Pat Metheny Group Unity Village Mp3, Flac, Wma

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Pat Metheny Group Unity Village mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Unity Village Country: Germany Style: Fusion, Contemporary Jazz MP3 version RAR size: 1322 mb FLAC version RAR size: 1688 mb WMA version RAR size: 1904 mb Rating: 4.6 Votes: 460 Other Formats: AU DTS DXD AA MP2 AC3 AHX Tracklist Hide Credits Phase Dance 1 7:48 Composed By – Mays*, Metheny* Missouri 2 7:23 Composed By – Metheny* Unity Village 3 6:34 Composed By – Metheny* Guitar Solo 4 5:05 Composed By – Metheny* The Epic 5 17:46 Composed By – Mays*, Metheny* Jaco 6 5:04 Composed By – Metheny* American Garage 7 4:11 Composed By – Mays*, Metheny* Companies, etc. Phonographic Copyright (p) – ITM-Media Copyright (c) – ITM-Media Credits Bass [Fender Precision Fretless Bass] – Mark Egan Drums – Dan Gottlieb* Guitar [Gibson ES 175 ( 1958 ), Guild On - 40c With Bill Lawrence Pick - Up] – Pat Metheny Photography By [Front Cover] – Wolf Birke Piano [Steinway Piano], Synthesizer [Oberheim Modular 4 Voices], Autoharp, Organ [Yamaha YC - 20 Electric Organ], Electric Piano [Yamaha CP - 30 Electric Piano] – Lyle Mays Notes Total Time: 53:53 Recorded live June 1979, U.S.A. ℗ + © 1993 by ITM-Media Issued in standard jewel case, black tray, with a 4-page booklet. Originally released as Pat Metheny Group - Live On Tour Barcode and Other Identifiers Barcode (Text): 4 011778 600459 Barcode (Scanned): 4011778600459 Rights Society: GEMA Other (Mould inner ring): 535007309274 R5 SPARS Code (On label): AAD SPARS Code (On back cover): ADD Other versions Category Artist Title (Format) Label Category Country Year Pat Metheny Live On Tour (LP, Warner Bros. WBMS 106 WBMS 106 US 1979 Group Promo) Records Pat Metheny Unity Village (CD, Jazz Door, Jazz JD 1246, 1246 JD 1246, 1246 Germany 1993 Group Unofficial) Door Pat Metheny Unity Village (CD, Jazz Door, Jazz JD 1246, 1246 JD 1246, 1246 Germany 1993 Group Unofficial) Door Related Music albums to Unity Village by Pat Metheny Group Pat Metheny - American Garage Cuong Vu Trio Meets Pat Metheny - Cuong Vu Trio Meets Pat Metheny Pat Metheny Group - Pat Metheny Group Pat Metheny - Pat Metheny Group - Imaginary Day Pat Metheny & Lyle Mays - As Falls Wichita, So Falls Wichita Falls Pat Metheny Group - Offramp Pat Metheny Group - "Quartet".

