DOCSLIB.ORG

On the ROAD the Business Case for Remote IP Codecs These Portable, Rugged, and Stable Systems Offer Increased Bandwidth Connectivity, and Connection Flexibility

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
On the ROAD the Business Case for Remote IP Codecs These Portable, Rugged, and Stable Systems Offer Increased Bandwidth Connectivity, and Connection Flexibility RADIO on the ROAD The Business Case for Remote IP Codecs These portable, rugged, and stable systems offer increased bandwidth connectivity, and connection flexibility. Here’s a guide to understanding their value from stations that are using them as well as tips for assessing which remote IP codec fits the bill. Brought to you by ENGINEERING EXTRA INTERNATIONAL EDITION AMÉRICA LATINA LETTER FROM THE EDITOR Here’s Why Radio is Turning to IP for Remote Broadcasts Just ask Crocmedia, whose show hinged • Why IP is the network of choice for on the chemistry the announcers have broadcasters looking for reliable and with one another. As the hosts bounced high-quality audio connectivity comments instinctively off one other, the • Why radio stations are choosing to remote codec in Houston connected deploy IP audio codec technology in the faultlessly to the distribution codec back field in Melbourne. “It never missed a beat,” • How new IP codec systems are helping Biagioni says, “and delivered imperceptibly stations cover both remote and major low latency audio over IP for several hours events of broadcasting.” On page 3, the general manager of an AM The IP-based systems used by Crocmedia station in Crookston, Minnesota, reveals and other radio broadcasters are helping how this technology has improved audio stations to cover major league sporting quality, cut costs, and provided the flexibility events on the world’s stage, to deliver to connect via multiple networks as needed. play-by-play high-school basketball games, and to provide a lifeline to remote towns in Likewise, on page 4, the Black Star the US and Australia. network shares how indigenous radio programming is being broadcast to 15 rocmedia Broadcasting knows This ebook from Radio World and Tieline remote communities in North Queensland, all too well the pressures of radio will look at some of those real-world Australia—despite the regularly flooded Cbroadcasting on the big stage. examples and explore both the challenges cellular network on-site and concerns over that radio broadcasters are facing and the battery life in the Australian Outback. As an Australian broadcaster flying 14,000 benefits to transitioning to remote IP audio miles to cover the year’s ultimate football codec technology. Entercom Communications shares on game, concerns over connectivity, reliability, page 5 how IP audio codec technology security and cost were paramount. There For broadcasters who have made the came to the rescue during the World was no bigger test for George Biagioni, transition, the strengths of investing in an Series when the sports talk station Crocmedia IT broadcast engineering IP-based networking technology are clear. KCSP(AM)—the flagship station of the director, than when he decided to road Crocmedia points, for example, to the Kansas City Royals—was unable to estab- test a portable IP codec package on technology’s multiple connectivity options. lish anything better than a POTS-quality radio row in Houston in February 2017. “We can stream using USB modems, connection out of state. Wi-Fi, or Ethernet connections, so every With two broadcasters in Texas and an- option is covered,” Biagioni says. The ex- Finally, on page 6, in “Selecting the Right other announcer back in Melbourne, “we tended battery capability of the ViA codec Remote IP Codec for Your Station,” needed very low latency audio communi- that Crocmedia uses is also key. our partner Tieline presents its perspective cations between Melbourne and Houston on the remote IP codec opportunity in a to make it work,” Biagioni says. “We are constantly doing live remote sponsored white paper that details the key broadcasts, and [this technology] offers product capabilities that any radio station The solution ensuring this success are the flexibility we require to stream from should consider as they evaluate this new new IP-based networking technologies dozens of locations,” Biagioni says. technology. Read on to learn more. crowned by remote IP audio codecs. Today, legacy networking technologies like For radio broadcasters, IP remote codec POTS and ISDN are making way for IP, technology has moved to the forefront. Paul McLane which is proving to be a predominant way This ebook will offer guidance on: Editor in Chief/Editorial Director to transport remote broadcast audio. Radio World 2 RADIO ON THE ROAD—THE BUSINESS CASE FOR REMOTE IP CODECS REPRINTED FROM ENGINEERING EXTRA INTERNA TIONAL EDITION KROX