American Institute for Conservation of Historic and Artistic Works

42nd Annual Meeting Conscientious Conservation: Sustainable Choices in Care

May 28-31, 2014 San Francisco, CA Hyatt Regency Embarcadero Registration Brochure Board of Directors Pamela Hatchfield PRESIDENT Margaret Holben Ellis VICE PRESIDENT Sanchita Balachandran SECRETARY Jennifer Hain Teper TREASURER Sarah Stauderman DIRECTOR, COMMITTEES & TASK FORCES Carolyn Riccardelli DIRECTOR, COMMUNICATIONS Stephanie M. Lussier DIRECTOR, PROFESSIONAL EDUCATION Deborah Trupin DIRECTOR, SPECIALTY GROUPS Program Committees General Session Margaret Holben Ellis Sarah Nunberg Joelle Wickens Michael Henry Specialty Sessions Architecture Donna Williams CHAIR Jennifer Correia VICE CHAIR and Paper Priscilla Anderson CHAIR Sarah Reidell PROGRAM CHAIR Collection Care Joelle Wickens CHAIR Emily Rainwater PROGRAM CHAIR Electronic Media Helen Bailey CHAIR The American Institute for Conservation of Historic and Artistic Kate Moomaw PROGRAM CHAIR Works (AIC) is the national membership organization supporting Objects conservation professionals in preserving by Lara Kaplan CHAIR establishing and upholding professional standards, promoting Suzanne Davis PROGRAM CHAIR research and publications, providing educational opportunities, and Paintings fostering the exchange of knowledge among conservators, allied Katrina A. Bartlett CHAIR professionals, and the public. Kate Smith PROGRAM CHAIR Photographic Materials Sylvie Pénichon CHAIR The information in this brochure was the most accurate information Sarah Freeman PROGRAM CHAIR available at press time. Lectures, speakers, workshops, tours, and Private Practice times may change. The AIC Annual Meeting program, which is Maria Valentina Sheets CHAIR distributed at the meeting, will contain the most up-to-date meeting Research & Technical Studies information. Check our website periodically for more updated Silvia Centeno CHAIR information at www.conservation-us.org/meetings. AIC does not Ainslie Harrison VICE CHAIR endorse the products exhibited or the views of the presenters. Textiles Virginia Jarvis Whelan CHAIR American Institute for Conservation of Historic & Artistic Works Lauren Chang VICE CHAIR 1156 15th Street NW, Suite 320 Wooden Artifacts Washington, DC 20005 Stephanie Auffret CHAIR 202-452-9545 • Fax: 202-452-9328 Jon Brandon PROGRAM CHAIR www.conservation-us.org • [email protected]

Poster Editors Lisa Conte CO-CHAIR Rebecca Capua CO-CHAIR Katie Sanderson CO-CHAIR

AIC & FAIC Staff Photo credits (Flickr Creative Commons images unless otherwise indicated): Front cover: Oscar Gil Fernández; Page 1: Nagarjun Eryl P. Wentworth EXECUTIVE DIRECTOR Kandukuru; Page 3: 4johnny5; Page 6: Dreamword (Wikipedia); Page 7: Hess Winery by jimg944, di Rosa Art Preserve by affinity1, Adam Allen MEETINGS ASSOCIATE Napa Valley by Sarah Ackerman, Legion of Honor by Keith Cuddeback; Page 8: Filoli by Jill Clardy, Presidio by Mike Castleman; Page 9: Asian Art Museum basket by 4johnny5, Asian Art Museum statue by Amy Meredith, Pacific Heights by Marcin Wichary, Filoli by Steven Charles MEMBERSHIP ASSOCIATE justchaos, Mission Street mural by HillaryH; Page 10: Abigail Choudhury; Page 14: Marc Tarlock; Page 18: Ricardo Martins; Page 23: San Abigail Choudhury DEVELOPMENT & EDUCATION COORDINATOR Francisco in Clouds by Marc Dalmulder. All other images taken by Bonnie Naugle at the 2013 AIC Annual Meeting. Bonnie Naugle COMMUNICATIONS DIRECTOR Sandy Nguyen FINANCE MANAGER Eric Pourchot INSTITUTIONAL ADVANCEMENT DIRECTOR Ruth Seyler MEMBERSHIP & MEETINGS DIRECTOR Ryan Winfield MEMBERSHIP COORDINATOR Conscientious Conservation: Sustainable Choices in Collection Care 42nd ANNUAL MEETING | MAY 28– 31, 2014 | SAN FRANCISCO, CA

No longer focusing exclusively on treatment, conservation professionals today routinely incor- TABLE OF CONTENTS porate preventive measures into the care of cultural heritage. Coupled with the awareness that our work Schedule at a Glance 2 takes place within the larger context of an increas- ingly interconnected and vulnerable global environ- Highlights 3 ment, we have become more dedicated to the issue of sustainability. Workshops 4 – 5 Tours 6 – 9 The new Collections Care Network and the Sus- tainability Committee combined forces to develop Schedule 10 –23 a program for 2014 under the theme Conscientious Conservation: Sustainable Choices in Collection Care, Directory of Presenters 24 –27 which will explore how these two concepts are chang- ing the way we practice conservation. Topics range Gold Sponsors 28 –29 from architectural projects to re-housing and storage, approaches to archaeological excavations, collection Registration Form 31 –32 maintenance practices, or recycling and efficiencies Exhibition Hall Inside Back Cover in your own private practice. General Information Outside Back Cover AIC’s 42nd Annual Meeting will take place in San Francisco, CA, May 28-31, 2014, at the Hyatt Regency Embarcadero—reserve a room by following the links on our website at www.conservation-us.org/annual- meeting-hotel. Special thanks to the Samuel H. Kress Foundation and The Getty Foundation for their support of our Annual Meeting programs.

Nepali peasants. Balmy Alley Murals, Mission district, San Francisco. 1 Plan your schedule online using our new interactive schedule at www.conservation-us.org/meeting-schedule; see full text abstracts, speaker bios, and more! Sign in to create and print or download your individual schedule. cBreak •  Business Meeting • 7 General Session • Q Interest Session •  Luncheon Session • Reception • S Specialty Session •  Tour • W Workshop 9am–5pm W Respirator Fit Test 2–3:30pm Concurrent General Sessions MAY 27 • TUESDAY 7 9am–6pm  Tour: Napa Valley – The Art of Appointments* on Sustainability Wine (Hess Art Collection)* 10am– EXHIBIT HALL OPEN 3:30–4pm c Refreshment Break in Exhibit 5:30pm Hall 2–6pm  Tour: Pacific Heights Walk with 10–10:30am Refreshment Break in Exhibit 4–5:30pm Concurrent General Sessions Haas-Lilienthal House* c 7 Hall on Sustainability 3–6pm CCN Liaisons meeting 10:30am– 7 Opening General Sessions 5:30–  Reception: RATS Happy (invitation only) Noon 7:30pm Hour*(hotel) Noon–2pm  Speed Networking and Career 6–8pm  Reception: ASG and WAG Coaching: ECPN (Haas Lilienthal House)* MAY 28 • WEDNESDAY 9am–  Business Meeting: AIC-CERT 1–2pm S Paintings Tips Session 6–8pm  Reception: BPG and PMG  Noon 1–2pm Business Meeting: WAG (University Club San Francisco)* 9am–5pm W Workshop: Dataloggers - 2–3:30pm S Architecture + Objects 6–8pm  Reception: OSG (La Mar Establishing and Maintaining Book & Paper Restaurant)* Environmental Monitoring Collection Care 6–8:30pm  Reception: PSG (California Systems* Paintings Historical Society)* 9am–6pm  Tour: Napa Valley (di Rosa)* Research & Technical Studies 6:30–8pm  Reception: TSG (Restaurant 9:30am– W Workshop: Preservation Plan- Textiles Lulu)* 3:30pm ning for Cultural Institutions* Wooden Artifacts 8–10pm  Reception: Graduate Programs 9:30am– W Workshop: Essentials of 3:30–4pm c Refreshment Break in Exhibit in Art Conservation* 5:30pm * Hall 10am–5pm W Workshop: Computational 4–5:30pm S Architecture + Objects Photographic Techniques Book & Paper MAY 31 • SATURDAY (Cultural Heritage Imaging)* Collection Care 7:30–  AIC Member Business Meeting 10am–  Tour: de Young and Legion of Paintings 9:45am 5:30pm Honor Museum Conservation Research & Technical Studies 10am– S Architecture Labs and Collections* Textiles Noon Book and Paper 10:30am–  Tour: A Day at Filoli* Wooden Artifacts Collection Care + HVAC 4pm 6–10pm  AIC Opening Reception at the Electronic Media 12:30–5pm  Tour: Asian Art Museum* de Young Museum* Health and Safety 1–5pm W Seminar: Conservators in Objects Private Practice* Paintings + Wooden Artifacts 1–5pm W Workshop: Responding to Mold MAY 30 • FRIDAY Photographic Materials Outbreaks after a Disaster* 7:30am–  Business Meeting: ASG, BPG, Research & Technical Studies 1:15–  Tour: Presidio – Preservation 8:30am EMG, PSG, TSG Noon–  Wiki Luncheon (*TBA) 7:15pm and Panoramas* 8:30am– S Architecture Student Session 1:30pm 2–5pm  Tour: Pacific Heights Walk* 10am Book and Paper Noon–2pm  Education & Training 2–6pm W Workshop: Mastering Collec- Electronic Media Committee Luncheon tions of Digital Photographic Objects + Research & (invitation only) Conservation Documentation* Technical Studies 1–4pm S Book and Paper 4:30– 7 Pre-Meeting Session: Discus- Paintings 1:30–4pm S Architecture 6:30pm sion Session “STASH Flash” Photographic Materials Collection Care + HVAC 4:30– 7 Pre-Meeting Session: “Energy Textiles Electronic Media 6:30pm and Sustainability–At What 10am– EXHIBIT HALL OPEN Health and Safety Cost?” A Socratic Dialogue 5:30pm Paintings + Wooden Artifacts 5–7pm  Reception: ECPN Happy Hour* 10–10:30am c Refreshment Break in Exhibit Photographic Materials 5–8pm  Tour: Mission District Walk – Hall 1:30–  Business Meeting: OSG Murals and Morsels* 10:30am– S Architecture 2:30pm 6–7:30pm  Business Meeting: Specialty Noon Book and Paper 1:30– Q Syllabus Sharing Session Group Officers Electronic Media 3:30pm 6:30– W Respirator Fit Test Lecture* Objects + Research & 1:30–4pm Q Charting the Digital Landscape 7:30pm Technical Studies of the Conservation Profession 8–9:30pm Q APOYOnline Meeting Paintings information session (open to all) Photographic Materials 2:30– S Objects 8–10pm  Business Meeting: CIPP Textiles 3:30pm Noon–1pm  Business Meeting: PMG 4–6pm 7 Closing Session: The Great Noon–2pm  JAIC Editors Luncheon Debate MAY 29 • THURSDAY (invitation only) 7–8:30am  Business Meeting: CCN Noon–2pm  Electronic Media Luncheon* Officers Noon–2pm  Luncheon and Business JUNE 1 • SUNDAY 7:30–  Business Meeting: Publications  Meeting: RATS* 9am–5pm Angels Project at the California 8:30am Committee 1–2pm  Business Meeting: OSG: Historical Society 8:30–10am 7 Opening General Sessions Archaeological Discussion Group 9am–6pm  Tour: Napa Valley – The Art of 1–2pm Q Sustainability Roundtable Wine (Hess Art Collection)* At A Glance At

PLEASE NOTE: Tours, Workshops, Luncheons, and Receptions are all ticketed and are available at an additional cost. The AIC Opening 2 Reception is free with registration, but additional tickets must be purchased for guests. These events are marked with an asterisk (*). cBreak •  Business Meeting • 7 General Session • Q Interest Session •  Luncheon Session • Reception • S Specialty Session •  Tour • W Workshop Opening Reception General Session THURSDAY, MAY 29, 6 – 10 PM Pre-Meeting Discussion Sessions This year’s Opening Reception will be held at the de WEDNESDAY, MAY 28, 4:30 – 6:30 PM Young Museum. Founded in 1895 in San Francisco’s Opening Session Golden Gate Park, the de Young Museum has been THURSDAY, MAY 29, 8:30 – 10 AM an integral part of the cultural fabric of the city and a cherished destination for millions of residents and Exploring Environments visitors to the region for more than 100 years. Enjoy THURSDAY, MAY 29, 10:30 AM – NOON hors d’oeuvres and drinks while catching up with Four Concurrent Sessions colleagues and admiring the collection at the de Young. FRIDAY, MAY 30, 2 – 5:30 PM Closing Session: The Great Debate Latin American and Caribbean SATURDAY, MAY 31, 4 – 6 PM Scholars Program This year’s meeting theme is Conscientious Conservation: Sustainable Choices in Collection Care. The new Collec- The Foundation of the American Institute for Conserva- tions Care Network and the Sustainability Committee tion of Historic and Artistic Works (FAIC) is delighted to combined forces to develop a program for 2014 under support the attendance of twenty conservation profes- this theme, which will explore how these two concepts sionals from Latin America and the Caribbean, thanks are changing the way we practice conservation. to a generous grant from the Getty Foundation. This program has brought 213 conservators from the region to AIC annual meetings since 1997. Please welcome Exhibit Hall them as they present their posters and papers. You may THURSDAY & FRIDAY, MAY 29 & 30, 10 AM – 5:30 PM also meet the scholars at the APOYOnline meeting AIC’s 42nd Annual Meeting features the largest U.S. Wednesday evening at 8:00 p.m. gathering of suppliers in the conservation field. Mingle with exhibitors and discover new treatments and business solutions. For the current list of exhibitors, see the inside back cover. Posters on a range of conservation topics also will be on view in the Exhibit Hall, with an author question-and-answer session on Friday afternoon.

AIC Member Business Meeting SATURDAY, MAY 31, 7:30 – 9:45 AM Join your colleagues for breakfast while attending the AIC Member Business Meeting. Learn more about the current state of our organization and leadership plans to capitalize on our strengths. Continental breakfast will be provided. Highlights Charting the Digital Landscape of the Conservation Profession SATURDAY, MAY 31, 1:30 – 4 PM Funded by The Andrew W. Mellon Foundation, this session is an opportunity for AIC meeting attendees to learn about information being gathered as part of the planning process on this topic, and to join in the discussions. Additional information will be disseminated prior to the Annual Meeting.