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Pat Metheny 80/81 Mp3, Flac, Wma
Pat Metheny 80/81 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: 80/81 Country: Japan Released: 1980 Style: Post Bop, Contemporary Jazz MP3 version RAR size: 1322 mb FLAC version RAR size: 1569 mb WMA version RAR size: 1314 mb Rating: 4.4 Votes: 404 Other Formats: AU RA MP1 MIDI AHX MOD MMF Tracklist Hide Credits Two Folk Songs 1st 1 13:17 Composed By – Pat Metheny 2nd 2 7:31 Composed By – Charlie Haden - 80/81 3 7:28 Composed By – Pat Metheny The Bat 4 5:58 Composed By – Pat Metheny Turnaround 5 7:05 Composed By – Ornette Coleman Open 6 Composed By – Haden*, Redman*, DeJohnette*, Brecker*, Metheny*Composed 14:25 By [Final Theme] – Pat Metheny Pretty Scattered 7 6:56 Composed By – Pat Metheny Every Day (I Thank You) 8 13:16 Composed By – Pat Metheny Goin' Ahead 9 3:56 Composed By – Pat Metheny Companies, etc. Recorded At – Talent Studio Lacquer Cut At – PRS Hannover Credits Bass – Charlie Haden Design – Barbara Wojirsch Drums – Jack DeJohnette Engineer – Jan Erik Kongshaug Guitar – Pat Metheny Photography By [Back] – Dag Alveng Photography By [Inside] – Rainer Drechsler Producer – Manfred Eicher Tenor Saxophone – Dewey Redman (tracks: B1, B2, C1, C2), Mike Brecker* (tracks: A1, A2, B2, C1, C2, D1) Notes Recorded May 26-29, 1980 at Talent Studios, Oslo. An ECM Production. ℗ 1980 ECM Records GmbH. Barcode and Other Identifiers Barcode: 042281557941 Other versions Category Artist Title (Format) Label Category Country Year ECM 1180/81, 80/81 (2xLP, ECM Records, ECM 1180/81, Pat Metheny Germany 1980 2641 180 Album) ECM Records
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PROGRAM SOLITARY CONFINEMENT...CUONG VU (B. 1969)
PROGRAM ship to the New England Conservatory of Music, where he received his bachelor of music degree in Jazz Studies with a distinction in perform- ance. After moving to New York in 1994, Vu led several groups, most SOLITARY CONFINEMENT .................................... CUONG VU (b. 1969) notably his trio with Stomu Takeishi and Ted Poor, and toured exten- sively throughout the world, as well as giving clinics and master classes throughout the US and Europe. IT’S MOSTLY RESIDUAL .................................................................. VU Vu has released four recordings -- Bound (OmniTone), Pure (Knitting Factory Records), Come Play With Me (Knitting Factory Records) and VINA’S LULLABY ............................................................................. VU It's Mostly Residual (ArtistShare) -- to critical acclaim, each considered among the best recordings of their respective years. Each recording dis- MONK’S MOOD ............................... THELONIOUS MONK (1917-1982) plays how he has carved out a distinctive sonic territory on the trumpet while blurring all stylistic borders. ACCELERATED THOUGHTS .............................................................. VU His latest recording, Vu-Tet (ArtistShare), was released in mid- December 2007, featuring The Cuong Vu Trio and Chris Speed on sax I SHALL NEVER COME BACK ........................................................... VU and clarinet The recipient of numerous awards and honors, Vu was awarded the Colbert Award for Excellence: The Downtown Arts Project Emerging Artist Award. In 2002 and 2006, he received the Grammy for Best Contemporary Jazz Album as a member of the Pat Metheny Group. He was recognized as one of the top 50 young jazz artists in an article on “The New Masters” in the British magazine Classic CD, and in 2006 was named the Best International Jazz Artist by the Italian Jazz Critics’ Soci- ety.
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Musicnow CONCLUDES 2014/15 SERIES with PROGRAM FEATURING WORK by AVANT-GARDE JAZZ ARTISTS JOHN ZORN and MYRA MELFORD
FOR IMMEDIATE RELEASE: Press Contacts: May 21, 2015 Eileen Chambers, 312.294.3092 Rachelle Roe, 312.294.3090 Photos Available By Request [email protected] MusicNOW CONCLUDES 2014/15 SERIES WITH PROGRAM FEATURING WORK BY AVANT-GARDE JAZZ ARTISTS JOHN ZORN AND MYRA MELFORD Program Also Includes Works by Esa-Pekka Salonen and Chicago-based Composer Marc Mellits June 1 Concert Marks Final MusicNOW Program Curated by CSO’s Mead Composers-in-Residence Mason Bates and Anna Clyne Monday, June 1 at 7 p.m. at Harris Theater CHICAGO — The Chicago Symphony Orchestra’s (CSO) acclaimed MusicNOW series— dedicated to showcasing contemporary music through an innovative concert experience— concludes its 2014/15 season Monday, June 1, at 7 p.m. in a program led by MusicNOW principal conductor Cliff Colnot at the Harris Theater for Music and Dance in Millennium Park (205 E. Randolph Dr., Chicago). The June 1 concert marks the final MusicNOW program curated by the CSO’s Mead Composers-In-Residence Mason Bates and Anna Clyne, who have guided the vision and development for the concert series since their appointment by CSO Zell Music Director Riccardo Muti in 2010. The June 1 MusicNOW program is performed by musicians of the CSO and special guest musicians including composer, pianist and Chicago-area native Myra Melford. It features two works by Guggenheim Fellow Melford, as well as works by American avant-garde composer John Zorn, internationally-acclaimed composer/conductor Esa-Pekka Salonen and American composer Marc Mellits. The concert experience is enhanced by special visual elements created by the Chicago-based film making collective Cinema Libertad, as well as DJ sets from illmeasures before and after the concert.
