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An Examination of the Malleable Representation of Medea Master's
An Examination of the Malleable Representation of Medea Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Graduate Program in Ancient Greek and Roman Studies Professor Joel Christensen, Advisor In Partial Fulfillment of the Requirements for the Degree Master of Arts in Ancient Greek and Roman Studies by Angela Hurley May 2018 Copyright by Angela Hurley © 2018 Acknowledgements A special thank you to my advisor, Joel Christensen, whose help has been invaluable to me and to my work, and to Cheryl Walker who has spent countless hours discussing this topic with me. iii ABSTRACT An Examination of the Malleable Representation of Medea A thesis presented to the Graduate Program in Ancient Greek and Roman Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Angela Hurley As a persistent character in myth from early Greek epic to Imperial Rome and still into modern times, Medea’s representation shifts as a reflection of the society and author representing her. This thesis surveys the earliest versions of Medea’s myth to establish a basic narrative and furnish a range of variations. In particular, I examine the use of similar scenes in tragedies by Euripides and Seneca for contrasting representations of Medea. Individual analyses of Medea’s representation by each playwright demonstrate how her character is altered and what the activation of different mythical variants means in their cultural contexts. Medea’s gender plays a prominent role in her myth and this thesis analyzes its affect on her representation and perception. By demonstrating the manipulability of a specific mythical character based on a playwright’s preference or societal perception, this thesis explores the organic and dynamic nature of myth. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS -
Euripides' Antiope and the Theban Trilogy by Julianna K. Will a Thesis
Euripides’ Antiope and the Theban Trilogy by Julianna K. Will A thesis submitted to the Graduate Program in Classics in conformity with the requirements for the Degree of Master of Arts. Queen’s University Kingston, Ontario, Canada April, 2015 Copyright © Julianna K. Will, 2015 Abstract This thesis is a discussion, reconstruction, and analysis of Euripides’ lost Antiope. Based on metrical studies which suggest a date much earlier than its usual date of 410 or 408 B.C., I specifically focus on the possibility that Antiope might be part of a larger Theban trilogy, produced together with Suppliant Women and one other play. I begin with a thorough look at the mythological material existing before Euripides’ version of the story, as well as the tragedy’s effect on later versions. From there I provide a translation of the existing fragments arranged in the order I believe they were written for the tragedy, and a reconstruction with discussion. The latter half of the thesis I devote to reading Antiope as part of a trilogy. I compare the similarities between the proposed Theban trilogy with the more firmly established Trojan trilogy, and I provide a discussion on Antiope and Suppliant Women, commenting on how reading the two plays together can drastically change an analysis of either. I conclude that even if Euripides did not have “trilogy” in mind when he wrote Antiope and Suppliant Women, the connection between the two tragedies is both too important and too subtle for them to have been produced in separate years and still have been appreciated by an ancient audience. -
Hero Cults in the Corinthian Agora
HERO CULTS IN THE CORINTHIAN AGORA The excavations at Corinth, since their beginning nearly half a century ago, have brought to light important material for the cult history of the city. Some of this has been published in one form or another, but hitherto the religious aspects have been considered only incidentally in connection with particular objects or groups of objects. No attempt has been made to correlate the scattered bits of information into anything like a history of the religion of ancient Corinth. Before a comprehensive work of that kind is undertaken it seems desirable to deal with specific aspects of Greek cults.' It is the purpose of the present study to consider certain phases of the religious life of the city as reflected in the material remains from the excavations. In dealing with a subject so many sided and so elusive as the history of Greek cults, and of Corinthian cults in particular, it is likely that the results will be as vague and baffling as Greek religion itself. It is in most cases impossible to detect the precise significance of a particular object and its relation to the cult in which it was employed.2 This is, of course, largely due to our lack of detailed information in matters pertaining to these cults, but it is also trtuethat the meaning attached to the cult objects by the ancients was anything but precise. It is essential to bear these limitations in mind, for however desirable it may appear from the student's point of view to classify and clarify, nothing will be gained by ignoring the essentially illogical and fortuitous in all matters pertaining to religion. -
Questions While Viewing Greek Myths and Rituals Through the Lens of Pausanias, I: Did Athena, Goddess of Athens, Belong Only to the Athenians?