Exterior of the de Young Museum. 3 Dataloggers: Establishing and Preservation Planning for Cultural Maintaining Environmental Institutions Monitoring Systems 9:30 AM – 3:30 PM, $139, LIMIT 30 9 AM – 5 PM, $139, LIMIT 30 Laura Hortz Stanton, Director of Preservation Services, Conservation Center for Art & Historic Artifacts; Dyani Feige, Preservation Specialist, Sponsored by the AIC Collections Care Network Conservation Center for Art & Historic Artifacts Rachael Arenstein, conservator, Bible Lands Museum Jerusalem; Samantha Alderson, conservator, American Museum of Natural Effective stewardship does not simply happen—it must be History thoughtfully planned. Every conservator should know how to develop and implement a preservation plan. An effective plan This workshop will explore and clarify the process of helps to optimize financial and staff resources and systemati- choosing appropriate monitoring equipment from the cally approach preventive conservation issues and establish large number of products that have found wide acceptance treatment priorities. Workshop participants will receive in the museum community. The program will cover both guidance to develop strategic, 3 to 5 year preservation plans stand-alone dataloggers and wireless monitoring systems— for their collections or for institutions with which they consult. including new products released in the last couple of years. Through lecture, group activities, and discussion, workshop Participants will be introduced to the various elements of an participants will learn about methods for assessing needs, the environmental monitoring program, understand how devices components of an effective plan, tools for prioritizing activities, can be deployed effectively, learn how to maintain equipment how to establish realistic benchmarks, and how to advocate for and data, and how to assess what equipment is appropriate preservation planning within their organization or with their for their particular monitoring requirements, budget, and clients. Participants will also be provided with templates for technological resources. Attendees will have hands-on time creating their own plans. with the units and their software.

AIC-CERT Meeting Computational Photographic 9 AM – NOON, NO CHARGE Techniques Moderator: Beth Antoine, AIC-CERT Coordinator 10 AM – 5 PM, $139, LIMIT 17 Carla Schroer, Mark Mudge, Marlin Lum, Cultural Heritage Imaging This meeting is intended for current members of the AIC Collections Emergency Response Team to review the past IMPORTANT NOTE: This workshop will be conducted at Cultural 12 months of operations, but is open to all who wish to learn Heritage Imaging (CHI, 2325 3rd Street, Suite 323), which is a 12 more about FAIC’s AIC-CERT program. minute Muni T light-rail line ride from the Embarcadero Muni station (in front of the conference hotel) to the 20th Street station. Directions will be provided to all registrants. Essentials of Inpainting This workshop will provide a comprehensive overview of 9:30 AM – 5:30 PM, $139 computational photography and its application to conservation James Bernstein, conservator in private practice, San Francisco documentation and research. The session will offer an intensive introduction to and an update on the technologies, software, This one-day intensive shares unvarnished truths about photographic equipment, and methods for reflectance transfor- inpainting, as well as materials, techniques and tips from mation imaging (RTI), algorithmic rendering (AR), and photo- the instructor’s 40-plus years of experience in color and grammetry. The workshop will include lectures, demonstrations compensation. No hands-on component is included, but the of photographic image capture for all techniques, discussions illustrated talks will elucidate often over-looked essentials of of equipment and setups, and ample opportunity for questions. this broad and complicated topic. Details critical for various The program is suitable for those new to computational photog- points of the compensation process and keys to problem raphy as well as those who are interested in the latest software solving will be offered to help conservators find appropriate updates, research, and future development plans. and successful treatment solutions for differing inpainting situations. The workshop will employ a multi-disciplinary viewpoint and will address topics appropriate for conserva- tors working in all manner of specialties and materials, ancient to modern.

Workshops will take place on Wednesday, May 28, at the conference hotel, unless otherwise stated. A minimum number of participants are required for all workshops. If a workshop is cancelled due to low enrollment, AIC will notify registrants as soon as possible and offer Workshops registration in another event or refund the appropriate fee. All workshop participants must also be registered for the AIC Annual Meeting. A special one-day registration rate is available for those wishing to attend only a workshop on May 28. Workshop prices do not include meals. 4 Responding to Mold Outbreaks Respirator Fit Testing after a Disaster Lecture: Wednesday, May 28 1 – 5 PM, $79, LIMIT 40 6:30 – 7:30 PM, FREE, LIMIT 40 Organized by AIC-CERT Fit Testing: Thursday, May 29 Ann Frellsen, conservator, Emory University; Vicki Lee, conservator, 9 AM – 5 PM, $39, BY APPOINTMENT ONLY Maryland State ; Olivia Primanis, senior conservator, Univer- Organized by the AIC Health & Safety Committee sity of Texas Harry Ransom Center; other instructors to be announced. James Roy Smith, Safety Officer, Smithsonian Institution Dealing with mold is nearly always part of disaster response. PLEASE NOTE: Signed medical release form and attendance at In addition to the direct impacts of floods and storm-driven lecture required for fit testing. rains, collections can become wet from fire suppression efforts Whether you are using hazardous chemicals or working with or exposure to weather from earthquake or wind damage. mold-infested artifacts after a disaster, you need to be sure you Especially when structural damage is significant, it may be are protected by the right equipment. The lecture meets the many days before access to collections is possible, and resultant annual training requirement mandated by OSHA, while the fit extended power outages may allow mold growth. This workshop testing meets the annual testing requirement. 2014 NEW lecture will draw from the experiences of AIC-CERT responses in New option: either successfully (by submitted exam) complete the York, Haiti, Galveston, and Midwest floods to examine effective online training (details to come by mid-March) OR attend the techniques for treating mold outbreaks. in-person lecture Wednesday evening by a Certified Safety Pro- fessional on the care and maintenance of respirators and general information on their proper use. Those wishing to schedule a Mastering Collections of Digital fit testing appointment MUST complete online or attend the Photographic Conservation lecture. Fit testing appointments will be scheduled on Thursday in 20 minute intervals from 9:00 a.m.-5:00 p.m. Registrants for fit Documentation testing appointments must bring OR submit electronically prior 2 – 6 PM, $79, LIMIT 30 to fit testing, a completed and signed OSHA Medical Evaluation Mike Jennings, Kept Art Restoration; Sharad Mangalick, Adobe form with the signature of their health professional and the dates Lightroom Product Manager for which the evaluation is valid. The form and signature sheets are available on the AIC Health & Safety Guides and Publication With a single cultural heritage artifact requiring anywhere from webpage at www.conservation-us.org/fittest. Registrants should one to hundreds of digital images, managing collections of these bring their own respirators or select an appropriate style from assets can get overwhelming quickly. And when the documenta- AIC’s samples. tion itself needs to be documented, the only practical solution for expanding collections is to learn to make the images document themselves. In this workshop, participants will become familiar at Conservators in Private Practice a practical level with the tools and workflows in Adobe® Photo- shop Lightroom™, one of the programs recommended in the AIC Seminar: Greening Your Guide to Digital Photography and Conservation Documentation. Conservation Practice Tips and techniques will be introduced to eliminate much of the 1 – 5 PM, $60 FOR CIPP MEMBERS, struggle and tedium of managing image collections of any size. $80 FOR NON-CIPP MEMBERS Join Lightroom power user Mike Jennings of Kept Art Restora- tion and Adobe’s Lightroom product manager Sharad Mangalick, 1:15-3:00 pm: Headline Speaker: Monona Rossol and learn to: 3:30-5:00 pm: “Greening Business” Tips Session Workshops • establish and use a metadata tagging strategy that Headline speaker Monona Rossol is a chemist, artist and indus- survives rapid growth; trial hygienist. As a specialist in the field of health and safety • explore new tools that have become available since the for conservation labs, she has trained art conservation workers AIC book was published; throughout the museum world. As headline speaker for this half • perform color and perspective corrections commonly day CIPP workshop, her topics will include: why a green studio required in conservation documentation; might not be a safe studio; understanding air quality standards; • apply corrections to dozens of images in one step; selecting safer chemicals scientifically; and proper ventilation • retrieve sets of related images instantly without knowing systems on a budget. These informal and informative presenta- what the filenames are or even what folder they’re in; tions will include plenty of time for questions and answers. • automatically tag images with necessary data as they are Workshop participants are invited to share ways in which captured; they “green” their conservation businesses during a Greening • avoid common, frustrating pitfalls and keep your Tips Session. The workshop will close with a panel discussion workflow running smoothly; and including Wendy Yeung from the San Francisco Green Business • make the image document itself! Program; Anna Jaeger of Caravan Studio on web/computer- related green business administration; AIC Sustainability Committee Chair Betsey Haud; and moderator Monona Rossol. Two participants in the Greening Tips Session will be selected by our panelists to win free registration for the workshop. 5 Heights and view examples of San Francisco’s diverse architec- Napa Valley ture. Architectural styles include several lovely Victorian homes The Art of Wine situated on the typical narrow lots of the 19th century, featuring such details as original wrought iron fences, round and hexagonal MAY 27 OR JUNE 1 (TWO TOURS), 9 AM - 6 PM, $195 towers, and rinceau frieze bands of wreaths. Also included are palatial homes of the early 20th century. You will see the stunning Join your colleagues for a fun-filled day of art and wine in “sugar palace,” built for sugar magnate Adolph Spreckles and his world-renowned Napa Valley. Start your journey with a tour wife Alma in 1915. Designed by architect George Applegarth in of the Hess Art Collection. Donald Hess began the French Baroque style, it features intricately wrought metal art in 1966. Today, his collecting style is a personal endeavor balconies and two-story Corinthian columns. Also on the tour is driven by passion rather than monetary investment or current the grand 1915 Phelan Mansion, designed by Charles Weeks. trends. He develops a close dialogue with an artist to better understand what drives him or her to create and he carefully You will also have the opportunity to tour inside the Haas- limits his focus as a collector to 20 living artists whose work he Lilienthal House, a Queen Anne-style Victorian home completed faithfully supports long term. As is evident by the caliber of the in 1886. It is the only intact private home of the period that is collection, he collects with the uncanny ability to acquire works open regularly as a museum, complete with authentic furniture by lesser known artists who often go on to become well known and artifacts. The House has elaborate wooden gables, a circular and respected in their disciplines. corner tower, and luxuriant ornamentation, and recently was awarded National Treasures status by the National Trust for After the museum, enjoy a picnic lunch and wine tasting at the . Our tour will highlight the ongoing Hess Family Wine Estate. Then we will visit a few other regional conservation efforts for the house. wineries for wine tastings. Register for this tour by March 31, and help us select the wineries visited based on your wine preferences. This tour is for AIC members only, and will be co- managed by Platypus Wine Tours, a 2013 Trip Advisor Certifi- Napa Valley cate of Excellence winner. Your experienced Platypus guide will The Ultimate Pairing: di Rosa and Reds enhance your knowledge of Napa Valley wines. Whether you are MAY 28, 9 AM - 6 PM, $195 a wine connoisseur or merely divide wine into two groups – red and white – you will enjoy this day tour. Consider it a pre- or In the second of two planned Napa Valley tours, you will begin post-conference treat, as the tour will be repeated on June 1. The your day with a walking tour of the di Rosa Art Preserve. The tour cost is all-inclusive and includes all tasting fees and lunch. di Rosa is located on over 200 extraordinary acres of vineyard, If you see a public wine tasting tour offered for less, it most likely gardens, and natural landscape in the Carneros Appellation of does not include tasting fees or lunch. the Napa Valley. The Art Preserve originated as the shared vision of Rene and Veronica di Rosa, prolific collectors whose personal passion for art and adventuresome spirits fueled their support Pacific Heights Walk of art and artists. Their home and the famed vineyards around with Haas-Lilienthal House Winery Lake became the focal point not only for their life, but the development of a world-class art collection now housed in MAY 27, 2 - 6 PM, MAX 30 three buildings, both contemporary and historic, as well as on the PEOPLE, $49 surrounding landscape. Considered the most significant holding of Bay Area art in the world, di Rosa houses approximately 2,000 On this comprehensive works of art by more than 800 artists. combo tour, led by a representative from San After the museum visit, enjoy a picnic lunch and then additional Francisco Heritage, tastings at two or three additional wineries. Register for this you will embark tour by March 31, and help us select the wineries visited based on a two-hour on your wine preferences. This tour is exclusive to AIC, and will walking tour of be co-managed by Platypus Wine Tours. See “The Art of Wine” eastern Pacific description for more details. The tour cost is all inclusive and includes the tasting fees and lunch.

One day of tours could not begin to highlight everything San Francisco and surrounding areas have to offer, so we had to offer two days of pre-conference tours and one post conference tour.

