Effects of the Relationship Between the Brown Berets and Law Enforcement
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UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Composing a Chican@ Rhetorical Tradition: Pleito Rhetorics and the Decolonial Uses of Technologies for Self-Determination Permalink https://escholarship.org/uc/item/52c322dm Author Serna, Elias Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Composing a Chican@ Rhetorical Tradition: Pleito Rhetorics and the Decolonial Uses of Technologies for Self-Determination A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Elias Serna June 2017 Dissertation Committee: Dr. Vorris L. Nunley, Chairperson Dr. Keith Harris Dr. Dylan E. Rodriguez Dr. James Tobias Copyright by Elias Serna 2017 The Dissertation of Elias Serna is approved: Committee Chairperson University of California, Riverside Acknowledgements I would like to express my sincere gratitude to my chair Dr. Vorris Nunley for the mentorship, inspiration and guidance navigating the seas of rhetoric and getting through this project. I would also like to thank Dr. Tiffany Ann Lopez for her work getting me started on the path to doctoral studies. An excellent group of professors instructed and inspired me along the way including Dylan Rodriguez, James Tobias, Keith Harris, Jennifer Doyle, Susan Zieger, Devra Weber, Juan Felipe Herrera and many others. The English department advisors were loving and indispensable, especially Tina Feldman, Linda Nellany and Perla Fabelo. Rhetoric, English and Ethnic Studies scholars from off campus including Damian Baca, Jaime Armin Mejia, Rudy Acuña, Juan Gomez- Quiñonez, Irene Vasquez, Martha Gonzales, Anna Sandoval, George Lipsitz, Cristina Devereaux Ramirez, Laura Perez, Reynaldo Macias, Aja Martinez, Iriz Ruiz, Cruz Medina and many others inspired me through their scholarship, friendship and consejo. -
Selected Films of Interest for Chicana/O and Latino Studies in the SDSU Library Media Center
Selected Films of Interest for Chicana/o and Latino Studies In the SDSU Library Media Center Check the library catalog (the PAC) for complete information and availability of individual films. Adelante, Mujeres! National Women's History Project, 1992. "Focuses on the history of Mexican-American/Chicana women. The major themes, organizations and personalities are introduced chronologically in a tribute to the strengths and resilience of women at the center of their families, as activists in their communities and as contributors to American history." VTC-245 The American Experience : Zoot Suit Riots. Boston, Mass. : WGBH Educational Foundation : PBS Home Video, 2002. VTC-1904 Barrio Logan : Youth Voices, Community Stories. Media Arts Center San Diego, 2006 "… a storytelling project that helps sustain, support, celebrate and maintain community identity and pride in an area that is widely regarded as a center for Latino civic engagement. This project is a partnership between the City of San Diego Public Library and Media Arts Center San Diego.” DVD-2667 Bettina Gray Speaks with Luis Valdez. Films for the Humanities & Sciences, 1993. VTC-686 Beyond the Border = más allá de la frontera. Dos Vatos Production, 2001. “… with tenderness and beauty, follows the immigrant experience with Marcelo Ayala, who leaves his family on a risky journey to the United States. Beyond the Border rounds out the immigration's effect on family in Marcelo's home town of Michoacan, Mexico.” VTC-2085 Bilingualism : A True Advantage. Films for the Humanities & Sciences, 1994 “The first segment focuses on the bilingual education program at San Antonio's De Zavala Elementary school. -
William A. Calvo-Quirós, P H.D