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JAZZIZ-Metheny-Interviews.Pdf
Pat Metheny www.jazziz.com JAZZIZ Subscription Ad Lage.pdf 1 3/21/18 10:32 AM Pat Metheny Covered Though I was a Pat Metheny fan for nearly a decade before I special edition, so go ahead and make fun if you please). launched JAZZIZ in 1983, it was his concert, at an outdoor band In 1985, we published a cover story that included Metheny, shell on the University of Florida campus, less than a year but the feature was about the growing use of guitar synthesizers before, that got me to focus on the magazine’s mission. in jazz, and we ran a photo of John McLaughlin on the cover. As a music reviewer for several publications in the late Strike two. The first JAZZIZ cover that featured Pat ran a few ’70s and early ’80s, I was in touch with ECM, the label for years later, when he recorded Song X with Ornette Coleman. whom Metheny recorded. It was ECM that sent me the press When the time came to design the cover, only photos of Metheny credentials that allowed me to go backstage to interview alone worked, and Pat was unhappy with that because he felt Metheny after the show. By then, Metheny had recorded Ornette should have shared the spotlight. Strike three. C around 10 LPs with various instrumental lineups: solo guitar, A few years later, I commissioned Rolling Stone M duo work with Lyles Mays on the chart-topping As Wichita Fall, photographer Deborah Feingold to do a Metheny shoot for a Y So Falls Wichita Falls, trio, larger ensembles and of course his Pat cover story that would delve into his latest album at the time.
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Fall 2018 Whole Notes
Fall 2018 WholeThe magazine for friends and alumni of the UniversityNotes of Washington School of Music IN THIS ISSUE School 2 . School News News 4 . Zakir Hussain From the Director 5 . IMPFest X Stays True to Form This issue of Whole Notes PROFESSOR PATRICIA CAMPBELL JOINS ASSOCIATION FOR 7 . 20 Questions with Larry Starr highlights only a few of the 9 . Faculty News triumphs and achievements CULTURAL EQUITY BOARD 10 . Passages of our students and faculty School of Music Professor Patricia Campbell has joined the board of the Association for in the 2017-18 academic year. Cultural Equity (ACE), accepting an invitation extended by Anna Lomax Wood, anthropologist 11 . New Publications and Recordings It also pays tribute to the and daughter of musicologist Alan Lomax. 12 . New Faculty friends whose support creates “ACE is the archive (recordings and films) of Alan Lomax, John Lomax (father), and Bess 13 . Q&A with Huck Hodge opportunities for learning and Lomax Hawes (sister) that encompasses historic recordings from about 1915 to the late 15 . Ted Poor: The Blues & Otherwise discovery at the University of 1990s, a goldmine of recordings that are highly valued by musicologists, ethnomusicologists, 17 . Making Appearances Washington School of Music. folklorists, historians, and Americanists of every sort,” Campbell says. As a member of the 19 . Faculty Profile: Cristina Valdés ACE board, Campbell expects to help with the development of teaching and learning projects In this issue we shine a spotlight related to the historical study of American music, a role for which she is abundantly qualified. 21 . Charles Corey, Partch Master General on a few of our outstanding “I’ve been involved for over a decade in developing resources for teaching/learning (as have 23 .
