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Campus Cops Corner
January 31, 2011 Volume 4, Issue 1 Pikes Peak Community College Campus Cops Corner Important Numbers & -Public Safety Tips for the websites: 24-7 Emergency PPCC Community- Number: 502-2911 Emergency Alert Sign Up: www.ppcc.edu/ Public Safety Newsletter alert Crime Stoppers Just like the rest of you, I’m struggling to make sense out of the madness which 634-STOP (7867) impacted Tucson and the rest of the country earlier this month. In the wake of Anonymous Reporting John Hinckley’s 1981 assassination attempt of President Ronald Reagan, the www.SAFE2TELL.org April 13, 1981, issue of Time magazine quoted President John Kennedy who said, “If anyone wants to do it, no amount of protection is enough. All a man needs is a willingness to trade his life for mine." While the discussion regarding 1-877-542-7233 civility during public discourse is interesting, I prefer to focus on the more tangible issue of “What do we do if we’re present when it happens?” Ken Hilte, MSM, Chief Of Police Department of Public Safety 5675 South Academy Blvd., A-100 Colorado Springs, CO 80906 Another Spree Shooter The January 24, 2011, issue of Time magazine reports that the emotionally disturbed Tucson gunman fired 31 rounds in 15 seconds. Nineteen people were wounded and six died. Reports indicate that while Congresswoman Gabrielle Giffords was the shooter’s intended and first victim, shooting her from a distance of two - three feet, the remaining victims were struck as the shooter randomly fired rounds at the crowd. The shooter was stopped when bystanders, men and women alike, pounced on him. -
Rescue & Restore Damaged Audio
CineSoundPro TM CREATIVE AUDIO FOR VISUAL MEDIA WWW.HDVIDEOPRO.COM Audio Artist On The Making Contents Of Futurama Features 76 BIG SOUNDS FROM THE SMALL STUDIO Emile D. Menasché talks about creating the score for Incident in New Baghdad By George Petersen 80 BREAK FREE OF THE DIN Sound-restoration software for production noise problems By George Petersen 86 AUDIO ANIMATION Futurama Series Editor Rescue & Restore Paul D. Calder shares the challenges and triumphs of audio production for the show By George Petersen Damaged Audio Departments 70 NEWS & VUS: Software solutions Useful information sound that will save your pros need to know dialogue and 72 EQUALIZERS: background tracks New gear to give you an edge 84 INSIDE TRACK: GET CLEAR SOUND Essential accessories for location recording will prepare you to shoot anywhere By George Petersen Cool Mics & Hot Equipment! See Page 72 SPECIAL SECTION VISIT US AT NAB (CineSoundPro I News) CENTRAL HALL #C2632 News & VUs Useful information sound pros need to know | By George Petersen 15 YEARS OF SILENCE FOR ADR, STUDIOS AND VOICE-OVERS This year marks the 15th anniver- sary of VocalBooth.com, a leading supplier of portable, modular sound rooms, studios and recording booths. The company was founded by singer- songwriter Calvin Mann, who want- ed more control and sound isolation for his recordings, so out of this need, he created his own modular sound VocalBooth™ room—the first VocalBooth™. modular sound Modular and portable by design, rooms can be moved and VocalBooth can be moved, re- easily modified arranged and upgraded when nec- or upgraded as essary—unlike hard-built booths. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Introduction
