Congressional Dysfunction, Executive Action, and Climate Change in Comparative Perspective
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Seven Unveils Content Plans for 2019
SEVEN UNVEILS CONTENT PLANS FOR 2019 Slate includes new Bevan Lee drama and two supersized reality hits Geraldine Hakewill, Joel Jackson and Catherine McClements headline Miss Fisher spin-off MKR’s 10th anniversary season to launch the year “Top Gear meets food” in new Gordon Ramsay series New overseas dramas feature screen heavyweights Martin Clunes, Sheridan Smith, Kelsey Grammer and more (Sydney, Friday October 26): The Seven Network today unveiled its content plans for 2019. Four new local dramas, including the next offering from creator Bevan Lee; two supersized reality hits; a female spinoff to one of the year’s most heart-warming hits and the landmark 10th season of one of Australia’s biggest shows are just some of the programs set to take Seven into its 13th consecutive year of leadership. Commenting, Seven’s Director of Network Programming Angus Ross said: “After a close win last year, we promised to up our game in 2018, and the team has delivered in spades. We’ve broken records and dominated the ratings throughout the year. In fact, in every month we have never dropped below a 39% share, while our competitors have never been above 39%. Our worst is still better than their best. “What’s particularly pleasing is that this success is down to the strength and depth of our programming across the board. From 6am to midnight, we have the strongest spine of ratings winners, bar none. And with the AFL and Cricket locked up until 2022, Seven can guarantee those mass audiences, and certainty for our advertisers, for years to come.” NEW TO SEVEN IN 2019 BETWEEN TWO WORLDS From Australia’s most prolific creator/writer Bevan Lee (Packed to the Rafters, A Place To Call Home, All Saints, Winners & Losers, Always Greener) comes an intense, high concept contemporary drama series about two disparate and disconnected worlds, thrown together by death and a sacrifice in one and the chance for new life in the other. -
Privatization Examining the Potential Solutions to FAA Reform
Summer 2015 | VOLUME 57, NO. 2 Privatization Examining the Potential Solutions to FAA Reform Plus • A Cost-Effective Approach to ATM Modernization • The Career of Nevil Shute Norway • Remote Tower Systems – A Domestic and International Conversation JMA Solutions is a pioneering government contractor • Air Traffic Management whose primary focus is Program Management, • Engineering Services Engineering Services, Financial and Air Traffic • Financial Management Management. JMA is committed to meeting customer • Curriculum Development and Design requirements and exceeding expectations by providing • Conference Planning knowledgeable, seasoned professionals who offer exceptional service and support to our government • Safety Management & Information Assurance clients. Our commitment to excellence and unparalleled • Strategic Management & Planning customer service has earned us a proven track record of • Web Development & Graphic Design successfully delivering outstanding results. Service Disabled Veteran 8(a) Certified Twitter/JMA_Solutions YouTube / The JMASolutions LinkedIn / jma-solutions Woman Owned Small Business 600 Maryland Ave. SW, Suite 400 E, Washington, D.C. 20024 • Phone: 202-465-8205 • www.jma-solutions.com ATCA members and subscribers have access to the online edition of The Journal of Air Traffic Control. Visit lesterfiles.com/ pubs/ATCA. Password: ATCAPubs (case Contents sensitive). Summer 2015 | Vol. 57, No. 2 Articles Published for: 09 Managed Services Air Traffic Control Association 1101 King Street, Suite 300 A Cost-Effective -
Introduction to Volume 1 the Senators, the Senate and Australia, 1901–1929 by Harry Evans, Clerk of the Senate 1988–2009
Introduction to volume 1 The Senators, the Senate and Australia, 1901–1929 By Harry Evans, Clerk of the Senate 1988–2009 Biography may or may not be the key to history, but the biographies of those who served in institutions of government can throw great light on the workings of those institutions. These biographies of Australia’s senators are offered not only because they deal with interesting people, but because they inform an assessment of the Senate as an institution. They also provide insights into the history and identity of Australia. This first volume contains the biographies of senators who completed their service in the Senate in the period 1901 to 1929. This cut-off point involves some inconveniences, one being that it excludes senators who served in that period but who completed their service later. One such senator, George Pearce of Western Australia, was prominent and influential in the period covered but continued to be prominent and influential afterwards, and he is conspicuous by his absence from this volume. A cut-off has to be set, however, and the one chosen has considerable countervailing advantages. The period selected includes the formative years of the Senate, with the addition of a period of its operation as a going concern. The historian would readily see it as a rational first era to select. The historian would also see the era selected as falling naturally into three sub-eras, approximately corresponding to the first three decades of the twentieth century. The first of those decades would probably be called by our historian, in search of a neatly summarising title, The Founders’ Senate, 1901–1910. -