GoesAMÉRICA LATINA Live ViA Tieline Ease of use and reliability keep the signal on the air. By Chris Fee, President/General Manager, KROX(AM) CROOKSTON, Minn. — I have always worry about in the age of disappearing been passionate about sports; and radio phone lines. Not having to deal with our has been in my blood since I graduated telco as much has also been welcome. from Bemidji State University in 2000 With IP, we are saving on telephone line after studying mass communications and costs and sound better on our remotes, coaching. I started my radio career at which only helps sales. KROX(AM) with part-time announcing while in high school and college, and The ViA codec is a tremendous upgrade to after graduating college, I came home to anything we have used. We added an FM work full-time. I love doing play-by-play translator over a year ago so people are sports commentary for basketball, football, Scott Kleven (left) and Frank really noticing the difference when we use Fee doing a high school volleyball, hockey, wrestling, baseball and hockey game using the VIA. the ViA and i-Mix compared to sport mixer softball, which is my passion. games over a phone line or cellphone. dec to a Wi-Fi access point, and we have Four years ago, I bought the station from successfully streamed live from various Since we started using the Tieline codecs my father. schools and colleges. In places with- many listeners have told us that our out phone lines, a LAN or Wi-Fi, I have broadcasts have improved and now sound CONNECTIONS even used the hotspot on my phone to crystal-clear, and that’s awesome. We At KROX, we have been using the Tieline broadcast the game and it is crystal clear, also had an advertiser tell us our remotes i-Mix G3 mixer/codec for about five years, studio-sound quality. It is amazing. sound great. and while sports mixers are good pieces of equipment and sound good, the i-Mix Although I wasn’t familiar with the codec So far we have used ViA for play-by-play and now the ViA codec are on another initially, I was able to make a connection to sports coverage, live remotes from stores, level when it comes to quality. They make our Commander G3 studio codec quickly Christmas concerts and other live events it sound like you are calling the game from and easily. The touchscreen clearly displays throughout the year. It’s trouble-free every the studio. send and return PPMs, and you can swipe time we take it out and we are talking to view connection info and IP statistics. about buying another one already. In reviewing Tieline’s ViA, I’ll start by say- ing it’s nice and compact and easy to use. We connect in stereo over IP and send a For information, contact Dawn Shewmaker The touchscreen and menus are a step up mix-minus from the studio to our an- at Tieline USA in Indiana at (317) 845-8000 from the i-Mix and are simple to navigate nouncers at the remote site. We stream or visit www.tieline.com. and intuitive. The input and headphone using Tieline Music with a bitrate of at controls are also easy to access and least 64 kbps when we connect over adjust. wired IP and when the wireless network supports that bitrate. CONTENTS I don’t have a technical background but ViA is so simple to configure I can do it Tieline’s automatic jitter buffer settings al- 3 KROX Goes Live Via Tieline on my own. We had our engineer do the low us to talk to the studio in real time. The initial setup with the i-Mix G3 and when auto jitter adjustment measures network 4 Black Star Launches Cooktown we got the Tieline ViA we just dialed and capability to reduce latency to the lowest Radio Station with ViA it worked. level the network can reliably support. Total latency is never more than 100 ms. 5 Tieline Hits Home Run for The ease of using the ViA is second to Entercom KC none, and the ability to use its built-in I love broadcasting over IP. It is pretty Wi-Fi, an IP LAN or a phone line at a much foolproof, and we have never had a 6 Selecting the Right Remote IP venue covers all our options. A couple of drop or anything while using IP. It makes Codec for Your Station seconds is all it takes to connect the co- life a lot easier and is one less thing to 3 RADIO ON THE ROAD—THE BUSINESS CASE FOR REMOTE IP CODECS REPRINTED FROM ENGINEERING EXTRA INTERNA TIONAL EDITION Black StarAMÉRICA LATINA Launches Cooktown Radio Station with ViA By Gerry Pyne Gerry Pyne is General Manager of Queensland Remote Aboriginal Media (QRAM), which runs the Black Star radio network and transmits indigenous radio programming to 15 remote communities in far North Queensland, Australia. I started my career as a technical officer with the main telco in Australia in the late 1970s, before completing electronics and electrical engineering qualifications and moving into community radio in Victoria, and then commercial radio in north Queensland.