Note: Many tours sell out fast. At the beginning of March, AIC will need to determine, based on the number of people registered for each tour, if

Tours a tour offering needs to be cancelled. Register early to secure your spot and to help AIC determine interest in the tours. You must be registered Haas-Lilienthal House 6 for the Annual Meeting to purchase a ticket to the tours. Hess Wineries di Rosa Art Preserve Napa Valley

Legion of Honor Museum

museum interior and the lush natural environment outside. de Young and Legion of Honor The museum showcases the institution’s significant collections Museum Conservation Labs and Collections of American painting, sculpture, and decorative arts from the 17th to the 21st centuries; art from Africa, Oceania, and the MAY 28, 10 AM - 5:30 PM, MAX 40 PEOPLE, $49 Americas; costume and textile arts; photography; and interna- tional contemporary art. Tour the conservation labs at the two buildings that make up the Fine Arts of San Francisco. At the de Young, you Across town, high on the headlands of Land’s End, on a bluff will visit the objects, textiles, paintings, and overlooking national park lands at the western edge of the city, Tours studios. At the Legion, you will visit the paper conservation lab stands the Legion of Honor. The museum opened in 1924, with and also tour the recently re-installed Salon Dore, an 18th century the present renovation dating to 1995. The French neoclassical French period room. There will be time to explore the collections building is made even more dramatic by its spectacular setting of each museum, and you will receive a 10% discount on pur- in view of the Pacific Ocean and the Golden Gate Bridge. Its chases in the museum gift shops as well. holdings span four thousand years and include European painting, sculpture, and decorative arts; ancient art from the Designed by Herzog and de Meuron and opened in 2005, the new Mediterranean basin; and the Achenbach collection of works of de Young blends with and complements its natural surroundings art on paper. See the description and itinerary online at in Golden Gate Park. Windows erase the boundary between the www.conservation-us.org/annual-meeting/go-on-a-tour. 7 Filoli The Presidio

A Day at Filoli Asian Art Museum Architecture, Antiques, and Azaleas Conservation Lab, Storage, and Collections MAY 28, 10:30 AM - 4 PM, MAX 40 PEOPLE*, $20** MAY 28, 12:30 PM - 5 PM, MAX 20 PEOPLE, $29 Join us for a day at Filoli. Filoli is recognized as one of the In this rare behind-the-scenes opportunity, you will tour the finest remaining country estates of the early 20th century, and Asian Art Museum conservation labs and have the opportunity welcomes the public to this remarkable 654-acre property, to discuss current and recent conservation projects with the including the 36,000 square foot Georgian country house conservation staff. Discover the conservation challenges in and spectacular 16-acre English Renaissance garden. Located caring for a collection ranging from tiny jades to monumental 30 miles south of San Francisco, Filoli is an historic site of sculptures. You will also have the opportunity to visit the the National Trust for Historic Preservation. Designed by storage rooms to take a peek at treasures not on display and Willis Polk and noted for its elegant interiors, the House to see how the museum cares for the collections in storage. holds an extensive collection of 17th and 18th century English You will also have time to view the permanent collection. This antiques. Special rooms of interest include the butler’s pantry museum is a must-see when you are in San Francisco. and kitchen with the walk-in safe, the wood paneled library, and the 1925 Ernest Peixotto paintings in the ballroom. The tours of the house will be led by the , Presidio Julie Bly DeVere, and will incorporate discussion of the Preservation and Panoramas house’s conservation and collection care challenges. Many members of the Bay Area Art Conservation Guild (BAACG) MAY 28, 1:15 - 7:15 PM, MAX 20 PEOPLE, $49 have worked on conservation projects at Filoli. The tours of For 218 years, the Presidio served as an army post for three dif- the garden will not only be breathtaking—much will be in ferent nations. World and local events, from military campaigns bloom in May—but will also showcase conservation of an to World Fairs and earthquakes, left their mark. Come enjoy historic formal garden. the history and the natural beauty of the Presidio, and explore

centuries of architecture. * Note: if the number of tour participants warrants it, the group will be split in two, with the groups touring in reverse order. However, The Presidio has a rich history spanning back to the time of the the groups will come together for lunch. native Ohlone people. The Spanish arrived in 1776 to establish the northernmost outpost of their empire in western North ** Please note the majority of the costs for this tour have been America. The Presidio fell under Mexican rule for 24 years underwritten by sponsorship from the BAACG. before the U.S. Army took control in 1846. Over 148 years, the U.S. Army transformed the Presidio grounds from mostly

See the tour descriptions and itineraries online at

Tours www.conservation-us.org/annual-meeting/go-on-a-tour.

8 Asian Art Museum

Filoli Pacific Heights windswept dunes and scrub to a verdant, preeminent military intricately wrought metal balconies and two-story Corin- post. Since 1994, the Presidio has been a part of the Golden thian columns. Also on the tour is the grand 1915 Phelan Gate National Recreation Area. On this tour led by experts Mansion, designed by Charles Weeks. Start your conference from the Presidio Trust, you will learn about current preserva- experience off right by seeing one of San Francisco’s iconic tion efforts and how these efforts go hand-in-hand with efforts neighborhoods. to develop new uses for the Army buildings. Some of the best views of San Francisco can be found in the Presidio—don’t forget your camera. Mission District Walk Murals and Morsels Pacific Heights Walk MAY 28, 5 - 8 PM, MAX 30 PEOPLE, $79 MAY 28, 2 - 5 PM, MAX 30 PEOPLE, $39 Explore one of San Francisco’s most diverse (and flat) You will embark on a two-hour walking tour of eastern Pacific neighborhoods by foot, led by a Barrio Tour Guide. Take the Heights, led by a representative from San Francisco Heritage, 6 block walk through Balmy Alley and along 24th Street, and will view examples of San Francisco’s diverse architecture. viewing St. Peter’s Church and the digital mural project at Architectural styles include several lovely Victorian homes Galería de la Raza. The group will also discover the iconic situated on the typical narrow lots of the 19th century, fea- Maestrapeace mural at The San Francisco Women’s Building. turing such details as original wrought iron fences, round and This tour will delight all the senses—in addition to viewing hexagonal towers, and rinceau frieze bands of wreaths. Also the murals and hearing the “beat,” we have included tastings included are palatial homes of the early 20th century. You will at some of the local food shops and restaurants. SF Heritage see the stunning “sugar palace,” built for sugar magnate Adolph has identified over 100 “Legacy” restaurants, bars, cafes, and Spreckles and his wife Alma in 1915. Designed by architect other food establishments in San Francisco. Hear more about George Applegarth in the French Baroque style, it features this unique project as you take a bite out of the city. Tours

Mission Street mural

9 Note: This schedule is subject to change. Please check the online schedule at Schedule www.conservation-us.org/meeting-schedule for the most current version. TUESDAY, MAY 27 10:30am – 4:00pm Tour: A Day at Filoli: Architecture, Antiques, and Azaleas 9:00am – 6:00pm Tour: Napa Valley: The Art of Wine (Hess Art 12:30pm – 5:00pm Collection) Tour: Asian Art Museum: Conservation Labs, Storage, and Collections 2:00pm – 6:00pm Tour: Pacific Heights Walk with Haas-Lilienthal House 1:00pm – 5:00pm Seminar: Conservators in Private Practice 3:00pm – 6:00pm CCN Liaisons Meeting (invitation only) Workshop: Responding to Mold Outbreaks after a Disaster 1:15pm – 7:15pm Tour: Presidio: Preservation and Panoramas 2:00pm – 5:00pm Tour: Pacific Heights Walk 2:00pm – 6:00pm Workshop: Mastering Collections of Digital Photographic Conservation Documentation 5:00pm – 7:00pm Reception: Emerging Conservation Professionals Happy Hour

5:00pm – 8:00pm Tennessee Valley Beach, Marin County Tour: Mission District Walk: Murals and Morsels 6:00pm – 7:30pm Business Meeting: Specialty Group Officers WEDNESDAY, MAY 28 6:30pm – 7:30pm Respirator Fit Test Lecture 9:00am – Noon Business Meeting: AIC-CERT 8:00pm – 9:30pm Meeting: 9:00am – 5:00pm APOYOnline Workshop: Dataloggers - Establishing and Maintaining Environmental Monitoring Systems 8:00pm – 10:00pm Business Meeting: Conservators in Private Practice 9:00am – 6:00pm Tour: de Young and Legion of Honor Museum Conservation Labs and Collections (Fine Arts PRE-MEETING SESSIONS Museums of San Francisco) 4:30pm – 6:30pm Tour: Napa Valley: The Ultimate Pairing - di Rosa and Discussion Session: STASH Flash Reds (di Rosa Art Preserve) Lisa Goldberg and Rachael Perkins Arenstein

9:30am – 3:30pm 4:30pm – 6:30pm Workshop: Preservation Planning for Cultural Institutions A Socratic Dialogue: “Energy and Sustainability – At What Cost?” 9:30am – 5:30pm Dr. W. (Bill) Wei Workshop: Essentials of Inpainting 10:00am – 5:00pm Workshop: Computational Photographic Techniques (Cultural Heritage Imaging) 10:00am – 5:30pm Tour: de Young and Legion of Honor Museum Conservation Labs and Collections (Fine Arts Tuesday & Wednesday Tuesday Museums of San Francisco)

10 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule THURSDAY, MAY 29 10:50am – 11:10am A LEED Primer for Conservators: Or, What Should I 7:00am – 8:30am Do When the Architect Proposes Daylight in our New Business Meeting: Collection Care Network Officers Galleries? Scott Raphael Schiamberg and Rachael Arenstein 7:30am – 8:30am Business Meeting: Publications Committee 11:10am – 11:30am Quantifying Cost Effectiveness of Risk Treatment 9:00am – 5:00pm Respirator Fit Test Appointments Options (aka Preventive Conservation) Stefan Michalski and Irene F. Karsten 10:00am – 5:30pm Exhibit Hall Open 11:30am – Noon Question and Answer Period Noon – 2:00pm Emerging Conservation Professionals Luncheon: Speed

Networking and Career Coaching Specialty Sessions OPENING GENERAL SESSIONS ARCHITECTURE (JOINT WITH OBJECTS)

8:30am – 8:40am 2:00pm – 2:30pm Welcome and Awards Luxor Temple Fragment Conservation Project: Case Study Engaging Communities in Collection Care Hiroko Kariya am am 8:40 – 9:00 2:30pm – 3:00pm The Long and Winding Road... Effective Advocacy, The Cultural Production of Tourism at Lake Tahoe: Fundraising, Networking, & Collaboration: Promoting Exploring How Cultural Heritage Preservation is Sustained Preventive Conservation Globally Impacted by Tourism Debra Hess Norris Catherine Magee am am 9:00 – 9:20 3:00pm – 3:30pm Social Participation as a Way for Sustainable Projects Conservation Realities and Challenges: from Auto in Conservation of Worshiping Objects: The Case of Regulation to Imposition at Archaeological and Current Mayan Communities in Yucatán, Mexico Historical Sites in Colombia Giovana Jaspersen Maria Paula Alvarez Case Studies in Sustainable Collection Care 3:30pm – 4:00pm Refreshment Break in Exhibit Hall 9:20am – 9:40am Sustainable Collections Care on a Budget – A New 4:00pm – 4:30pm Museum Store for Bolton, UK The Development of Treatment Protocol at the Watts Pierrette Squires Towers Conservation Project Frank Preusser, PhD, Blanka Z. Kielb, and Slyvia Schweri-Dorsch 9:40am – 10:00pm Being a Gallery in a Park – Balancing Sustainability, 4:30pm – 5:00pm Access and Collection Care Modern Preservation for a Modernist City: Developing Thursday Nicola Walker and Ann French a District-Wide Preservation Plan for Columbus, 10:00am – 10:30am Indiana Refreshment Break in Exhibit Hall Richard McCoy Exploring Sustainable Preservation Environments 5:00pm – 5:30pm Preservation Planning and Mid-Century Modern 10:30am – 10:50am Materials: Tools to Promote Strategic and Sustainable Precaution, Proof, and Pragmatism: 150 Years of Expert Building Conservation Debate on the Museum Environment Lacey Bubnash, Katie Horak James Druzik, Kathleen Dardes, and Foekje Boersma

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 11 Schedule BOOK AND PAPER 4:30pm – 5:00pm 2:00pm – 2:30pm The Future of Risk Assessment: Developing Tools for Conservation in Action: Conservation of Mural Collections Care Professionals Cartoons in the Public Eye Lisa Kronthal Elkin Claire Titus 5:00pm – 5:30pm 2:30pm – 3:00pm Conservation Assessment at Schloss Leopoldskron in Preserving the African American Scrapbook Collection Salzburg, Austria – Promoting Sustainable Choices for of Emory University Libraries the Adaptive Re-use of the Collection and the Site Kim Norman, Ann Frellsen, Brian Methot Hannelore Roemich OBJECTS (JOINT WITH ARCHITECTURE) 3:00pm – 3:30pm The Impact of Digitization on Conservation Activities at 2:00pm – 2:30pm the Wellcome Library Luxor Temple Fragment Conservation Project: Case Gillian Boal Study Hiroko Kariya 3:30pm – 4:00pm Refreshment Break in Exhibit Hall 2:30pm – 3:00pm 4:00pm – 4:30pm The Cultural Production of Tourism at Lake Tahoe: Treasure from the Bog: The Faddan More Psalter Exploring How Cultural Heritage Preservation is Impacted John Gillis by Tourism Catherine Magee 4:30pm – 5:00pm Conservation of Johannes Herolt’s Sermones de 3:00pm – 3:30pm tempore, c. 1450 Conservation Realities and Challenges: from Auto Harry Campbell Regulation to Imposition at Archaeological and Historical Sites in Colombia 5:00pm – 5:30pm Maria Paula Alvarez Digital Rubbings. Monitoring Bookbindings with the Portable Mini-Dome (RICH) 3:30pm – 4:00pm Lieve Watteeuw, Bruno Vandermeulen Refreshment Break in Exhibit Hall COLLECTION CARE 4:00pm – 4:30pm The Development of Treatment Protocol at the Watts 2:00pm – 2:30pm Towers Conservation Project Simple Method for Monitoring Dust Accumulation in Frank Preusser, PhD, Sylvia Schweri-Dorsch, Blanka Z. Kielb Indoor Collections Bill Wei 4:30pm – 5:00pm Developing a Modern Approach to Historic Preservation 2:30pm – 3:00pm for a Modernist City: The Columbus, Indiana Story The LED Revolution: Reevaluating Criteria and Richard McCoy Standards for Museum Illumination Steven Weintraub 5:00pm – 5:30pm Preservation Planning and Mid-Century Modern 3:00pm – 3:30pm Materials: Tools to Promote Strategic and Sustainable Tracking Cumulative Light Exposure Using The Building Conservation Museum System Lacey Bubnash, Katie Horak Claire Walker, Ella Rothgangel PAINTINGS 3:30pm – 4:00pm Refreshment Break in Exhibit Hall 1:00pm – 2:00pm Paintings Session: Conservation Tips 4:00pm – 4:30pm The Ossabaw Island Workshops – Preventive 2:00pm – 2:30pm Conservation Training in a Real Life Setting Notes on the Treatment of Cracks in Paintings David Bayne Mary Gridley Thursday

12 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule 2:30pm – 3:00pm 4:30pm – 5:00pm Unmaking Your Mark: An Investigation into the Removal A Closer Look at Early Italian Panel Paintings Session: of Pencil from Unprimed Cotton Canvas Imaging Cross-Sectional Paint Samples from the Samantha Skelton, Richard C. Wolbers, Tatiana Ausema, Bartosz Walters Art Museum Dajnowski, Dr. Jan Marczak, Dr. Antoni Sarzyński Zachary Voras, Kristin deGhetaldi, Tom Beebe Jr., Eric Gordon, Karen French, Pamela Betts, Glenn Gates 3:00pm – 3:30pm Eclectic Materials and Techniques of American Painters: 5:00pm – 5:30pm 1860-1910 Free Fatty Acid Profiles in Water Sensitive Oil Paints: A Lance Mayer, Gay Myers Comparison of Modern and 15th Century Oil Paints Joy Mazurek 3:30pm – 4:00pm Refreshment Break in Exhibit Hall TEXTILES pm pm 4:00 – 4:30 2:00pm – 2:30pm Conserving Spanish Colonial Paintings – Finding the Sustaining Embedded Knowledge in Textile Divine in Conservation Conservation and Textile and Dress Collections Cynthia Lawrence Mary Brooks pm pm 4:30 – 5:00 2:30pm – 3:00pm Oil Paintings on Metal Support: Study, Intervention and Blown-up: Collaborative Conservation and Sustainable Challenges Treatment for an Inflatable Dress Mónica Pérez Chandra Obie pm pm 5:00 – 5:30 3:00pm – 3:30pm Illumination For Inpainting: Selecting an Appropriate Color A Case Study Using Multi-band and Hyperspectral Temperature Imaging for the Identification and Characterization of Steven Weintraub Materials on Archaeological Andean Painted Textiles RESEARCH & TECHNICAL STUDIES E. Keats Webb, Rebecca Summerour

