32Nd Annual Arts Festival
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Meet the Habimah Teaching Artist! 2019
Meet the Habimah Teaching Artist! 2019 Samantha Bramm holds a Bachelor of Science in Music Education with a concentration in vocal/general music from Towson University. She recently finished her second school year as the choral/general music teacher at Mount View Middle School in the Howard County Public School System. She is thrilled to be back at Habimah for her third summer in a row to create happiness through vocal music! Sam teaches Voice. Lisa Shifren is a portrait, events, and landscape photographer in the Baltimore area and has been taking photographs for over 25 years. Lisa majored in Imaging and Digital Art at the University of Maryland, and has also studied photography at the Maryland Institute College of Art. In addition to being a photographer and digital artist, Lisa works as a Jewish communal professional at Jewish Community Services in Baltimore Maryland with Holocaust survivors, who are the subjects of her body of work titled Grace. Dignity. Humility. Compassion. Photographic Portraits: The Holocaust Survivors of Baltimore. Lisa has been invited to exhibit her work at The Pennsylvania State University in Harrisburg, Clarion University, The Rosenberg Gallery at Goucher College, The Baltimore City Yom Hashoah (Holocaust Remembrance Day) Commemoration, Gallery 788, The Social Security Administration, The Reeves Gallery, Roland Park Country School, The Norman and Sara Brown Art Gallery, The Maryland Institute College of Art, Amalie Rothschild Gallery, Creative Alliance Main Gallery, Load of Fun Studios, Herring Run Artists’ Network, School 33’s Open Studio Tour, Borrowed Blue Studios, Gallery 229, and The Center for Art and Visual Culture in Baltimore, MD. -
SARA GROSE [email protected]
SARA GROSE [email protected] www.saragrose.com EDUCATION 2014 BFA in Interdisciplinary Sculpture Maryland Institute College of Art, Baltimore, MD AWARDS 2013 Dr. Frank Marino Scholarship, Betty Cooke ’46 Scholarship -Merit scholarships awarded partway through MICA education Dean’s List, MICA -Fall 2010 - Spring 2011, Spring 2012 - Fall 2013 2012 Winnifred Gordon Foundation Grant -Funding awarded to attend a summer intensive traveling through Turkey studying the intersection of Turkish textiles and history 2010 Maryland Distinguished Scholar, Maryland Senatorial Scholarship -Funding awarded by the state for eduction at MICA MICA Presidential Scholarship, MICA Grant, MICA General Grant, National Art Honor Society Scholarship -Funding awarded by MICA SELECTED EXHIBITIONS 2018 Down to the Dust: An Exploration of the Everyday Until it isn’t Duo Exhibition: Artist Run Art Fair at Artscape via Open Space, Baltimore, MD curated by Marissa Fein Like Glue Group Exhibition: Artist Studios at the Fox Building, Baltimore, MD curated by Jared Christensen, Rodrigo Carazas and Joseph Orzal 2015 No More Sun! Solo Exhibition: Lil’ Gallery, Baltimore, MD Blushing Group Exhibition: Ballroom Gallery, Baltimore, MD curated by Claire Felonis All That Group Exhibition: Platform Art Center, Baltimore, MD curated by Abigail Parrish and Lydia Petit 2014 Dance of the Gremlins Group Exhibition: La Bodega, Baltimore, MD curated by Eric Antonio Benitez 2013 Fabrications Group Exhibition: Gallery 788, Baltimore, MD curated by Eduardo Rodriguez 2012 Uncommon Place Group Exhibition: In/Flux, Baltimore, MD PROJECTS 2018 Celestial, Terrestrial Maryland Space Grant Observatory at Johns Hopkins University Organizer and curator -A two night event utilizing the Morris W. Offit telescope as a workable material; aiming to bridge the gap between the Baltimore artist and scientist communities while providing a platform for critical discussion of our relationship to, and place within the cosmos. -
KYLE TATA 443-854-6585 (B.1990, Baltimore,MD)