Load more

Recommended publications
  • Comrex's Future Takes Shape with IP
    www.tvtechnology.com/04-08-15 TV TECHNOLOGY April 8, 2015 21 TK Comrex’s Future Takes Shape With IP Company’s NAB booth to feature updated LiveShot, BRIC-Link II BY SUSAN ASHWORTH productions for television,” he said. “Over the last several decades we’ve been in LAS VEGAS—Building on its experience the radio space but we’ve had so many of in remote broadcasting technology, our radio customers move on to TV [and Comrex will come to the 2015 NAB Show adopted] our audio-over-IP codec, so we with IP on its mind, showcasing technology had a lot of requests to make something that the company sees as the future of live as portable and compact as our audio video broadcasting. products but for television.” Comrex will introduce the newest What’s especially compelling about this version of LiveShot, a system that allows segment of the market, he said, is that there broadcasters to tackle remote broadcast are people “who are doing really creative setups that would be tough with and unique broadcasts with our products traditional wired configurations. Using because [they] offer two-way video and Comrex ACCESS audio IP codecs, LiveShot return video to the field and intercom in a sends live HD video and audio over IP. The small little package.” system addresses technical inconsistencies For example, at a recent air show in in public Internet locales and provides Wisconsin, two wireless Comrex devices access to low-latency broadcast-quality were used by a local broadcaster for their live video streaming, including 3G, 4G, and multicamera fieldwork.
    [Show full text]
  • IP Audio Coding with Introduction to BRIC Technology 2 Introduction by Tom Hartnett—Comrex Tech Director
    IP Audio Coding With Introduction to BRIC Technology 2 Introduction By Tom Hartnett—Comrex Tech Director In 1992, when ISDN was just becoming available in the US, Comrex published a Switched 56/ISDN Primer which became, we were told, a very valuable resource to the radio engineer struggling to understand these new concepts. As POTS codecs and GSM codecs became viable tools, Comrex published similar primers. Now, with the gradual sunsetting of ISDN availability (and the migration of phone networks to IP based services), it not only makes sense for us to introduce a product based on Internet audio transfer, but again to publish all the relevant concepts for the uninitiated. The ACCESS product is the result of years of our research into the state of IP networks and audio coding algo- rithms. This has all been in ISDN is not a long term solution. the quest to do what we do The telephone network is changing. best, which is to leverage existing, available services Transition to IP is inevitable. to the benefit of our core Resistance is futile. customers—radio remote broadcasters. The heart of this product is called BRIC (Broadcast Reliable Internet Codec). While others have introduced hardware coined “IP Codecs,” this is the first product introduced that dares to use the wordInternet with a capital I. Given the challenges the public Internet presents, it’s no small boast to say that this product will perform over the majority of available connections. BRIC represents a change that is both desirable and inevitable for remotes. This change is inevitable because, as available connections move from old fashioned circuit switched to newer packet switched style, technology like ISDN and POTS codecs will begin to work less and less often.