2:00pm – 2:30pm 3:30pm – 4:00pm An Examination of Light-Induced Color Change in Anoxia Refreshment Break in Exhibit Hall and Hypoxia Using the Microfading Tester pm pm James Druzik, Vincent Beltran, Dr. Andrew Lerwill, Christel Pesme 4:00 – 4:30 Analysis of Organic Dyes in Textiles by Direct Analysis 2:30pm – 3:00pm in Real Time—Time-of-Flight Mass Spectrometry Concealable Strain Sensing Monitoring and Modeling of Cathy Selvius-DeRoo, Ruth Ann Armitage Relative Dimensional Changes in Art Objects pm pm Alejandro Schrott, Levente J. Klein, Joseph Sloan, Sergio A. 4:30 – 5:00 From North to South: The Conservation of Civil War Bermudez, Hendrik F. Hamann Costume from the Tennessee State Museum Howard Sutcliffe 3:00pm – 3:30pm Accurate Measurement and the Quantification of Surface 5:00pm – 5:30pm and Material Property Change Using New RTI and AR Improved Analytical Technique for the Study of Ancient Techniques Tyrian Purple Mark Mudge, Mark S. Drew, Carla Schroer, Mingjing Zhang Zvi C. Koren Thursday 3:30pm – 4:00pm WOODEN ARTIFACTS Refreshment Break in Exhibit Hall 1:00pm – 2:00pm 4:00pm – 4:30pm Business Meeting: Wooden Artifacts Group Unwrapping Layers in Historic Artworks: Virtual Cross- Sections with Pump-Probe Microscopy 2:00pm – 2:30pm Tana Villafana, William Brown, John K. Delaney, Michael Palmer, Improving the Legibility of Faded Handwriting on Warren S. Warren, and Martin C. Fischer Furniture by Digital Modification of Infrared, Ultraviolet, and Polarized-Light-Filtered Photographs Christine Schaette

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 13 Schedule 2:30pm – 3:00pm FRIDAY, MAY 30 Roccoco Drama—Dry Ice Cleaning the Ormolu Mounts of the Augustus Rex Writing Cabinet 10:00am – 5:30pm Catherine Coueignoux Exhibit Hall Open

3:00pm – 3:30pm Noon – 2:00pm Review and Interpretation of X-rays of Construction JAIC Editors Luncheon (invitation only) Details of American Seating Furniture Gordon Hanlon 1:00pm – 2:00pm Sustainability Roundtable: Join the AIC Sustainability 3:30pm – 4:00pm Committee for an informal and interactive roundtable Refreshment Break in Exhibit Hall session touching on a range of sustainability topics.

4:00pm – 4:30pm 6:00pm – 8:00pm The Conservation of “The Cattails,” a Royal Sleigh at Reception: Architecture & Wooden Artifacts Groups Versailles (circa 1740) (Haas Lilienthal House) Christopher Augerson 8:00pm – 10:00pm 4:30pm – 5:00pm Reception: Graduate Programs in Art Conservation What Lay Beneath—Revealing the Original Exuberant Painted Decoration of an 18th-century Painted Pennsylvania German Shrank Specialty Sessions Scott Nolley, Kathy Gillis ARCHITECTURE 5:00pm – 5:30pm We Can Fix It But Should We? Take 2, Part Two—The 7:30am – 8:30am Business Meeting: Treatment of Mr. Chips Architecture Specialty Group Tad D. Fallon 8:30am – 10:00am Architecture Student Session 6:00pm – 10:00pm 10:00am – 10:30am AIC Opening Reception at the de Young Museum Refreshment Break in Exhibit Hall 10:30am – 11:00am Tile Conservation Project of the Sanctuary of Santa Rosa de Lima’s Convent (17th Century): Conservation in the inner world of religious orders in historic downtown, Lima, Peru Erika Anitcona

11:00am – 11:30am Basilica of San Sebastian in Manila, Philippines Christine Leggio

11:30am – Noon The Conservation of the Montgomery Monument, St. Paul’s Chapel, New York City Amanda Trienens

6:00pm – 8:00pm Reception: Architecture & Wooden Artifacts Groups (Haas Lilienthal House) BOOK AND PAPER

7:30am – 8:30am Business Meeting: Book and Paper Group 8:45am – 10:00am Russian Hill, San Francisco Book and Paper Tips Session

Thursday & Friday Thursday Moderator: Emily Rainwater

14 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule OBJECTS (JOINT W/RESEARCH & TECHNICAL STUDIES) 10:00am – 10:30am Refreshment Break in Exhibit Hall 8:30am – 9:00am Ultraviolet Induced Visible Fluorescence and Chemical 10:30am – 11:00am Conserving the Iraqi Jewish for Digitization Analysis as Tools for Examining Featherwork Anna Friedman, Katherine Kelly Ellen Pearlstein, Melissa Hughs, Joy Mazurek, Christel Pesme, Renée Riedler, Molly Gleeson 11:00am – 11:30am Salvage of Paper Materials From the Flooding of São Luiz 9:00am – 9:30am do Paraitinga Coping with Arsenic-Based Pesticides on Textile Fernanda Mokdessi Auada Collections Jae R. Anderson, Martina Dawley, Delana Joy Farley, Werner Zimmt, 11:30am – Noon and Nancy Odegaard The Conservation of Tiffany Studio Drawings: Finding New Ways to Reconstruct Complex Paper Loss 9:30am – 10:00am Marina Ruiz Molina Blue, Red, and Wound All Over: Evaluating Condition Change and Cleaning of Glass Disease on Beads 6:00pm – 8:00pm Robin O’hern, Kelly McHugh Reception: Book and Paper & Photographic Materials Groups (University Club San Francisco) 10:00am – 10:30am Refreshment Break in Exhibit Hall ELECTRONIC MEDIA 10:30am – 11:00am 7:30am – 8:30am Technical Study and Conservation of the “Bat Business Meeting: Electronic Media Group Wing Ship” (the Horten Ho 229V3); Background, Challenges, and Surprising Discoveries 8:30am – 9:00am Lauren Anne Horelick, Malcolm Collum, Jennifer Giaccai, Peter Museum / University Collaborations in Media McElhinney, Russell Lee, Anna Weiss, and Odile Madden Conservation Research Glenn Wharton, Deena Engel 11:00am – 11:30am Animation Cels: Conservation and Storage Issues 9:00am – 9:30am Kristen McCormick, Michael R. Schilling, Miriam Truffa Giachet, Joy XFR STN: Operating an Open-Door Media Conservation Mazurek, Herant Khanjian, and Tom Learner Lab Walter Forsberg, Ben Fino-Radin 11:30am – Noon Managing Construction-Induced Vibration in the 9:30am – 10:00am Museum Environment Unstable Archives Anna Serotta, Andrew Smyth Jo Ana Morfin 1:00pm – 2:00pm 10:00am – 10:30am Business Meeting: Objects: Archaeological Discussion Refreshment Break in Exhibit Hall Group am am 10:30 – 11:00 6:00pm – 8:00pm ‘At Your Microservices’: A Roadmap to Preserving Digital Reception: Objects Specialty Group (La Mar Objects Siobhan Hagan, Gloria Gonzalez, Dawn Aveline Restaurant) PAINTINGS 11:00am – 11:30am Imaging Digital Media for Preservation with LAMMP 7:30am – 8:30am Matthew McKinley Business Meeting: Paintings Specialty Group

11:30am – Noon 8:30am – 9:00am Friday Creating a Preservation and Access Framework for Digital Aspects of Painting Technique in The Virgin and Child Art Objects with Saint Anne Attributed to Andrea Salai Desiree Alexander, Madeline Casad, Dianne Dietrich Alan Phenix, Sue Ann Chui

Noon – 2:00pm 9:00am – 9:30am Electronic Media Luncheon: Sustainably Designing the first A Hangover, Part III: Thomas Coutures’s Supper After Digital Repository for Museum Collections the Masked Ball Ben Fino-Radin, Dan Gillean, Juan Montes, Kara Van Malssen Fiona Beckett

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 15 Schedule 9:30am – 10:00am 11:30am – Noon The Pied Piper of Hamelin: Color and Light in Maxfield Condition Documentation and Monitoring of an Exhibition Parrish in the Palace Hotel, San Francisco of Daguerreotypes at the State Hermitage Museum Harriet Irgang Alden Paul Messier

10:00am – 10:30am Noon – 1:00pm Refreshment Break in Exhibit Hall Business Meeting: Photographic Materials Group

am am 6:00pm – 8:00pm 10:30 – 11:00 Reception: Piet Mondrian Book and Paper & Photographic Materials Ana Martins, Cynthia Albertson Groups (University Club San Francisco) RESEARCH & TECHNICAL STUDIES (JOINT W/OBJECTS) 11:00am – 11:30am Refining Style: Technical Investigation of an Early Work 8:30am – 9:00am by Georges Pierre Seurat in the Maurice Wertheim Ultraviolet Induced Visible Fluorescence and Chemical Collection Analysis as Tools for Examining Featherwork Dina Anchin Ellen Pearlstein, Melissa Hughs, Joy Mazurek, Christel Pesme, Renée Riedler, Molly Gleeson 11:30am – Noon The Reconsideration of a Reattribution: Pierre-Edouard 9:00am – 9:30am Baranowski by Amedeo Modigliani Coping with Arsenic-Based Pesticides on Textile Elise Effmann Clifford Collections Jae R. Anderson, Martina Dawley, Delana Joy Farley, Werner Zimmt, 6:00pm – 8:30pm Reception: Paintings Specialty Group (California and Nancy Odegaard Historical Society) 9:30am – 10:00am PHOTOGRAPHIC MATERIALS Blue, Red, and Wound All Over: Evaluating Condition Change and Cleaning of Glass Disease on Beads 8:30am – 9:00am Robin O’hern, Kelly McHugh Preserving Ernest Hemingway’s Photograph Albums and Scrapbooks at the Finca Vigía 10:00am – 10:30am Monique Fischer, M. P. Bogan Refreshment Break in Exhibit Hall am am 9:00am – 9:30am 10:30 – 11:00 Fototeca Pedro Guerra, Conservation Process of Technical Study and Conservation of the “Bat Wing Ship” Photographic Archives (the Horten Ho 229V3); Background, Challenges, and Cinthya Cruz Surprising Discoveries Lauren Anne Horelick, Malcolm Collum, Jennifer Giaccai, Peter 9:30am – 10:00am McElhinney, Russell Lee, Anna Weiss, and Odile Madden Examination of an Anti-Fungal Agent to be Used on Photographs 11:00am – 11:30am Yoko Shiraiwa Animation Cels: Conservation and Storage Issues Kristen McCormick, Michael R. Schilling, Miriam Truffa Giachet, Joy 10:00am – 10:30am Mazurek, Herant Khanjian, and Tom Learner Refreshment Break in Exhibit Hall 11:30am – Noon 10:30am – 11:00am Managing Construction-Induced Vibration in the Museum Digitization as a Tool for Preventive Conservation and a Environment Key Role for Sustainability Anna Serotta, Andrew Smyth Yasmine Chemali Noon – 2:00pm 11:00am – 11:30am Research and Technical Studies Luncheon & Business Preservation of Deborah Luster’s One Big Self Meeting: Seeing Double: Leonardo’s Mona Lisa Twin Theresa Andrews Dr. John Asmus

5:30pm – 7:30pm Reception: Research and Technical Studies Group Happy Hour (hotel) Friday

16 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule TEXTILES 2:30pm – 2:50pm Track A: 7:30am – 8:30am Becoming ‘Fit for Purpose’: A Sustainable and Business Meeting: Textiles Specialty Group Viable Conservation Department at the British Library Dr. Cordelia Rogerson 8:30am – 9:00am Managing Sustainability of Light Sensitive Collections 2:50pm – 3:10pm Stefan Michalski Track A: Securing The Future of Collections in Zimbabwe’s National Museums through Preventive 9:00am – 9:30am Conservation: The Case of Zimbabwe Military Museum Relying on the Kindness of Strangers: Gathering Davison Chiwara Information for the Treatment of a Suit of Japanese Samurai Armor 3:10pm – 3:30pm Anne Battram Track A: Case Study: Implementing a Research- Driven, Sustainable, Preventive Conservation Solution 9:30am – 10:00am Developed during an Extended Grant-Funded Project Working with Limited Resources: Improving Storage Ralph Wiegandt Conditions for Archaeological Textiles at University of Concepción 3:30pm – 4:00pm Francisca A. Lucero Juez Refreshment Break in Exhibit Hall

10:00am – 10:30am 4:00pm – 4:15pm Refreshment Break in Exhibit Hall Track A: Solvents, Scents, and Sensibility Part I: Swapping – Solvent Substitution Strategies 10:30am – 11:00am Chris Stavroudis Assessing the Fading of Colorants by Light Courtney A. Bolin, Scott M. Rosenfeld, Mary W. Ballard 4:15pm – 4:30pm Track A: Boxes Inside of Boxes: Preventative 11:00am – 11:30am Conservation Practices In Consideration of the Thangka Robin P. Croskery Howard Denise Krieger Migdail 4:30pm – 4:45pm 11:30am – Noon Track A: The Role of LED Lighting in an Energy-Efficient Stressed about Pests? A Panel-led Discussion on Museum Integrated Pest Management Eric Hagan Rachael Arenstein, Bernice Morris, Patricia Silence 4:45pm – 5:00pm 6:30pm – 8:00pm Track A: Fountains, Art, Design, Preservation and Reception: Textiles Specialty Group (Restaurant Lulu) Sustainability Kathleen M. Garland

GENERAL SESSIONS 5:00pm – 5:30pm Track A: Question and Answer Period Four Tracks on Sustainability Sarah Nunberg, Betsy Haude Track A: Case Studies in Sustainable Collection Care Track B: Engaging Communities in Collection Care Track B Track C: Exploring Sustainable Preservation Environments 2:00pm – 2:10pm Track D: Sustainability in Public Art Conservation Track B: Introduction to Session Moderators: Joelle D. J. Wickens, Peggy Ellis

2:10pm – 2:30pm Friday Track A Track B: Children as Agents for Preventive Conservation 2:00pm – 2:10pm Casey Gallagher, Jeffrey Hirsch Track A: Introduction to Session Moderators: Sarah Nunberg, Betsy Haude 2:30pm – 2:50pm Track B: Heritage versus ‘Business of the House’: 2:10pm – 2:30pm Conservation and Collection Care at the Houses of Track A: Preserving The Future Parliament, UK Kasey Lee, Pamela Lowings Caroline Babington, Lara Artemis

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 17 Schedule 2:50pm – 3:10pm 3:30pm – 4:00pm Track B: Current Conservation Education and Practice: Refreshment Break in Exhibit Hall Are They Sustainable? Paul Himmelstein 4:00pm – 4:20pm Track C: Sustainability and Environmental Control for the 3:10pm – 3:30pm Conservation of the Collections at the Bahia Sacred Art Track B: Teaching Preventive Conservation: Preparing Museum Conservators for Understanding Sustainable Choices Griselda Kluppel in Collection Care Steven Weintraub, Hannelore Roemich 4:20pm – 4:40pm Track C: Creating Sustainable Preservation Environments – 3:30pm – 4:00pm Funding, Process, and Practice Refreshment Break in Exhibit Hall Laura Word, Jeremy Linden, Erin Blake

4:00pm – 4:20pm 4:40pm – 5:00pm Track B: Using Webinars to Tackle Conservation Track C: A Technology Platform for Managing Micro- Misinformation in Ontario’s Community Museums Climatic Conditions in a Museum Environment Fiona Graham Lucretia Kargere, Marco Leona, Masahiko Tsukada, Andrew Winslow, Hendrik F. Hamann, Levente Klein, Marc A. Robbins, Paolo Dionisi Vici, 4:20pm – 4:40pm Sergio A Bermudez-Rodriguez, Alejandro Schrott Track B: The Vivekananda Program for Museum Excellence at the Art Institute of Chicago 5:00pm – 5:30pm Allison Langley Track C: Question and Answer Period Michael Henry 4:40pm – 5:00pm Track B: Sustaining the Cultural Community—The Stewardship Resource Center as a Model for Track D Preventive Conservation Training Laura Hortz Stanton, Dyani Fe 2:00pm – 3:30pm Track D: An Ounce Of Prevention: The Case For 5:00pm – 5:30pm Pre-Fabrication Conservation Review Of New Public Art Track B: Question and Answer Period Commissions Joelle D. J. Wickens, Peggy Ellis Rosa Lowinger 3:30pm – 4:00pm Refreshment Break in Exhibit Hall Track C 2:00pm – 2:10pm Track C: Introduction to Session Moderator: Michael Henry

2:10pm – 2:30pm Track C: Climate and Conflict – The Complex Question of Environmental Conditions in Museums Richard Kerschner, Jerry Podany, Julian Bickersteth

2:30pm – 2:50pm Track C: RH Guidelines: The Risk of Rigidifying an Option Steven Weintraub, Paolo Dionisi-Vici

2:50pm – 3:10pm Track C: Seeing HVAC Requirements and Shortcomings through a Risk Analysis Lens Robert Waller

3:10pm – 3:30pm Track C: Sustainable Collections Care—Integrated Modelling to Address the Demography of Library and Archival Collections Fenella France, Nancy Bell, Carlota Grossi, Catherine Dillon, David The Ferry Building, The Embarcadero at Market Street, San Francisco Friday Thickett, Eva Menart, Gerrit De Bruin, Jinghao Xue, Kalliopi Fouseki, Kostas Ntanos, Matija Strlic, Peter Brimblecombe, William Lindsay 18 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule SATURDAY, MAY 31 2:00pm – 2:30pm Lime-Metakaolin Grouts for Conservation 7:30am – 9:45am Norman Weiss AIC Member Business Meeting: Open to all. Continental breakfast served. 2:30pm – 3:00pm Assessment and Evaluation of Consolidation Methods Noon – 1:30pm Wiki Luncheon on Serpentine Stone at the 19th Street Baptist Church, Philadelphia, PA Noon – 2:00pm Kathryn E. Brown Education and Training Committee Luncheon: Invitation only 3:00pm – 3:30pm 1:30pm – 3:30pm Comparative Study of Commercially Available Rust Syllabus Sharing Session: Conservation educators may Converters discuss their conservation education ideas and share Jason Church, Sarah B. Hunter, Anna Muto, Mary F. Striegel syllabi 3:30pm – 4:00pm 1:30pm – 4:00pm The Effect of Primers on the Durability of Paint on Charting the Digital Landscape of the Conservation Historic Exterior Wood Profession: Funded by The Andrew W. Mellon Carol S. Chin and Laura Lee Worrell Foundation, this session is an opportunity for all AIC BOOK AND PAPER meeting attendees to learn about information being gathered as part of the planning process on this topic, 10:00am – 10:30am and to join in the discussions. Additional information will Investigation of Historical Japanese Paper: Experiment be disseminated prior to the Annual Meeting. to Re-Create Recycled Paper from 18th -19th century Japan Kazuko Hioki

Specialty and Interest Sessions 10:30am – 11:00am ARCHITECTURE Made of Paper: Robert Motherwell’s Collage Materials in the 1940s 10:00am – 10:30am Jeffrey Warda Protection of Cultural Sites: The Case of San Pedro y am am San Pablo Teposcolula, Oaxaca 11:00 – 11:30 Vera De La Cruz Balthazar, Cecilia Rodríguez Sánchez Luz, Victor Corita Kent: A Technical Study of a Group of Screen Gaudencio Pérez Cruz, Rafael Nicolas Sanchez Reyes Prints Harry Metcalf 10:30am – 11:00am Preserving an Endangered Lighthouse: Balancing the 11:30am – Noon Indian Coloured Drawings: Modern Repair Techniques Needs of Natural and Cultural Resources Frances Gale for an Album of 19th Century Paintings on Mica Sarah Reidell 11:00am – 11:30am Two Views Through the Same Window: Long-Term 1:00pm – 2:30pm Art on Paper Discussion Group: Reintegrating Design/ Preservation Goals for Stained Glass Windows Within the Deceiving the Eye: Compensation Issues for Works Context of Historic Buildings

Ariana Makau on Paper Saturday Moderators: Nancy Ash, Scott Homolka 11:30am – Noon White Marble in Exterior Environments—Observations of 2:30pm – 4:00pm Library Collections Conservation Discussion Group: Weathering and Treatments over the Past Fifteen Years Judith M. Jacob Options for Sustainable Practice in Conservation Moderators: Justin Johnson, Danielle Creech 1:30pm – 2:00pm Mortar Problems: Deterioration and Reintegration at Falling Water Aleksandra Carapella

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 19 Schedule COLLECTION CARE + HVAC SESSION ELECTRONIC MEDIA

Exploring Sustainable Preservation 10:00am – 10:30am Environments – Getting to Details Sustainable for Audiovisual Content Linda Tadic 10:00am – 10:10am Introduction to Session 10:30am – 11:00am Patricia Silence The California Audiovisual Preservation Project: A Statewide Collaborative Model to Preserve the State’s 10:10am – 10:30am Documentary Heritage A Sustainable Future at Tate Pamela Jean Vadakan Deborah Potter 11:00am – 11:30am 10:30am – 10:50am Filling in the Gaps: Finding Your Way to Conscientious The Road to Sustainable Environmental Management Curation and Preservation of Born Digital Collections and of Storage Conditions at The National Archives Objects Kostas Ntanos Jason Evans Groth am am 10:50 – 11:10 11:30am – Noon Sustaining Collections: Putting Theory into Practice Sustaining Playback Through Techno-Archeology: A VTR James Reilly, Lois Olcott Price, John Castle, Thomas A. Sherwood Refurbishment Project 11:10am – Noon Michael Angeletti Question and Answer Period Patricia Silence 1:30pm – 2:00pm The A/V Artifact Atlas: Creating a Common Language for 1:30pm – 1:40pm Audiovisual Errors Introduction to Session Hannah Frost, Moriah Ulinskas, Jenny Brice Patricia Silence 2:00pm – 2:30pm 1:40pm – 2:00pm Life After Tape: Collecting Digital Video Art Managing Collections Environments in Historic Joanna Phillips, Agathe Jarczyk Buildings in the Arizona Desert Nancy Odegaard, Teresa Moreno 2:30pm – 3:00pm Conservation of Time-based Media Before Acquisition 2:00pm – 2:20pm or: How I Learned to Stop Worrying and Love HD Video Establishing Sustainable Preservation Environments at Peter Oleksik the Nancy Lev-Alexander 3:00pm – 3:30pm Establishing Time Based Media Conservation at the 2:20pm – 2:40pm National Galleries of Scotland; Creating More in Times Developing Sustainable Storage for the Science Museum of Less Group UK- the Hemcrete Museum Store (HMS) Kirsten Dunne Marta Leskard 3:30pm – 4:00pm 2:40pm – 3:00pm From Infancy to Adolescence: Growing an Electronic Some trends in Examining Six Years of Utility and Media Conservation Program at the Denver Art Museum Climate Data at the Museum of Modern Art Kate Moomaw, Sarah E. Melching Jim Coddington, Ana Martins, Chris McGlinchey HEALTH & SAFETY 3:00pm – 3:20pm Sustaining the Conservator Research on Mechanical System Shutdowns in Collection Storage Areas 10:00am – 10:30am Jeremy Linden Controlling Hazardous Collection Materials Anne Kingery-Schwartz, Kathryn Makos, Kerith Koss Schrager 3:20pm – 4:00pm Question and Answer Period 10:30am – 11:00am Patricia Silence Unintended Consequences of Persistent Residual Vapor- Phase Chemicals within Collection Storage Catharine Hawks, Kathryn Makos Saturday

20 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule 11:00am – 11:30am 3:00pm – 3:30pm Solvents, Scents, and Sensibility Part II: Sequestering Testing and Implementation of Microclimate Storage and Minimizing Containers Chris Stavroudis Dana K. Senge

11:30am – Noon PAINTINGS (JOINT WITH WOODEN ARTIFACTS) Speaker Q&A and Yoga Stretches 10:00am – 10:30am 1:30pm – 2:20pm Lost for One Hundred Years: The Conservation of a Medical Evaluations for Museum and Collection Care Unique Polychrome Neoclassical Pulpit in Upstate Professionals New York David Hinkamp, Ruth Norton Alexander M. Carlisle

2:20pm – 3:00pm 10:30am – 11:00am Sustainability for the Conservator: Mold Remediation Painted Totem Poles at the American Museum of Chris Stavroudis Natural History: Treatment Challenges and Solutions Samantha Alderson, Judith Levinson, Gabrielle Tieu, Karl Knauer 3:00pm – 3:40pm Ergonomics in Collection Care 11:00am – 11:30am David Hinkamp Modern Materials and Practice in Gilding Conservation Hubert Baija 3:40pm – 4:00pm Speaker Q&A and Yoga Stretches 11:30am – Noon Kathryn Makos An Historical Overview of Panel Paintings and Their Structural Treatments at the Walters Art Museum OBJECTS Karen French

10:00am – 10:30am 1:30pm – 2:00pm Collaborative Study and Preservation of Coastal Long-Term Hygromechanical Monitoring of Panel Alaskan Native Material Culture with University Paintings Students, Museum Staff, Alutiiq Scholars and Artists, Paolo Dionisi Vici and the Visiting Public T. Rose Holdcraft, Sven Haakanson, Judy Jungels, Ellen Promise, Fran 2:00pm – 2:30pm Ritchie, Patricia Capone Recent Developments in the Evolution of Spring- Loaded Secondary Supports for Previously Thinned 10:30am – 11:00am Panel Paintings Pine Pitch: New Treatment Protocols for a Brittle and George Bisacca, Alan Miller Crumbly Conservation Problem Nancy Odegaard, Marilen Pool, Christina Bisculca, Brunella Santarelli, 2:30pm – 3:00pm Madeleine Neiman, Gina Watkinson Panel Painting or Furniture? Ethical and Philosophical Conundrums in the Treatment of a Wooden Chest Lid 11:00am – 11:30am from Germany Conservation at 33 1/3 RPM: The Treatment of an Attic Kari Rayner Trefoil Oinochoe Tony Sigel 3:00pm – 3:30pm Window of Opportunity: The Restoration Project of the 11:30am – Noon Ghent Altarpiece Saturday Restoration by Other Means: CT scanning and 3D Bart Devolder Computer Modeling for the Re-Restoration of a Previously Restored Skull from the Magdalenian Era 3:30pm – 4:00pm J.P. Brown, Robert D. Martin The Analysis and Removal of an Intractable Coating for the Panel Painting by Lluis Borrassa, Christ before 1:30pm – 2:30pm Pilate Business Meeting: Objects Specialty Group Dr. Adele De Cruz, William P. Brown 2:30pm – 3:00pm Conserving Stringed Sculpture: The Treatment of Henry Moore’s Mother and Child Nicole Ledoux

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 21 Schedule PHOTOGRAPHIC MATERIALS RESEARCH & TECHNICAL STUDIES

10:00am – 10:30am 10:00am – 10:30am Key Components of the Recent Major Revision of Development and Testing of a Reference Standard for ISO 18902 Imaging Materials — Processed Imaging Documenting Ultraviolet Induced Visible Fluorescence Materials — Albums, Framing and Storage Materials Jennifer McGlinchey Sexton, Jiuan-Jiuan Chen, Paul Messier Daniel Burge 10:30am – 11:00am 10:30am – 11:00am Recommendations for the Standardization of Digital Technical Investigation of Environmental Concerns Radiography of Cultural Heritage Materials for the Exhibition of Diazotypes at The Metropolitan E. Keats Webb, Dr. Blythe McCarthy Museum of Art Katherine Sanderson, Margaret Wessling, Greta Glaser 11:00am – 11:30am X-ray Micro Tomography Analysis of Western Red Cedar 11:00am – 11:30am Secondary Phloem The Kodak Dye Transfer Process — How Eliot Porter Peter McElhinney, Nicole Little, Benjamin Ache Captured Color Tatiana Cole 11:30am – Noon Elemental Identification of Pigments used in Traditional 11:30am – Noon Bark Paintings from Arnhem Land, Groote Eylandt, and A Comparative Study of Handheld Reflectance the Tiwi Islands Spectrophotometers Georgina Rayner, Narayan Khandekar, Katherine Eremin, Rita Katherine Sanderson Giannini, Andrew J. Shortland