Bicameralism in the New Zealand Context
377 Bicameralism in the New Zealand context Andrew Stockley* In 1985, the newly elected Labour Government issued a White Paper proposing a Bill of Rights for New Zealand. One of the arguments in favour of the proposal is that New Zealand has only a one chamber Parliament and as a consequence there is less control over the executive than is desirable. The upper house, the Legislative Council, was abolished in 1951 and, despite various enquiries, has never been replaced. In this article, the writer calls for a reappraisal of the need for a second chamber. He argues that a second chamber could be one means among others of limiting the power of government. It is essential that a second chamber be independent, self-confident and sufficiently free of party politics. I. AN INTRODUCTION TO BICAMERALISM In 1950, the New Zealand Parliament, in the manner and form it was then constituted, altered its own composition. The legislative branch of government in New Zealand had hitherto been bicameral in nature, consisting of an upper chamber, the Legislative Council, and a lower chamber, the House of Representatives.*1 Some ninety-eight years after its inception2 however, the New Zealand legislature became unicameral. The Legislative Council Abolition Act 1950, passed by both chambers, did as its name implied, and abolished the Legislative Council as on 1 January 1951. What was perhaps most remarkable about this transformation from bicameral to unicameral government was the almost casual manner in which it occurred. The abolition bill was carried on a voice vote in the House of Representatives; very little excitement or concern was caused among the populace at large; and government as a whole seemed to continue quite normally. -
Imagereal Capture
FEDERAL DEADLOCKS : ORIGIN AND OPERATION OF SECTION 57 By J. E. RICHARDSON* This article deals with the interpretation of section 57 of the Con- stitution, and the consideration of deadlocks leading to the framing of a section at the Federal Convention Debates in Sydney in 1891 and in the three sessions held at Adelaide, Sydney and Melbourne respectively in 1897-8. It also includes a short assessment of the operation of section 57 since federation. Section 57 becomes explicable only after the nature of Senate legislative power as defined in section 53 is understood. Accordingly, the article commences by examining Senate legislative power. The two sections read: '53. Proposed laws appropriating revenue or moneys, or imposing taxation, shall not originate in the Senate. But a proposed law shall not be taken to appropriate revenue or moneys, or to impose taxation, by reason only of its containing provisions for the imposition or appropriation of fines or other pecuniary penalties, or for the demand or payment or appropriation of fees for licences, or fees for services under the proposed law. The Senate may not amend proposed laws imposing taxation, or propoaed laws appropriating revenue or moneys for the ordinary annual services of the Government. The Senate may not amend any proposed law so as to increase any pro- posed charge or burden on the people. The Senate may at any stage return to the House of Representatives any proposed law which the Senate may not amend, requesting, by message, the omission or amendment of any items or provisions therein. And the House of Representatives may, if it thinks fit, make any of such omissions or amendments, with or without modifications. -
CLEAN ENERGY ACT 2011 (Cth) V RENEWABLE ENERGY (ELECTRICITY) ACT 2000 (Cth)
A TALE OF TWO TAXES: CLEAN ENERGY ACT 2011 (Cth) v RENEWABLE ENERGY (ELECTRICITY) ACT 2000 (Cth) ALEXANDER ROBERT (‘LEX’) FULLARTON* 01 June 2018 * M Com (Curtin), PhD (UNSW), Adjunct Professor, Curtin Business School, Curtin University, Lex.Fullarton@ curtin.edu.au. Lex Fullarton is a former provincial tax practitioner and is also a solar farmer as well as an accredited agent and solar pv installation designer with the Australian Clean Energy Regulator. Abstract Firstly, this paper defines a tax to establish a definition of a carbon tax and then examines the Clean Energy Act 2011 (Cth) (CE Act), which is considered to be a carbon tax. Secondly, it examines the Australian Renewable Energy (Electricity) Act 2000 (Cth) (REE Act) to ascertain if it functions as a tax on greenhouse gas emissions and is therefore also a carbon tax. It examines both pieces of legislation to compare and contrast them to establish the view that the REE Act is not a quota based system to limit greenhouse gas emissions (a ‘cap and trade’ system) but rather it is a carbon tax system. To do that the paper investigates various definitions of tax. It compares those definitions with the legislative intent and functions of the REE Act to answer the question – is the REE Act a carbon tax system? It concludes that the provisions of the REE Act function as a form of carbon tax. It also concludes that tax revenue, sourced from an excise on fossil fuel generated electricity, is specifically directed by government to a particular purpose – the revenue is hypothecated to support the burgeoning renewable energy industry in Australia. -
Direct Action: Paying Polluters to Halt Global Warming?
