The Solitudes of Testimony by Max Rankenburg a Dissertation
At a Distance: The Solitudes of Testimony by Max Rankenburg A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English) at the UNIVERSITY OF WISCONSIN – MADISON 2013 Date of final oral examination: 12/11/2012 The dissertation is approved by the following members of the Final Oral Committee: Michael Bernard-Donals, Professor, English Craig Werner, Professor, Afro-American Studies Jon McKenzie, Associate Professor, English Sara Guyer, Associate Professor, English Rachel Brenner, Professor, Hebrew and Semitic Studies © Copyright by Max Rankenburg 2013 All Rights Reserved i Contents Introduction 1 – 15 1. The Specter 16 – 78 2. Object Lessons 79 – 111 3. Naming Names 112 – 156 4. Fiat Lux 157 – 192 5. The Disappeared 193 – 218 6. The Hooded Man 219 – 278 Epilogue 279 – 285 Acknowledgements 286 Bibliography 287 – 295 1 Introduction Whate’er the theme, the Maiden sang As if her song could have no ending; I saw her singing at her work, And o’er the sickle bending; – I listened, motionless and still; And, as I mounted up the hill, The music in my heart I bore, Long after it was heard no more. – William Wordsworth, from “The Solitary Reaper” “In the second scene at the night shift, I saw a new guard that wears glasses and has a red face. He charged his pistol and pointed it at a lot of the prisoners to threaten them with it. I saw things no one would see, they were amazing.” – Mohamed Juma, quoted in Mark Danner, Torture and Truth One way to think about solitude is to imagine uninhabited, pristine landscapes, to imagine poet-wanderers and mystic-hermits, to imagine a place of salubrious retreat, of freedom, of being alone with one’s thoughts.
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