CHAPTER I INTRODUCTION This Chapter Consists of Background
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Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
The Terminator by John Wills
The Terminator By John Wills “The Terminator” is a cult time-travel story pitting hu- mans against machines. Authored and directed by James Cameron, the movie features Arnold Schwarzenegger, Linda Hamilton and Michael Biehn in leading roles. It launched Cameron as a major film di- rector, and, along with “Conan the Barbarian” (1982), established Schwarzenegger as a box office star. James Cameron directed his first movie “Xenogenesis” in 1978. A 12-minute long, $20,000 picture, “Xenogenesis” depicted a young man and woman trapped in a spaceship dominated by power- ful and hostile robots. It introduced what would be- come enduring Cameron themes: space exploration, machine sentience and epic scale. In the early 1980s, Cameron worked with Roger Corman on a number of film projects, assisting with special effects and the design of sets, before directing “Piranha II” (1981) as his debut feature. Cameron then turned to writing a science fiction movie script based around a cyborg from 2029AD travelling through time to con- Artwork from the cover of the film’s DVD release by MGM temporary Los Angeles to kill a waitress whose as Home Entertainment. The Library of Congress Collection. yet unborn son is destined to lead a resistance movement against a future cyborg army. With the input of friend Bill Wisher along with producer Gale weeks. However, critical reception hinted at longer- Anne Hurd (Hurd and Cameron had both worked for lasting appeal. “Variety” enthused over the picture: Roger Corman), Cameron finished a draft script in “a blazing, cinematic comic book, full of virtuoso May 1982. After some trouble finding industry back- moviemaking, terrific momentum, solid performances ers, Orion agreed to distribute the picture with and a compelling story.” Janet Maslin for the “New Hemdale Pictures financing it. -
KATHRYN HIMOFF, ACE Editor
KATHRYN HIMOFF, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS PLAYERS Trish Sie CAMPFIRE / NETFLIX Feature Film Ross Dinerstein, Ross Girard, Marc Platt UNT. YANCE FORD DOC Yance Ford HARPO FILMS Documentary Keetin Mayakara LOVE, GUARANTEED Mark Steven NETFLIX Feature Film Johnson Stephanie Slack, Margret Huddleston LIMETOWN Rebecca Thomas ENDEAVOR CONTENT / FACEBOOK Pilot & Season 1 Andre Nemec, Josh Appelbaum FINDING STEVE MCQUEEN Mark Steven IDENTITY FILMS Johnson Anthony Mastromauro, Silvio Muraglia THE FINEST Regina King LINCOLN SQUARE / ABC SIGNATURE Pilot Raymond Quinlan, Linda Berman, Pam Veasey EVERY DAY Michael Sucsy MGM / Peter Cron, Paul Trijbits GUARDIANS OF THE GALAXY II James Gunn MARVEL / DISNEY Add’l Editor Louis D’Esposito, Kevin Feige Victoria Alonso, Jonathan Schwartz DICE Series Various Directors SHOWTIME / Furst Films, Richard Shepard THE MAN IN THE HIGH CASTLE David Semel SCOTT FREE PROD. / AMAZON Pilot David Zucker, Ridley Scott, Frank Spotnitz Mark Mitchell THE STRAIN Peter Weller FX Series Deran Sarafian Guillermo del Toro, Carlton Cuse TRUST ME Clark Gregg BRON STUDIOS / Keith Kjarval JOYFUL NOISE Todd Graff ALCON / WARNER BROS. / Andrew Kosove GEORGIA O’KEEFE Bob Balaban SONY MOW Josh Maurer, Alixandre Witlin, Tony Mark APPALOOSA Ed Harris GROUNDSWELL / NEW LINE CINEMA Michael London, Ed Harris, Robert Knott LICENSE TO WED Ken Kwapis WARNER BROS. Robert Simonds, Christine Sacani UGLY BETTY Richard Shepard ABC Pilot Ben Silverman, Teri Weinberg, Silvio Horta THE SISTERHOOD OF THE Ken Kwapis WARNER BROS / ALCON TRAVELING PANTS Andrew Kosove, Debra Martin Chase THE OFFICE Pilot Ken Kwapis NBC / Ken Kwapis, Greg Daniels HOUSE OF 1000 CORPSES Rob Zombie LIONSGATE / Andy Gould POLLOCK Ed Harris SONY CLASSICS / Fred Berner, Jon Kilik Nominated, Academy Award, Best Actor Peter Brant, Joseph Allen Won, Academy Award, Best Supporting Actress KILLING ZOE Roger Avary OCTOBER FILMS Quentin Tarantino, Samuel Hadida INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Will #Blacklivesmatter to Robocop?1