WILLIAM A. CALVO-QUIRÓS, PH.D. DEPARTMENT OF AMERICAN CULTURE UNIVERSITY OF MICHIGAN 3642 Haven Hall, 505 S. State Street Ann Arbor, MI 48109-1045 (734) 647-3341 | [email protected] | www.barriology.com RESEARCH & TEACHING AREAS ! American Studies ! Design, Space and Aesthetics Studies ! Material Cultural and Consumption Studies ! Speculative Fiction Studies ! Urban Planning and Product Development ! Ethnography Research and Theory ! Comparative Race and Ethnic Studies ! Borderland Studies ! Latina/o Folklore ! Chicana/o Latino Spirituality ! Chicana/o Latina/o Gender, Sexuality and Queer Studies ! Decolonial Methods and Theory. EDUCATION 2014 - 2015 Postdoctoral Fellow/Visiting Scholar The Department of American Culture, and National Center for Institutional Diversity (NCID) University of Michigan, Ann Arbor, MI 2014 Ph.D. Chicana and Chicano Studies Concentrations: Aesthetics and Cultural Studies, Critical Race Theory, Gender and Sexuality Title: “Monsters of Late Capitalism Along the U.S.-Mexico Border: Legends, Epistemologies and the Politics of Imagination.” Dissertation Members: Maria Herrera-Sobek (co-chair), Francisco Lomelí (co-chair), George Lipsitz, Guisela LaTorre. University of California, Santa Barbara, CA. 2011 Ph.D., Design, Environment, and the Arts - Industrial Design Concentrations: History, Methodology, and Criticism Title: “Lowriders: Cruising the Color Line, Chromophobia, Chromo-Eugenics, and the Politics of Taste” Dissertation Members: Jacques Giard, Prasad Boradkar, and David William Foster Arizona State University, Tempe, AZ. 2009 M.A., Chicana and Chicano Studies Concentrations: Borderlands Theory; Aesthetics & Cultural Studies “Low ’n Slow: Navigating Chicana/o Vernacular Knowledge” University of California, Santa Barbara, CA. 2003 M.S.D., Industrial Design Concentration: History, Methodology, and Criticism “Lowriders: Storytellers of the Unique Chicana/o Experience” College of Architecture and Environmental Design Arizona State University, Phoenix, AZ. -
Centro Cultural De La Raza Archives CEMA 12
http://oac.cdlib.org/findaid/ark:/13030/kt3j49q99g Online items available Guide to the Centro Cultural de la Raza Archives CEMA 12 Finding aid prepared by Project director Sal Güereña, principle processor Michelle Wilder, assistant processors Susana Castillo and Alexander Hauschild June, 2006. Collection was processed with support from the University of California Institute for Mexico and the United States (UC MEXUS). Updated 2011 by Callie Bowdish and Clarence M. Chan University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Santa Barbara, California, 93106-9010 (805) 893-8563 [email protected] © 2006 Guide to the Centro Cultural de la CEMA 12 1 Raza Archives CEMA 12 Title: Centro Cultural de la Raza Archives Identifier/Call Number: CEMA 12 Contributing Institution: University of California, Santa Barbara, Davidson Library, Department of Special Collections, California Ethnic and Multicultural Archives Language of Material: English Physical Description: 83.0 linear feet(153 document boxes, 5 oversize boxes, 13 slide albums, 229 posters, and 975 online items)Online items available Date (inclusive): 1970-1999 Abstract: Slides and other materials relating to the San Diego artists' collective, co-founded in 1970 by Chicano poet Alurista and artist Victor Ochoa. Known as a center of indigenismo (indigenism) during the Aztlán phase of Chicano art in the early 1970s. (CEMA 12). Physical location: All processed material is located in Del Norte and any uncataloged material (silk screens) is stored in map drawers in CEMA. General Physical Description note: (153 document boxes and 5 oversize boxes).Online items available creator: Centro Cultural de la Raza http://content.cdlib.org/search?style=oac-img&sort=title&relation=ark:/13030/kt3j49q99g Access Restrictions None. -