Introduction Mircea Pitici In the fourth annual volume of The Best Writing on Mathematics series, we present once again a collection of recent articles on various aspects re- lated to mathematics. With few exceptions, these pieces were published in 2012. The relevant literature I surveyed to compile the selection is vast and spread over many publishing venues; strict limitation to the time frame offered by the calendar is not only unrealistic but also undesirable. I thought up this series for the first time about nine years ago. Quite by chance, in a fancy, and convinced that such a series existed, I asked in a bookstore for the latest volume of The Best Writing on Mathematics. To my puzzlement, I learned that the book I wanted did not exist—and the remote idea that I might do it one day was born timidly in my mind, only to be overwhelmed, over the ensuing few years, by unusual ad- versity, hardship, and misadventures. But when the right opportunity appeared, I was prepared for it; the result is in your hands. Mathematicians are mavericks—inventors and explorers of sorts; they create new things and discover novel ways of looking at old things; they believe things hard to believe, and question what seems to be obvi- ous. Mathematicians also disrupt patterns of entrenched thinking; their work concerns vast streams of physical and mental phenomena from which they pick the proportions that make up a customized blend of ab- stractions, glued by tight reasoning and augmented with clues glanced from the natural universe. This amalgam differs from one mathemati- cian to another; it is “purer” or “less pure,” depending on how little or how much “application” it contains; it is also changeable, flexible, and adaptable, reflecting (or reacting to) the social intercourse of ideas that influences each of us. -
Toxicological Profile for Glyphosate Were
A f Toxicological Profile for Glyphosate August 2020 GLYPHOSATE II DISCLAIMER Use of trade names is for identification only and does not imply endorsement by the Agency for Toxic Substances and Disease Registry, the Public Health Service, or the U.S. Department of Health and Human Services. GLYPHOSATE III FOREWORD This toxicological profile is prepared in accordance with guidelines developed by the Agency for Toxic Substances and Disease Registry (ATSDR) and the Environmental Protection Agency (EPA). The original guidelines were published in the Federal Register on April 17, 1987. Each profile will be revised and republished as necessary. The ATSDR toxicological profile succinctly characterizes the toxicologic and adverse health effects information for these toxic substances described therein. Each peer-reviewed profile identifies and reviews the key literature that describes a substance's toxicologic properties. Other pertinent literature is also presented, but is described in less detail than the key studies. The profile is not intended to be an exhaustive document; however, more comprehensive sources of specialty information are referenced. The focus of the profiles is on health and toxicologic information; therefore, each toxicological profile begins with a relevance to public health discussion which would allow a public health professional to make a real-time determination of whether the presence of a particular substance in the environment poses a potential threat to human health. The adequacy of information to determine a substance's -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
THTR 470 Sketch Syllabus Fall 18
Sketch Comedy for Theatre USCSchool of THTR-470 (2 units) Section 63081 Dramatic Arts Fall 2018 Mondays & Wednesdays 12-1:50pm Location: MCC 107 Kirstin Eggers, Adjunct Faculty Office: MCC 214 Office Hours: By appointment. Please schedule via email. Email: [email protected] Phone: (c) 323.898.7388 Course Description and Overview “The duty of comedy is to correct men by amusing them.” — Molière In this experiential writing and performance workshop course, we will explore and develop our comedic voices via the creation of comedic sketches, through the entire process — from idea generation, to writing, rewriting, rehearsal, and