    [Show full text]
  • Weekday Daytime March 19 to March 23
    WEEKDAY DAYTIME MARCH 19 TO MARCH 23 S1 – DISH S2 - DIRECTV 9 AM 9:30 10 AM 10:30 11 AM 11:30 12 PM 12:30 1 PM 1:30 2 PM 2:30 3 PM 3:30 4 PM 4:30 5 PM 5:30 S1 S2 WSAZ Today Show II Live! With Kelly Today Show III WSAZ Griffith Days of Our Lives Million.. Million.. Ellen DeGeneres The Dr. Oz Show WSAZ News 3 3 WLPX Bible Fellow. Paid Paid Shepherd's Chapel Various Various Various Movie M F Lethal Weapon 4 C.Mind Movie C.Mind/GGhost/CCase 29 - TV10 Eye Crime Various Movies Paid Southw. Your Health Various Various J. Hanna Gr. Acres Daniel Boone Country News - - WCHS Anderson Nate Berkus Show The View Eyewitness News The Chew The Revolution General Hospital The People's Court Judy Judy 8 8 WVAH Paid Paid Maury The People's Court Judge Mathis Brown Brown Feud Feud Maury Jerry Springer Steve Wilkos Show 11 11 WOWK Rachael Ray Show Let's Make a Deal The Price Is Right 13 News Young & Restless B & B The Talk The Doctors Dr. Phil 13 News WV Live 13 13 WKYT Live! With Kelly 27 News Griffith The Price Is Right 27 News 27 News Young & Restless The Talk Let's Make a Deal Anderson 27 News 27 News - - WHCP Jeremy Kyle Cheaters Cheaters Jeremy Kyle Cops Cops Alex Alex Divorce Divorce Lifechan Lifechan Rose. Rose. Queens Queens - - WTSF Various Marilyn Various J. Prince Various Life Celebration Reflect. Various Various Reflect. J. Prince B.Hinn Various Winston Various Various - - KET SuperW! DinoT Sesame Street Sid W.World Raggs Clifford Guiding Pre-GED Various Cat/ Hat George Speaks Arthur WordGirl Wild K.
    [Show full text]
  • The Essential Guide to Audio Over IP for Broadcasters 2 5
    The Essential Guide To Audio OverIP FOR BROADCASTERS Powerful Performance | Powerful Control | Powerful Savings i 1. Why IP for Broadcast Audio? Reasons to Migrate to Audio over IP ..........................................................................................................8 1. Flexibility ..................................................................................................................................................................................8 2. Cost ...........................................................................................................................................................................................8 3. Scalability ................................................................................................................................................................................9 4. Reliability (yes really!) .........................................................................................................................................................9 5. Availability ..............................................................................................................................................................................9 6. Control and Monitoring .....................................................................................................................................................9 7. Network Consolidation ......................................................................................................................................................9
    [Show full text]
  • E-IPA-HX Audio-Over-IP Interface Card Eclipse HX Matrix Systems
    E-IPA-HX Audio-over-IP Interface Card Eclipse HX Matrix Systems Linking People Together E-IPA-HX Interface Card The E-IPA-HX AoIP Interface card provides multiple IP Key Features and Benefits connection types for Eclipse® HX Matrix Intercom Systems, • Available in 16, 32, 48, and 64 port including support for AES67 and SMPTE ST2110 audio. cards (16 port upgrades) • Software definable port configuration Description to support multiple IP connection and The E-IPA-HX is a high density IP interface card that supports up to 64 Clear-Com standards intercom devices. The interface card can be used with the Eclipse HX-Delta Lite, • Supports up to 64 IP ports (endpoint HX-Delta, HX-Median, and HX-Omega matrix frames. Eclipse HX Configuration connections) and additionally up to 64 Software (EHX™) configures each port for its intended application and provides a FreeSpeak IP Transceivers dedicated IP Manager screen to monitor connections and add users. The E-IPA-HX card also supports SMPTE ST2110 and AES67 connectivity. • Compatible with Eclipse HX-Delta Lite, -Delta, -Median and -Omega Connection to FreeSpeak II and FreeSpeak Edge Beltpacks frames The E-IPA-HX card connects to FreeSpeak II® Beltpacks (1.9 or 2.4) in E1 mode via • Supports connection to V-Series and fiber to the FSII-SPL for the FSII-TCVR-24 or FSII-TCVR-19-XX transceivers. This V-Series Iris panels, Agent-IC mobile will allow up to 50 beltpacks and 10 transceivers per card. The E-IPA-HX card also app, FreeSpeak II wireless beltpacks, connects FreeSpeak II or FreeSpeak Edge™ devices via AES67 protocol to Eclipse HX LQ Series devices and Station-IC frames.