Chapter 3 The Clean Energy Package and the impact of its proposed repeal Policy background 3.1 On 27 September 2010, Prime Minister the Hon Julia Gillard announced that a Multi-Party Climate Change Committee (MPCC) would be established to explore options for implementing a carbon price and to build consensus on how Australia will tackle the challenge of climate change.1 3.2 The MPCC was chaired by the Prime Minister and was comprised of members of the Australian Labor Party, the Australian Greens and independent members of the House of Representatives, Mr Tony Windsor and Mr Rob Oakeshott. The committee was assisted by a panel of expert advisers including Ms Patricia Faulkner AO, Professor Ross Garnaut AO, Mr Rod Sims and Professor Will Steffen.2 3.3 On 10 July 2011, the MPCC released the Clean Energy Agreement (the Agreement) to reduce carbon pollution.3 In the Agreement the MPCC recognised that 'cuts in global pollution are necessary to reduce the risks posed by unmitigated climate change'.4 It noted that for Australia, 'these risks are large, threatening our economy, our natural heritage (including icons such as the World Heritage listed Great Barrier Reef), food security, and our way of life'.5 3.4 The Agreement recommended that a broad based carbon price be introduced into Australia commencing from 1 July 2012 with a fixed price before transitioning to 1 Department of Environment, Feature: Multi-Party Climate Change Committee, http://www.climatechange.gov.au/about-us/annual-reports/annual-report-2010-11/feature- multi-party-climate-change-committee (accessed 24 February 2014). -
SWT 2003-04 Areport.Indd
2003 – 2004 Annual Report INVESTING IN CONTENT / FOR WORLD SCREENS VISION To lead the West Australian screen industry to a level of creative and commercial success which is a source of pride and opportunity for all Western Australians. SCREENWEST’S ROLE ScreenWest’s role as described in its Constitution is to: • Encourage and promote the development of the Western Australian screen industry encompassing every aspect of filmmaking. • Administer financial and other assistance provided by the Government of Western Australia or other public. • Assist with the development of film scripts and film projects for production in Western Australia. • Encourage a viable and diverse screen culture in Western Australia including the promotion of Western Australian film projects, practitioners, issues, exhibitions and facilities. • Develop an awareness of the Western Australian film industry on a national and international level and assist practitioners in the Western Australian film industry to a national and international focus. • Keep itself informed of new technological developments in all aspects of filmmaking and assist practitioners in the Western Australian film industry in expanding their technical, professional and creative skills. ScreenWest considers its role is to work with the screen industry to develop relationships with key strategic partners and create new initiatives in order to expand and strengthen the WA screen industry. Accordingly, ScreenWest is identifying new market opportunities, providing incentive funding and identifying skill -
Download July 2011 Newsletter Here
www.NYSPANA.NET Newsletter of the New York State PeriAnesthesia Nurses Association Volume 33 No. 2 July 2011 My Turning Point “Into every life a little rain must fall”. This never had so many co-workers react to What I have learned from this whole is a little something my grandmother someone leaving and actually gave me experience is that negative feelings hurt, always told me, especially when life wasn’t concrete reasons why I should stay. She always. They create a stress only you have running as smoothly as I would like it. I asked me what I thought I would gain, the power to change. It takes so much wasn’t happy in my everyday life, my what I might lose, and put it in perspective. energy to hold on to all that baggage, all work life, my family life. I was restless. I I hadn’t really thought it through. I thought those “hard feelings”. My only regret is carried lots of baggage from a previous no one really cared whether I stayed or left. not seeing it sooner. Last but not least I employment and was searching, searching, Again, the baggage…I hadn’t given my would like to thank my co-workers: searching for something better out there. current facility a chance to really know Claudia R, Kristie, Mike, Roxanne, Jo, “The grass is always greener on the other me. I stayed away from work related Maria, Barb, Mary F., Cheryl, Mary G., side of the fence”, she would say. Or so it functions always saying, “I don’t mix Mary W., Mary B., Marcia, Fay, Jenna, seems. -
Leadership and the Australian Greens
