335mm, hight 180mm. 12 AJ Floor AJ Wall AJ Table 13 AJ Pendant The AJ Pendant was created for the Radisson SAS Royal Hotel, completed in 1960. Emitting soft upward light, the top louvres add extra refinement to the simple fixture idiom. Design: Arne Jacobsen. AJ Pendant. Light source: Ø 370: 100W A60 Frosted E27, Ø 500: 1x100W A-CS60+3x100W A60 E27. Material: White aluminium and steel. Dimensions: Ø 370: Diameter 370mm, height 181mm, Ø 500: Diameter 500mm, height 225mm. 14 AJ Pendant 15 16 AJ Discus Ø 220 AJ Discus Arne Jacobsen (1902-1971) AJ Discus is one of Arne Jacobsen’s graduated from the Royal most acclaimed fixtures. The mouth- Danish Academy of Art in blown shade in three-layer opal glass 1927, two years later setting displays a clear edge, spreading a halo up his own drawing offi ce. of light around the fixture. The shade He became world-famous emits light directly into the room, for his functional, modernist a major part of the light also being design and showed his directed towards the wall. versatile talent in designing Design: Arne Jacobsen. architecture and furniture. AJ Discus Ø 220. Light source: 40W QT ax-14 He primarily created the Frosted G9. Material: Mouth-blown white opal Louis Poulsen fi xtures in the glass, wall fi tting in white aluminium. Dimensions: 1950s-60s, but they remain as Diameter 220mm, depth 105mm. popular as ever. 17 Light should create oases Our homes are the base of our lives. This is where we relax and recharge our batteries, so that we are ready for more experiences and challenges. Home lighting aff ects us more than most of us realise. In correct lighting, we relax and our eyes get a break. Of course, lighting must be correct. When at Louis Poulsen we create new fi xtures, we always strive to uphold the balance between function, comfort and ambience. We aim to create products that will enhance your breaks – such as the transparent Flindt series. 19 Flindt Pendant The Flindt series combines simple geometry with a high degree of visual complexity. The dual shades encompass a cylinder and a truncated cone, both weaved in white, matt vinyl string. The weaving technique fashions a three-dimensional, transparent idiom and patterns interchange when viewed from different angles. Design: Christian Flindt. Flindt 220/475 Pendant. Light source: Ø 220: 60W A60 Frosted E27, Ø 475: 100W A60 Frosted E27. Material: String in white matt vinyl, wings in injection moulded acrylic. Dimensions: Ø 220 Pendant: Diameter 220mm, height 295mm, Ø 475 Pendant: Diameter 475mm, height 510mm. 20 Flindt 220 Pendant Flindt 475 Pendant 21 Flindt Floor Design: Christian Flindt. Flindt 220 Floor. Light source: 60W A60 Frosted E27. Material: String in white matt vinyl, wings in injection moulded acrylic. Dimensions: Diameter 220mm, height 1395mm. 22 Flindt 220 Floor Christian Flindt (b. 1972) is a graduate from the Aarhus School of Architecture. He set up his own company in 2003. Has designed a number of chairs, Luxus, Ripple and Orchid to name a few. In 2005, he received the Danish Design Award and in 2006, the magazine Bo Bedre’s Danish Designer of the Year Award. Christian Flindt’s ideas have been described as so innovative and visionary that they are almost art. Light should fascinate Poul Henningsen is the master lighting designer. He created functional and idiomatic designs that went on to gain acceptance and be celebrated all over the world. PH Artichoke is one of Poul Henningsen’s icons, the breathtaking fi xture emanating charisma and splendour. Whether in white, brushed steel or copper, PH Artichoke makes a statement in any room. PH Artichoke serves as an excellent example of what Louis Poulsen strives to achieve: creating fi xtures you never tire of. 25 PH Artichoke PH Artichoke is unique and has – deservedly – achieved status as a design icon. PH Artichoke consists of 12 x 6 leaves directing the light to illuminate the fixture itself while also emitting glare-free lighting. Design: Poul Henningsen. PH Artichoke. Light source: Ø 480: 200W A80 Clear E27, Ø 600: 500W A110 Clear E40. Material: Leaves: Copper, stainless steel or white steel. Suspension in high lustre chrome plated steel. Dimensions: Ø 480: Diameter 480mm, height 497mm, Ø 600: Diameter 600mm, height 580mm. 27 28 PH Artichoke Ø 480 Poul Henningsen (1894-1967) was one of the giants of Danish cultural life in the 20th century. In addition to being a master lighting designer, he also wrote satirical songs and castigated society in general, in the 1930s becoming one of the frontrunners of cultural radicalism. His life-long partnership with Louis Poulsen started as early as 1925. 29 30 PH Snowball PH Snowball Design: Poul Henningsen. PH Snowball. Light source: 300W A80 Clear E27. Material: White aluminium with frame in high lustre chrome plated aluminium. Dimensions: Diameter 400mm, height 390mm. 31 PH Hat Design: Poul Henningsen. PH Hat. Light source: 40W D45 Frosted E14. Material: White steel. Dimensions: Diameter 225mm, depth 145mm. 32 PH Hat PH 80 In 1974, Poul Henningsen would have celebrated his 80th anniversary – a milestone Louis Poulsen chose to mark by producing the PH 80. Before he died in 1967, Poul Henningsen had started working with plastics. PH 80 floor has innumerable uses and emanates comfortable light. Design: Poul Henningsen. PH 80. Light source: 100W A60 Frosted E27.
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