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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Superman-The Movie: Extended Cut the Music Mystery
SUPERMAN-THE MOVIE: EXTENDED CUT THE MUSIC MYSTERY An exclusive analysis for CapedWonder™.com by Jim Bowers and Bill Williams NOTE FROM JIM BOWERS, EDITOR, CAPEDWONDER™.COM: Hi Fans! Before you begin reading this article, please know that I am thrilled with this new release from the Warner Archive Collection. It is absolutely wonderful to finally be able to enjoy so many fun TV cut scenes in widescreen! I HIGHLY recommend adding this essential home video release to your personal collection; do it soon so the Warner Bros. folks will know that there is still a great deal of interest in vintage films. The release is only on Blu-ray format (for now at least), and only available for purchase on-line Yes! We DO Believe A Man Can Fly! Thanks! Jim It goes without saying that one of John Williams’ most epic and influential film scores of all time is his score for the first “Superman” film. To this day it remains as iconic as the film itself. From the Ruby- Spears animated series to “Seinfeld” to “Smallville” and its reappearance in “Superman Returns”, its status in popular culture continues to resonate. Danny Elfman has also said that it will appear in the forthcoming “Justice League” film. When word was released in September 2017 that Warner Home Video announced plans to release a new two-disc Blu-ray of “Superman” as part of the Warner Archive Collection, fans around the world rejoiced with excitement at the news that the 188-minute extended version of the film - a slightly shorter version of which was first broadcast on ABC-TV on February 7 & 8, 1982 - would be part of the release. -
The Impact of the Male Gaze and the Final Girl on Theatrical Conflict
Murray State's Digital Commons Liberal Arts Capstones College of Humanities and Fine Arts 12-2016 Rivalry in Toyer: The Impact of the Male Gaze and the Final Girl on Theatrical Conflict Sento Ashby Murray State University Follow this and additional works at: https://digitalcommons.murraystate.edu/lbacapstone Part of the Dramatic Literature, Criticism and Theory Commons Recommended Citation Ashby, Sento, "Rivalry in Toyer: The Impact of the Male Gaze and the Final Girl on Theatrical Conflict" (2016). Liberal Arts Capstones. 6. https://digitalcommons.murraystate.edu/lbacapstone/6 This Dissertation/Thesis is brought to you for free and open access by the College of Humanities and Fine Arts at Murray State's Digital Commons. It has been accepted for inclusion in Liberal Arts Capstones by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Rivalry in Toyer : The Impact of the Male Gaze and the Final Girl on Theatrical Conflict D. Vincent “Sento” Ashby Transcribed by Ardee Tebeal LBA 438 December 2016 ________________________________________ Matthew Crider, Mentor, Theatre ________________________________________ Dr. Barbara Cobb, Mentor, LBA Coordinator Table of Contents Selective Perceptions Influenced by Gender Norms 1 Phallocentrism, Iron Man 2, and Acting Method 2 Iron Man 2 3 Selective Perception and Gender Roles in “The Legends of Tomorrow” 8 Selective Perception 8 Feminism and Superheroes 13 The Final Girl 13 Batman v. Superman 14 Advertisement for X-Men: Apocalypse 16 Relevance of Current Literature to Stage Combat 16 Introduction to Toyer 17 Peter 17 Maude 21 The Male Gaze versus the Final Girl 24 References 27 Abstract Although much progress has been made in recent years, traditional gender roles still permeate society. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Ocean-Themed Resort Atlantis, the Palm, Gives
OCEAN-THEMED RESORT ATLANTIS, THE PALM, GIVES GUESTS AND VISITORS THE CHANCE TO LIVE LIKE THE SUPER HERO WITH THE ULTIMATE “AQUAMAN” MOVIE- INSPIRED PACKAGE As the official hotel partner of the Warner Bros. Pictures action adventure “Aquaman”, Atlantis is giving fans the chance to “breathe”, walk and live underwater, just like the aquatic DC Super Hero DUBAI, United Arab Emirates – Atlantis, The Palm in Dubai has partnered with Warner Bros. Pictures for the “Aquaman” movie launch, to give guests and visitors a taste of what it’s like to live the life of the aquatic Super Hero. The ocean-themed entertainment resort is offering fans a chance to harness Aquaman’s superpowers by “breathing” underwater and exploring the deep, with 20% off general online admission prices on all dive activities