1:30pm – 2:00pm WOODEN ARTIFACTS (JOINT WITH PAINTINGS) Characterization of a Surface Tarnish Found on Daguerreotypes Under Shortwave Ultraviolet 10:00am – 10:30am Lost for One Hundred Years: The Conservation of a Radiation Krista Lough Unique Polychrome Neoclassical Pulpit in Upstate New York 2:00pm – 2:30pm Alexander M. Carlisle Retouch Practices Revealed in The Thomas Walther Collection Project 10:30am – 11:00am Lee Ann Daffner Painted Totem Poles at the American Museum of Natural History: Treatment Challenges and Solutions 2:30pm – 3:00pm Samantha Alderson, Judith Levinson, Gabrielle Tieu, Karl Knauer László Moholy-Nagy: Characterization of his Photographic Work at the Art Institute of Chicago and 11:00am – 11:30am Modern Materials and Practice in Gilding Conservation his Working Practices Hubert Baija Mirasol Estrada 11:30am – Noon 3:00pm – 3:30pm An Historical Overview of Panel Paintings and Their Technical Characterization of the Diane Arbus Archive Nora Kennedy, Janka Krizanova Structural Treatments at the Walters Art Museum Karen French 3:30pm – 4:00pm Characterization of Platinum Prints: Comparative 1:30pm – 2:00pm Long-Term Hygromechanical Monitoring of Panel Study of Platinum Prints in the Museum of Fine Arts, Paintings Houston Collection and the Early 20th Century Kodak Paolo Dionisi Vici Platinum Samples Saori Lewis 2:00pm – 2:30pm Recent Developments in the Evolution of Spring- Loaded Secondary Supports for Previously Thinned Panel Paintings George Bisacca, Alan Miller Saturday

22 Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. Schedule 2:30pm – 3:00pm SUNDAY, JUNE 1 Panel Painting or Furniture? Ethical and Philosophical Conundrums in the Treatment of a Wooden Chest Lid 9:00am – 5:00pm from Germany Angels Project: California Historical Society Kari Rayner Ruth Seyler (coordinator)

3:00pm – 3:30pm 9:00am – 6:00pm Window of Opportunity: The Restoration Project of the Tour: Napa Valley: The Art of Wine (Hess Art Collection) Ghent Altarpiece Bart Devolder

3:30pm – 4:00pm The Analysis and Removal of an Intractable Coating for the Panel Painting by Lluis Borrassa, Christ before Pilate Dr. Adele De Cruz, William P. Brown