[email protected] www.kyletata.com KYLE TATA 443-854-6585 (b.1990, Baltimore,MD) EDUCATION 2022 MFA in Art, University of California, Los Angeles 2012 BFA in Photography, Maryland Institute College of Art SELECTED SOLO AND TWO PERSON EXHIBITIONS 2017 Secure Patterns, Hamiltonian Gallery, Washington, DC 2016 Asleep in The Factory, Hamiltonian Gallery, Washington, DC 2014 Tenebris: Kyle Tata & James Bouché, Spudnik Press & Gallery, Chicago,IL 2013 Assembly Affect, Current Gallery, Baltimore,MD SELECTED GROUP EXHIBITIONS 2020 After Life, Fulcrum, Los Angeles, CA Archive Machines, Los Angeles Municipal Art Gallery (Online) 2018 Public Ghoul, Public Pool Gallery, Los Angeles, CA Volta New York, solo representation by Hamiltonian Gallery, New York, NY 2017 Walter and Janet Sondheim Artscape Prize Finalists Exhibtion, Walters Art Museum, Baltimore,MD (Juried by Nat Trotman, curator, Solomon R. Guggenheim Museum; Clifford Owens, Artist; Ruba Katrib,Curator MOMA PS1) It’s Still All Up to You, Hamiltonian Gallery, Washington, DC (Curated by Will Hutnick & Eve Biddle, Wassiac Project Residency) 2016 Inaugural Exhibition, Gallery 79, Washington, DC Fellows Converge, Hamiltonian Gallery, Washington, DC (Curated by Camilo Alverez, Samson Projects) Material/Reference, Towson University, Baltimore, MD (Curated by Alex Ebstein, Resort Baltimore) Ballroom Presents, Ballroom Gallery, Baltimore,MD Proximity, Area 405, Baltimore, MD (Curated by Sarah Tanguy, Art in Embassies curator) 21st Marquee Ball Exhibition, Creative Alliance, Baltimore, MD 2015 Aqua -
State District Organization Name Discipline / Field City Project
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount To support the re-translation from the French of the 512-line poem "The Young Fate" by French poet Paul Valery. T.S. Eliot was convinced that, more than Rilke or Yeats, Valery (1871-1945) would remain "for posterity the representative poet of the first half of the 20th century." His influence on other poets is well-documented, among them John Ashbery, Wallace Stevens, and J.D. McClatchy. Yet, "The Young Fate," widely considered one of the more important poems in the last 100 years, is little known in the MD 0 Balbo, Ned Literature Baltimore 2017 $12,500 U.S., in part because the best existing English translation is difficult to obtain, and the best American versions are outdated. Originally published in 1917, it presents a young woman standing outside on a starry night, overlooking the ocean, contemplating her connection to time, death, and the natural world. This retranslation will come in time to celebrate the poem's centennial, and will include an introduction, notes, and a brief biography of Valery. MD 0 Dickinson, Elizabeth Literature Baltimore N/A 2018 $25,000 To support the retranslation of Latin and Greek lyric poetry from the 7th century B.C.E. to the 1st century C.E. in one comprehensive anthology. Featuring between 25 and 50 master poets from Archilochus to Martial—including well-known classical poets such as Sappho, Ovid, and Horace—this 448-page anthology of lyric poetry will offer a multiplicity of voices and personalities from different times and places (epic poetry, by MD 0 Childers, Christopher Literature Baltimore 2018 $12,500 contrast, is more objective, panoramic, and mythical). -
Kyle Tata Kyle Tata
[email protected] www.kyletata.us KYLE TATA 443-854-6585 Kyle Tata (b.1990, Baltimore,MD) lives and works in Los Angeles, CA SELECTED SOLO AND TWO PERSON EXHIBITIONS 2017 Secure Patterns, Hamiltonian Gallery, Washington, DC 2016 Asleep in The Factory, Hamiltonian Gallery, Washington, DC 2014 Tenebris: Kyle Tata & James Bouché, Spudnik Press & Gallery, Chicago,IL 2013 Assembly Affect, Current Gallery, Baltimore,MD SELECTED GROUP EXHIBITIONS 2018 VoltaNY, solo representation by Hamiltonian Gallery, New York, NY Walter and Janet Sondheim Artscape Prize Finalists Exhibtion, Walters Art Museum, Baltimore,MD (Juried by Nat Trotman , Clifford Owens, Artist, Ruba Katrib, Curator MOMA PS1) 2017 It’s Still All Up to You, Hamiltonian Gallery, Washington, DC (Curated by Will Hutnick & Eve Biddle, Wassiac, Project Residency) 2016 Inaugural Exhibition, Gallery 79, Washington, DC Fellows Converge, Hamiltonian Gallery, Washington, DC (curated by Camilo Alverez, Samson Projects) Material/Reference, Towson University, Baltimore, MD (curated by Alex Ebstein, Resort Baltimore) Ballroom Presents, Ballroom Gallery, Baltimore,MD Proximity, Area 405, Baltimore, MD (Curated by Sarah Tanguy, Art in Embassies curator) 21st Marquee Ball exhibition, Creative Alliance, Baltimore, MD 2015 Aqua Art Miami, Aqua Hotel, Miami, FL New.Now, Hamiltonian Gallery, Washington, DC 2014 Baltimore Cross Contemporary, Silvermine Arts Center, New Canaan, CT (Curated by Ginevra Shay) Walter & Janet Sondheim Artscape Prize Finalists’ Exhibition, Walters Art Museum, Baltimore,MD -