***PRELIMINARY DRAFT***3-28-16***DO NOT CITE WITHOUT PERMISSION**** Will #BlackLivesMatter to Robocop?1 Peter Asaro School of Media Studies, The New School Center for Information Technology Policy, Princeton University Center for Internet and Society, Stanford Law School Abstract Introduction #BlackLivesMatter is a Twitter hashtag and grassroots political movement that challenges the institutional structures surrounding the legitimacy of the application of state-sanction violence against people of color, and seeks just accountability from the individuals who exercise that violence. It has also challenged the institutional racism manifest in housing, schooling and the prison-industrial complex. It was started by the black activists Alicia Garza, Patrisse Cullors, and Opal Tometi, following the acquittal of the vigilante George Zimmerman in the fatal shooting of Trayvon Martin in 2013.2 The movement gained momentum following a series of highly publicized killings of blacks by police officers, many of which were captured on video from CCTV, police dashcams, and witness cellphones which later went viral on social media. #BlackLivesMatter has organized numerous marches, demonstrations, and direct actions of civil disobedience in response to the police killings of people of color.3 In many of these cases, particularly those captured on camera, the individuals who are killed by police do not appear to be acting in the ways described in official police reports, do not appear to be threatening or dangerous, and sometimes even appear to be cooperating with police or trying to follow police orders. While the #BlackLivesMatter movement aims to address a broad range of racial justice issues, it has been most successful at drawing attention to the disproportionate use of violent and lethal force by police against people of color.4 The sense of “disproportionate use” includes both the excessive 1In keeping with Betteridge’s law of headlines, one could simply answer “no.” But investigating why this is the case is still worthwhile. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
Starlog Magazine
—' 'IV \ j, ! t ''timmffy* STAR WARS Christopher Lee vs. Yoda! REIGN OF FIRE Total future dragon war! EIGHT LEGGED FREAKS Spider nightmare fun! Discover the power af the dark side with the Star Wars Trading Card Game. The tempting new Sith Rising card set lets you crush your enemies with weapons, ships, and villains from The Star Wars saga. Or refuse to give in to your anger, and thwart those who would tyrannize the galaxy. Once you learn to control the Force, take your battle into a new arena the Star Wars TCG League. You will embark on Jedi training, and even a Sith Lord can't stop you from earning exclusive promo cards and learning Jedi secrets. Rules only available in: Two-Player Starter Game Advanced Starter Decks Dfficial Star Wars Web Site www.starwars.CDm © 2002 Lucasfilm Ltd. & TM. All rights resen/ed. Wizards of the Coast is a registered trademark of Wizards of the Coast, Inc. BACK IN BLACK Barry Sonnenfeld directs the scum of the universe again FILING MINORITY REPORT i { Producer Bonnie Curtis takes a reel view of future paranoia TOM CRUISE ON THE RUN He's desperate to prove he's an innocent guilty man SECRETS OF FARSCAPE Pssst! David Kemper reveals all—or not—on the series' new year MISSION: ODYSSEY 5 Only creator Manny Coto knows why the world ends MY PET KILLER ALIEN watercolor Lilo's world with thoughts of Elvis & Stitch WEBS OF SPIDER DEATH Producer Dean Devlin Preeds Eight Legged Freaks HERE THERE BE DRAGONS Director RoP Bowman readies Earth for a Reign of Fire CHRISTOPHER LEE SPEAKS Now, the legend in starlight can talk aPout Star Wars MIND READER Anthony Michael Hall predicts success for The Dead Zone NIGHT, ARES Not content with munching GOOD SWEET STARLOG's indicia The late Kevin Smith recalled life with (see the replacement on xena & Hercules page 6), Stitch taste-tests the logo. -