CLOSING GENERAL SESSION

4:00pm – 6:00pm Closing Session: The Great Debate Led by Richard McCoy

The Great Debate, 2013 Saturday & Sunday Saturday &

San Francisco in clouds

Design your own downloadable itinerary, read full abstracts, and read author bios at www.conservation-us.org/meeting-schedule. 23 Bayne, David Casad, Madeline Furniture Conservator, NY State Office of Parks, Recreation and Associate , the Rose Goldsen Archive of New Media Art Directory Historic Preservation, Waterford, NY and Curator for Digital Scholarship, Cornell University Library, Cornell, NY Ache, Benjamin Beckett, Fiona Production Manager, Micro Photonics, Inc., Allentown, PA Director’s Trust Fellow in Paintings Conservation, National Gallery Castle, John of Canada, Ottawa, ON, Canada Director of Facility Services, Winterthur Museum, Garden & Albertson, Cynthia Library, Winterthur, DE Assistant Conservator, Museum of Modern Art, New York, NY Beebe, Tom Professor, University of Delaware, Newark, DE Chemali, Yasmine Alden, Harriet Irgang Manager, The Fouad Debbas Collection, Beirut, Lebanon Director/ Senior , Rustin Levenson Art Bell, Nancy Conservation Associates, New York, NY Head of Collection Care, The National Archives, Surrey, UK Chen, Jiuan-Jiuan Assistant Professor, Buffalo State College, Buffalo, NY Alderson, Samantha Beltran, Vincent Conservator in the Anthropology Division, American Museum of Assistant Scientist, Getty Conservation Institute, Los Angeles, CA Chin, Carol History, New York, NY Betts, Pamela Joint Faculty Researcher/Professor of Chemistry, National Private Practice, Gaithersburg, MD Center for Preservation Technology and Training (NCPTT) and Alexander, Desiree Northwestern State University Collections Analysis Assistant, Goldsen Archive, Ithaca, NY Bickersteth, Julian Chiwara, Davison Alvarez, Maria Paula Managing Director, International Conservation Services, Chatswood, NSW, Australia Assistant Lecturer, Midlands State University, Department of Director, Corporacion Proyecto Patrimonio, Bogota, Colombia , Cultural Heritage and Museum Studies, Gweru, Anchin, Dina Bisacca, George Zimbabwe Conservator, The Metropolitan Museum of Art, New York, NY Paintings Fellow, Straus Center for Conservation and Technical Chui, Sue Ann Studies, Harvard Art Museums, Somerville, MA Bisculca, Christina Associate Conservator, J. Paul Getty Museum, Los Angeles, CA Anderson, Jae Student, Materials Science and Engineering Heritage Conserva- tion doctoral program, University of Arizona, Tucson, AZ Church, Jason MS Candidate, Materials Science and Engineering, University of Materials Conservator, National Park Service, Natchitoches, LA Arizona, Tucson, AZ Blake, Erin Clifford, Elise Effmann Andrews, Theresa Curator of Art and Special Collections, Folger Shakespeare Library, Washington, DC Head of Paintings Conservation, Fine Arts Museums of San Conservator of Photographs, San Francisco Museum of Modern Francisco, deYoung Museum, San Francisco, CA Art, San Francisco, CA Boal, Gillian Coddington, Jim Angeletti, Michael Head of Conservation and Collections Care, The Wellcome Library, London, United Kingdom Agnes Gund Chief Conservator, Museum of Modern Art, New Moving Image Digitization Specialist, Stanford University York, NY Libraries, Redwood City, CA Boersma, Foekje Cole, Tatiana Anticona, Erika Senior Project Specialist, Getty Conservation Institute, Los Angeles, CA Fellow in Photograph Conservation, Amon Carter Museum of Restauradora, Museo de Arte Religioso Catedral de Lima, American Art, Fort Worth, TX Lima, Peru Bogan, M. P. Collum, Malcolm Antoine, Beth Director of Book Conservation, Northeast Document Conservation Center, Andover, MA Chief Conservator, National Air and Space Museum, Book & Paper Conservator / AIC-CERT Coordinator, New Orleans Washington, DC Book & Paper Lab / AIC-CERT, New Orleans, LA Bolin, Courtney A. Post-Graduate Fellow, Smithsonian Museum Conservation Coueignoux, Catherine Arenstein, Rachael Perkins Furniture Conservator, Oakstreet Conservation, San Mateo, CA Conservator, Bible Lands Museum, Jerusalem, Israel Institute, Washington, DC Brice, Jenny Creech, Danielle Armitage, Ruth Ann Conservation Manager and Associate Conservator for ECS Professor, Eastern Michigan University, Ypsilanti, MI Preservation Coordinator, Bay Area Video Coalition, San Francisco, CA Conservation - Midwest, N Manchester, IN Artemis, Lara Brimblecombe, Peter Croskery Howard, Robin P. Collection Care Manager, Parliamentary Archives, Houses of , Ah-Tah-Thi-Ki Museum, Pembroke Pines, FL Parliament, UK, London, England Professorial Fellow, University of East Anglia, Norwich, UK Brooks, Mary Cruz, Cinthya Ash, Nancy Coordinator of conservation and digital area, Fototeca Pedro Senior Conservator of Works of Art on Paper, Philadelphia Lecturer in the Department of Archaeology, Durham University, Durham, UK Guerra, Facultad de Ciencias Antropológicas de la Universidad Museum of Art, Bala Cynwyd, PA Autónoma de Yucatán, Mérida, México Brown, Kathryn E. Asmus, John Daffner, Lee Ann Research Ohysicist and , University of Architectural Conservator, Dan Lepore & Sons Company, Conshohocken, PA Andrew W. Mellon Foundation Conservator of Photographs, California, San Diego, La Jolla, CA Museum of Modern Art, New York, NY Auada, Fernanda Mokdessi Brown, J.P. Regenstein Associate Conservator, The Field Museum, Chicago, IL Dardes, Kathleen Teaching Specialist, SENAI National Service for Industrial Head, Education, Getty Conservation Institute, Los Angeles, CA Apprenticeship, Sao Paulo, Brazil Brown, William P. Chief Conservator, North Carolina Museum of Art, Raleigh, NC Dawley, Martina Augerson, Christopher PhD Candidate, American Indian Studies and Assistant Curator for Proprietor, Augerson Art Conservation, Millbrook, NY Bubnash, Lacey Native American Relations, University of Arizona, Tucson, AZ Aveline, Dawn Architectural Conservator, Architectural Resources Group (ARG), San Francisco, CA De Bruin, Gerrit Preservation Officer, UCLA Library, University of California Los Head of Conservation, Nationaal Archief,The Netherlands, Den Angeles, Los Angeles, CA Burge, Daniel Haag, Netherlands Babington, Caroline Senior Research Scientist, Rochester Institute of Technology, Rochester, NY de Ghetaldi, Kristin Collection Care Manager, Works of Art, Houses of Parliament, UK, PhD Student, Winterthur/University of Delaware Program in Art London, England Campbell, Harry Conservation, Newark, DE Baija, Hubert Book and Paper Conservator, Ohio State University Libraries, Columbus, OH De La Cruz Balthazar, Adele Senior Conservator of Frames and Gilding, The Rijksmuseum, Adjunct Associate Professor of Chemistry, Duke University, Paintings Conservation Studio, Amsterdam, The Netherlands Capone, Patricia Raleigh, NC Associate Curator, Peabody Museum, Providence, RI Ballard, Mary W. De La Cruz Balthazar, Vera Senior Textiles Conservator, Smithsonian Institution, Suitland, MD Carapella, Aleksandra Professor, School of Architecture of the State University of Oaxaca, Battram, Anne Curator of Collections and Acting Curator of Buildings and Cultural Mexico, Oaxaca, Mexico Landscape, Fallingwater, Mill Run, PA Upholstery Conservator, Biltmore Estate, Asheville, NC Delaney, John K. Carlisle, Alexander M. National Gallery of Art, Washington, DC Supervising Conservator, Historic New England, Williamstown, MA 24 Devolder, Bart Friedman, Anna Painting Conservator, Royal Institute for Cultural Heritage Senior Conservator, National Archives and Records Administration, (KIK-IRPA), Brussels, Belgium College Park, MD Directory Dietrich, Dianne Frost, Hannah Haude, Betsy Librarian, Cornell University Services Manager, Stanford Media Preservation Lab, Stanford Senior Paper Conservator, Library of Congress, Washington, DC Dillon, Catherine University Libraries, Stanford, CA Hawks, Catharine Research Associate, Centre for Sustainable Heritage, The Bartlett Forsberg, Walter Conservator, NMNH, Smithsonian Institution, Falls Church, VA School of Graduate Studies, University College London, UK Audio-Visual Conservator, XFR STN Henry, Michael C. Dionisi-Vici, Paolo Gale, Frances Principal Engineer/Architect, Watson & Henry Associates, Associate Research Scientist, Department of Scientific Research, Senior Lecturer/Conservation Scientist, University of Texas at Bridgeton, NJ The Metropolitan Museum of Art, New York, NY Austin, School of Architecture, Austin, TX Himmelstein, Paul Drew, Mark S. Gallagher, Casey Partner, Appelbaum & Himmelstein, New York, NY Professor of Computing Science, Simon Fraser University, Burnaby, Preservation Consultant, Casey Gallagher, Austin, TX Hinkamp, David BC, Canada Garland, Kathleen M. Co-Director Health in the Arts Program, University of Illinois at Druzik, James Senior Conservator, Objects, The Nelson-Atkins Museum of Art, Chicago and Cook County Hospital, Chicago, IL Senior Scientist, Getty Conservation Institute, Los Angeles, CA Kansas City, MO Hioki, Kazuko Dunne, Kirsten Gates, Glenn Conservation Librarian, University of Kentucky Libraries, Paper Conservator, National Galleries of Scotland, Edinburgh, Conservation Scientist, The Walters Art Museum, Baltimore, MD Lexington, KY United Kingdom Giaccai, Jennifer Hirsch, Jeffrey Elkin, Lisa Kronthal Conservation Scientist, the Smithsonian’s Museum Conservation Director of Cultural Practice, EwingCole, Washington, DC Chief Registrar and Director of Conservation, American Museum Institute, Suitland, MD Holdcraft, T. Rose of Natural History, New York, NY Giannini, Rita Conservator and Administrative Head of Conservation, Peabody Ellis, Margaret (Peggy) Holben Cranfield Forensic Institute, Cranfield University, Cranfield, UK Museum of Archaeology and Ethnology at Harvard University, Professor of Conservation at NYU Institute of Fine Arts and Gillean, Dan Cambridge, MA Director of Thaw Conservation Center, NYU Institute of Fine Arts AtoM Product Manager, Artefactual Systems, New Westminster, Homolka, Scott and Morgan Library & Museum, New York, NY BC, Canada Associate Conservator of Works of Art on Paper, Philadelphia Engel, Deena Gillis, John Museum of Art, Philadelphia, PA Clinical Professor, Department of Computer Science, New York Senior Manuscript Conservator, Trinity College, Dublin, Ireland Horak, Katie University, New York, NY Gillis, Kathy Z. Senior Associate, Architectural Resources Group (ARG), Eremin, Katherine Conservator of Sculpture and Decorative Arts, Virginia Museum of Pasadena, CA Patricia Cornwell Conservation Scientist, Straus Center for Fine Arts, Richmond, VA Horelick, Lauren Conservation and Technical Studies, Harvard Art Museums, Objects Conservator, Smithsonian Institution’s National Air and Cambridge, MA Glaser, Greta Conservator, Private Practice, Washington, DC Space Museum, Alexandria, VA Estrada, Mirasol Hughs, Melissa , Art Institute of Chicago, Chicago, IL Gleeson, Molly Project Conservator, University of Pennsylvania Museum of Graduate Student, Dept. of Chemistry, UCLA, Los Angeles, CA Falk, Owen Archaeology and Anthropology, Philadelphia, PA Jacob, Judy Graduate Student, Stanford University, Chemical Engineering Conservator, Historic Architecture, Engineering, and Conservation Department, Stanford, CA Goldberg, Lisa Conservator, Private Practice, Corning, NY Center, National Park Service Northeast Region Fallon, Tad D. Jarczyk, Agathe Principal, Fallon & Wilkinson, LLC, Baltic, CT Gonzalez, Gloria Digital , University of California, Los Angeles Library Media Art Conservator, Studio for Video Conservation (Owner), Farley, Delana Joy Switzerland Gordon, Eric Collections Manager, Arizona State Museum, University of Jaspersen, Giovana Arizona, Tucson, AZ Head of Painting Conservation, The Walters Art Museum, Baltimore, MD Conservation and Restauration Coordinator, Instituto Nacional Feige, Dyani de Antropología e Historia (INAH) / National Institute of Preservation Specialist, Center for the Conservation of Art and Graham, Fiona Anthropology and History, Merida, Mexico Historic Artifacts, Philadelphia, PA Associate, Goldsmith Borgal & Company Ltd. Architects, Toronto, ON, Canada Johnson, Justin Fino-Radin, Ben Senior Conservator, University of Washington Libraries, Seattle, WA Gridley, Mary Digital Repository Manager, The Museum of Modern Art, New Jungels, Judy York, NY Paintings Conservator, Cranmer Art Conservation, Inc., New York, NY Assistant Conservator, Peabody Museum, Providence, RI Fischer, Martin C. Kargere, Lucretia Assistant Research Professor, Duke University, Raleigh, NC Grossi, Carlota Senior Research Associate, University of East Anglia, Norwich, Metropolitan Museum of Art, New York, NY Fischer, Monique UK Kariya, Hiroko Senior Photograph Conservator, Northeast Document Conserva- Epigraphic Survey, Oriental Institute, University of Chicago tion Center, Cambridge, MA Groth, Jason Evans North Carolina State University Libraries Fellow, North Carolina Karsten, Irene F. Fouseki, Kalliopi State University Libraries, Raleigh, NC Preservation Development Advisor, Canadian Conservation Lecturer, Centre for Sustainable Heritage, The Bartlett School of Institute, Ottawa, ON, Canada Graduate Studies, University College London, UK Haakanson, Sven Associate Professor, Department of Anthropology; Curator of Kelly, Katherine France, Fenella Native American Collections, University of Washington-Seattle; Senior Conservator, National Archives and Records Administration, Chief of the Preservation Research and Testing Division, Library of Burke Museum, Seattle, WA College Park, MD Congress, Washington, DC Hagan, Eric Kennedy, Nora Frellsen, Ann Conservation Scientist, Canadian Conservation Institute, Ottawa, Sherman Fairchild Conservator of Photographs, The Metropolitan Conservator, Emory University Libraries, Atlanta, GA ON, Canada Museum of Art, New York, NY French, Ann Hagan, Siobhan Kerschner, Richard and Collection Care Manager, Whitworth Art Audiovisual Preservation Specialist, University of California, Los Director of Preservation and Conservation, Shelburne Museum, Gallery, University of Manchester, UK, Manchester, UK Angeles Library, Los Angeles, CA Ferrisburgh, VT French, Karen Hanlon, Gordon Khandekar, Narayan Senior Conservator of Paintings, Walters Art Museum, Head of Furniture and Frame Conservation, Museum of Fine Arts, Senior Conservation Scientist, Straus Center for Conservation and Baltimore, MD Boston, Boston, MA Technical Studies, Harvard Art Museums, Cambridge, MA 25 Lowings, Pamela Moomaw, Kate Head of Property Management & Site Development, Royal British Assistant Conservator for Modern and Contemporary Art, Denver Directory Columbia Museum, Victoria, BC, Canada Art Museum, Denver, CO Kielb, Blanka Z. Lucero Juez, Francisca A. Moreno, Teresa Assistant Conservator, Watts Tower Conservation Project, Los Textile Conservator, University of Concepción, Santiago, Chile Associate Conservator, Arizona State Museum, Tucson, AZ Angeles County Museum of Art, Los Angeles, CA Madden, Odile Morfin, Jo Ana Kingery-Schwartz, Anne Research Scientist, Smithsonian’s Museum Conservation Institute, Variable Media Art Conservator, National School of Conservation Objects Conservator, Private Practice, Washington, DC Suitland, MD (ENCRyM), Mexico City, Mexico Kluppel, Griselda Magee, Catherine Morris, Bernice Architect, Associate Professor II and Advisor for International Affairs, Department of Geography, University of Nevada, Reno, NV Assistant Conservator of Costume and Textiles and IPM Federal University of Bahia, Faculty of Architecture, Bahia, Brazil Makau, Ariana Coordinator, Philadelphia Museum of Art, Philadelphia, PA Knauer, Karl Founder and Principal Conservator, Nzilani Glass Conservation, Mudge, Mark Collections Conservator, George Washington’s Mount Vernon, Oakland, CA AUTRE, Cultural Heritage Imaging, San Francisco, CA Alexandria, VA Makos, Kathryn Myers, Gay Koren, Zvi C. Industrial Hygienist, (Ret.) Smithsonian Institution, Rockville, MD Conservator, Lyman Allyn Art Museum, New London, CT Professor & Director, The Edelstein Center for the Analysis of Martin, Robert D. Neiman, Madeleine Ancient Artifacts, Shenkar College of Engineering, Design, and A. Watson Armor III Curator of Biological Anthropology, Field Graduate Student Intern, Arizona State Museum, Tucson, AZ Art, Ramat-Gan, Israel Museum of Natural History, Chicago, IL Nolley, Scott Krizanova, Janka Martins, Ana Head, Fine Art Conservation of Virginia, Richmond, VA Research Scholar in Photograph Conservation, Metropolitan Associate Research Scientist, Museum of Modern Art, New Norman, Kim Museum of Art, New York, NY York, NY Conservator, The Georgia Archives, Morrow, GA Langley, Allison Mayer, Lance Norris, Debra Hess Associate Conservator of Paintings, Art Institute of Chicago, Conservator, Lyman Allyn Art Museum, New London, CT Chair and Professor Art Conservation and Photographic Chicago, IL McCarthy, Blythe Conservator, University of Delaware, Newark, DE Lawrence, Cynthia Andrew W. Mellon Senior Scientist, Freer Sackler Department of Norton, Ruth Owner/Paintings Conservator, Lawrence Fine Art Conservation, Conservation and Scientific Research, Washington, DC McCarter Chief Conservator, The Field Museum, Chicago, IL Englewood, CO McCormick, Kristen Ntanos, Kostas Ledoux, Nicole Manager of Art Collections and Exhibitions, Walt Disney Anima- Head of Conservation Research and Development, The National Samuel H. Kress Objects Conservation Fellow, Straus Center for tion Research Library, Burbank, CA Archives, UK, Kew, Richmond, Surrey, UK Conservation and Technical Studies, Cambridge, MA McCoy, Richard Nunberg, Sarah Lee, Kasey Principal, Richard McCoy & Associates, Indianapolis, IN Conservator, The Objects Conservation Studio, LLC, Brooklyn, NY Conservation Manager, Royal British Columbia Museum, Victoria, McElhinney, Peter Obie, Chandra BC, Canada Postgraduate Fellow in Conservation of Museum Collections, Textile Conservator, Cincinnati Art Museum, Cincinnati, OH Lee, Russell Smithsonian Institute’s National Air and Space Museum, Odegaard, Nancy Curator, National Air and Space Museum, Washington, DC Washington, DC Conservator Professor, Arizona State Museum, Tucson, AZ Leggio, Christine McGlinchey, Chris O’hern, Robin Architectural Conservator, Building Conservation Associates, Conservation Scientist, Museum of Modern Art, New York, NY Andrew W. Mellon Fellow, National Museum of the American Philadelphia, PA McHugh, Kelly Indian, Alexandria, VA Leona, Marco Objects Conservator, National Museum of the American Indian Oleksik, Peter David H. Koch Scientist in Charge in the Department of Scientific (NMAI), Washington, DC Assistant Media Conservator, Museum of Modern Art, Brooklyn, NY Research, Metropolitan Museum of Art, New York, NY McKinley, Matthew Palmer, Michael Lerwill, Andrew Digital Project Specialist, University of California, Irvine Libraries, National Gallery of Art, Washington, DC Research Scientist, Image Permanence Institute, Rochester, NY Irvine, CA Pearlstein, Ellen Leskard, Marta Melching, Sarah E. Faculty, UCLA, Los Angeles, CA Conservation & Collections Care Manager, Science Museum, UK, Director of Conservation, Denver Art Museum, Denver, CO Swindon, Wiltshire, UK Menart, Eva Pérez, Mónica Conservator, National Center for Conservation and Restoration, Lev-Alexander, Nancy PhD Student, Centre for Sustainable Heritage, The Bartlett School Chile, Santiago, Chile Head, Collection Stabilization Section, Library of Congress, of Graduate Studies, University College London, UK Washington, DC Messier, Paul Pesme, Christel Museum Lighting Consultant, Freelance, Los Angeles, CA Levinson, Judith Head Conservator, Paul Messier, LLC, Boston, MA Director of Conservation, American Museum of Natural History, Metcalf, Harry Phenix, Alan New York, NY Craigen W. Bowen Fellow in Paper Conservation, Straus Center Scientist, Getty Conservation Institute, Los Angeles, CA Lewis, Saori for Conservation and Technical Studies, Harvard Art Museums, Philips, Joanna Assistant Conservator, Photography, The Nelson-Atkins Museum Cambridge, MA Associate Conservator of Contemporary Art, Solomon R. of Art, Kansas City, MO Methot, Brian Guggenheim Museum, New York, NY Linden, Jeremy Digital Imaging Technician, Emory University Libraries, Atlanta, GA Podany, Jerry Preservation Environment Specialist, Rochester Institute of Michalski, Stefan Senior Conservator of Antiquities, J. Paul Getty Museum, Los Technology, Rochester, NY Senior Conservation Scientist, Canadian Conservation Institute, Angeles, CA Lindsay, William Ottawa, ON, Canada Pool, Marilen The National Archives, Kew, Richmond, Surrey, UK Migdail, Denise Krieger Basketry Project Conservator, Arizona State Museum, Tucson, AZ Little, Nicole Textile Conservator, Asian Art Museum, San Francisco, CA Potter, Deborah Physical Scientist, Smithsonian’s Museum Conservation Institute, Miller, Alan Head of Conservation, Tate, London, UK Washington, DC Assistant Conservator, The Metropolitan Museum of Art, New Preusser, Frank Lough, Krista York, NY Senior Conservation Scientist and Project Manager, Los Angeles 3rd Year Student, Buffalo State College, Program in Art Conserva- Molina, Marina Ruiz County Museum of Art, Los Angeles tion, Buffalo, NY Assistant Conservator, Metropolitan Museum of Art, New York, NY Price, Lois Olcott Lowinger, Rosa Montes, Juan Director of Conservation, Winterthur Museum, Garden & Library, Principal, Rosa Lowinger & Associates - Conservation of Art and Chief Technology Officer, The Museum of Modern Art, New York Winterthur, DE Architecture, Los Angeles, CA 26 Promise, Ellen Serotta, Anna Samuel H. Kress Conservation Fellow in Objects, Isabella S. Contract Conservator, Metropolitan Museum of Art, Brooklyn, NY Gardner Museum, Boston, MA Sexton, Jennifer McGlinchey Directory Rainwater, Emily Conservator of Photographs, Paul Messier, LLC, Brighton, MA Voras, Zachary Conservator, State Archives of North Carolina, Raleigh, NC Sherwood, Thomas A. Ph.D. Student, University of Delaware, Newark, DE Rayner, Georgina Senior Account Manager, Limbach Company, Philadelphia, PA Walker, Claire Postdoctoral Fellow in Conservation Science, Straus Center for Shiraiwa, Yoko Assistant Painting Conservator, Saint Louis Art Museum, St. Conservation and Technical Studies, Cambridge, MA Paper and Photograph Conservator, Private Practice, Tokyo, Japan Louis, MO Rayner, Kari Shortland, Andrew J. Walker, Nicola Graduate Student in Paintings Conservation, Conservation Center Cranfield Forensic Institute, Cranfield University, Cranfield, UK Head of Collection Care & Access, Whitworth Art Gallery, of the Institute of Fine Arts, NYU, New York, NY University of Manchester, Manchester, UK Sigel, Tony Reidell, Sarah Conservator of Objects and Sculpture, Straus Center for Conservation Waller, Robert Associate Conservator for Rare and Paper, The New York and Technical Studies, Harvard Art Museums, Cambridge, MA President, Protect Heritage Corp., Ottawa, ON, Canada Public Library, New York, NY Silence, Patricia Warda, Jeffrey Reilly, James Conservator of Museum Exhibitions and Historic Interiors, Colonial Conservator, Paper, Solomon R. Guggenheim Museum, New Founder & Director, Rochester Institute of Technology, Rochester, NY Williamsburg Foundation, Williamsburg, VA York, NY Riedler, Renee Skelton, Samantha Warren, Warren S. Conservator, Weltmuseum Wien, Vienna, Austria Paintings Conservation Fellow, Winterthur/University of Delaware James B. Duke Professor of Chemistry, Professor of Radiology, Ritchie, Fran Program in Art Conservation, Columbia, SC Biomedical Engineering, and Physics, Duke University, Raleigh, NC Andrew Mellon Object Conservation Fellow, National Museum of Smyth, Andrew Watkinson, Gina the American Indian (NMAI), Washington, DC Professor of Civil Engineering and Engineering Mechanics, Conservation Assistant, Arizona State Museum, Tucson, AZ Robbins, Marc A. Columbia University, New York, NY Watson, Stephanie Vice Provost for Undergraduate Education, Stanford University, Squires, Pierette Volunteer Chemist, Conservation Laboratory at the Arizona State Stanford, CA Conservator, Bolton Library and Museum Service, Bolton, UK Museum, University of Arizona, Tucson, AZ Roberts-Manganelli, Susan Stanton, Laura Hortz Watteeuw, Lieve Director, Art and Science Learning Lab, Cantor Center for Visual Director of Preservation Services, Conservation Center for Art and Professor of Art History and Conservator of Books, Manuscripts and Arts, Stanford University, Stanford, CA Historic Artifacts, Philadelphia, PA Library Materials, University of Leuven and Illuminare - Centre for the Study of Medieval Art, Leuven, Belgium Roemich, Hannelore Stavroudis, Chris Professor of Conservation Science, NYU Institute of Fine Arts, New Paintings Conservator, Private Practice, W Hollywood, CA Webb, E. Keats York, NY Digital Imaging Specialist, Smithsonian Museum Conservation Striegel, Mary F. Institute, Washington, DC Rogerson, Cordelia Chief of Materials Conservation, National Park Service, NCPTT, Head of Conservation, British Library, London, UK Natchitoches, LA Wei, Bill Rosenfeld, Scott M. Senior Conservation Scientist, Rijksdienst voor het Cultureel Strlic, Matija Erfgoed, Amsterdam, The Netherlands Resident Lighting Designer, Smithsonian American Art Museum Senior Lecturer, Centre for Sustainable Heritage, The Bartlett and Renwick Gallery, Washington, DC School of Graduate Studies, University College London, UK Weintraub, Steven President, Art Preservation Services Inc., Long Is City, NY Rossol, Monona Summerour, Rebecca President/Founder, Arts, Crafts & Theater Safety, Inc., New York, NY Andrew W. Mellon Fellow in Textile Conservation, National Weiss, Anna Rothgangel, Ella Museum of the American Indian, Washington, DC Postgraduate Fellow in Conservation, National Air and Space Museum, Washington, DC Collections Information and Imaging Administrator, Saint Louis Sutcliffe, Howard Art Museum, St. Louis, MO Principal Conservator, River Region Costume and Textile Conserva- Weiss, Norman Saetta, Elizabeth tion, Montgomery, AL Adjunct Associate Professor, Columbia University, Historic Preservation Program, GSAPP Outdoor Sculpture Coordinator, Cantor Center for Visual Arts, Tadic, Linda Stanford University, Stanford, CA Executive Director, Audiovisual Archive Network, Venice, CA Wessling, Margaret Sanderson, Katherine Fourth-Year Student, Conservation Center, NYU Institute of Fine Thickett, David Arts, Sunnyside, NY Assistant Conservator of Photographs, Metropolitan Museum of Senior Conservation Scientist, English Heritage, London, UK Art, New York, NY Wharton, Glenn Tieu, Gabrielle Santarelli, Brunella Clinical Associate Professor, Department of Museum Studies, New Associate Conservator, American Museum of Natural History, New York University, New York, NY Student, Materials Science and Engineering Heritage Conserva- York, NY tion doctoral program, University of Arizona, Tucson, AZ Wickens, Joelle D.J. Titus, Claire Associate Conservator and Adjunct Assistant Professor, Winterthur Schaette, Christine Conservator, New Brunswick Museum, Saint John, NB, Canada Assistant Furniture Conservator, Museum of Fine Arts, Boston, MA Museum, Garden & Library, Winterthur, DE Trienens, Amanda Schiamberg, Scott Raphael Wiegandt, Ralph Senior Conservator and Managing Director, Integrated Conserva- Project Conservator, George Eastman House, Rochester, NY Associate Principal, Perkins Eastman Architects, New York, NY tion Resources, Inc., New York, NY Schilling, Michael R. Winslow, Andrew Tsukada, Masahiko Senior Departmental Technician, Metrpolitan Museum of Art, Senior Scientist and Head of Organic Materials Laboratory, Getty The National Museum of Western Art, Tokyo, Japan Conservation Institute, Los Angeles, CA New York, NY Ulinskas, Moriah Wolbers, Richard C. Schrager, Kerith Koss Preservation Program Director, Bay Area Video Coalition, San Objects Conservator, Private Practice, Mount Vernon, NY Associate Professor, Coordinator of Science and Adjunct Paintings Francisco, CA Conservator, University of Delaware, Newark, DE Schrott, Alejandro Vadakan, Pamela Jean IBM Research, Thomas J. Watson Center, Yorktown Heights, NY Word, Laura Coordinator, California Audiovisual Preservation Project, Senior Program Officer in the Division of Preservation and Access, Schweri-Dorsch, Sylvia University of California, Berkeley Library, Berkeley, CA National Endowment for the Humanities, Washington, DC Associate Conservator, Watts Tower Conservation Project, Los Van Malssen, Kara Angeles County Museum of Art, Los Angeles, CA Xue, Jinghao Senior Consultant, Audio Visual Preservation Solutions Lecturer, University College London, Department of Statistical Selvius-DeRoo, Cathy Vandermeulen, Bruno Science, London, UK Research Scientist, Detroit Institute of Arts, Detroit, MI Photography Coordinator, Imaging Lab at the Faculty of Arts and Zhang, Mingjing Senge, Dana K. the University Library (KU Leuven), Belgium Graduate Student, Simon Fraser University, Burnaby, Canada Objects Conservator, National Park Service Intermountain Region Villafana, Tana Museum Services Program, Tucson, AZ PhD Student in Physical Chemistry, Duke University, Durham, NC 27 Gold Sponsors

28 Gold Sponsors

Browse & shop our Full ArchivAl cAtAlog online At universityproducts.com University Products offers more tools, equipment and materials for conservators than any other supplier to the museum profession.

517 Main Street, PO Box 101, Holyoke, MA 01041-0101 Ph: 1.800.628-1912 Fax: 1.800.532.9281 Online: www.universityproducts.com Email: [email protected]

29

42nd ANNUAL MEETING Registration Form San Francisco, CA • May 28 –31, 2014

❶ ATTENDEE INFORMATION Name (to appear on badge) ______

Affiliation (2nd line of badge) ______

Member #______Email ______

Phone ______Fax ______

This is my first AIC Annual Meeting . I have special needs . Please contact me .

❷ MEETING REGISTRATION FEE

FULL REGISTRATION * You must be a student member to receive the Student Rate. Early Rate Regular and On-Site Postmarked by 2/28/14 Submitted after 2/28/14 Member...... $349 Member...... $379 Student* ...... $155 Student* ...... $175 Non-Member...... $449 Non-Member...... $479

~OR~ ONE DAY REGISTRATION Which day you are registering for? HOW TO REGISTER Member...... $280 Wednesday Friday Before sending, be sure to: Non-Member...... $395 Thursday Saturday • Complete all fields of the form. Special (Wednesday only).$100 • Keep a copy for your records. • Review registration policies. $______Meeting Registration Fee: Mail to: AIC—2014 AM Registration (from part 4, reverse) Ticketed Events $______1156 15th St . NW, Suite 320 TOTAL FEES: $______Washington, DC 20005 –or– Fax to: 202-452-9328 ❸ METHOD OF PAYMENT (if paying by credit card only) Note: Fees must be paid in U.S. dollars, payable on a U.S. bank to “AIC” –or– CHECK Register online!: Visit www.conservation-us.org/meetings and register quickly and securely!

Check # Questions? MASTERCARD VISA Call: 202-661-8063 - - - • Please do not send twice. • Confirmations will be sent after being Credit Card # Expiration Date Security Code processed . Please do not call to confirm registration . Name (as it appears on card) ______

Signature ______

Billing Address ______SUNDAY, 1 JUNE 30 MAY FRIDAY, 29 MAY THURSDAY, WEDNESDAY, MAY 28 TUESDAY ❹ You must be registered for the meeting (see part 2) in order to sign up for a ticketed event. aticketed for up to sign 2) order in part (see meeting the for registered be You must

TICKETED EVENTS: TICKETED C B A embers of this group only group of this embers

tudent members of group of group members tudent S o-ebr price Non-member M ✓ , MAY 27 our: ur: ur: ur: +Wooden Artifacts Architecture eception: Groups Materials +Photographic Paper and Book eception: &Technical Studies Research eception: Specialty Paintings eception: Group Studies &Technical Research uncheon: Group Media Electronic uncheon: eception: eminar: ur: ur: ur: ur: ur: ur: ur: orkshop: orkshop: orkshop: Reception: ObjectsSpecialtyGr Opening Reception Opening Reception Opening Appointment: Appointment: Workshop: Workshop: Workshop: Lecture: T To To R Reception: R R R L L R S To To To To To To To W W W Napa Valley: The Art of Wine (also offered June June offered 1) (also Wine of Art Valley: The Napa Mission District Walk: Murals and Morsels (max 30) 30) (max Morsels and Walk:Murals District Mission 30) (max Walk Heights Pacific 20) (max Panoramas and Preservation Presidio: 20) (max Collections and Storage, Lab, Conservation Museum: Art Asian 40) (max Azaleas and Antiques, Architecture, at Filoli: A Day 40) (max Collections and Labs Conservation Museum Honor of Youngde Legion and Reds and Rosa –di Pairing Ultimate Valley: The Napa 30) (max House Haas-Lilienthal with Walk Heights Pacific Napa Valley: The Art of Wine (also offered May 27) offered (also Wine of Art Valley: The Napa  Respirator FitTesting Conservators in Private Practice: Greening Your Conservation Practice Your Conservation Practice:Greening Private in Conservators

Textiles Specialty Group Textiles Specialty Mastering Collections of Digital Photographic Conservation Documentation aDisaster after Outbreaks to Mold Responding Photographic TechniquesComputational Preservation Planning for Cultural Institutions Cultural for Planning Preservation of Inpainting Essentials Dataloggers: Establishing and Maintaining Environmental Monitoring Systems Conservators in Private Practice Business Meeting Respirator FitTesting

Workshops, Tours, andSpecialEvents — — Extra Ticket Extra badge name your with entry Free E SUBTOTALTICKET OF

D

oup Group

E

E D o make an appointment for a Respirator Fit Testing Fit aRespirator for on appointment o make an ickets

Free Free Specialty Groups T Thursday, you must attend the Lecture on Wednesday on Thursday, Lecture the you must attend family members T

intended

EVENTS: ED

39 39 for

spouses, $ $45 $45 $

$15 $15 $15 $15 35 35

A A A A A /$45 /$45 /$55 /$55 /$49 /$49 /$20 /$20 /$25 /$25 $ $

60 60 35 35 significant

A B A B B B B

/$30 /$30 /$20 /$20 /$25 /$25 /$80 /$80 /$45 /$45 /$10 /$10 /$10

$195 $195 $195 ______$139 ______$139 $139 $139

F Fee $ ______$39 $ $49 $49 $49 ______$20 $29 $ $79 $79 $79 ree 30 39 25 SG Member/ Non member C C C C C B B A

others,

______1 Number of

and tickets $______

$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ ______0 0 Subtotal American Institute for Conservation 42ND ANNUAL MEETING 7 SAN FRANCISCO, CA 7 MAY 28–31

THE LARGEST NORTH AMERICAN GATHERING Discover…OF SUPPLIERS TO THE CONSERVATION FIELD EXHIBIT HALL 7 THURSDAY, MAY 29 & FRIDAY, MAY 30 7 10AM-5:30PM

Gold Booth Sponsors: Bruker Elemental Hollinger Metal Edge, Inc. Lowy University Products, Inc.

Silver Booth Sponsors: Gaylord Brothers Image Permanence Institute Kremer Pigments, Inc. T and D US, LLC Talas Tru Vue, Inc.

Exhibitors: Archetype Publications Ltd. Art Preservation Services ShipandInsure.com Bostick & Sullivan SmallCorp Crystalization Systems, Inc. Zarbeco, LLC D/2 Biological Solution Dorfman Museum Figures, Inc. Sponsors: Gamblin Conservation Colors Tote Bag Sponsor: The Getty Conservation Institute Tru Vue, Inc. Getty Publications AIC Wiki Training Workshop Glasbau Hahn America Sponsor: Hiromi Paper, Inc. National Center for Preservation Hirox-USA, Inc. Technology and Training (NCPTT) Hun tington T. Block Insurance Agency, Inc. Inherent Vice Squad Book and Paper & Photographic The Japanese Paper Place Materials Reception Sponsors: JVC Advanced Media U.S.A., Inc. Preservation Technologies, LLC Maney Publishing Hollinger Metal Edge, Inc. Masterpak Tru Vue, Inc. MuseuM Services Corporation Collections Care Network Liaison Nat ional Center for Preservation Technology Meeting Sponsor: and Training (NCPTT) Tru Vue, Inc. Northeast Document Conservation Center Odorox ECPN Happy Hour Sponsor: RH Conservation Engineering Tru Vue, Inc. AIC 1156 15th Street NW Suite 320 Washington, DC 20005-1714

Location & Accommodations Registration Information Conference Hotel The registration fee includes name badge, registration materials, tote bag, meeting program and abstract book, general and specialty Hyatt Regency San Francisco group sessions, opening reception, coffee breaks, and exhibit 5 Embarcadero Center hall. The registration fee does not include hotel accommodations, San Francisco, CA 94111 transportation, meal functions, tours, or workshops. Reservations can be made online via the AIC website at www.conservation-us.org/annual-meeting-hotel Special early registration must be postmarked by February 28, Main Phone: 415-788-1234 2014, to qualify. Make your reservations early, as space is limited Fax: 415-398-2567 for tours, workshops, and meal functions. AIC membership dues for http://sanfranciscoregency.hyatt.com 2014 must be paid in full to qualify for member rates. Ticketed events $199 single/double* are only available to individuals who are registered for the overall *Plus tax (currently 15.5%) meeting. Daily registrants are entitled to register for ticketed events Hotel cancellation policy: You may cancel your room up to 72 hours happening on the same day only; attendees planning to register for prior to your reservation to avoid being charged. AIC’s room block sessions or ticketed events scheduled on different days must register closes on April 30, 2014, or when filled. for the full meeting.

About San Francisco AIC will be cashless at the annual meeting. If you wish to purchase Visit www.sanfrancisco.travel/todo/ for information about our host tickets onsite, please bring a credit card or check. city, San Francisco, CA. Cancellations and Refunds Transportation Cancellations of meeting registration must be submitted in writing The San Francisco International Airport (SFO) is about 15 miles (25- to the Director of Membership and Meetings. Cancellations received 30 minutes) from the Hyatt Regency Embarcadero. Public transit by March 1, 2014, are eligible for a 50% refund. can be taken via BART to Pittsburg/Bay Point - SFIA/Millbrae, with a **There are no refunds after March 1, 2014.** 4-minute walk to the hotel. Refunds are processed within 30 days of the conclusion of the conference. Note: AIC is not responsible for any penalties (including Smoking Policy airline or hotel) incurred if changes are made as a result of an event AIC practices a non-smoking policy at all Annual Meeting sessions schedule change or cancellation. Tour fees are non-refundable unless and events. AIC cancels the tour. Attire The attire for all Annual Meeting events is business casual. AMERICAN INSTITUTE AIC FOR CONSERVATION