finally production and performance of a fully realized sketch comedy show, with an emphasis on comedic collaboration and ensemble building. Learning Objectives Throughout this course, we will work to develop our comedic voices through the medium of sketch — comedic explorations of concepts, characters and situations. We will learn sketch writing structure through the study of prominent existing sketches, and techniques for sketch performance and character creation. Students are expected to generate a high volume of comedic concepts and written material to serve their own creative exploration, and their own work ethic and writing practice. Students are also expected to serve the needs of the group, and work toward building a true comedy ensemble. Although we will be working toward a final workshop presentation, this course is focused on process over product — you are not expected to be funny 100% of the time, or even 10% of the time. You are expected to be brave, be open-minded, and stretch out of your comfort zone to explore and strengthen your own unique comedic voice. -
Weekday Daytime March 19 to March 23
WEEKDAY DAYTIME MARCH 19 TO MARCH 23 S1 – DISH S2 - DIRECTV 9 AM 9:30 10 AM 10:30 11 AM 11:30 12 PM 12:30 1 PM 1:30 2 PM 2:30 3 PM 3:30 4 PM 4:30 5 PM 5:30 S1 S2 WSAZ Today Show II Live! With Kelly Today Show III WSAZ Griffith Days of Our Lives Million.. Million.. Ellen DeGeneres The Dr. Oz Show WSAZ News 3 3 WLPX Bible Fellow. Paid Paid Shepherd's Chapel Various Various Various Movie M F Lethal Weapon 4 C.Mind Movie C.Mind/GGhost/CCase 29 - TV10 Eye Crime Various Movies Paid Southw. Your Health Various Various J. Hanna Gr. Acres Daniel Boone Country News - - WCHS Anderson Nate Berkus Show The View Eyewitness News The Chew The Revolution General Hospital The People's Court Judy Judy 8 8 WVAH Paid Paid Maury The People's Court Judge Mathis Brown Brown Feud Feud Maury Jerry Springer Steve Wilkos Show 11 11 WOWK Rachael Ray Show Let's Make a Deal The Price Is Right 13 News Young & Restless B & B The Talk The Doctors Dr. Phil 13 News WV Live 13 13 WKYT Live! With Kelly 27 News Griffith The Price Is Right 27 News 27 News Young & Restless The Talk Let's Make a Deal Anderson 27 News 27 News - - WHCP Jeremy Kyle Cheaters Cheaters Jeremy Kyle Cops Cops Alex Alex Divorce Divorce Lifechan Lifechan Rose. Rose. Queens Queens - - WTSF Various Marilyn Various J. Prince Various Life Celebration Reflect. Various Various Reflect. J. Prince B.Hinn Various Winston Various Various - - KET SuperW! DinoT Sesame Street Sid W.World Raggs Clifford Guiding Pre-GED Various Cat/ Hat George Speaks Arthur WordGirl Wild K. -
The Saga of Amelia Earhart – Leading Women Into Flight Emilio F
The Journal of Values-Based Leadership Volume 12 Article 17 Issue 2 Summer/Fall 2019 July 2019 The aP ssion to Fly and to the Courage to Lead: The Saga of Amelia Earhart – Leading Women into Flight Emilio F. Iodice [email protected] Follow this and additional works at: https://scholar.valpo.edu/jvbl Part of the Business Commons Recommended Citation Iodice, Emilio F. (2019) "The asP sion to Fly and to the Courage to Lead: The aS ga of Amelia Earhart – Leading Women into Flight," The Journal of Values-Based Leadership: Vol. 12 : Iss. 2 , Article 17. Available at: http://dx.doi.org/10.22543/0733.122.1285 Available at: https://scholar.valpo.edu/jvbl/vol12/iss2/17 This Case Study is brought to you for free and open access by the College of Business at ValpoScholar. It has been accepted for inclusion in The ourJ nal of Values-Based Leadership by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. The Passion to Fly and to the Courage to Lead The Saga of Amelia Earhart – Leading Women into Flight EMILIO IODICE, ROME, ITALY Amelia Earhart, 1937, Courtesy, National Portrait Gallery, Washington, DC In Her Own Words Everyone has oceans to fly, if they have the heart to do it. Is it reckless? Maybe. But what do dreams know of boundaries? Never interrupt someone doing something you said couldn’t be done. Some of us have great runways already built for us. If you have one, take off! But if you don’t have one, realize it is your responsibility to grab a shovel and build one for yourself and for those who will follow after you. -