1 Mario T. García and Sal Castro. Blowout!
49th Parallel, Vol. 29 (Summer 2012) McNamara ISSN: 1753-5794 (online) Mario T. García and Sal Castro. Blowout!: Sal Castro & the Chicano Struggle for Education. UNC (University of North Carolina) Press, 2011. 384pp. Niamh Mc Namara* University College Cork The publication of Blowout! Sal Castro & the Chicano Struggle for Educational Justice arrives at a critical juncture for those interested in the U.S. education and political systems. While the text deals with events concentrated in the late 20th century, Blowout! provides historical context to issues pertinent to the contemporary relationship between politics and education in North America. Inequities regarding teaching salaries and resources combined with student drop out rates and disciplinary actions are, today as then, frequently aligned with issues of race and ethnicity. In recent years the media has intensified its focus on the topic of education, especially in relation to Latino and black students. The attempt to introduce the DREAM Act through Congress has underscored the indelible links between immigration and education in the U.S. in regard to Latino students.† With community and political pressure in border states such as Arizona, Texas, and California, politicians are using their stances on educational issues to reflect or reinforce their position on illegal immigration.‡ The closures of Chicano/a Studies in secondary level education, and the media concentration on immigration issues pertaining to the U.S.–Mexico border, has * Niamh Mc Namara is a PhD Candidate at University College Cork where she studies Chicana/o Literature. She can be contacted at [email protected] † The DREAM Act (Development, Relief and Education of Alien Minors Act) is a bipartisan legislation that attempts to provide an avenue for the children of undocumented immigrants to attain full U.S. -
The Chicano Movement in Houston and Texas: a Personal Memory
The Chicano Movement in Houston and Texas: A Personal Memory by Carlos Calbillo c/s 116th Annual Meeting The four major themes of “Chicanismo” are generally considered to be: (1) the power of the March 1–3, 2012 creative earth and labor upon it; (2) political transformation through collective efforts; Become a TSHA (3) strong familial ties extending back into Mesoamerican pre-history; and (4) spiritually- Member and Omni Houston Hotel influenced creative artistic imagination as reflected in the visual ARTS. Receive FREE Keynote Address: Civil Rights in Texas ell, what a long and strange trip it was, or should I say, and white ministers, priests, a rabbi or two in attendance, I Whas been. Carlos Guerra is gone, Lupe Youngblood became curious to see if I could find any Latinos in the large Registration* by Darlene Clark Hine, Ph.D., Northwestern University is gone, Poncho Ruiz, El Tigre, Ernie Valdés. And Mateo crowd. To my surprise, I found only one, other than me. Vega, if not gone, is certainly missing in action or something I walked up to him after the march and introduced like that. These names are some of the brothers; there were myself to Leonel J. Castillo. He would eventually become also sisters that I worked with in the movement beginning the first Latino in Houston elected to city-wide office as city in, for me, April 1968. controller. Subsequently, he became the first Latino com- Sessions Speakers Exhibitors The Chicano movement of the 1960s and 1970s was es- missioner of the Immigration and Naturalization Service, sentially a grassroots community insurrection and rebellion appointed by President Jimmy Carter. -
Chicano Youth Leadership Conference: Speaking Legacies of Leadership Into the Future
Chicano Youth Leadership Conference: Speaking Legacies of Leadership into the Future By Jasmin Temblador Capstone Reflection Paper Master of Arts in Cultural Sustainability Goucher College May 2019 Capstone Committee: Selina Morales, Advisor Linda Shopes, Reader Xochitl Chavez, Outside Reader 1 Official slogan of the Sal Castro Foundation. Photo Taken by Jasmin Temblador 2 Introduction In this reflection paper, I use the method of oral history to explore leadership through the Chicano Youth leadership conference (CYLC) over fifty-years. For this final capstone project, I have interviewed Charlotte Lerchenmuller, president of the Sal Castro Foundation, and Paula Crisostomo, board member of the Sal Castro foundation, and former conference attendee and student activist. I selected Paula and Charlotte because they are elders who hold leadership roles in the conference, and both have been longtime volunteers. The purpose of this project is to ensure that the narratives of elders within the conference are heard, seen, and recognized as a vital contribution to the sustainability of the conference, and to continue to empower future generations of Chicano/a youth. Through the oral history recordings, future generations of Chicano/a and Latino/a people will have access to learn about the experiences of people like Charlotte and Paula who have made incredible contributions to the CYLC over time. In this paper, I will introduce a brief history of the conference and the 1968 student walkouts, my personal narrative as a volunteer with the conference and how it inspired me to conduct this capstone. Finally, I will introduce the method of oral history, my process for completing the interviews for this project, and an analysis and interpretation of the interviews. -