in The Ambassador Lagoon on visits from 12th December until 31st January 2019. Guests simply need to present an Aquaman movie ticket/receipt to redeem on activities including Atlantis Aquatrek, Ray Feeding, Shark Safari, Ultimate Snorkel, Dive Discovery, Dive Explorer and the chilling Predator Dive. Bookings can be made at The Lost Chambers Aquarium Ticketing Plaza or by calling 04 426 1040. As the official hotel partner of the movie, the iconic entertainment resort destination—which majestically rises from the Arabian Gulf—has also pulled together the ultimate “Aquaman Package”, giving guests the chance to live just like the half-surface dweller, half-Atlantean and heir to the throne of the underwater city of Atlantis. Worth an impressive AED 50,200, the ultimate “Aquaman Package” includes: • A stay for two adults in an Underwater Suite for two nights. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Dove, Inc. July 2021 Dovetales
DoveTales the newsletter of Dove, Inc. July 2021 Barbara Blakey Editor Issue 2021 • 07 Published Monthly In Loving Memory of Ray Batman July 16, 1944 ~ June 29, 2021 As we were finishing this July newsletter, we heard the news that our beloved Ray Batman had Dove, Inc. passed away on June 29. Ray had been the first employee of Dove and key to the process of work- ing with the congregations founding this organization. Ray had retired from Dove in December 302 S. Union of 2011. Decatur, IL 62522 As many of us now mourn our leader-boss-mentor-friend, we want to share of his passing and 217.428.6616 send our heartfelt prayers to Missy and his family. Board, staff, supporters and friends will come [email protected] together to begin a process for memorializing Ray. But for now, we would like for you to consider sharing a remembrance of Ray; it may be a few lines or a few paragraphs. We will only be sharing stories in relationship with Dove. Some may be posted in an upcoming newsletter or on our blog. Please send any submissions to [email protected] Dove's Mission Dove is an organization that engages religious institutions, volunteers, and advocates seeking to coordinate efforts to address unmet needs and social injustices. These needs are met through coordinated programs focusing on domestic violence, homelessness, education, volunteer and community empowerment, and individual emergency need fulfillment. Dove works for justice, equality, and understanding among all people. Leadership Team In anticipation of the eviction moratorium ending soon, Tamara Wilcox, Executive Director the City of Decatur and Dove will host an Barbara Blakey, Director of Volunteers & Community Relations informational meeting between area landlords and service providers to be better prepared for the upcoming evictions. -
Ese Two Books Are Very Different Beasts. Superman: E Movie
Medien / Kultur 47 Sammelrezension: Superman: Comics, Film, Brand ese two books are very diff erent are stories from e New York Times, beasts. Superman: e Movie – e 40th Rolling Stone or Newsweek. Two or three Anniversary Interviews is focused on a references hail from University Pres- single fi lm text, whereas Superman and ses, and yet this material underpins the Comic Book Brand Continuity ranges whole book. across the cultural history of Superman. Whilst Bettinson’s interviews are However, the diff erences between these always interesting, ranging across two studies go far deeper. people such as executive producer Ilya Bettinson’s book is an “oral history Salkind, director Richard Donner, and [… ] of big-budget fi lm production in Lois Lane herself, Margot Kidder – the new Hollywood era” (p.11), but interviewed relatively shortly before it assumes that such a thing requires her passing in 2018 – it is diffi cult to nothing much in terms of methodolo- see how they diff er from standard fan gical discussion or theoretical framing. convention fare or DVD/blu-ray extras. Consequently, it contains almost no What, if anything, is added to the pro- content communally identifi able as ‘aca- ject via its publication by an academic demic’ – the References page (p.131) press, and having been written by a lists a mere 13 entries, of which several Senior Lecturer? e entire volume 48 MEDIENwissenschaft 01/2020 seems to be aimed at a fan readership, of academia’s cultural distinctiveness. and not as a crossover from the acade- If hybridised aca-fandom lies beneath mic market, but in place of it instead. -
Hawkman in the Bronze Age!