Headliners Include TLC, Toots & the Maytals, ZZ Ward, and Garth Fagan
FOR IMMEDIATE RELEASE For media inquiries only, July 17, 2018 contact: Tracy Baskerville Dionne McConkey 410-752-8632 Artscape, America’s Largest Free Arts Festival, Returns July 20-22, 2018 Headliners Include TLC, Toots & The Maytals, ZZ Ward, and Garth Fagan Dance The Baltimore Office of Promotion & The Arts announces the details for the 37th annual Artscape, America’s largest free arts festival. Artscape returns Friday, July 20 through Sunday, July 22, 2018 to Mount Royal Avenue and North Charles Street in Baltimore, MD. Artscape is open from 11am to 9pm on Friday and Saturday and 11am to 7pm on Sunday, with Artscape After Hours taking place Friday and Saturday from 9 to 11pm. In recent years, Artscape organizers have applied an overarching theme, relevant to both the arts and Baltimore City, into the festival’s creative thinking. In 2018, Artscape is going back to the basics...ART! For “the year of no theme,” Artscape encourages artists and festivalgoers to embrace Artscape for what it is: a fully accessible, free world-class arts festival in the heart of Baltimore City. The 2018 festival is headlined by legendary girl group TLC on Friday, July 20 at 7:30pm, reggae group Toots & The Maytals Saturday, July 21 at 7:30pm and blues rock sensation ZZ Ward on Sunday, July 22 at 5:30pm. A full schedule of events can be found on www.artscape.org. New to Artscape this year is Youth Day, taking place on the festival’s opening day, Friday, July 20. On Youth Day, Artscape features a variety of performances and visual art by Baltimore youth artists, makers and performers at indoor and outdoor venues. -
Second Place 2010 Abell Award in Urban Policy
Second Place 2010 Abell Award in Urban Policy MARYLAND ARTS AND ENTERTAINMENT DISTRICTS: A PROCESS EVALUATION AND CASE STUDY OF BALTIMORE Cailin McGough Paul Messino Johns Hopkins University Institute for Policy Studies Masters in Public Policy Program The Abell Award in Urban Policy is presented annually to the student who writes the most compelling paper on a pressing problem facing the City of Baltimore and feasible strategies for addressing it. This award is co-sponsored by The Abell Foundation and the Johns Hopkins Institute for Policy Studies. Acknowledgments This research grew from the prior analysis we conducted as part of the 2008 Fall Baltimore Policy Project at John Hopkins University’s Institute for Policy Studies. We gathered subsequent interviews, observation and research for this paper through May 2010. We would like to thank Dr. Sandra Newman for the impetus to investigate the revitalization taking place in Station North and for her continued support. In addition, Dr. Curtis Ventriss provided insight that guided our research and Bonnie Wittstadt of John Hopkins University’s Milton S. Eisenhower Library aided us in the creation of A&E district maps. We would also like to thank David Bielenberg of Station North Arts and Entertainment Inc., Chris Ryer and Hillary Chester of Southeast Community Development Corporation, and all of the artists, residents, business owners and other stakeholders in Baltimore’s A&E districts who contributed to this report. Pamela Dunne of the Maryland State Arts Council and Jesse Rye of the National Assembly of State Arts Agencies provided valuable background information. We want to emphasize that this analysis is not meant to evaluate the program's impact or assess district "success." Rather, our scope is limited to the design of tax credits and the extent to which they are being used, with findings based on available data and interviews focusing on Baltimore's districts. -
Carolyn Case Lives and Works in Baltimore, MD
Carolyn Case Lives and works in Baltimore, MD. Education 1997 Maryland Institute College of Art, MFA, Baltimore, MD 1994 California State University, BFA, Long Beach, CA Solo Exhibitions 2021 Reynolds Gallery, “Test Kitchen”, Richmond, VA 2020 Asya Geisberg Gallery, “Before It Sinks In”, New York, NY 2019 Lux Art Institute, Encinitas, CA 2019 Western Michigan University, “Second Thoughts”, Kalamazoo, MI 2017 Asya Geisberg Gallery, “Homemade Tattoo”, New York, NY 2015 Asya Geisberg Gallery, “Heat and Dust”, New York, NY Maryland Institute College of Art, “Carolyn Case”, Baltimore, MD 2012 Loyola University, “Altered States”, Baltimore, MD 2011 McLean Projects for the Arts, “Accidentally On Purpose”, Washington, D.C. 2010 The Art Registry, “Travels”, Washington, D.C. 2005 School 33, “Carolyn Case”, Baltimore, MD 2004 The Arts Club of Washington, “Carolyn Case”, Washington, D.C. 2002 Maryland Art Place, “Just Paint”, Baltimore, MD Group Exhibitions 2019 Maryland Art Place, “Maryland State Artist Registry Exhibition”, Baltimore, MD School 33, “40th Anniversary Exhibition”, Baltimore, MD United States Embassy, “Art in Embassies”, curated by Camille Benton, Managua, Nicaragua 2018 BWI Airport, “People & Places”, Baltimore, MD Maryland Institute College of Art, “MICA Sabbatical Exhibition”, Baltimore, MD 2017 Walters Art Museum, Maryland Institute College of Art, “Sondheim Artscape Prize Semi-Finalist Exhibition”, Baltimore, MD 2016 Decker and Meyerhoff Galleries, MICA, “Sondheim Artscape Prize Semi-Finalist Exhibition”, Baltimore, MD Sindikit Gallery, “Sindikit #3”, curated by Zoe Charlton and Tim Doud, Baltimore, MD 2015 Maryland Institute College of Art, “Juried Faculty Exhibition”, curated by Barry Schwabsky, Baltimore, MD 2014 The Parlour Bushwick, “Show #12”, New York, NY Heurich Gallery, Washington, D.C. -
Baltimore City, Maryland
Brief Economic Facts BALTIMORE CITY, MARYLAND New Yo rk Baltimore is centrally located in the Mid-Atlantic region with easy access via Washington, DC highways, port, rail and air travel, which Baltimore makes the city highly attractive to both residents and businesses. Baltimore has six key industry sectors that present Washington, DC further growth opportunities – financial and professional services, health and Baltimore City is located 39 bioscience technology, culture and tour- miles north of the U.S. capital, ism, information and creative services, Washington, D.C., and 97 miles logistics, and advanced manufacturing. south of Philadelphia. Approximately 2.8 million people live in Baltimore and its surrounding region. Major businesses located in the city include Under Armour, business and industrial parks. Baltimore is home to 12 colleges Pandora Americas, Legg Mason, Exelon and Morgan Stanley. and universities, providing an abundance of intellectual and The City’s private sector industries generate $36.7 billion in workforce talent. economic output. The Port of Baltimore and Foreign-Trade Zone #74 (FTZ) are More than 60 federal agencies and research labs are within 30 also significant economic engines for the region. The Port of miles, bringing substantial federal spending and jobs to the city. Baltimore is the number one roll-on/roll-off port in the U.S., Johns Hopkins University and Hospital is the largest recipient and FTZ #74 is a non-contiguous duty free area with more than of federal academic research dollars. The City has two state- 1,200 acres. These assets provide great benefits for conducting of-the-art biotechnology parks, as well as numerous other business globally. -
The Johns Hopkins University
[eJ Na department THE JOHNS HOPKINS UNIVERSITY CAROL HYMAN The John Hopkins University Baltimore, MD 21218 OHN HOPKIN UNIVERSITY, John Hopkins Uni J versity, John's Hopkins University, The Johns Hopkins University. Never has a university's name produced so many variations. In brief, Johns was the founder's mother's maiden name, and unfortunately for him, he inherited a last name for a first name. Despite the frequent misspellings and confusion, The Johns Hopkins University has a long and presti Maryland Hall photo by Alan Bearden gious history. Founded in 1876, Hopkins established itself as the first true American university on the European model; a graduate institution in which School of Advanced International Studies in Washing knowledge would be created as well as taught. As ton, DC, with centers for foreign studies in Bologna, early as 1913 engineering became an integral part of Italy, and Nanjing, China; the Peabody Institute, one this university, creating the foundation for what of the leading music schools in the United States, lo would later become the G.W.C. Whiting School of En cated in downtown Baltimore; and the Applied gineering. Physics Laboratory in Columbia, Maryland, a scien The Schools of Engineering, Continuing Studies, tific and engineering research facility. and Arts and Sciences, and the Space Telescope Insti tute are located on the Homewood campus in north BALTIMORE Baltimore on a 140-acre wooded campus in a residen tial area. The campus was originally the Homewood The Hopkins community shares in the exciting, na estate, built for Charles Carroll, Jr., son of a signer tionally recognized, urban renaissance of Baltimore. -
7/3/2018 Baltimore School for the Arts Joins Artscape 2018
FOR IMMEDIATE RELEASE: July 3, 2018 Media Contact: Stephanie Jayakanthan Baltimore School for the Arts [email protected] (c) 520.233.3947 Baltimore School for the Arts Joins Artscape 2018 BSA screens four student films and joins Artscape’s ‘How-To Exhibition’ BALTIMORE, MARYLAND – Baltimore School for the Arts (BSA) will participate in two Artscape 2018 programs: Its new film department will screen four films as part of Youth Day at the SNF Parkway Theatre, and a group of students across departments will be included in the How-To Exhibition in MICA’s Pinkard Gallery. The films will be screened Friday, July 20, from 3 to 5 p.m., and the exhibition will be on view from Friday, July 20, to Sunday, August 5, with an opening reception from 6 to 9 p.m. on Thursday, July 19. “Artscape is an important event for the arts community, and we’re excited to share some of our creative curiosity with the patrons and participants of the festival,” said Pat Galluzzo, director of creative technology. “For some time, our faculty, students, and alumni have participated in Artscape and fortuitously Artscape 2018 had additional opportunities for our community to exhibit some of the artistic collaborations we are exploring here at Baltimore School for the Arts.” The following films will be screened at the SNF Parkway: Somerville, a music video featuring an original song by recent BSA graduate Julien Chang; Zymarika, a bone-chilling thriller about noodles; a narrative short titled Weird as Hell; and How to Make a Taco, about the history of the taco. -
The Walters Art Museum Year in Review July 1, 2013–June 30, 2014
THE Walters ArT MUSEUM YEAR IN REVIEW JULY 1, 2013–June 30, 2014 CONTENTS LETTER FROM THE 50 Walters Women's Committee EXECUTIVE DIRECTOR 5 50th Anniversary Gift Donors 52 Recognition Gifts DEPUTY DIRECTORS' REPORTS 7 53 Endowment Gifts and Pledges 54 Named Endowment Funds EXHIBITIONS 13 13 Special Exhibitions VOLUNTEERS 57 14 Focus Exhibitions 57 Corporate Task Force 15 Off-Site Exhibitions 57 Planned Giving Advisory Council 16 Lenders to Walters Exhibitions 57 Walters Enthusiasts Steering Committee 16 Walters Loans to Exhibitions 57 William T. Walters Association 58 The Women's Committee ACQUISITIONS 19 59 Docents 19 Bequests 60 Interns 19 Gifts 60 Volunteers 23 Museum Purchases STAFF 63 STAFF RESEARCH 25 63 Executive Director's Office 25 Publications 63 Art and Program 26 Staff Research and 64 Museum Advancement Professional Activities 64 Administration and Operations DONORS 33 BOARD OF TRUSTEES 67 33 Government 33 Individual and Foundation Donors FINANCIAL STATEMENTS 69 43 Legacy Society 44 Gifts to the Annual Giving Campaign 46 Corporate Supporters 46 Matching Gift Partners 46 Special Project Support 47 Gala 2013 49 Gala 2013 Party 50 Art Blooms 2014 THE Walters ArT MUSEUM: YEAR IN REVIEW 2013–2014 3 Letter froM THE EXECUTIVE DIRECTOR This annual report represents the first full year of my than 69,000 students in the museum, to the increase tenure as the Executive Director of this great Museum. in numbers of objects available to global audiences on What an incredible privilege it has been to be among our Works of Art website. you, a community of people who care deeply about In this report you will notice the reorganization the Walters and who ardently believe that art muse- that I undertook in April 2014 in order to create cross- ums have a role in transforming society.