Scriptures Are Replete with Testimony Concerning the Land Given to the Ancients, Which Would One Day Become the Consecrated Home of Our Founding Fathers
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Moroni: Angel Or Treasure Guardian? 39
Mark Ashurst-McGee: Moroni: Angel or Treasure Guardian? 39 Moroni: Angel or Treasure Guardian? Mark Ashurst-McGee Over the last two decades, historians have reconsidered the origins of The Church of Jesus Christ of Latter-day Saints in the context of the early American tradition of treasure hunting. Well into the nineteenth century there were European Americans hunting for buried wealth. Some believed in treasures that were protected by magic spells or guarded by preternatural beings. Joseph Smith, founding prophet of the Church, had participated in several treasure-hunting expeditions in his youth. The church that he later founded rested to a great degree on his claim that an angel named Moroni had appeared to him in 1823 and showed him the location of an ancient scriptural record akin to the Bible, which was inscribed on metal tablets that looked like gold. After four years, Moroni allowed Smith to recover these “golden plates” and translate their characters into English. It was from Smith’s published translation—the Book of Mormon—that members of the fledgling church became known as “Mormons.” For historians of Mormonism who have treated the golden plates as treasure, Moroni has become a treasure guardian. In this essay, I argue for the historical validity of the traditional understanding of Moroni as an angel. In May of 1985, a letter to the editor of the Salt Lake Tribune posed this question: “In keeping with the true spirit (no pun intended) of historical facts, should not the angel Moroni atop the Mormon Temple be replaced with a white salamander?”1 Of course, the pun was intended. -
Mormon Miracle 2018
June 14-16, 19-23, 2018 1 Trust in the Lord and whatsoever he sayeth Supplement to the unto you, do it. Sanpete Messenger Prepared in cooperation based on John 2:1-6 with Mormon Miracle Pageant presidency Special feature: Christ-in-America scene p. 20 FREE One per family The voice behind “A poor wayfaring man of grief: p. 26 ©2018 Sanpete News Co. The spiritual dimension of the pageant p. 32 Cover photo by Nick Marsing 2 June 14-16, 19-23, 2018 Welcome to Manti n behalf of the Manti City Council and Manti is a wonderful place to live, work, play July celebration, the Sanpete County Fair, residents, I would like to welcome you and visit. Feel free to relax at one of our parks Manti Mountain ATV Run and annual Rat Oto the City of Manti. or cool off at our swimming pool. Stroll down Fink Reunion, or to experience our new city Founded in 1849, Manti is one of the oldest our historic Main Street and enjoy our shop- sports complex, currently under develop- communities in Utah, and was an important ping and restaurants. ment north of our historic city cemetery. spur for the sett lement of central and south- For the outdoor enthusiast, Manti off ers We hope you enjoy your visit to Man- ern Utah. Evidences of the early pioneer build- excellent camping, hunting, boating, fi shing, ti and invite you to come back soon. ers exist today in scores of rock buildings, hiking and ATV riding, all within a short dis- including homes, churches and public build- tance of our city center. -
MINERVA TEICHERT's JESUS at the HOME of MARY and MARTHA: REIMAGINING an ORDINARY HEROINE by Tina M. Delis a Thesis Project
MINERVA TEICHERT’S JESUS AT THE HOME OF MARY AND MARTHA: REIMAGINING AN ORDINARY HEROINE by Tina M. Delis A Thesis Project Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Arts Art History Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Department Chairperson ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2015 George Mason University Fairfax, VA Minerva Teichert’s Jesus at the Home of Mary and Martha: Reimagining an Ordinary Heroine A Thesis Project submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University by Tina M. Delis Bachelor of Arts George Mason University, 1987 Director: Ellen Wiley Todd, Professor Department of Art History Spring Semester 2015 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION For Jim, who teaches me every day that anything is possible if you have the courage to take the first step. iii ACKNOWLEDGEMENTS I would like to thank the many friends, relatives, and supporters who have made this happen. To begin with, Dr. Ellen Wiley Todd and Dr. Angela Ho who with great patience, spent many hours reading and editing several drafts to ensure I composed something I would personally be proud of. In addition, the faculty in the Art History program whose courses contributed to small building blocks for the overall project. Dr. Marian Wardle for sharing insights about her grandmother. Lastly, to my family who supported me in more ways than I could ever list. -