Sal-Castro-Conference-Program-011420-1338.Pdf
February 28–29 2020 free and open to public Sponsors Office of the Chancellor | Office of the Vice Chancellor for Academic Affairs | Office of the Dean of Social Sciences | Chicano Studies Institute | Office of the Graduate Dean | Interdisciplinary Humanities Center | Department of Chicana and Chicano Studies | Equal Opportunity & Discrimination | Educational Opportunity Program | Luis Leal Endowed Chair | Las Maestras 5th Bi-Annual Center | Department of History | Latin America & Iberian Studies Chicano Studies Institute Sal Castro University of California Santa Barbara Memorial Santa Barbara, CA 93106–3130 Conference on the Mario T. Garcia Emerging Historiography [email protected] of the Chicano Movement Design and production: Monica G. Pessino, Ocean o’ Graphics, UC Santa Barbara 5th Bi-Annual McCune Room, Interdisciplinary Sal Castro Memorial Conference Humanities Center, 6020 on the Emerging Historiography of the Chicano Movement Humanities & Social Science Bldg. Friday, February 28 Saturday, February 29 8:30–9 AM 12:15–2:15 PM Lunch 9–10:45 AM 3:30–5:30 PM Opening Remarks by Mario T. García, Department of Panel #3 Panel #5 2:30–4:15 PM Chicana and Chicano Studies, UC Santa Barbara Andrea Johnson, Cal St. Univ., Dominguez Hills, César Summer Cherland, South Mountain Community Welcoming Remarks by Charles R. Hale, SAGE Sara Miller Panel #1 Chávez and the California Migrant Ministry College, Freedom Schools: Movement for Educational McCune Dean of Social Sciences, and Ralph Armbruster- Annemarie Pérez, Cal St. Univ., Dominguez Hills, David Flores, UCLA, Religion and the Chicano Equality in Denver, 1966-1994 Elizabeth Sutherland’s [Betita Martínez] Chicana Sandoval, Chair, Department of Chicana and Chicanos Movement Jaime Alanís, Calif. -
Reclaiming the Rhetoric of Reies Lo´ Pez Tijerina: Border Identity and Agency in ‘‘The Land Grant Question’’ Josue David Cisneros
Communication Quarterly Vol. 60, No. 5, November–December 2012, pp. 561–587 Reclaiming the Rhetoric of Reies Lo´ pez Tijerina: Border Identity and Agency in ‘‘The Land Grant Question’’ Josue David Cisneros Chicano activist Reies Tijerina’s speech known as ‘‘The Land Grant Question’’ provides a point of analysis in this article for assessing contradictory understandings of Tijerina and his movement, La Alianza Federal de Mercedes. The author explores how in both its rhetorical content and form, Tijerina’s speech navigated and negotiated identity and agency for the Alianza and Mexican Americans. The speech represents border rhetoric, a type of vernacular discourse that migrates across borders, sustains contradictions, and crafts a middle space. Reclaiming Tijerina’s rhetoric extends Chicano movement studies, illuminates notions of rhetorical agency, and highlights a rhetorically-inflected notion of the border. Keywords: Agency; Border Rhetoric; Chicano; Public Address; Reies Lo´pez Tijerina; Social Movement; Vernacular It probably should go without saying that there has been a dearth of scholarship on Chicana=o movement rhetoric relative to that of other freedom struggles of the 1960s and 1970s. Though previous studies traced the movements’ rhetorical contexts and prominent rhetorical themes (Hammerback & Jensen, 1998; Hammerback, Jensen, & Gutierrez, 1985; Jensen & Hammerback, 1982), Holling (2008) astutely observed that past research has largely ‘‘missed [the] opportunity in pushing forward Josue David Cisneros (Ph.D., University of Georgia, 2009) is an assistant professor in the Department of Communication Studies at Northeastern University. This article was adapted from a larger chapter of the author’s dissertation completed under the direction of Dr. Vanessa B. -
Chicana Brown Berets in East Los Angeles, 1967-1970