How China's Censorship and Influence Affect Films Worldwide
October 28, 2015 Directed by Hollywood, Edited by China: How China’s Censorship and Influence Affect Films Worldwide Sean O’Connor, Research Fellow, Economics and Trade and Nicholas Armstrong, Esq., Research Fellow Disclaimer: This paper is the product of professional research performed by staff of the U.S.-China Economic and Security Review Commission, and was prepared at the request of the Commission to support its deliberations. Posting of the report to the Commission’s website is intended to promote greater public understanding of the issues addressed by the Commission in its ongoing assessment of U.S.- China economic relations and their implications for U.S. security, as mandated by Public Law 106-398 and Public Law 108-7. However, the public release of this document does not necessarily imply an endorsement by the Commission, any individual Commissioner, or the Commission’s other professional staff, of the views or conclusions expressed in this staff research report. Table of Contents Abstract ......................................................................................................................................................................3 Background ................................................................................................................................................................4 China’s Growing Film Market ...................................................................................................................................5 China’s Film Industry Development ......................................................................................................................6 -
Starlog Magazine Issue
'ne Interview Mel 1 THE SCIENCE FICTION UNIVERSE Brooks UGUST INNERSPACE #121 Joe Dante's fantastic voyage with Steven Spielberg 08 John Lithgow Peter Weller '71896H9112 1 ALIENS -v> The Motion Picture GROUP, ! CANNON INC.*sra ,GOLAN-GLOBUS..K?mEDWARO R. PRESSMAN FILM CORPORATION .GARY G0D0ARO™ DOLPH LUNOGREN • PRANK fANGELLA MASTERS OF THE UNIVERSE the MOTION ORE ™»COURTENEY COX • JAMES TOIKAN • CHRISTINA PICKLES,* MEG FOSTERS V "SBILL CONTIgS JULIE WEISS Z ANNE V. COATES, ACE. SK RICHARD EDLUND7K WILLIAM STOUT SMNIA BAER B EDWARD R PRESSMAN»™,„ ELLIOT SCHICK -S DAVID ODEll^MENAHEM GOUNJfOMM GLOBUS^TGARY GOODARD *B«xw*H<*-*mm i;-* poiBYsriniol CANNON HJ I COMING TO EARTH THIS AUGUST AUGUST 1987 NUMBER 121 THE SCIENCE FICTION UNIVERSE Christopher Reeve—Page 37 beJohn Uthgow—Page 16 Galaxy Rangers—Page 65 MEL BROOKS SPACEBALLS: THE DIRECTOR The master of genre spoofs cant even give the "Star wars" saga an even break Karen Allen—Page 23 Peter weller—Page 45 14 DAVID CERROLD'S GENERATIONS A view from the bridge at those 37 CHRISTOPHER REEVE who serve behind "Star Trek: The THE MAN INSIDE Next Generation" "SUPERMAN IV" 16 ACTING! GENIUS! in this fourth film flight, the Man JOHN LITHGOW! of Steel regains his humanity Planet 10's favorite loony is 45 PETER WELLER just wild about "Harry & the CODENAME: ROBOCOP Hendersons" The "Buckaroo Banzai" star strikes 20 OF SHARKS & "STAR TREK" back as a cyborg centurion in search of heart "Corbomite Maneuver" & a "Colossus" director Joseph 50 TRIBUTE Sargent puts the bite on Remembering Ray Bolger, "Jaws: -
Movie Heroes and the Heroic Journey
LESSON PLAN Level: Grades 11-12 About the Author: Adapted from the The AML Anthology. Supplement (1992), produced by the Association for Media Literacy. By Don Walker, Metropolitan Toronto Separate School Board and Leslie Johnstone, York Region Board of Education Movie Heroes and the Heroic Journey Overview The place of the hero in our modern lives is a site of struggle. On the one hand, the hero's quest can have meanings for individuals who seek to understand their own journey through life. On the other hand, the hero can be seen as a repository of those values esteemed by the society. The study of the hero as social icon offers the student an opportunity to reflect on and critique the dominant reading of the hero, as well as to consider oppositional readings. In this lesson, students will be introduced to the work of Carl Jung and Joseph Campbell and will have the opportunity to apply these theories to the examination of heroes. (Note: Teachers should replace any movies and heroic figures who no longer seem relevant with more recent examples.) Objectives To enable students to: differentiate between a classical hero, modern hero and a celebrity. identify the stages of the heroic quest. identify the dominant ideology of the culture as exemplified by a hero, and to negotiate an oppositional reading. see the application of the quest motif to their own lives. understand the role of the villain as the dark side of the hero, and the repository or reflection of the fears and concerns of society. appreciate variations of the heroic journey in different film genres. -
Erica Shaffer SAG/AFTRA
T: (818) 765-3785 Ext 1 [email protected] Erica Shaffer SAG-AFTRA/AEA www.ericashaffer.com Hazel Eyes | Brown Hair 5’4” 115 lbs. FILM … Selected Roles KING RICHARD ~ WB/dir: Reinaldo Marcus Green THE B.A.M.N. SQUAD~ George/Byrd Prods. /dir: Jeff Byrd DETENTION ~ SONY/dir: Joseph Kahn THE FALL~ Dangerous Wounded Animals/dir: John Krueger COUNTING FOR THUNDER ~ dir: Phillip Irwin Cooper THE TRUTH ~ RBG Films/dir: Ryan Barton-Grimley SPECIAL UNIT ~ dir: Christopher Titus TWO-ELEVEN ~ Mystic Art/dir: Velvet Andrews Smith OLIVER’S GHOST ~ Hallmark Channel/dir: David S. Cass Sr. THE KIDS WHO SAVED SUMMER ~ HBO Family/dir: Rob Spera DAD’S HOME ~ Hallmark Channel/dir: Bradford May CATALINA TRUST ~ Lion Share Dist./dir: Will Conroy TELEVISION … Selected Roles STATION 19 Recurring dir. Tessa Blake ABC THE FUGITIVE Co-Star dir. Stephen Hopkins Quibi S.W.A.T. Co-Star dir: Oz Scott CBS 9-1-1 Co-Star dir: John J. Gray FOX THE ORVILLE Co-Star dir: Robert Duncan McNeill FOX THIS IS US Co-Star dir: Ken Olin NBC SCANDAL Recurring dir: Tom Verica ABC HAWAII FIVE-0 Guest Star dir. Peter Weller CBS REAL HUSBANDS OF HOLLYWOOD Co-Star dir. Stan Lathan BET FAMILY TIME Recurring dir: Bentley Kyle Evans Bounce TV SCORPION Co-Star dir: Sam Hill CBS AMERICAN VANDAL Co-Star dir: Tony Yacenda Netflix ATYPICAL Co-Star dir: Michael Patrick Jann Netflix MAD MEN Co-Star dir: Scott Hornbacher AMC THE EXES Co-Star dir: Terry Hughes TVLAND CASTLE Co-Star dir: John Terlesky ABC PRIVATE PRACTICE Guest Star dir: Matthew Penn ABC JON BENJAMIN HAS A VAN Co-Star dir: -
In 2028 Detroit, When Alex Action Fans in General 13-4
Sony Pictures Entertainment Pre-Planning Worksheet RoboCop - Brazil Release Date: February, 21th Synopsis: In 2028 Detroit, when Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer. Marketing Positioning: Action fans in general 13-45, male skew under 30, Fans of Tropa de Elite and José Padilha Cast: Joel Kinnaman, Gary Oldman, Michael Keaton and Samuel L. Jackson Media Budget Support - Week 2 Support - Week 3 Planning 1 3 Flight Dates: Competitive: RELEASE DATES Media Strategy: Branding Campaign BR Showtimes Campaign Rich Media Sony Pictures Entertainment Pre-Planning Worksheet RoboCop - Brazil Release Date: February, 21th In 2028 Detroit, when Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer. Action fans in general 13-45, male skew under 30, Fans of Tropa de Elite and José Padilha Joel Kinnaman, Gary Oldman, Michael Keaton and Samuel L. Jackson Theatrical Demos: Primary: Creative Dates RELEASE DATES Branding Campaign Objective: Media Tactic: Recommended Sites: Cinema com Rapadura Ingresso.com Rede Geek Twitter Melhores do Mundo Level Up! Adoro Cinema Click Jogos Showtimes Campaign Objective: Media Tactic: Recommended Sites: Takeover on the Ticket site ingresso.com Rich Media Sony Pictures Entertainment Pre-Planning Worksheet RoboCop - Brazil Release Date: February, 21th In 2028 Detroit, when Alex Murphy (Joel Kinnaman) - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.