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online @ ECU Edith Cowan University Research Online ECU Publications Post 2013 1-1-2014 Leadership and the Australian Greens Christine Cunningham Edith Cowan University, [email protected] Stewart Jackson Follow this and additional works at: https://ro.ecu.edu.au/ecuworkspost2013 Part of the Leadership Studies Commons, and the Political Science Commons 10.1177/1742715013498407 This is an Author's Accepted Manuscript of: Cunningham, C., & Jackson, S. (2014). Leadership and the Australian Greens. Leadership, 10(4), 496-511. Reprinted by permission of SAGE Publications. Available here. This Journal Article is posted at Research Online. https://ro.ecu.edu.au/ecuworkspost2013/26 Leadership and the Australian Greens Christine Cunningham School of Education, Education and the Arts Faculty, Edith Cowan University, Australia Stewart Jackson Department of Government and International Relations, Faculty of Arts, The University of Sydney, Australia Abstract This paper examines the inherent tension between a Green political party’s genesis and official ideology and the conventional forms and practices of party leadership enacted in the vast bulk of other parties, regardless of their place on the ideological spectrum. A rich picture is painted of this ongoing struggle through a case study of the Australian Greens with vivid descriptions presented on organisational leadership issues by Australian state and federal Green members of parliaments. What emerges from the data is the Australian Green MPs’ conundrum in retaining an egalitarian and participatory democracy ethos while seeking to expand their existing frame of leadership to being both more pragmatic and oriented towards active involvement in government. -
Nearly All About Kevin: the Election As Drawn by Australian Cartoonists
10. Nearly All About Kevin: The election as drawn by Australian cartoonists Haydon Manning and Robert Phiddian In her account of the Danish cartoon furore of 2005, Klausen (2009: 6) notes that ‘political cartoons tell a story or make a comment on current events’, and ‘use exaggerated physiognomic features to make a statement about the fundamental nature of a person or thing’. On the subject of ‘person’, it is our contention that the cartoons of the 2013 election broadly mirrored the wider campaign, particularly in focusing on the nature and antics of Prime Minister Rudd and less on those of his challenger, Tony Abbott. To all dispassionate spectators, 2013 was an election where a change of government was all but guaranteed, but the newly reminted PM clearly believed that a miracle resurrection of Labor’s fortunes was possible. As Peter Hartcher (2013), a regular media confidant of Rudd, wrote after the election: ‘He did not insist that he would challenge only if election victory were guaranteed; he told his most senior supporters that he was prepared to run if Labor had a 30 per cent chance of winning the election’. Whether or not this was a realistic possibility, the cartoonists (in their role as instant graphic historians in the wide range of capital city and regional newspapers surveyed for this chapter) duly told the story that Rudd tried and failed to make the running while Abbott mostly succeeded in playing the disciplined small target. So in relation to the lower house contest the cartoonists generally told an accurate if unsurprising story centred on personalities. -
Download the Press
Screen Australia and SBS present in association with Screen NSW, A Blackfella Films Production Media Kit as at 12.7.16 SBS Publicist Natalie Dubois T 02 9430 3824 M 0422 447 168 E [email protected] About the Production Two of Australia’s leading actors with international acclaim, Noah Taylor (Game of Thrones, Peaky Blinders) and Yael Stone (Orange is the New Black), star in SBS’s new Australian crime drama series, Deep Water. The four-hour crime thriller also stars William McInnes (The Time of Our Lives, The Slap), Danielle Cormack (Wentworth, Rake, Miss Fisher’s Murder Mysteries), Jeremy Lindsay Taylor (Gallipoli, Puberty Blues, Sea Patrol), Craig McLachlan (The Doctor Blake Mysteries), Dan Spielman (The Code, Accidental Soldier, Offspring), Ben Oxenbould (The Kettering Incident, Old School, Rake), Simon Burke (Devil’s Playground), John Brumpton (Catching Milat, Miss Fisher’s Murder Mysteries) and Victoria Haralabidou (The Code, East West 101, All Saints), Simon Elrahi (The Code), George H. Xanthis (The Principal) and Julian Maroun. From Blackfella Films, the producers of both the awarding-winning drama Redfern Now and factual program First Contact, Deep Water is SBS’s first cross-genre, cross-platform event which includes a four-part drama series, a feature documentary and unique online web series and content. The edge-of-your-seat drama was executive produced by SBS’s Sue Masters and produced by Blackfella Films’ Miranda Dear and Darren Dale (Redfern Now, Mabo, Ready For This) and written by Kris Wyld (East West 101) and Kym Goldsworthy (Love Child, Serangoon Road). SBS Director of Television and Online Content, Marshall Heald said: “SBS is proud that this important drama has attracted Australia’s finest creative professionals both in front – and behind the camera.