    [Show full text]
  • Sports Emmy Awards
    Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2018 College Football Playoff National Championship ESPN Alabama Crimson Tide vs. Georgia Bulldogs The 113th World Series FOX Houston Astros vs Los Angeles Dodgers The 118th Army-Navy Game CBS The 146th Open NBC/Golf Channel Royal Birkdale The Masters CBS OUTSTANDING LIVE SPORTS SERIES NASCAR on FOX FOX/ FS1 NBA on TNT TNT NFL on FOX FOX Deadline Sunday Night Football NBC Thursday Night Football NBC 8 OUTSTANDING PLAYOFF COVERAGE 2017 NBA Playoffs on TNT TNT 2017 NCAA Men's Basketball Tournament tbs/CBS/TNT/truTV 2018 Rose Bowl (College Football Championship Semi-Final) ESPN Oklahoma vs. Georgia AFC Championship CBS Jacksonville Jaguars vs. New England Patriots NFC Divisional Playoff FOX New Orleans Saints vs. Minnesota Vikings OUTSTANDING EDITED SPORTS EVENT COVERAGE 2017 World Series Film FS1/MLB Network Houston Astros vs. Los Angeles Dodgers All Access Epilogue: Showtime Mayweather vs. McGregor [Showtime Sports] Ironman World Championship NBC Deadline[Texas Crew Productions] Sound FX: NFL Network Super Bowl 51 [NFL Films] UFC Fight Flashback FS1 Cruz vs. Garbrandt [UFC] 9 OUTSTANDING SHORT SPORTS DOCUMENTARY Resurface Netflix SC Featured ESPNews A Mountain to Climb SC Featured ESPN Arthur SC Featured ESPNews Restart The Reason I Play Big Ten Network OUTSTANDING LONG SPORTS DOCUMENTARY 30 for 30 ESPN Celtics/Lakers: Best of Enemies [ESPN Films/Hock Films] 89 Blocks FOX/FS1 Counterpunch Netflix Disgraced Showtime Deadline[Bat Bridge Entertainment] VICE World of Sports Viceland Rivals:
    [Show full text]
  • Low-Latency Audio Over IP on Embedded Systems
    Master Thesis Low-Latency Audio over IP on Embedded Systems by Florian Meier Start date: 02. April 2013 End date: 02. October 2013 Supervisor: Dipl.-Ing. Marco Fink Supervising Professor: Prof. Dr.-Ing. habil. Udo Zölzer Second Examiner: Prof. Dr. rer. nat. Volker Turau Abstract Transmission of audio data over networks, such as the Internet, is a widespread technology. Up to now, the primary application is voice trans- mission (Voice over IP). Although modern Voice over IP systems are de- signed to reduce the audio latency, it is still too high for the bidirectional transmission of live music. The construction of a low-latency music envi- ronment would enable distributed musical performances and "Jamming over IP". This thesis takes a step in this direction by building an Audio over IP system as an embedded system. All components needed for a jam- ming session over the Internet are integrated in a handy box on the basis of a Raspberry Pi. This required the development of a Linux kernel driver. Furthermore, a software for low-latency audio transmission is build and evaluated, considering audio quality, data rate, and the reduced computa- tional power of the embedded system. iii iv Declaration by Candidate I, FLORIAN MEIER (student of Informatik-Ingenieurwesen at Hamburg University of Tech- nology, matriculation number 20836390), hereby declare that this thesis is my own work and effort and that it has not been submitted anywhere for any award. Where other sources of information have been used, they have been acknowledged. Hamburg, 02. October 2013 Florian Meier v vi TABLE OF CONTENTS vii Table of Contents List of Figures ix List of Tables and Sourcecodes xi List of Symbols xiii 1 Introduction 1 2 State of the Art3 2.1 Effect of Latency for Musical Interaction .