See More of Our Credits
ANIMALS FOR HOLLYWOOD PHONE: 661.257.0630 FAX: 661.269.2617 BEAUTIFUL BOY OLD MAN AND THE GUN ONCE UPON A TIME IN VENICE DARK TOWER HOME AGAIN PUPSTAR 1 & 2 THE HATEFUL EIGHT 22 JUMP STREET THE CONJURING 2 PEE-WEE’S BIG HOLIDAY DADDY’S HOME WORLD WAR Z GET HARD MORTDECAI 96 SOULS THE GREEN MILE- WALKING THE PURGE: ANARCHY DON’T WORRY, HE WON’T GET THE MILE FAR ON FOOT THE LONE RANGER DUE DATE THE FIVE YEAR ENGAGEMENT ZERO DARK THIRTY THE CONGRESS MURDER OF A CAT THE DOGNAPPER OBLIVION HORRIBLE BOSSES CATS AND DOGS 2 – THE SHUTTER ISLAND POST GRAD REVENGE OF KITTY GALORE THE DARK KNIGHT RISES YOU AGAIN THE LUCKY ONE HACHIKO FORGETTING SARAH MARSHALL TROPIC THUNDER MAD MONEY OVER HER DEAD BODY THE HEARTBREAK KID UNDERDOG STUART LITTLE THE SPIRIT REXXX – FIREHOUSE DOG THE NUMBER 23 IN THE VALLEY OF ELAH YEAR OF THE DOG CATS AND DOGS MUST LOVE DOGS CATWOMAN BLADES OF GLORY STUART LITTLE 2 PIRATES OF THE CARIBBEAN P I RA T ES O F THE CARIBBEAN PIRATES OF THE CARIBBEAN – - THE CURSE OF THE – DEAD MAN’S CHEST WORLD’S END BLACK PEARL CHEAPER BY THE DOZEN 2 THE DEPARTED EVERYTHING IS ILLUMINATED THE PACIFIER ALABAMA MOON RUMOR HAS IT NATIONAL TREASURE ELIZABETHTOWN ALONE WITH HER PETER PAN THE GREEN MILE TROY WALK THE LINE THE HOLIDAY RAISING HELEN MOUSE HUNT CHRISTMAS WITH THE CRANKS OPEN RANGE BATMAN AND ROBIN THE MEXICAN PAULIE BUDDY KATE AND LEOPOLD WILLARD Animals for Hollywood - ph. 661.257.0630 e-mail: [email protected] pg. -
Cinematic Specific Voice Over
CINEMATIC SPECIFIC PROMOS AT THE MOVIES BATES MOTEL BTS A&E TELEVISION NETWORKS CHOZEN S1 --- IN THEATER "TURN OFF CELL PHONE" MESSAGE FX NETWORKS E!: BELL MEDIA WHISTLER FILM FESTIVAL TRAILER BELL MEDIA AGENCY FALLING SKIES --- CLEAR GAZE TEASE TNT HOUSE OF LIES: HANDSHAKE :30 SHOWTIME VOICE OVER BEST VOICE OVER PERFORMANCE ALEXANDER SALAMAT FOR "GENERATIONS" & "BURNOUT" ESPN ANIMANIACS LAUNCH THE HUB NETWORK JUNE STUNT SPOT SHOWTIME LEADERSHIP CNN NATIONAL GEOGRAPHIC CHANNEL SUMMER IMAGE "LIFE" SHAW MEDIA INC. Page 1 of 68 TELEVISION --- VIDEO PRESENTATION: CHANNEL PROMOTION GENERAL CHANNEL IMAGE SPOT GENERIC :45 RED CARPET IMAGE FOX BROADCASTING COMPANY HAPPY DAYS FOX SPORTS MARKETING HOLIDAY CAMPAIGN TELEMUNDO MEDIA MUCH: TMC --- SERENA RYDER BELL MEDIA AGENCY SUMMER BY BRAVO DESERT ISLAND :60 BRAVO GENERAL CHANNEL IMAGE CAMPAIGN COMPETITIVE CAMPAIGN DIRECTV DISCOVERY BRAND ANTHEM DISCOVERY, RADLEY, BIGSMACK FOX SPORTS 1 LAUNCH CAMPAIGN FOX SPORTS MARKETING LAUNCH CAMPAIGN PIVOT THE HUB NETWORK'S SUMMER CAMPAIGN THE HUB NETWORK ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE SPOT BRAG PHOTOBOOTH CBS TELEVISION NETWORK BRAND SPOT A&E TELEVISION NETWORKS Page 2 of 68 NBC 2013 SEASON NBCUNIVERSAL SUMMER BY BRAVO DESERT ISLAND :60 BRAVO ZTÉLÉ – HOSTS BELL MEDIA INC. ART DIRECTION & DESIGN: GENERAL CHANNEL IMAGE CAMPAIGN NICKELODEON HALLOWEEN IDS 2013 NICKELODEON HOLIDAY CAMPAIGN TELEMUNDO MEDIA NICKELODEON KNIT HOLIDAY IDS 2013 NICKELODEON SUMMER BY BRAVO DESERT ISLAND CAMPAIGN BRAVO NICKELODEON SUMMER IDS 2013 NICKELODEON GENERAL CHANNEL IMAGE SPOT --- LONG FORMAT "WE ARE IT" NUVOTV AN AMERICAN COACH IN LONDON NBC SPORTS AGENCY GENERIC: FBC COALITION SIZZLE (1:49) FOX BROADCASTING COMPANY PBS UPFRONT SIZZLE REEL PBS Page 3 of 68 WHAT THE FOX! FOX BROADCASTING CO.