HAWKMAN IN THE BRONZE AGE! July 2017 No.97 ™ $8.95 Hawkman TM & © DC Comics. All Rights Reserved. BIRD PEOPLE ISSUE: Hawkworld! Hawk and Dove! Nightwing! Penguin! Blue Falcon! Condorman! featuring Dixon • Howell • Isabella • Kesel • Liefeld McDaniel • Starlin • Truman & more! 1 82658 00097 4 Volume 1, Number 97 July 2017 EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow Comics’ Bronze Age and Beyond! DESIGNER Rich Fowlks COVER ARTIST George Pérez (Commissioned illustration from the collection of Aric Shapiro.) COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Alter Ego Karl Kesel Jim Amash Rob Liefeld Mike Baron Tom Lyle Alan Brennert Andy Mangels Marc Buxton Scott McDaniel John Byrne Dan Mishkin BACK SEAT DRIVER: Editorial by Michael Eury ............................2 Oswald Cobblepot Graham Nolan Greg Crosby Dennis O’Neil FLASHBACK: Hawkman in the Bronze Age ...............................3 DC Comics John Ostrander Joel Davidson George Pérez From guest-shots to a Shadow War, the Winged Wonder’s ’70s and ’80s appearances Teresa R. Davidson Todd Reis Chuck Dixon Bob Rozakis ONE-HIT WONDERS: DC Comics Presents #37: Hawkgirl’s First Solo Flight .......21 Justin Francoeur Brenda Rubin A gander at the Superman/Hawkgirl team-up by Jim Starlin and Roy Thomas (DCinthe80s.com) Bart Sears José Luís García-López Aric Shapiro Hawkman TM & © DC Comics. Joe Giella Steve Skeates PRO2PRO ROUNDTABLE: Exploring Hawkworld ...........................23 Mike Gold Anthony Snyder The post-Crisis version of Hawkman, with Timothy Truman, Mike Gold, John Ostrander, and Grand Comics Jim Starlin Graham Nolan Database Bryan D. Stroud Alan Grant Roy Thomas Robert Greenberger Steven Thompson BRING ON THE BAD GUYS: The Penguin, Gotham’s Gentleman of Crime .......31 Mike Grell Titans Tower Numerous creators survey the history of the Man of a Thousand Umbrellas Greg Guler (titanstower.com) Jack C. -
Thinking About Journalism with Superman 132
Thinking about Journalism with Superman 132 Thinking about Journalism with Superman Matthew C. Ehrlich Professor Department of Journalism University of Illinois at Urbana-Champaign Urbana, IL [email protected] Superman is an icon of American popular culture—variously described as being “better known than the president of the United States [and] more familiar to school children than Abraham Lincoln,” a “triumphant mixture of marketing and imagination, familiar all around the world and re-created for generation after generation,” an “ideal, a hope and a dream, the fantasy of millions,” and a symbol of “our universal longing for perfection, for wisdom and power used in service of the human race.”1 As such, the character offers “clues to hopes and tensions within the current American consciousness,” including the “tensions between our mythic values and the requirements of a democratic society.”2 This paper uses Superman as a way of thinking about journalism, following the tradition of cultural and critical studies that uses media artifacts as tools “to size up the shape, character, and direction of society itself.”3 Superman’s alter ego Clark Kent is of course a reporter for a daily newspaper (and at times for TV news as well), and many of his closest friends and colleagues are also journalists. However, although many scholars have analyzed the Superman mythology, not so many have systematically analyzed what it might say about the real-world press. The paper draws upon Superman’s multiple incarnations over the years in comics, radio, movies, and television in the context of past research and criticism regarding the popular culture phenomenon. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-21-2013 12:00 AM Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance Caitlin Foster The University of Western Ontario Supervisor Dr. Joseph Wlodarz The University of Western Ontario Graduate Program in Film Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Caitlin Foster 2013 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Advertising and Promotion Management Commons, and the Film and Media Studies Commons Recommended Citation Foster, Caitlin, "Clash of the Industry Titans: Marvel, DC and the Battle for Market Dominance" (2013). Electronic Thesis and Dissertation Repository. 1494. https://ir.lib.uwo.ca/etd/1494 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CLASH OF THE INDUSTRY TITANS: MARVEL, DC AND THE BATTLE FOR MARKET DOMINANCE (Thesis format: Monograph) By Caitlin Foster Graduate Program in Film Studies A thesis submitted in partial fulfillment Of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Caitlin Foster 2013 Abstract This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories.