DOCSLIB.ORG

Richard Donner Biography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Richard Donner Biography COUNCIL FILE NO. 08- ~/)'1 COUNCIL DISTRICT NO. 13 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s) . .20 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* ~. Council Office of the District V2· Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ----' Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ----' Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles, California To the Honorable Council SEP 2 4 2008 Ofthe City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street- Walk of Fame Additional Name in Terrazzo Sidewalk­ RICHARD DONNER RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square southerly of and between numbered locations 34G and 34g as shown on Sheet 16 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Richard Donner at 6712 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on October 16, 2008. FISCAL IMPACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated September 8, 2008, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council -2- C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name of Richard Donner. The ceremony is scheduled for Thursday, October 16, 2008 at 11 :30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N. Figueroa Street, 3rd Floor, Counter 23. Respectfully submitted, VJn.n,_~::.:.:.. w$.. Lem~~o, P.E. Central District Engineer Bureau of Engineering sm: DonnerR.02 (213)482-7055 cc: Construction Services Center, Counter 23 Bureau of Street Services Administration ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles, California To the Honorable Council SEP 2 4 Z008 Of the City of Los Angeles Honorable Members: C. D. No. 13 SUBJECT: Hollywood Boulevard and Vine Street- Walk of Fame Additional Name in Terrazzo Sidewalk­ RICHARD DONNER RECOMMENDATIONS: A. That the City Council designate the unnumbered location situated one sidewalk square southerly of and between numbered locations 340 and 34g as shown on Sheet 16 of Plan D-13788 for the Hollywood Walk of Fame for the installation of the name of Richard Donner at 6712 Hollywood Boulevard. B. Inform the Hollywood Chamber of Commerce of the Council's action on this matter. C. That this report be adopted prior to the date of the ceremony on October 16, 2008. " FISCAL IMP ACT STATEMENT: No General Fund Impact. All cost paid by permittee. TRANSMITTALS: 1. Unnumbered communication dated September 8, 2008, from the Hollywood Historic Trust of the Hollywood Chamber of Commerce, biographical information and excerpts from the minutes of the Chamber's meeting with recommendations. City Council -2- C. D. No. 13 DISCUSSION: The Walk of Fame Committee of the Hollywood Chamber of Commerce has submitted a request for insertion into the Hollywood Walk of Fame the name ofllichard Donner. The ceremony is scheduled for Thursday, October 16, 2008 at 11 :30 a.m. The communicant's request is in accordance with City Council action of October 18, 1978, under Council File No. 78-3949. Following the Council's action of approval, and upon proper application and payment of the required fee, an installation permit can be secured at 201 N. Figueroa Street, 3rd Floor, Counter 23. Respectfully submitted, VJn.n .. ~::::.. 'to9- Lem~~o, P.E. Central District Engineer Bureau of Engineering sm: DonnerR.02 (213)482-7055 cc: Construction Services Center, Counter 23 Bureau of Street Services Administration · RECEIVED SEP 12 2008 CENTRAL DISTRICT * PERMIT COUNTER ' * ** * * .ffO tlVWOOP .. CJ..lAMB~R OF COMMERC~ September 8, 2008 DOUBLE STAR CEREMONY Mr. Gary L. Moore Public Works Engineering Att: Lemuel Paco 201 N. Figueroa, 3"' Floor, M.S. 503 Los Angeles, CA 90014 Dear Mr. Moore: The Walk of Fame Committee of the Hollywood Chamber of Commerce has approved the below listed name for insertion into the Hollywood Walk of Fame: RICHARD DONNER -(Category -MOTION PICTURES) Requested star location to be 6712 Hollywood Blvd. south side of the street, in front oftbe Egyptian Theatre. The star for RICHARD DONNER will be placed in the second row next to the original row closest to the property. The stars situated in the original row where star is near are DOUGLAS FAIRBANKS (34G) to the West and DOLLY PARTON (34g) to the East. According to sheet# 16 plan 13788, RICHARD DONNER'S star has no designated number. The dedication ceremony which will be a double ceremony is scheduled for Thursday, October 16, 2008, at 11:30 a.m. The second star will be for LAUREN SHULER DONNER. Letter to follow. Thank you for your cooperation in this request. I look forward to a response from your office soon. The following materials are enclosed: RICHARD DONNER'S bio, the Board of Director's Minutes and Property Owner's Consent Form. Sincerely, Ana Martinez-Holler Vice President, Media Relations cc: Mayor Villaraigosa Leron Gubler Council Pres. Garcetti Ralph Pipes Sally Castto Top End Canst. Inspector Gladden Sandra McClellan Sgt. Mike Arminio Carmine Goglia TopherBest RECEIVED Hollywood Chamber of Commerce SEP 12 2008 CENTRAL DISTRICT BOARD OF DIRECTORS PERMIT COUNTER Wednesday, July 17, 2002 MINUTES Attending: Burke, Diehl, Dohy, Dudas, Folb, Grant, Herner, Hill, Kaneko, I<leinick, Lamy, Langer, Lestz, Malagon, Panatier, Papadaki, Rouze, Scott, Smith, Tronson, Turner, Urbina, Van Cleve, and Waller Honorary Directors: Arslanian, Morrison, Putrimas, Spero, and Tillman Directors Absent: Dankberg, Gomez, Joyner, Minzer, Neill, Robertson, Spangler, Spruill, Stein, Sttabala, Taylor, and Wenzlaff Guests: Laurie Golden; Tracy Daly and Barbara Burns from the MTA Vice chair Van Cleve called the meeting to order at 4:10 p.m. Approval of Minutes from June 19. 2002 I<leinick motioned to approve the minutes ofJune 19, 2002. Smith seconded and the motion passed (MSP). Walk ofFame Recommendations Grant reported on the star ceremony yesterday for Robert Wagner. Mike Myers is next week. Grant has a tourist-season lineup. Steven Spielberg would like to have a ceremony in December. Richard Donner and Jackie Chan were also recommended for stars on the Walk ofFame. Grant, Smith (MSP) to accept the recommendations. Adjourn There being no further business, the meeting was adjourned at 6:02p.m. Respectfully submitted, Todd Lindgren Director of Government Affairs RICHARD DONNER BIOGRAPHY Director/producer Richard Donner is the creative force behind some of the most popular movies of the last twenty years: "The Omen", "Superman", "Free Willy", the "Lethal Weapon" series and "Maverick". His career started in front of the camera as an actor in Martin Ritt's television production of W. Somerset Maugham's "Of Human Bondage". After this brief stint, Ritt gave him a piece of advice that was to change his life. "Marty told me I'd never make it as an actor because I couldn't take direction," recalled Donner, "but he thought I could give it, so he offered me a job as his assistant." Donner continued assisting Ritt and many other great live television directors. After moving to Los Angeles, he won the assignment of directing his friend Steve McQueen for the television series "Wanted: Dead or Alive". In 1961, he directed Charles Bronson in "X-15", a melodrama about Air Force test pilots. He continued directing such television series as "The Twilight Zone", "The Fugitive", "The Man From U.N.C.L.E." and "Kojak". During the 1970's, Donner directed several acclaimed movies-of-the-week, and in 1975 directed his first successful major feature, "The Omen", which was released the following year to record-setting business. He next took on the task of transferring the adventures of the most popular pulp hero in five decades to film. Under his direction, "Superman -The Movie" became one ofthe all-time biggest international hits. Four films followed the success of "Superman": "Inside Moves"; "The Toy" starring Jackie Gleason and Richard Pryor; "Ladyhawk", by far his favorite for many reasons, (most importantly because he fell in love with producer Lauren Shuler, who later became his wife) and "The Goonies", produced with Steven Spielberg.
Load more

Recommended publications
  • L3700 LETHAL WEAPON (USA, 1987) (Other Titles: Arma Lethale; Arme Fatale; Dodbringende Veben; Zwei Stahlharte Profis)
    L3700 LETHAL WEAPON (USA, 1987) (Other titles: Arma lethale; Arme fatale; Dodbringende veben; Zwei stahlharte profis) Credits: director, Richard Donner ; writer, Shane Black. Cast: Mel Gibson, Danny Glover, Gary Busey. Summary: Police thriller set in contemporary Los Angeles. Martin Riggs (Gibson) is no ordinary cop. He is a Vietnam veteran whose killing expertise and suicidal recklessness make him a lethal weapon to anyone he works against or with. Roger Murtaugh (Glover), also a veteran, is an easy-going homicide detective with a loving family, a big house, and a pension he does not want to lose. The only thing Murtaugh and Riggs have in common is that they hate to work with partners, but their partnership becomes the key to survival when a routine murder investigation turns into an all-out war with an international heroin ring. Ansen, David. “The arts: Movies: Urban Rambo” Newsweek 109 (May 16, 1987), p. 72. [Reprinted in Film review annual 1988] “L’Arme fatale” Cine-tele-revue 31 (Jul 30, 1987), p. 16-19. Boedeker, Hal. “Lethal weapon wastes Mel Gibson” Miami herald (Mar 6, 1987), p. 5D. Canby, Vincent. “Film view: Gun movies: Big bore and small caliber” New York times 136 (May 10, 1987), sec. 2, p. 17. Carr, Jay. “‘Lethal weapon’ is high-energy bullet ballet” Boston globe (Mar 6, 1987), Arts and film, p. 36. Christensen, Johs H. “Dodbringende veben” Levende billeder 3 (Sep 1, 1987), p. 51. Cunneff, T. [Lethal weapon] People weekly 27 (Mar 23, 1987), p. 8. Darnton, Nina. “At the movies: A new hit has the industry asking why” New York times 136 (Apr 3, 1987), p.
    [Show full text]
  • The Earthing Movie Bringing It Home Poisoning Paradise Free Willy
    SANTA MONICA COLLEGE FALL 2019 GREEN SCREEN SERIES Hosted by Sheila Laffey, Ph.D., Adjunct Professor 09.23.19 11.04.19 The Earthing Poisoning Movie Paradise Documentary Film Screening and Talk Film Screening with Filmmakers Josh and Rebecca Mon, November 4 | 4 p.m. Tickell and Oscar-nominated Actor Mariel Hemingway 11.18.19 Mon, September 23 | 4 p.m. Free Willy 10.07.19 Film Screening and Talk with Producers Lauren Shuler Donner Bringing It Home and Jennie Lew Tugend Film Screening Mon, November 18 | 3 p.m. and Talk with Sheila Laffey Mon, October 7 | 4 p.m. All events will be held at the Center for Media and Design, Auditorium. Free admission. THE EARTHING MOVIE Film Screening and Talk with Filmmakers Josh and Rebecca Tickell and Oscar-nominated Actor Mariel Hemingway The Earthing Movie (2019, 75 minutes) explores the effects on human physiology and health of connecting our skin to the ground for extended periods of time, which can significantly reduce inflammation, leading to often dramatic health benefits. A talk with the documentary’s award- winning filmmakers Josh and Rebecca Tickell and actor Mariel Hemingway follows the screening. Mon, September 23 | 4 p.m. | Free | Center for Media and Design, Auditorium 180 BRINGING IT HOME Film Screening and Talk with Sheila Laffey Hemp — it’s not just for hippies anymore. Today, it’s found in everything from salad dressings to construction materials. Industrial hemp is a nonpsychoactive plant grown in 31 other countries, but prohibited until very recently in the United States. Directed by Linda Booker, Bringing It Home (2006, 60 minutes) uses animation, archival images, and interviews with hemp business leaders and growers, to explore a crop with so many widespread benefits.
    [Show full text]
  • L3702 LETHAL WEAPON 2 (USA, 1989) (Other Titles: Arma Lethale 2; Arme Fatale 2; Brennpunkt L.A.; Dodbringende Veben 2)
    L3702 LETHAL WEAPON 2 (USA, 1989) (Other titles: Arma lethale 2; Arme fatale 2; Brennpunkt L.A.; Dodbringende veben 2) Credits: director, Richard Donner ; writer, Jeffrey Boam. Cast: Mel Gibson, Danny Glover, Joe Pesci, Joss Ackland. Summary: Police thriller set in contemporary Los Angeles. Detectives Riggs (Gibson) and Murtaugh (Glover) must guard a free-wheeling witness (Pesci) in a drug money laundering scheme run by South African diplomats. A comedy of car chases, gun battles, and under-water escapes. Ansen, David. “The arts: Movies: Gibson and Glover return: ‘Lethal weapon 2’ serves up sadism with a smile” 114 Newsweek (Jul 17, 1989), p. 53. [Reprinted in Film review annual 1990] Avins, Mimi. “Shot by shot” Premiere 2/12 (Aug 1989), p. 72-6. Baumann, Paul D. “Screen: Scorching the screen” Commonweal 116 (Oct 6, 1989), p. 529-30. Blair, Iain. “Movies: Mel’s lethal appeal: He’s got killer looks, but shucks, Gibson’s just one of the guys” Chicago tribune (Jul 9, 1989), Arts, p. 4. Blois, Marco de. “Lethal weapon II” 24 images 44-45 (autumn 1989), p. 109. Broeske, Pat H. “A high-caliber Danny Glover” Los Angeles times (Jul 11, 1989), Calendar, p. 1. “Business: Talk about placements” Newsweek 114 (Jul 31, 1989), p. 50. Carr, Jay. “Three stooges with guns” Boston globe (Jul 7, 1989), Arts and film, p. 41. Christensen, Johs H. “Dodbringende veben 2” Levende billeder 5 (Sep 1989), p. 47. Clark, Mike. “‘Lethal 2’ is loaded with bang and blanks” USA today (Jul 7, 1989), p. 1D. Cliff, Paul. “Movie trax” Film monthly 1 (Dec 1989), p.
    [Show full text]
  • Lethal Weapon 2 (1989)
    Q3 2019 85 Tekst: Luc Quadackers AT THE MOVIES LETHAL WEAPON 2 (1989) Eerlijk is eerlijk: als er geen boekhouder in deze film voor zou komen, dan was ik na een kwartier afgehaakt. Een groot deel ontstijgt amper het B-niveau. Of zoals een vriend van mij zou zeggen: “In z’n genre is hij slecht.” De boekhouder lijkt vervolgens niet eens echt van belang te zijn voor het verhaal. Ongemerkt vormt Joe Pesci als boekhouder Leo Getz (‘Whatever you need, Leo gets’) echter de kurk waarop de film drijft. Getz is kroongetuige in een witwaszaak, waarin hij zelf de hand heeft gehad. Hij heeft bovendien geld afgeroomd van de boeven, die hem dat niet in dank afnemen (in de film wordt overigens geflirt met het ‘Robin Hood-element’). Twee agenten (Mel Gibson en Danny Glover), met een geheel eigen moraal en aanpak, moeten Getz beschermen tot aan de rechtszaak. Getz speelt verder geen belangrijke rol, maar gaat overal mee op pad en bemoeit zich met het politiewerk. Al zegt hij zelf: “I usually stay in the car.” Het mooiste vindt hij de politiewapens en het aanzetten van de sirene. Ook geeft Getz een vrij uitgebreide technische uitleg van een witwasconstructie (wat doet dat trouwens in de film, en wie begrijpt het zonder tien keer te kijken?) en een waarschuwing voor de drive-thru bij hamburgerketens: “Always go to the counter, never go through the drive-thru. They fuck you at the drive-thru.” Tijdens een martelsessie door de crooks houdt hij zijn rug recht (waarom dat nodig zou zijn is overigens onduidelijk).
    [Show full text]
  • Change Comes to Cardinal Owner Robert Yoho Said Outlaw Was Caught on a Security Camera Trespass- Ing Two Weeks Earlier
    Rays: Yarbrough pulled after 8 2/3 innings in 1-0 win /B1 MONDAY TODAY & next morning HIGH 91 Scattered LOW showers and storms. 76 PAGE A4 www.chronicleonline.com AUGUST 12, 2019 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 124 ISSUE 308 NEWS Commissioner pushes for Baker Act facility BRIEFS Jeff Kinnard behavioral mental health care in Florida man Kinnard to request funding for facility The “purpose of our county.” this is to improve Earlier this year, the Florida trespassing at FRED HIERS Tuesday to consider funding a the behavioral Legislature awarded Citrus Staff writer Baker Act assessment facility. mental health care County $600,000 to provide Baker go-kart track Kinnard said he will ask the other in our county.” Act receiving services through crashes, dies Citrus County’s long struggle to commissioners to use tax reve- LifeStream Behavioral Services. PINELLAS PARK — A provide better mental health care nues from Duke Energy’s new LifeStream is a mental health to its residents could soon bear natural gas plants to fund the provider and has the state’s an- Florida man is dead after some fruit, as one county commis- project. Kinnard wants the building to be nual contract to provide an array crashing while racing his sioner looks to use new tax reve- Kinnard wants to use $300,000 converted to a standalone facility of mental health services in Cit- friend at a closed go-kart nues to buy a building that would this year and $700,000 next year to house a small number of resi- rus County.
    [Show full text]
  • American International Pictures Retrospective at the Museum of Modern Art
    The Museum of Modern Art 50th Anniversary •JO NO. 47 FOR IMMEDIATE RELEASE AMERICAN INTERNATIONAL PICTURES RETROSPECTIVE AT THE MUSEUM OF MODERN ART The Department of Film of The Museum of Modern Art will present a retrospective exhibition of films from American International Pictures beginning July 26 and running through August 28, 1979. The 38 film retrospective, which coincides with the studio's 25th anniversary, was selected from the company's total production of more than 500 films, by Adrienne Mancia, Curator, and Larry Kardish, Associate Curator, of the Museum's Department of Film. The films, many in new 35mm prints, will be screened in the Museum's Roy and Niuta Titus Auditorium and, concurrent with the retro­ spective, a special installation of related film stills and posters will be on view in the adjacent Auditorium Gallery. "It's extraordinary to see how many filmmakers, writers and actors — now often referred to as 'the New Hollywood'—took their first creative steps at American International," commented Adrienne Mancia. "AIP was a good training ground; you had to work quickly and economically. Low budgets can force you to find fresh resources. There is a vitality and energy to these feisty films that capture a certain very American quality. I think these films are rich in information about our popular culture and we are delighted to have an opportunity to screen them." (more) II West 53 Street, New York, NY. 10019, 212-956-6100 Coble: Modernart NO. 47 Page 2 Represented in the retrospective are Martin Scorsese, Francis Ford Coppola, Woody Allen, Jack Nicholson, Annette Funicello, Peter Fonda, Richard Dreyfuss, Roger Corman, Ralph Bakshi, Brian De Palma, John Milius, Larry Cohen, Michael Schultz, Dennis Hopper, Michelle Phillips, Robert De Niro, Bruce Dern, Michael Landon, Charles Bronson, Mike Curb, Richard Rush, Tom Laughlin, Cher, Richard Pryor, and Christopher Jones.
    [Show full text]
  • Free Willy Theme Song
    Free willy theme song click here to download Will You Be There (Theme from "Free Willy) - Reprise Lyrics: Hold me like the River Jordan / And I will then say to thee, you are my friend / Carry me like you are. Free Willy () SoundTracks on IMDb: Memorable quotes and exchanges ( Theme from "Free Willy") Courtesy of The RCA Records Label of BMG Music. Lyrics to Will You Be There [From Free Willy] by Michael Jackson from the Lo Esencial De Los Grandes Temas De Películas album - including song video, artist. Check out Will You Be There (Theme from "Free Willy") by Michael Jackson on Amazon Music. Stream ad-free or purchase CD's and MP3s now on www.doorway.ru . "Will You Be There" is a song by Michael Jackson which was released in The song is the eighth single from the album Dangerous. The song also appeared on the soundtrack to the film Free Willy, of which it is the main theme. Lyrics to 'Will You Be There (Theme From "Free Willy")' by Michael Jackson. Hold me like the River Music Videos. Michael Top Songs By Michael Jackson. 1. This is an easier version of MJ's, Free Willy theme tune, Will You Be There? I didn 't know what to call one note so I named it GT, its *basically playing the bottom. 12 Songs, 59 Minutes. Preview. Free Willy (Original Motion Picture Soundtrack) Various Artists Will You Be There (Theme from "Free Willy"). Michael Jackson. Will You Be There (Theme from 'Free Willy') Hold me like the River Jordan And I will then All songs www.doorway.ru (You Were The Only One) (Emile Haynie Remix) 2.
    [Show full text]
  • N.K. Jemisin in the City We Became, the Award-Winning Science Fiction Writer Keeps Breaking New Ground P
    Featuring 407 Industry-First Reviews of Fiction, Nonfiction, Children'sand YA books KIRKUSVOL. LXXXVIII, NO. 6 | 15 MARCH 2020 REVIEWS N.K. Jemisin In The City We Became, the award-winning science fiction writer keeps breaking new ground p. 14 Also in the issue: Kevin Nguyen, Victoria James, Jessica Kim, and more from the editor’s desk: Great Escapes Through Reading Chairman BY TOM BEER HERBERT SIMON President & Publisher MARC WINKELMAN John Paraskevas # March is the dreariest month. We know that spring is around the cor- Chief Executive Officer ner, but…it can be a long time coming. If you’re fortunate, you might escape MEG LABORDE KUEHN [email protected] to a Florida beach or some other far-flung destination for rejuvenation. For Editor-in-Chief the rest of us, spring break may come in the form of a book that transports TOM BEER [email protected] us elsewhere, indelibly rendered through prose. Here are five titles, new or Vice President of Marketing coming soon, that the travel agent in me would like to recommend. But be SARAH KALINA [email protected] forewarned: There is frequently trouble in paradise. Managing/Nonfiction Editor ERIC LIEBETRAU Saint X by Alexis Schaitkin (Celadon Books, Feb. 18): The title refers [email protected] to the fictional Caribbean island where the Thomas family is on a vacation Fiction Editor LAURIE MUCHNICK at an evocatively described resort—“the long drive lined with perfectly ver- [email protected] Tom Beer tical palm trees,” “the beach where lounge chairs are arranged in a parab- Children’s Editor VICKY SMITH ola,” the scents of “frangipani and coconut sunscreen and the mild saline of [email protected] equatorial ocean.” Alas, this family vacation does not end well, forever altering the lives of Claire Young Adult Editor LAURA SIMEON Thomas, age 7 at the time, and Clive Richardson, an employee at the resort.
    [Show full text]
  • Teaching World History with Major Motion Pictures
    Social Education 76(1), pp 22–28 ©2012 National Council for the Social Studies The Reel History of the World: Teaching World History with Major Motion Pictures William Benedict Russell III n today’s society, film is a part of popular culture and is relevant to students’ as well as an explanation as to why the everyday lives. Most students spend over 7 hours a day using media (over 50 class will view the film. Ihours a week).1 Nearly 50 percent of students’ media use per day is devoted to Watching the Film. When students videos (film) and television. With the popularity and availability of film, it is natural are watching the film (in its entirety that teachers attempt to engage students with such a relevant medium. In fact, in or selected clips), ensure that they are a recent study of social studies teachers, 100 percent reported using film at least aware of what they should be paying once a month to help teach content.2 In a national study of 327 teachers, 69 percent particular attention to. Pause the film reported that they use some type of film/movie to help teach Holocaust content. to pose a question, provide background, The method of using film and the method of using firsthand accounts were tied for or make a connection with an earlier les- the number one method teachers use to teach Holocaust content.3 Furthermore, a son. Interrupting a showing (at least once) national survey of social studies teachers conducted in 2006, found that 63 percent subtly reminds students that the purpose of eighth-grade teachers reported using some type of video-based activity in the of this classroom activity is not entertain- last social studies class they taught.4 ment, but critical thinking.
    [Show full text]
  • Digital Toolbox Exhibition Catalog
    EXHIBITION CHECKLIST dimensions in inches h x w x d NANCY BURSON All work courtesy of Clamp Art, NY Businessman (10 Businessmen from Goldman Sachs), 1982 gelatin silver print from computer generated negative 9.25 x 9.375 Cog and Dat, 1983 gelatin silver print from computer-generated negative 9.25 x 9.375 First Beauty Composite: Bette Davis, Audrey Hepburn, Grace Kelly, Sophia Loren, Marilyn Monroe, 1982 gelatin silver print from computer generated image 7.25 x 8.25 First Male Movie Star Composite: Cary Grant, Jimmy Stewart, Gary Cooper, Clark Gable, Humphrey Bogart, 1984 gelatin silver print from computer generated negative 11 x 14 He With She and She With He, 1996 two gelatin silver prints from computer-generated negatives 14 x 11 each Courtesy of Clamp Art, NY Lion/Lamb, 1983 gelatin silver print from computer-generated negative 9.25 x 9.375 Mankind (An Oriental, a Caucasian, and a Black weighted according to current population statistics), 1983-1985 gelatin silver print from computer-generated negative 14 x 11 Second Beauty Composite: Jane Fonda, Jacqueline Bisset, Diane Keaton, Brooke Shields, Meryl Streep, 1982 gelatin silver print from computer generated image 7.25 x 8.25 Second Male Movie Star Composite: Richard Gere, Christopher Reeve, Mel Gibson, Warren Beatty, Robert Redford, 1984 gelatin silver print from computer generated negative 11 x 14 Untitled, 1989 (Reference: Blurry Man) Polaroid from computer-generated image (unique) 24 x 20 Untitled, 1989 (Reference: Snake Man) Polaroid from computer-generated image (unique) 24 x 20
    [Show full text]
  • Will #Blacklivesmatter to Robocop?1
    ***PRELIMINARY DRAFT***3-28-16***DO NOT CITE WITHOUT PERMISSION**** Will #BlackLivesMatter to Robocop?1 Peter Asaro School of Media Studies, The New School Center for Information Technology Policy, Princeton University Center for Internet and Society, Stanford Law School Abstract Introduction #BlackLivesMatter is a Twitter hashtag and grassroots political movement that challenges the institutional structures surrounding the legitimacy of the application of state-sanction violence against people of color, and seeks just accountability from the individuals who exercise that violence. It has also challenged the institutional racism manifest in housing, schooling and the prison-industrial complex. It was started by the black activists Alicia Garza, Patrisse Cullors, and Opal Tometi, following the acquittal of the vigilante George Zimmerman in the fatal shooting of Trayvon Martin in 2013.2 The movement gained momentum following a series of highly publicized killings of blacks by police officers, many of which were captured on video from CCTV, police dashcams, and witness cellphones which later went viral on social media. #BlackLivesMatter has organized numerous marches, demonstrations, and direct actions of civil disobedience in response to the police killings of people of color.3 In many of these cases, particularly those captured on camera, the individuals who are killed by police do not appear to be acting in the ways described in official police reports, do not appear to be threatening or dangerous, and sometimes even appear to be cooperating with police or trying to follow police orders. While the #BlackLivesMatter movement aims to address a broad range of racial justice issues, it has been most successful at drawing attention to the disproportionate use of violent and lethal force by police against people of color.4 The sense of “disproportionate use” includes both the excessive 1In keeping with Betteridge’s law of headlines, one could simply answer “no.” But investigating why this is the case is still worthwhile.
    [Show full text]
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007
    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
    [Show full text]