    [Show full text]
  • HST Loam 10:30 11 AM 11:30 12PM 12:30 567 MTV World Stage Sum Linkin Park: Road to Revolution MTV World Stage Evanescence PLDHD 41
    HST lOAM 10:30 11 AM 11:30 12PM 12:30 567 MTV World Stage Sum Linkin Park: Road to Revolution MTV World Stage Evanescence PLDHD 41 568 Film School Stars in Shorts Vintage Shorts Shorts Docs World Cinema Short Best in Fest SHORTSH 12:30- 12:45- 1:00 12:45 570 Information Channel Information Channel INF0570 571 Information Channel Information Channel INF0571 572 Information Channel Information Channel INF0572 573 Information Channel Information Channel INF0573 574 Information Channel Information Channel INF0574 575 Information Channel Information Channel INF0575 576 Information Channel Information Channel lNF0576 577 Budweiser Behind The Brewing Your Bud 1 Beer and Food George All Connect Live Bud Light Platinum ANBUSCH Label Reisch 578 Information Channel Information Channel INF0578 586 Playboy Morning Show Fantasias en Foco Playboy's Amateur Girls 69 Sexy things 2 Do Neighborhood Hotties Playboy's Sextreme PLAYESP Before You Die Makeover Page 45 of79 HST lOAM 10:30 11 AM 11:30 12PM 12:30 587 34DD Brotha Lovers 5 (2006) Coed Sex Party 8 (2010) Nymph America 10: PXX5PRM 9:30- 11:00 11:00- 12:30 Creamy Cuties (2005) 12:30-2:00 590 Playboy Trip: Back in Cheerleader Camp Money Talks Playmates! Shelby Playboy Morning Show PLAYBOY Argentina Chesnes 593 Adult Pay-Per-View Previews Adult Pay-Per-View Previews ADLTPPV 594 Secret Motel Affairs Young and Busty Teens GF Revenge: Real Ex- RKTV GF Sex Tapes 595 34DD Brotha Lovers 5 (2006) Coed Sex Party 8 (2010) Nymph America 10: PNTXX5 9:30- 11:00 11:00-12:30 Creamy Cuties (2005) 12:30-2:00 596 Au Natural Nymphos (2006) Booty Like Dat! P.O.V.
    [Show full text]
  • YOUR BROADCAST/AV EQUIPMENT SPECIALISTS 1.800.438.6040 704.889.4508 Scmsinc.Com
    YOUR BROADCAST/AV EQUIPMENT SPECIALISTS 1.800.438.6040 704.889.4508 scmsinc.com Welcome... Founded in 1976, Southern Coastal Marketing Services, Inc. (SCMS)—a broadcast equipment representative—rapidly evolved into a leading stocking distributor and reseller of broadcast equipment. This was due primarily to market changes and the need for turnkey packages that included installation and engineering efforts. Historically, SCMS has served the southeast but has grown to serve customers throughout the United States and Latin America. Today, we employ 19 sales represen- tatives and have 11 field offices in addition to our North Carolina corporate office. Our North Carolina facility features over 12,000 square feet of office and warehouse space—enough area to stock critical equipment and get it shipped to the consumer! Customers rely on SCMS in the fields of professional radio, audio/visual, television broadcast, educational and religious venues and for skilled and knowledgeable solutions and great broadcast gear. Our intent is to not only offer you a perfect fit in broadcast equipment but also a continuing relationship for future projects and builds. The SCMS team is eager to earn your trust and keep it. There is a radio station everywhere! Bob Cauthen, President, in the Turks and Caicos Islands. SCMS has been your Broadcast/AV Equipment Solutions provider for 42 years. You know we know radio! Some of the SCMS group in a meeting. Corporate Headquarters: 10201 Rodney Street • Pineville, NC 28134 Equipment That Performs STUDIO PRODUCTS Clocks
    [Show full text]
  • Sports Emmy Awards
    Sports Emmy Awards OUTSTANDING LIVE SPORTS SPECIAL 2019 FIFA Women's World Cup FOX FINAL: USA vs. Netherlands 2019 Stanley Cup Final NBC Boston Bruins vs. St. Louis Blues The 61st Daytona 500 FOX The 115th World Series FOX Washington Nationals vs. Houston Astros The 145th Kentucky Derby NBC The Masters CBS Super Bowl LIV FOX San Francisco 49ers vs. Kansas City Chiefs Deadline 8 OUTSTANDING LIVE SPORTS SERIES College Football ESPN/ABC NFL on CBS CBS NFL on FOX FOX/NFL Network SEC on CBS CBS Sunday Night Football NBC OUTSTANDING PLAYOFF COVERAGE 2019 College Football Playoff Semifinal ESPN Clemson Tigers vs. Ohio State Buckeyes 2019 NBA Playoffs on TNT TNT AFC Playoffs CBS NCAA Men’s Basketball Tournament tbs/CBS/TNT/truTV Deadline NFC Wild Card FOX Minnesota Vikings vs. New Orleans Saints 9 OUTSTANDING EDITED SPORTS EVENT COVERAGE 24/7 HBO College Football: Arizona State Sun Devils [Lucky 27 Media/Sport & Story] America's Game: The 2018 New England Patriots NFL Network [NFL Films] Ironman World Championship NBC Age Group Athletes [IRONMAN] NFL Turning Point FS1 Super Bowl LIV [NFL Films] UFC Fight Flashback UFC Fight Pass Khabib vs. McGregor OUTSTANDING EDITED SPORTS SPECIAL OR SERIES 24/7 HBO Kelly Slater Game of Zones Bleacher Report Losers Netflix [Topic Studios] Peyton's Places ESPN+ [NFL Films] The Shop: UNINTERRUPTEDDeadline HBO [UNINTERRUPTED/N2ition] 10 OUTSTANDING ESPORTS COVERAGE 2019 ELEAGUE on tbs tbs Road To The Rocket League World Championship 2019 Fortnite World Cup Finals YouTube [Epic Games/NGE/Victory Pictures] EXP APEX
    [Show full text]
  • Implementing Audio-Over-IP from an IT Manager's Perspective
    Implementing Audio-over-IP from an IT Manager’s Perspective Presented by: A Partner IT managers increasingly expect AV systems to be integrated with enterprise data networks, but they may not be familiar with the specific requirements of audio-over-IP systems and common AV practices. Conversely, AV professionals may not be aware of the issues that concern IT managers or know how best to achieve their goals in this context. This white paper showcases lessons learned during implementations of AoIP networking on mixed-use IT infrastructures within individual buildings and across campuses. NETWORKS CONVERGE AS IT such as Cisco and Microsoft. AV experts MEETS AV do not need to become IT managers to As increasing numbers of audio-visual do their jobs, as audio networking relies systems are built on network technology, only on a subset of network capabilities, IT and AV departments are starting configurations, and issues. to learn how to work together. As AV experts come to grips with the terminology Similarly, IT managers are beginning and technology of audio-over-IP, IT to acquaint themselves with the issues specialists—gatekeepers of enterprise associated with the integration and networks—are beginning to appreciate implementation of one or more networked the benefits that AV media bring to their AV systems into enterprise-wide converged enterprises. networks. Once armed with a clear understanding of the goals and uses This shift means that the IT department of these systems, IT managers quickly of any reasonably sized enterprise— discover that audio networking can be commercial, educational, financial, easily integrated with the LANs for which governmental, or otherwise—is they are responsible.
    [Show full text]
  • The National Academy of Television Arts & Sciences
    THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES THE NOMINEES FOR 42nd ANNUAL SPORTS EMMY® AWARDS Ceremony to be held Online on the Emmy® Awards Dedicated OTT Platform New York, NY – April 20, 2021 – The National Academy of Television Arts and Sciences (NATAS) today announced the nominees for the 42nd Annual Sports Emmy® Awards which will be live-streamed at Watch.TheEmmys.TV and The Emmy® apps on Tuesday, June 8th, 2021 at 8 p.m. EDT/5 p.m. PDT. “Today we honor the talented professionals who during this unprecedented time of a world-wide pandemic still found ways to inform, entertain and excite the passionate fan base that makes up the sports universe.” said Adam Sharp, President & CEO, NATAS. “The challenges they have overcome and this inspiring and diverse set of nominees is nothing short of remarkable.” “In a year where sports production literally ground to a halt, we received a record number of submissions. From innovative solutions to the constraints of production during the pandemic to the superb storytelling that confronted the social justice issues of our times, we are so proud of what our nominees were able to achieve,” said Justine Gubar, Executive Director, Sports Emmy® Awards. “I'm particularly excited about the debut of our Outstanding Sports Personality-Emerging On-Air Talent category which welcomes 5 new sports personalities into the Emmy nominee family.” The live-stream is available on the web at Watch.TheEmmys.TV and via The Emmy® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv/). The program and many other Emmy® Award events can be watched anytime & anywhere on this platform powered by Vimeo.
    [Show full text]