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Bio Information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334)
Bio information: JOEL HARRISON, LORENZO FELICIATI, CUONG VU, ROY POWELL, DAN WEISS Title: HOLY ABYSS (Cuneiform Rune 334) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ “When you stare into the abyss the abyss stares back at you.” – Friedrich Nietzsche Full of foreboding and existential terror, the abyss resides in the darkest corners of the human imagination. Holy Abyss, a collaborative project between New York guitarist Joel Harrison and Italian bassist Lorenzo Feliciati, is an antidote to angst. Flowing from a deep communion between the artists, the album turns dread on its head, offering a series of expansive soundscapes full of lustrous harmonies, searching melodies and knowing interplay. Featuring trumpeter Cuong Vu, drummer Dan Weiss and Roy Powell on piano and Hammond B3 organ, the quintet reflects jazz’s increasingly international reach. Harrison and Weiss, musical comrades for many years, are New Yorkers, while longtime collaborators Feliciati and Powell hail from Rome and Oslo via the UK, respectively. Vu, who has toured and recorded with Feliciati and Powell, was born in Vietnam and is now based in Seattle, near where he grew up. The musicians are united by a passion for modern jazz unbounded by stylistic conventions. Open to sounds from around the world, they have all created music infused with electronics, odd meters, and uncommon timbres and tonal palettes. Holy Abyss opens with Harrison’s anguished ballad “Requiem for an Unknown Soldier,” which establishes the album’s elemental sensibility with its ethereal trumpet fanfare and slow burning guitar solo.
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Myra Melford and John Zorn
PROGRAM NOTES MUSICNOW: MYRA MELFORD AND JOHN ZORN Marc Mellits OCTET (2010) Duration: 14 minutes Instrumentation: String Octet Commissioned by the Syracuse Symphony Orchestra Premiered by the Syracuse Symphony Orchestra String Quartet & the Syracuse Symphony Youth Orchestra String Quartet on March 14 2010 at the John H. Mulroy Civic Center in Syracuse, New York Copyright/Publisher: Dacia Music The composer writes: “I composed my Octet during the winter of 2009-10. The majority of the music was written at the Banff Music Center, where I was invited to be an artist-in-residence in January 2010. The incredibly beautiful mountainous surroundings of the Banff Centre had a profound impact on me. My composing studio overlooked the Canadian Rockies, pristine and covered with snow and ice. The weather was brutal, with a level of cold I had never felt. This, juxtaposed with the astounding frozen beauty all around me, provided the inspiration for the music. My studio had a glorious enormous picture window that overlooked the Rockies. The music came quick and it came easy; before I knew it I had material for all four movements. The outer movements are aggressive and have the biting cold I felt, while the second and third movements reflect more of the warmth I felt inside, sharing my thoughts with a wide range of artists who were also in residence.” About the composer: Composer Marc Mellits is one of the leading American composers of his generation, enjoying hundreds of performances throughout the world every year, making him one of the most performed composers in the United States.
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LINER NOTES  Recorded Anthology of American Music, Inc
ANDY LASTER’S LESSNESS WINDOW SILVER BRIGHT 80589-2 Narrative was central to jazz even before Lester Young uttered his oft-repeated line that every solo should tell a little story. It’s been generally overlooked that such Youngian tales were told within the context of a larger framing tale—a band arrangement—making them stories within stories. Count Basie’s “Jumpin’ at the Woodside” is the framing story for a succession of interior stories, just as the fleeing of young Florentines from the plague of 1348 is the framing story of Boccaccio’s Decameron. Regardless, Young established the axiom when the plot of the story was more important than its descriptive passages. Stories had a beginning, middle, and end if they were any good. Sure, there was an onus on the storyteller to provide delicious details and tangy twists; but no flourish compensated for the lack of a moral or a punch line. Bottom line: you had a story or you didn’t; and if you didn’t, don’t bother picking up your pen or your horn. But that was several paradigm shifts ago. Now, stories are not told as much as universes are created. Literature is no longer about putting a Weltanschauung, a view of the cosmos, on the table, but just a Welt. Something of the same has happened in jazz, with composers having largely appropriated the narrative chores. Too often, however, composers and novelists are primarily focused on winding up their universes and letting them go. If the universe simply circles about or runs smack into a wall, so it is: A universe must not mean, but be.
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Extreme Matt-Itude Holidaygift Guide Ikue • Ivo • Joel • Rarenoise • Event Mori Perelman Press Records Calendar December 2013
DECEMBER 2013 - ISSUE 140 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM MATT WILSON EXTREME MATT-ITUDE HOLIDAYGIFT GUIDE IKUE • IVO • JOEL • RARENOISE • EVENT MORI PERELMAN PRESS RECORDS CALENDAR DECEMBER 2013 DAVID SANBORN FOURPLAY CLAUDIO RODITI QUARTET SUNDAY BRUNCH RESIDENCY DEC 3 - 8 DEC 10 - 15 TRIBUTE TO DIZZY GILLESPIE DEC 1, 8, 15, 22, & 29 CHRIS BOTTI ANNUAL HOLIDAY RESIDENCY INCLUDING NEW YEAR’S EVE! DEC 16 - JAN 5 JERMAINE PAUL KENDRA ROSS WINNER OF “THE VOICE” CD RELEASE DEC 2 DEC 9 LATE NIGHT GROOVE SERIES RITMOSIS DEC 6 • CAMILLE GANIER JONES DEC 7 • SIMONA MOLINARI DEC 13 • GIULIA VALLE DEC 14 VICKIE NATALE DEC 20 • RACHEL BROTMAN DEC 21 • BABA ISRAEL & DUV DEC 28 TELECHARGE.COM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm HOLIDAY EVENTS / 7:00, 9:00 & 10:30pm Fri & Sat, Dec 6 & 7 Sun, Dec 15 SMOKE JAVON JACKSON BAND GEORGE BURTON’S CHRISTMAS YULELOG Winter / Spring 2014 Javon Jackson (tenor saxophone) • Orrin Evans (piano) Thu, Dec 19 Santi DeBriano (bass) • Jason Tiemann (drums) “A NAT ‘KING’ COLE CHRISTMAS” SESSIONS Fri & Sat, Dec 13 & 14 ALAN HARRIS QUARTET BILL CHARLAP TRIO COMPACT DISC AND DOWNLOAD TITLES Bill Charlap (piano) • Peter Washington (bass) COLTRANE FESTIVAL / 7:00, 9:00 & 10:30pm Kenny Washington (drums) Mon, Dec 23 - Wed, Dec 25 Fri, Sat & Sun, Dec 20, 21 & 22 ERIC ALEXANDER QUARTET RENEE ROSNES QUARTET FEATURING LOUIS HAYES Steve Nelson (vibraphone) • Renee Rosnes (piano) Eric Alexander (tenor saxophone) • Harold Mabern (piano) Peter Washington (bass) • Lewis Nash (drums) John Webber (bass) • Louis Hayes (drums) Thu, Dec 26 - Wed, Jan 1 ERIC ALEXANDER SEXTET ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm FEAT.
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Recommended Listening List
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George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International Jazz News Jazz Stories
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The Pat Metheny Group – the Way up Tour a Sunday Like No Other at the Grande Scène General Motors !
Press Release For immediate distribution An extra-special concert at the Festival! in association with Radio-Canada and CBC Television The Pat Metheny Group – The Way Up Tour A Sunday like no other at the Grande scène General Motors ! Montreal, Friday, July 8, 2005 – The Festival International de Jazz de Montréal has scheduled an extra-special closing concert for patrons of this 26th edition — thanks to the close collaboration of Radio-Canada and CBC Television — when Montreal’s favorite jazz guitarist Pat Metheny and his group will be taking over the Grande Scène General Motors at 9 p.m. for a unique presentation of the Way Up Tour. Festival organizers are particularly proud to be offering such a rare treat, because it’s not at all often that such an internationally acclaimed artist performs free of charge on an outdoor Festival stage. The show will be filmed for television and broadcasted on Radio-Canada in two weeks, on Sunday, July 24 at 8 p.m. Like all Metheny shows, this one promises to be a memorable event, if his 1989 show on McGill College Avenue is anything to measure Montrealers’ collective memory by. The historic evening was more than just a turning point for the Festival, but for the career of the guitar superstar himself. This Sunday’s event will be all the more extraordinary for coming on the heels of the five scheduled indoor concerts he’ll have completed by then, all of which were sold out way in advance. The Pat Metheny Group is the only ensemble in history to have garnered seven consecutive Grammy Awards for seven consecutive albums.
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