“The Pioneer's Heart: BYU-Pathway at Year
BYU-Pathway Worldwide Devotional September 24, 2019 “The Pioneer’s Heart: BYU-Pathway at Year 10” Clark G. Gilbert President of BYU-Pathway Worldwide Introduction I’m standing near the mouth of Emigration Canyon, where the first pioneers entered the Salt Lake Valley. “Those early pioneers brought a spirit of [humility and] frugality, a faith and optimism for the unknown, a longing for prophetic direction, and a spirit of personal sacrifice to their trek west.”i Today I would like to talk about how the Pioneer’s Heart shaped the development of BYU-Pathway and how it Can shape you on your own eduCational journey. The Creation of BYU-Pathway This year marks the 10th anniversary of the creation of BYU-Pathway Worldwide. LaunChed in 2009 as a simple pilot in three loCations with just 50 students, BYU-Pathway now touChes the entire ChurCh with over 45,000 students in more than 100 Countries. It was not by aCCident that BYU-Pathway would grow out of BYU-Idaho, an institution with its own pioneering heritage.ii The earliest concepts for Pathway were foCused on building a bridge to College through life skills Courses and job-foCused CertifiCates. Elder Kim B. Clark, then president of BYU-Idaho, sought counsel on those early impressions from the ChurCh Board of EduCation. Approval was granted to run limited pilots in Mesa, Arizona; Nampa, Idaho; and New York City. The Board’s decision to limit the early pilot sites proved providential because our early assumptions were a little bit right and a little bit wrong, and we needed time (and the humility) to learn and adapt. -
The Secret Mormon Meetings of 1922
University of Nevada, Reno THE SECRET MORMON MEETINGS OF 1922 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History By Shannon Caldwell Montez C. Elizabeth Raymond, Ph.D. / Thesis Advisor December 2019 Copyright by Shannon Caldwell Montez 2019 All Rights Reserved UNIVERSITY OF NEVADA RENO THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by SHANNON CALDWELL MONTEZ entitled The Secret Mormon Meetings of 1922 be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS C. Elizabeth Raymond, Ph.D., Advisor Cameron B. Strang, Ph.D., Committee Member Greta E. de Jong, Ph.D., Committee Member Erin E. Stiles, Ph.D., Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School December 2019 i Abstract B. H. Roberts presented information to the leadership of the Church of Jesus Christ of Latter-day Saints in January of 1922 that fundamentally challenged the entire premise of their religious beliefs. New research shows that in addition to church leadership, this information was also presented during the neXt few months to a select group of highly educated Mormon men and women outside of church hierarchy. This group represented many aspects of Mormon belief, different areas of eXpertise, and varying approaches to dealing with challenging information. Their stories create a beautiful tapestry of Mormon life in the transition years from polygamy, frontier life, and resistance to statehood, assimilation, and respectability. A study of the people involved illuminates an important, overlooked, underappreciated, and eXciting period of Mormon history. -
Origin, Rise, and Progress of Mormonism : Biography of Its
r?^. ^ DEC 6 1917 Sectioe TT 8^ SMITH'S ACCOUNT OF TAKING THE "GOLDEN BIBLE" FROM MORMON HILL. : ORIGIN, RISE, AND PROGRESS '• ^i^^^' ( DEC 6 19 MORMONISM^%5SlCAl ^i BIOGRAPHY OF ITS FOUNDERS AND HISTORY OF ITS CHURCH. PERSONAL REMEMBRANCES AND HISTORICAL COLLECTIONS HITHERTO UNWRITTEN. By POMEROY TUCKER, PALMYRA, N. T. NEW YORK D. APPLETON AND COMPANY. 443 & 445 BROADWAY. 1867. Entered, according to Act of Cougress, in the year 1S67, by POMEEOT TUCKEE, In the Clerk's Office of the District Court of the United States for the Northern District of New Tork. PREFACE MoRMONiSM, in its progress and maturity, has attained a conspicuous page in the annals of our century. Yet a fiiU account of the remarkable sect, beginning v/ith its origin and rise, and circumstantially disclosing the earlier designs and delusions of its founders, has hitherto re- mained unwritten. The facts and reminiscences contained in this volume, based upon the author's personal knowl- edge and information, are produced to fill the blank and supply the omitted chapters in Mormon history. Chronologically tracing the Church of Latter-D^y Saints, from its singularly humble starting-point, through a wonderfully successful career of domination by crafty leaders over blind infatuation, to its assumed dignity of a newly-revealed gospel dispensation, with its extraordinary hierarchal powers and pretensions, this truthfal narrative is necessary to the completion of the history from the foundation of the institution. Events and incidents, which at their occurrence were viewed by enlightened minds as too insimiificant for serious thouo-ht, are now rescued from oblivion for record and preservation, as important illus- 4 PREFACE. -
Fall 2019 Learning Evaluation the Theme of This Portfolio Is to Exemplify Precision, Alignment, and Organization
Portfolio of Work Matthew Stoddard Fall 2019 Learning Evaluation The theme of this portfolio is to exemplify precision, alignment, and organization. I felt like that was my biggest hurdle in print publication. The process of making content look and feel organ ized is no simple matter. It requires patience, persistence, and a willingness to learn and stretch your creativity. My understanding of those ideas has grown during this course. For instance, I learned how to better align content using grid lines in the InDesign program. I discovered how to line up col umns of text using a baseline grid, or even adjusting them in small increments of leading. I even learned how to create my own grid and gutters with proper margins. From that, I saw how to properly organize pictures with their associated captions or text. I especially learned the importance of organization and preci sion when it comes to cleaning up and copy fitting text. I saw how things like optical alignment, justifying text, and avoiding eyesores, like widows or orphans, makes a world of difference. I also saw how removing unnecessary white space or using proper characters produces a more polished piece. My skills of InDesign have definitely improved in those areas. Since I had to do it many times, cleaning up or copy fitting text has almost become second nature to me. In this portfolio, I think my magazine feature turned out the best. The reason is because it was the culmination of everything I’d learned in print publishing. Using correct margins, having good line lengths, choosing a good serif/sanserif typeface, utilizing proper hierarchy, accurately implementing the paragraph and character styles, taking advantage of layers, color correcting the images, etc. -
15 BYTES :: February 2008 :: Page 5
PAGE 1 PAGE 6 PAGE 2 PAGE 7 PAGE 3 PAGE 8 PAGE 4 PAGE 9 PAGE 5 PAGE 10 February 2008 Page 5 Recently Read Minerva Teichert: Pageants in Paint by Tom Alder One of the most remarkable monographs to have been written in recent years is Marian Wardle's Minerva Teichert: Pageants in Paint. That Wardle is the granddaughter of the venerable western and Mormon muralist is inconspicuous, and with exacting detail, Wardle has created the most important work to date about Minerva Teichert. Published in conjunction with the exhibition of the same name at Brigham Young University's Museum of Art, Wardle's masterful work is a precisioned arrangement of not only a credible biography and evocative coffee table book of 47 color plates, but also a comprehensive chronology (including an extensive catalogue raisonne), and Teichert's never-before published autobiography. It might be expected that a monumental treatment of Teichert's story by a family member, and published by Brigham Young University, would be a pallid re-telling of the spiritual side of Teichert, akin to a 1940s Relief Society manual; but Wardle freely narrates the salty side of Teichert as well as detailing some noteworthy disappointments in her life. However, Wardle resists writing an extensive account of many of the stories that have been re-told for decades. Yes, in her youth, Teichert slept with a gun under her pillow. Yes, she worked as a trick roper while studying in New York. 0 | 1 | 2 | 3 | 4 | 5 Yes, she often used her children's dates and any others who happened by the modest Cokeville, Organization Spotlight: Provo Wyoming home as models for some of her massive A Future for the Provo Gallery Stroll? and forceful murals. -
Claremont Mormon Studies J Newsletteri
Claremont Mormon Studies j NEWSLETTERi SPRING 2011 t IssUE NO . 4 A Claremont Sojourn IN THIS ISSUE BY Richard Bushman The End of Our Era PAGE 2 Howard W. Hunter Chair of Mormon Studies k laudia and I spent a year in Pas- enterprise. Mormon students iBlessed, Honored adena in 1997 and 1998 when I would comprise the bulk of the C Pioneers PAGE 2 started work on Joseph Smith: Rough seminar participants with a few Stone Rolling. At that time Interstate curious outsiders scattered in. The k 210 had not reached Claremont, and experiment has worked well. It Farewells to Richard and the town seemed a long way away. attracted a large group of inquisitive The last five miles or so on Foothill Latter-day Saints to the School of Claudia Bushman PAGES 2 & 3 Boulevard seemed to take forever. Religion. Claremont had always k Even so the beautiful campus made drawn Mormons but by this last the university alluring, a little aca- winter, Mormon students or non- Contributions to Mormon demic paradise well worth the trip. Mormons in the Mormon Studies Studies PAGE 4 Ten years later, when an offer came program constituted 20% of all k to teach here, it did not take much to active SOR students taking courses persuade us. or preparing for qualifying exams. Students Bid Farewell PAGE 7 We were drawn This core with their by the grand “The beautiful campus active program experiment Karen made the university of speakers and Torjesen and the alluring, a little conferences, and now The students had less of a School of Religion the institution of the problem adjusting to the academic were undertaking. -
Joseph Smith and Diabolism in Early Mormonism 1815-1831
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 5-2021 "He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831 Steven R. Hepworth Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the History of Religion Commons Recommended Citation Hepworth, Steven R., ""He Beheld the Prince of Darkness": Joseph Smith and Diabolism in Early Mormonism 1815-1831" (2021). All Graduate Theses and Dissertations. 8062. https://digitalcommons.usu.edu/etd/8062 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. "HE BEHELD THE PRINCE OF DARKNESS": JOSEPH SMITH AND DIABOLISM IN EARLY MORMONISM 1815-1831 by Steven R. Hepworth A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in History Approved: Patrick Mason, Ph.D. Kyle Bulthuis, Ph.D. Major Professor Committee Member Harrison Kleiner, Ph.D. D. Richard Cutler, Ph.D. Committee Member Interim Vice Provost of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2021 ii Copyright © 2021 Steven R. Hepworth All Rights Reserved iii ABSTRACT “He Beheld the Prince of Darkness”: Joseph Smith and Diabolism in Early Mormonism 1815-1831 by Steven R. Hepworth, Master of Arts Utah State University, 2021 Major Professor: Dr. Patrick Mason Department: History Joseph Smith published his first known recorded history in the preface to the 1830 edition of the Book of Mormon. -
The BOOK of MORMON
The BOOK Of MORMON An Account Written By THE HAND OF MORMON UPON PLATES TAKEN FROM THE PLATES OF NEPHI With Personal Insights, Indented Italics, Underlining and Bolding from Brenda L. High Wherefore, it is an abridgment of the record of the people of Nephi, and also of the Lamanites—Written to the Lamanites, who are a remnant of the house of Israel; and also to Jew and Gentile—Written by way of commandment, and also by the spirit of prophecy and of revelation—Written and sealed up, and hid up unto the Lord, that they might not be destroyed—To come forth by the gift and power of God unto the interpretation thereof—Sealed by the hand of Moroni, and hid up unto the Lord, to come forth in due time by way of the Gentile—The interpretation thereof by the gift of God. An abridgment taken from the Book of Ether also, which is a record of the people of Jared, who were scattered at the time the Lord confounded the language of the people, when they were building a tower to get to heaven—Which is to show unto the remnant of the House of Israel what great things the Lord hath done for their fathers; and that they may know the covenants of the Lord, that they are not cast off forever—And also to the convincing of the Jew and Gentile that JESUS is the CHRIST, the ETERNAL GOD, manifesting himself unto all nations—And now, if there are faults they are the mistakes of men; wherefore, condemn not the things of God, that ye may be found spotless at the judgment-seat of Christ. -
Wise Or Foolish: Women in Mormon Biblical Narrative Art
BYU Studies Quarterly Volume 57 Issue 2 Article 4 2018 Wise or Foolish: Women in Mormon Biblical Narrative Art Jennifer Champoux Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Part of the Mormon Studies Commons, and the Religious Education Commons Recommended Citation Champoux, Jennifer (2018) "Wise or Foolish: Women in Mormon Biblical Narrative Art," BYU Studies Quarterly: Vol. 57 : Iss. 2 , Article 4. Available at: https://scholarsarchive.byu.edu/byusq/vol57/iss2/4 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Champoux: Wise or Foolish Wise or Foolish Women in Mormon Biblical Narrative Art Jennifer Champoux isual imagery is an inescapable element of religion. Even those Vgroups that generally avoid figural imagery, such as those in Juda- ism and Islam, have visual objects with religious significance.1 In fact, as David Morgan, professor of religious studies and art history at Duke University, has argued, it is often the religions that avoid figurative imag- ery that end up with the richest material culture.2 To some extent, this is true for Mormonism. Although Mormons believe art can beautify a space, visual art is not tied to actual ritual practice. Chapels, for exam- ple, where the sacrament ordinance is performed, are built with plain walls and simple lines and typically have no paintings or sculptures. Yet, outside chapels, Mormons enjoy a vast culture of art, which includes traditional visual arts, texts, music, finely constructed temples, clothing, historical sites, and even personal devotional objects.