Questions While Viewing Greek Myths and Rituals Through the Lens of Pausanias, I: Did Athena, Goddess of Athens, Belong Only to the Athenians? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2020, April 17.Questions while viewing Greek myths and rituals through the lens of Pausanias, I: Did Athena, goddess of Athens, belong only to the Athenians?. Classical Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/questions-while- viewing-greek-myths-and-rituals-through-the-lens-of-pausanias-i- did-athena-goddess-of-athens-belong-only-to-the-athenians/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42668755 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. -
Who's Who in Classical Mythology
Who’s Who in Classical Mythology The Routledge Who’s Who series Accessible, authoritative and enlightening, these are the definitive biographical guides to a diverse range of subjects drawn from literature and the arts, history and politics, religion and mythology. Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Christianity Lavinia Cohn-Sherbok Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Contemporary Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in Contemporary Women’s Writing Edited by Jane Eldridge Miller Who’s Who in Contemporary World Theatre Edited by Daniel Meyer-Dinkegräfe Who’s Who in Dickens Donald Hawes Who’s Who in Europe 1450–1750 Henry Kamen Who’s Who in Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in the Greek World John Hazel Who’s Who in Jewish History Joan Comay, revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Modern History Alan Palmer Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in the Roman World John Hazel Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who of Twentieth-Century Novelists Tim Woods Who’s Who in Twentieth-Century World Poetry Edited by Mark Willhardt -
As Hollis Attica in Hellenistic Poetry
A. S. HOLLIS ATTICA IN HELLENISTIC POETRY aus: Zeitschrift für Papyrologie und Epigraphik 93 (1992) 1–15 © Dr. Rudolf Habelt GmbH, Bonn 1 ATTICA IN HELLENISTIC POETRY Perhaps the main reason for the continuing vitality and attraction of studies in the affairs of Attica, whether they centre on local history, topography, cult and myth, social and political organization or everyday life, is the discovery of inscriptions which gradually increase our knowledge, however problematic their interpretation may be. Turning to the literary sources, in the valuable book by David Whitehead, The Demes of Attica 508/7 - ca. 250 B.C.,1 we find them classified under five headings: Comedy, Tragedy, History, Oratory and Political Thought.2 Of these, Oratory is described as 'indisputably the richest of the genres' in both quantity and quality, though Whitehead devotes most space (a whole chapter) to 'The Deme in Comedy'. Since he even pays some attention to lexicographers such as Harpocration, Hesychius and Stephanus of Byzantium, the total absence of Hellenistic poets (apart from Comedians) is surprising: Callimachus does not figure even in the account of the cult of Hecale in her own deme (pp. 210-211), although Callimachus' famous epyllion is our only witness for the annual banquet with which Hecale was honoured.3 Other scholars likewise fail to quote Hellenistic poets when their evidence could be useful. Why this neglect? Of course the style of the learned poets tends to be difficult and obscure; most of their poems are preserved only in tantalizing fragments, of which the text and context can be upset by new papyrus discoveries. -
Total of 10 Pages Only May Be Xeroxed
CENTRE FOR NEWFOUNDLAND STUDIES TOTAL OF 10 PAGES ONLY MAY BE XEROXED (Without Author's Permission) CRUELTY TOWARDS CmLDREN IN THEBAN TRADITIONAL TALES by Stephanie Harlick A thesis submitted to the School of Graduate Studies in partial fulfilment of the requirements for the degree of Master of Arts Department of Classics Memorial University of Newfoundland June 26, 1998 St. John' s Newfoundland ABSTRACT Children frequently appear as characters in Greek traditional tales, usually as the objects of cruel treatment. The purpose of this thesis is to identify some of the more important tales which involve cruelty towards children, to examine the role of children in these tales, and to consider the relationship between adults and children in them. The ultimate goal is to identify the main function or functions of children in the tales. This thesis concentrates on those stories which center around Thebes, a place rich in traditional tales. Stories from other places are discussed where appropriate and which demonstrate that the acts of cruelty towards children were common throughout Greek traditional tales. The introductory chapter outlines the purpose of the thesis, and the scope of the investigation is set out through a classification of various types of cruelty towards children that occur in the tales. The tale of Niobe, who is portrayed by several authors as suffering endlessly, is used as an example to demonstrate cruelty towards children. The tales which are discussed in this thesis have been divided into three classifications, to each of which a chapter is devoted: l) the abduction of children; 2) the abandonment and exposure of children; and 3) the murder of children.