Essays “Revolutionary Sisters”: Women’s Solidarity and Collective Identification among Chicana Brown Berets in East Los Angeles, 1967-1970 Dionne Espinoza ABSTRACT:I examine women’s participation in the East Los Angeles chapter of the Brown Berets in order to unpack the dynamics ofwomen’s inclusion and exclusion in an organization proclaiming a commitment to liberatory social change. I argue that the organization’s structure and ideology, which originally appeared to support participatory democracy- albeit in tension withparamilitary procedures and selfrepresentations- progressively devolved into the segregation and subordination of women participants. This structuring of gender inequality, and the self- representations and behaviors that supported it, created the conditions for womenBerets to recognize each other as hermanas en la lucha who could organize on their own terms. Chicana Brown Berets’ gender consciousness and woman-identified solidarity enabled them to break with the organization and develop a new political identity that implied a linked, but autonomous, relationship to the Chicano movement as well as a feminist reconstruction of la familia as based in women’s community. In late February 1970 a letter was sent to “Aron Mangancilla, Minister of Education for the Brown Berets,” explaining that the minister of correspondence and finance for the East Los Angeles chapter, Gloria Arellanes, had resigned. The letter stated, “There has been a great exclusion on behalf of the male segment and failure of the ministers to communicate with us, among many, many other things.” It went on to de- clare that “ALL Brown Beret women” were leaving because they had been treated as “nothings, not as “Revolutionary Aztldn 26: 1 Spring 200 1 17 Espinoza sisters.”’ Signing the letter “Con Che!”, the authors implied that their leaving was a revolutionary act of self-determination. -
Chicano Nationalism: the Brown Berets
CHICANO NATIONALISM: THE BROWN BERETS AND LEGAL SOCIAL CONTROL By JENNIFER G. CORREA Bachelor of Science in Criminology Texas A&M University Kingsville, TX 2004 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE July 2006 CHICANO NATIONALISM: THE BROWN BERETS AND LEGAL SOCIAL CONTROL Thesis Approved: Dr. Thomas Shriver Thesis Adviser Dr. Gary Webb Dr. Stephen Perkins Dr. A. Gordon Emslie Dean of the Graduate College ii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 II. REVIEW OF LITERATURE ………………………………………………………7 Informants and Agent Provocateurs .........................................................................8 Surveillance, Dossiers, Mail Openings, and Surreptitious Entries ……………….14 Violent Strategies and Tactics ……………………………………………………20 III. METHOD OLOGY……………………………………………………………….29 Document Analysis ................................................................................................30 Telephone Interviews .............................................................................................32 Historical Analysis .................................................................................................34 IV. FINDINGS .............................................................................................................36 Mexican -American History ...................................................................................36 -
CRN 18036 / Chicano Cinema 3302
Fall 2017 (August 28, 2017 – October 20, 2017) CHICANO CINEMA 100% Online Course (CHIC 3302 - 008 CRN 18036) Syllabus 3 credits The University of Texas At El Paso Chicano Studies Program 500 W. University Ave. Graham Hall #104 El Paso, Texas 79968 Course Instructor: Elvira Carrizal-Dukes Office Hours: Contact via Blackboard Mailbox: Chicano Studies Office, GRAH 104 CS Phone: 915-747-5462 Fax: 915-747-6501 E-mail: Contact me only through Blackboard Course Messages If you prefer to speak with me by telephone, contact me through Blackboard Course Messages to set up a telephone appointment. Content Introduction Chicano Cinema is designed to provide students with an overview of Chicano cinema history and the skills necessary to analyze and critique cinema. Students will learn about Chicano cinema theory, aesthetics, genres, and basic cinema criticism. Students will analyze cinema through an examination of story, directing, acting, scenes, and producing to allow students to view cinema critically, to develop a systematic and convincing interpretation of the films they watch, and to acquire the ability to analyze cinema in well-constructed and persuasive essays. Course Objective Chicano Cinema is designed to assist you in learning the aesthetic and technical fundamentals of Chicano cinema arts through lectures, readings, screenings, discussions and assignments. This class provides opportunities for you to develop your skills in writing about and discussing films through semiotics. Course Description Chicano Cinema is an examination of the American film industry with respect to the Chicano’s role, historically and culturally, in the genre. A series of films, including Hollywood commercial and Chicano made films, will be screened, as part of an analysis of Chicano images and their impact on American popular culture.